Height [cm]: 25 / Width [cm]: 39 / Classification: Prints - YCBA Collections Search Search Results

1. Okehampton, Devonshire

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1827-1838
Materials & Techniques:: Etching and engraving, with graphite and scraping out; touched engraver's proof on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 × 15 1/2 inches (29.2 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Cobham Hall, Kent: The Elevation of Cobham Hall in Kent

Creator:: Print made by Henry Hulsberg, active 1700s–died 1729
Date:: 1715 to 1725
Materials & Techniques:: Etching on slightly textured, moderately thick, cream laid paper
Dimensions:: Sheet: 10 × 15 1/4 inches (25.4 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Tantallon Castle

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1822
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 × 15 1/4 inches (28.3 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Edinburgh, from the Calton Hill

Creator:: Print made by George Cooke, 1781–1834
Date:: 1820
Materials & Techniques:: Etching with chine collé; open etched state on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 15 3/8 inches (29.2 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Kenilworth Castle, Warwickshire

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1832
Materials & Techniques:: Etching and engraving with chine-collé; first published state on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 12 1/4 × 15 1/4 inches (31.1 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Fall of the Tees, Yorkshire

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1827-1838
Materials & Techniques:: Etching and engraving with chine collé; first published state on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 12 1/4 × 15 1/4 inches (31.1 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. A Coat of Arms for a Stamp on Income

Creator:: unknown artist
Materials & Techniques:: Etching, hand-colored
Dimensions:: Plate: 10 x 14in. (25.4 x 35.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. The Solent

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1920
Materials & Techniques:: Drypoint and etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 13/16 x 15 3/8 inches (25 x 39 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

9. A Perspective View of the Northwest Front of ye Parish Church of St. Brides

Creator:: Thomas Bowles III, ca. 1712–1767
Materials & Techniques:: Hand colored engraving
Dimensions:: Sheet: 10 x 15 1/4in. (25.4 x 38.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Loading Dates

Creator:: Print made by Charles William Cain, 1893–1962
Date:: undated
Materials & Techniques:: Drypoint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 15/16 x 15 3/8 inches (25.2 x 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

11. St. Paul's Covent Garden during the Fire on 17 September 1795

Creator:: John Scott, 1774–1828
Date:: 1795
Materials & Techniques:: Engraving
Dimensions:: Sheet: 10 x 15 5/16in. (25.4 x 38.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. In Silent Waters

Creator:: Print made by Charles William Cain, 1893–1962
Date:: 1921
Materials & Techniques:: Drypoint on moderately thick, slightly textured, greened white wove paper
Dimensions:: Sheet: 9 15/16 x 15 3/8 inches (25.3 x 39 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

13. Evening Calm

Creator:: Print made by Charles William Cain, 1893–1962
Date:: undated
Materials & Techniques:: Drypoint on moderately thick, slightly textured, greened white wove paper
Dimensions:: Sheet: 9 13/16 x 15 5/16 inches (25 x 38.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

14. Ctesiphon Arch

Creator:: Print made by Charles William Cain, 1893–1962
Date:: 1921
Materials & Techniques:: Drypoint on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 x 15 7/16 inches (25.4 x 39.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

15. Views of the Gates of Rome; The Light Horse Gate formerly Pasterula: 1. St. Peters Church 2. the Pontifical Palace 3. the Quarters of the Light Horse Guards 4. part of the Palace of the Holy Offices

Views of the Gates of Rome; The Light Horse Gate formerly Pasterula: 1. St. Peters Church 2. the Pontifical Palace 3. the Quarters of the Light Horse Guards 4. part of the Palace of the Holy Offices

Creator:: unknown artist
Materials & Techniques:: Etching
Dimensions:: Sheet: 10 x 15 1/2in. (25.4 x 39.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

16. Saltash, Cornwall

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1827-1838
Materials & Techniques:: Etching and engraving, with graphite and scratching out; touched engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/8 × 12 1/4 inches (25.1 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. The Silver Age

Creator:: Print made by John Simon, 1675–1751
Date:: undated
Materials & Techniques:: Mezzotint on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 11 3/8 × 15 7/16 inches (28.9 × 39.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

18. The Golden Age

Creator:: Print made by John Simon, 1675–1751
Date:: undated
Materials & Techniques:: Mezzotint on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 11 3/8 × 15 3/8 inches (28.9 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

19. [Fox-hunting] set of four: Hertfordshire. 1. (Whitewell near Welwyn) / Village Scenery - Hounds Meeting

Creator:: Dean Wolstenholme, 1798–1882
Date:: undated
Materials & Techniques:: Hand colored and color printed aquatint
Dimensions:: Sheet: 9 7/8 x 15 1/4in. (25.1 x 38.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. After Sun-Set

Creator:: Print made by John Browne, 1741–1801
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 5/8 x 16 5/8 inches (32.1 x 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Moon-Light

Creator:: Print made by John Browne, 1741–1801
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 5/8 x 16 7/16 inches (32 x 41.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Architectural Designs Incorporating Chinoiserie motifs: China Railing

Creator:: Print made by George Bickham the Younger, ca. 1706–1771
Date:: 1751
Materials & Techniques:: Etching on medium, textured, cream laid paper
Dimensions:: Sheet: 9 13/16 x 15 3/8 inches (25 x 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Architectural Designs incorporating Chinoiserie motifs: A Chinese Single Brac'd Railing. A Hedge. Double Pailing. Gate...

Creator:: Print made by George Bickham the Younger, ca. 1706–1771
Date:: 1751
Materials & Techniques:: Etching on moderately thick, textured, cream laid paper
Dimensions:: Sheet: 9 11/16 x 15 3/16 inches (24.6 x 38.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Architectural Designs incorporating Chinoiserie Motifs: Rails

Creator:: Print made by George Bickham the Younger, ca. 1706–1771
Date:: 1751
Materials & Techniques:: Etching on moderately thick, textured, cream laid paper
Dimensions:: Sheet: 9 15/16 x 15 3/8 inches (25.3 x 39 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Okehampton Castle on the River Okement

Creator:: Print made by Charles Turner, 1774–1857
Date:: 1825
Materials & Techniques:: Engraving and mezzotint; engraver's proof (between a&b) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 × 15 3/8 inches (25.4 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. The South View of Barnes

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Hand colored engraving on moderately textured, moderately thick, brown laid paper
Dimensions:: Sheet: 9 3/4 × 15 3/16 inches (24.8 × 38.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Pistol eating Fluellen's Leak - "Henry V"

Creator:: Print made by Henry William Bunbury, 1750–1811
Date:: between 1811 and 1815
Materials & Techniques:: Hand-colored etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 x 15 3/8 inches (26 x 39 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

28. A Panic on Both Side or Great Men in the Horrors

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1795
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 10 x 15 3/8in. (25.4 x 39.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Architectural Designs Incorporating Chinoiserie Motifs: Oblong Paling. A Door. Parallel railing.

Creator:: Print made by George Bickham the Younger, ca. 1706–1771
Date:: 1751
Materials & Techniques:: Etching on medium, textured, cream laid paper
Dimensions:: Sheet: 9 13/16 x 15 1/2 inches (25 x 39.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Architectural Designs incorporating Chinoiserie motifs: Japan Railing. A Hatch. An Obtuce Paling. Parallelgram Railing..

Creator:: Print made by George Bickham the Younger, ca. 1706–1771
Date:: 1751
Materials & Techniques:: Etching on medium, textured, cream laid paper
Dimensions:: Sheet: 9 13/16 x 15 3/8 inches (25 x 39 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. A Ferry on the River Severn

Creator:: Print made by Samuel Smith, ca. 1745–1808
Date:: ca. 1760
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 × 15 1/2 inches (25.4 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. A Prospect of the Parliament House, in College Green, Dublin

Creator:: unknown artist
Materials & Techniques:: Hand-colored engraving on laid paper
Dimensions:: Plate: 9 3/4 × 15 1/2 inches (24.8 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. [Fox-hunting] set of four: Hertfordshire. 2. (View near Offley) / Village Scenery - Hounds Going to Cover

Creator:: Dean Wolstenholme, 1798–1882
Date:: undated
Materials & Techniques:: Hand colored and color printed aquatint
Dimensions:: Sheet: 9 7/8 x 15 1/4in. (25.1 x 38.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. [Fox-hunting] set of four: Hertfordshire. 4. (View near St. Albans) / Village Scenery - Death

Creator:: Dean Wolstenholme, 1798–1882
Date:: undated
Materials & Techniques:: Hand colored and color printed aquatint
Dimensions:: Sheet: 9 7/8 x 15 1/4in. (25.1 x 38.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. [Fox-hunting] set of four: Hertfordshire. 3. (View leading to Paul's Waldens Park) / Village Scenery - Full Cry

Creator:: Dean Wolstenholme, 1798–1882
Date:: undated
Materials & Techniques:: Hand colored and color printed aquatint
Dimensions:: Sheet: 9 7/8 x 15 1/4in. (25.1 x 38.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

Creator:: Print made by Jacob Bonneau, 1741–1786
Date:: 1751
Materials & Techniques:: Etching and stipple engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/4 x 15 1/4 inches (28.6 x 38.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

Creator:: Print made by Jacob Bonneau, 1741–1786
Date:: 1751
Materials & Techniques:: Etching and stipple engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 15/16 x 15 1/2 inches (27.8 x 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

Creator:: Print made by Jacob Bonneau, 1741–1786
Date:: 1751
Materials & Techniques:: Etching, stipple engraving and drypoint print on moderately thick, smooth, cream laid paper
Dimensions:: Sheet: 11 1/4 x 15 1/2 inches (28.6 x 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. A General Prospect of Vaux Hall Gardens, Shewing at one View the disposition of the whole Gardens

Creator:: John S. Muller, ca. 1715–1792
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 12 1/4 × 18 inches (31.1 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. A Prospect of the Library of Trinity College, Dublin

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Hand-colored engraving on laid paper
Dimensions:: Plate: 10 x 15 1/2in. (25.4 x 39.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. A Sea Port in Italy

Creator:: Print made by Samuel Smith, ca. 1745–1808
Date:: ca. 1760
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 × 15 1/2 inches (25.4 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Drop

Creator:: Richard Smith, 1931–2016
Date:: 1969
Materials & Techniques:: Screenprint
Dimensions:: Frame: 16 × 15 1/4 × 1 1/2 inches (40.6 × 38.7 × 3.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Barbara Sunderman Hoerner

43. Proscenium

Creator:: Richard Smith, 1931–2016
Date:: 1969
Materials & Techniques:: Screenprint
Dimensions:: Frame: 16 × 15 1/4 × 1 1/2 inches (40.6 × 38.7 × 3.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Barbara Sunderman Hoerner

44. Exit

Creator:: Richard Smith, 1931–2016
Date:: 1969
Materials & Techniques:: Screenprint
Dimensions:: Frame: 16 × 15 1/4 × 1 1/2 inches (40.6 × 38.7 × 3.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Barbara Sunderman Hoerner

45. Westminster Races, A Political Heat Run in Convent Garden

Creator:: Attributed to Isaac Cruikshank, 1764–1811
Date:: 1784
Materials & Techniques:: Etching on thin, slightly textured, white laid paper
Dimensions:: Sheet: 10 × 15 1/4 inches (25.4 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Godfrey Pearlson

46. Interval

Creator:: Richard Smith, 1931–2016
Date:: 1969
Materials & Techniques:: Screenprint
Dimensions:: Frame: 16 × 15 1/4 × 1 1/2 inches (40.6 × 38.7 × 3.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Barbara Sunderman Hoerner

47. Ostend

Creator:: Print made by Edmund Blampied, 1886–1966
Date:: undated
Materials & Techniques:: Drypoint on laid paper
Dimensions:: Plate: 7 x 10 inches (17.8 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

48. Loading Vraic

Creator:: Print made by Edmund Blampied, 1886–1966
Date:: undated
Materials & Techniques:: Drypoint on laid paper
Dimensions:: Plate: 7 x 10 inches (17.8 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Allen Evarts Foster, B.A. 1906

49. The Introduction of the Pope to the Convocation at Oxford, By the Cardinal Broad Bottom.

Creator:: James Gillray, 1756–1815
Date:: 1809
Materials & Techniques:: Etching in black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 15 1/4 inches (28.9 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Le Quai de Rosaire

Creator:: Print made by William M. Larkins, 1901–1974
Date:: undated
Materials & Techniques:: Etching touched with white chalk; 4th state
Dimensions:: Sheet: 10 × 15 1/2 inches (25.4 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Daniel Bell

51. A View of Castle Gate: 1. the Castle of Angels 2. the Gallery of Communication from thence to the Vaticein Palace

Creator:: unknown artist
Materials & Techniques:: Engraving
Dimensions:: Sheet: 9 7/8 x 15 7/16in. (25.1 x 39.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

52. A View of the Gate Fabrica: 1. St. Peters Church 2. the Quarters of the Light Horse Guards 3. the Mount of Honour

Creator:: unknown artist
Materials & Techniques:: Engraving
Dimensions:: Sheet: 9 15/16 x 15 1/2in. (25.2 x 39.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

53. The Gate Portese formerly Portuensis: 1. the Apostolick office of St. Michael 2. the Custom house on the Grand Quay 3. the Priory of the Knights of Jerusalem 4. the Marble Wharf.

Creator:: unknown artist
Materials & Techniques:: Engraving
Dimensions:: Sheet: 10 x 15 1/2in. (25.4 x 39.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

54. The Gate of St. Pancrass formerly Janiculensis: 1. the Vitellia road which leads to the Sea Coast 2. the Aurelian Way to Antient Gaul of France

Creator:: unknown artist
Materials & Techniques:: Engraving
Dimensions:: Sheet: 9 15/16 x 15 1/2in. (25.2 x 39.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

55. A View on the River Sienne

Creator:: Print made by Samuel Smith, ca. 1745–1808
Date:: ca. 1760
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 × 15 1/2 inches (25.4 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. A View of Marseilles

Creator:: Print made by Samuel Smith, ca. 1745–1808
Date:: ca. 1760
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 × 15 1/2 inches (25.4 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Fishing on the British Coast

Creator:: Print made by Samuel Smith, ca. 1745–1808
Date:: ca. 1760
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 × 15 1/2 inches (25.4 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. An Island on the English Coast

Creator:: Print made by Samuel Smith, ca. 1745–1808
Date:: ca. 1760
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 × 15 1/2 inches (25.4 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. High Land on the British Coast

Creator:: Print made by Samuel Smith, ca. 1745–1808
Date:: ca. 1760
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 × 15 1/2 inches (25.4 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Sailing Out of the Port of Flushing

Creator:: Print made by Samuel Smith, ca. 1745–1808
Date:: ca. 1760
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 × 15 1/2 inches (25.4 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. A Port and Castle on the Welch Coast

Creator:: Print made by Samuel Smith, ca. 1745–1808
Date:: ca. 1760
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 × 15 1/2 inches (25.4 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Fishing on the French Coast

Creator:: Print made by Samuel Smith, ca. 1745–1808
Date:: ca. 1760
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 × 15 1/2 inches (25.4 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. An English Sea Port

Creator:: Print made by Samuel Smith, ca. 1745–1808
Date:: ca. 1760
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 × 15 1/2 inches (25.4 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Going into the Port of Flushing

Creator:: Print made by Samuel Smith, ca. 1745–1808
Date:: ca. 1760
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 × 15 1/2 inches (25.4 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Magic – The Green Bag Metamorphosed, or the Mountain in Labour

Creator:: Print made by Charles Williams, active 1796–1830
Date:: 1820
Materials & Techniques:: Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 15 1/4 inches (26.7 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Stephen H. Borkowski in honor of Dr. Colin Andrew Lee

YCBA Collections Search

Refine your search

Search Constraints

Height [cm] 25

Width [cm] 39

Classification Prints

Search Results

1. Okehampton, Devonshire

2. Cobham Hall, Kent: The Elevation of Cobham Hall in Kent

3. Tantallon Castle

4. Edinburgh, from the Calton Hill

5. Kenilworth Castle, Warwickshire

6. Fall of the Tees, Yorkshire

7. A Coat of Arms for a Stamp on Income

8. The Solent

9. A Perspective View of the Northwest Front of ye Parish Church of St. Brides

10. Loading Dates

11. St. Paul's Covent Garden during the Fire on 17 September 1795

12. In Silent Waters

13. Evening Calm

14. Ctesiphon Arch

15. Views of the Gates of Rome; The Light Horse Gate formerly Pasterula: 1. St. Peters Church 2. the Pontifical Palace 3. the Quarters of the Light Horse Guards 4. part of the Palace of the Holy Offices

16. Saltash, Cornwall

17. The Silver Age

18. The Golden Age

19. [Fox-hunting] set of four: Hertfordshire. 1. (Whitewell near Welwyn) / Village Scenery - Hounds Meeting

20. After Sun-Set

21. Moon-Light

22. Architectural Designs Incorporating Chinoiserie motifs: China Railing

23. Architectural Designs incorporating Chinoiserie motifs: A Chinese Single Brac'd Railing. A Hedge. Double Pailing. Gate...

24. Architectural Designs incorporating Chinoiserie Motifs: Rails

25. Okehampton Castle on the River Okement

26. The South View of Barnes

27. Pistol eating Fluellen's Leak - "Henry V"

28. A Panic on Both Side or Great Men in the Horrors

29. Architectural Designs Incorporating Chinoiserie Motifs: Oblong Paling. A Door. Parallel railing.

30. Architectural Designs incorporating Chinoiserie motifs: Japan Railing. A Hatch. An Obtuce Paling. Parallelgram Railing..

31. A Ferry on the River Severn

32. A Prospect of the Parliament House, in College Green, Dublin

33. [Fox-hunting] set of four: Hertfordshire. 2. (View near Offley) / Village Scenery - Hounds Going to Cover

34. [Fox-hunting] set of four: Hertfordshire. 4. (View near St. Albans) / Village Scenery - Death

35. [Fox-hunting] set of four: Hertfordshire. 3. (View leading to Paul's Waldens Park) / Village Scenery - Full Cry

36. One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

37. One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

38. One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

39. A General Prospect of Vaux Hall Gardens, Shewing at one View the disposition of the whole Gardens

40. A Prospect of the Library of Trinity College, Dublin

41. A Sea Port in Italy

42. Drop

43. Proscenium

44. Exit

45. Westminster Races, A Political Heat Run in Convent Garden

46. Interval

47. Ostend

48. Loading Vraic

49. The Introduction of the Pope to the Convocation at Oxford, By the Cardinal Broad Bottom.

50. Le Quai de Rosaire

51. A View of Castle Gate: 1. the Castle of Angels 2. the Gallery of Communication from thence to the Vaticein Palace

52. A View of the Gate Fabrica: 1. St. Peters Church 2. the Quarters of the Light Horse Guards 3. the Mount of Honour

53. The Gate Portese formerly Portuensis: 1. the Apostolick office of St. Michael 2. the Custom house on the Grand Quay 3. the Priory of the Knights of Jerusalem 4. the Marble Wharf.

54. The Gate of St. Pancrass formerly Janiculensis: 1. the Vitellia road which leads to the Sea Coast 2. the Aurelian Way to Antient Gaul of France

55. A View on the River Sienne

56. A View of Marseilles

57. Fishing on the British Coast

58. An Island on the English Coast

59. High Land on the British Coast

60. Sailing Out of the Port of Flushing

61. A Port and Castle on the Welch Coast

62. Fishing on the French Coast

63. An English Sea Port

64. Going into the Port of Flushing

65. Magic – The Green Bag Metamorphosed, or the Mountain in Labour