Height [cm]: 23 - YCBA Collections Search Search Results

1801. Anthony van Dyck

Creator:: Alexander Bannerman, ca. 1730–1780
Date:: undated
Materials & Techniques:: Line engraving and stipple engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 6 3/4 inches (22.9 × 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1802. William Kent

Creator:: Alexander Bannerman, ca. 1730–1780
Date:: 1762
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/8 x 6 inches (22.5 x 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1803. View of the Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c. taken from Pont Notre Dame

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1804. View of the Gate of St. Denis taken from the Suburbs

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1805. View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c., taken from Pont Notre Dame

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1806. View of Pont de la Tournelle and Notre Dame taken from the Arsenal

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1807. View of the Pantheon taken from the Arsenal

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1808. View of the Palace and Village of Choisi on the Banks of the Seine

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1809. View of the Palace and Village of Choisi on the Banks of the Seine

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1810. View of the Pantheon taken from the Arsenal

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1811. View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1812. View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1813. View of Tonbridge During the Late Election

Creator:: Joseph Josiah Dodd, 1809–1894
Date:: after 1832
Materials & Techniques:: Lithograph with chine collé and hand coloring in watercolor on thick, slightly textured, cream card
Dimensions:: Sheet: 11 5/8 × 16 1/4 inches (29.5 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1814. The Fates

Creator:: Print made by John Doyle ('H.B.'), 1797–1868
Date:: 1847
Materials & Techniques:: Tinted lithograph on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 12 3/16 x 17 3/8 inches (31 x 44.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1815. The Seven Bold Swabians - Who Sallied forth with One Spear, Vide Fairy Ring

Creator:: Print made by John Doyle ('H.B.'), 1797–1868
Date:: 1847
Materials & Techniques:: Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 12 3/16 x 17 1/2 inches (31 x 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1816. Rather a Dangerous Kind of Hug

Creator:: Print made by John Doyle ('H.B.'), 1797–1868
Date:: 1847
Materials & Techniques:: Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 12 3/16 x 17 5/16 inches (31 x 44 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1817. New Steine and Rock Gardens

Creator:: Print made by Day & Co., 1824–1913
Date:: 1839
Materials & Techniques:: Lithograph with hand coloring on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 5/16 x 20 7/16 inches (36.4 x 51.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1818. Paris, A View of Pont au Changes

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1800 to 1802
Materials & Techniques:: Hand colored soft-ground etching with brown, gray, and blue wash on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 9 1/8 × 19 5/16 inches (23.2 × 49.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1819. Royal Crescent, County Hospital, St. George's Chapel, Kemp Town

Creator:: Print made by Day & Co., 1824–1913
Date:: 1839
Materials & Techniques:: Lithograph with hand coloring on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 x 20 15/16 inches (35.5 x 53.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1820. The Castellated Rhine

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1832-1834
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof (c) on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 17 1/8 × 11 3/4 inches (43.5 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1821. John Constable

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/16 x 6 7/16 inches (25.5 x 16.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1822. Robert Cleveley, Esqr. Marine Painter to his R.H. the Prince of Wales, and Marine Draftsman to his R.H. the Duke of Clarence

Creator:: Print made by Samuel Freeman, 1773–1857
Date:: 1810
Materials & Techniques:: Stipple engraving and etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/8 x 5 7/8 inches (23.2 x 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1823. On the Teith

Creator:: John Mathieson, active 1918–1940
Date:: undated
Materials & Techniques:: Etching and drypoint
Dimensions:: Sheet: 9 1/8 x 11 9/16in. (23.2 x 29.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Judith and Norman A. Zlotsky, Yale BS 1953

1824. Set of seven: The Seven Ages of the Horse

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1825
Materials & Techniques:: Hand colored soft-ground etching
Dimensions:: Sheet: 8 7/8 x 10 3/4in. (22.5 x 27.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1825. Set of seven: The Seven Ages of the Horse

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1825
Materials & Techniques:: Hand colored soft-ground etching
Dimensions:: Sheet: 8 7/8 x 10 3/4in. (22.5 x 27.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1826. Set of seven: The Seven Ages of the Horse

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1825
Materials & Techniques:: Hand colored soft-ground etching
Dimensions:: Sheet: 8 7/8 x 10 3/4in. (22.5 x 27.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1827. Set of seven: The Seven Ages of the Horse

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1825
Materials & Techniques:: Hand colored soft-ground etching
Dimensions:: Sheet: 8 7/8 x 10 3/4in. (22.5 x 27.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1828. Torre delle Milizie

Creator:: Lewis Vulliamy, 1791–1871
Date:: between 1818 and 1822
Materials & Techniques:: Graphite and watercolor on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 8 15/16 × 15 1/16 inches (22.7 × 38.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1829. George Gower

Creator:: Print made by James Basire, 1730–1802
Date:: 1800
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 11/16 inches (36.8 x 27.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1830. Set of seven: The Seven Ages of the Horse

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1825
Materials & Techniques:: Hand colored soft-ground etching
Dimensions:: Sheet: 8 7/8 x 10 3/4in. (22.5 x 27.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1831. Set of seven: The Seven Ages of the Horse

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1825
Materials & Techniques:: Hand colored soft-ground etching
Dimensions:: Sheet: 8 7/8 x 10 3/4in. (22.5 x 27.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1832. Set of six: 3. Hunter

Creator:: Thomas Sutherland, ca. 1785–1838
Date:: 1821
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 9 1/8 x 10 3/8in. (23.2 x 26.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1833. Set of six: 2. Cart Horse

Creator:: Thomas Sutherland, ca. 1785–1838
Date:: 1821
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 9 1/8 x 10 3/8in. (23.2 x 26.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1834. Set of six: 6. Hack

Creator:: Thomas Sutherland, ca. 1785–1838
Date:: 1821
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 9 1/8 x 10 3/8in. (23.2 x 26.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1835. Set of six: 4. Pilot

Creator:: Thomas Sutherland, ca. 1785–1838
Date:: 1821
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 9 1/8 x 10 3/8in. (23.2 x 26.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1836. Set of six: 5. Tilbury Horse

Creator:: Thomas Sutherland, ca. 1785–1838
Date:: 1821
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 9 1/8 x 10 3/8in. (23.2 x 26.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1837. Château Hamelin

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1833
Materials & Techniques:: Etching and engraving; early engraver's proof on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 9 1/8 × 13 1/8 inches (23.2 × 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1838. Light Towers of the Hève

Creator:: Print made by John Cousen, 1804–1880
Date:: 1834
Materials & Techniques:: Etching and line engraving; engraver's proof (b) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 × 11 inches (40.6 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1839. Light Towers of the Hève

Creator:: Print made by John Cousen, 1804–1880
Date:: 1834
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof (aa) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/8 × 11 7/8 inches (43.5 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1840. Château Gaillard, from the South

Creator:: Print made by John Cousen, 1804–1880
Date:: 1835
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof (b) on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 16 1/2 × 11 1/8 inches (41.9 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1841. Château Gaillard, from the South

Creator:: Print made by John Cousen, 1804–1880
Date:: 1835
Materials & Techniques:: Etching and line engraving, with graphite and scrapting out; touched engraver's proof (ab) on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 17 1/2 × 12 inches (44.5 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1842. Château Gaillard, from the South

Creator:: Print made by John Cousen, 1804–1880
Date:: 1835
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof (c) on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 17 3/8 × 11 5/8 inches (44.1 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1843. Wreck off Hastings

Creator:: Print made by William Miller, 1796–1882
Date:: 1866
Materials & Techniques:: Etching and line engraving on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 9 × 12 3/4 inches (22.9 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1844. Arthur Devis

Creator:: Print made by Thomas Cheesman, 1760–1834/35
Date:: undated
Materials & Techniques:: Stipple engraving with chine collé on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 3/16 x 6 13/16 inches (25.9 x 17.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1845. Richard Cosway

Creator:: Print made by unknown artist
Date:: 1788
Materials & Techniques:: Stipple engraving and etching on moderately thick, slightly textured beige laid paper
Dimensions:: Sheet: 8 15/16 x 5 7/8 inches (22.7 x 15 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1846. The Acropolis of Athens

Creator:: Print made by John Cousen, 1804–1880
Date:: 1832-1834
Materials & Techniques:: Etching and line engraving; engraver's proof (a) on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 11/16 × 17 1/4 inches (29.7 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1847. Bacharach on the Rhine

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1832-1834
Materials & Techniques:: Etching and engraving; early engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/8 × 11 7/8 inches (43.5 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1848. Nantes

Creator:: Print made by William Miller, 1796–1882
Date:: 1833
Materials & Techniques:: Etching with chine collé; open etched state on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 13 5/16 × 8 9/16 inches (33.8 × 21.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1849. The Castellated Rhine

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1833
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof (b) on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 11/16 × 9 3/8 inches (32.2 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1850. The Castle of St. Angelo

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1834
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 17 1/4 × 11 7/8 inches (43.8 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1851. Palais at Blois

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1833
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof (ab) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/8 × 13 1/8 inches (23.2 × 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1852. Bemerside

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1834
Materials & Techniques:: Etching and line engraving, with chine collé, graphite, and scraping out; touched engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/8 × 6 5/8 inches (22.5 × 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1853. Inverness

Creator:: Print made by William Miller, 1796–1882
Date:: 1836
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 × 11 3/8 inches (22.9 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1854. Château d'Arc, near Dieppe

Creator:: Print made by William Forrest, 1802–1889
Date:: 1836
Materials & Techniques:: Etching and line engraving, with chine collé, graphite, and scraping out; touched engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 11 5/8 inches (22.9 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1855. Luis Pinto de Sousa Coutinho, 1st Viscount of Balsemão

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: undated
Materials & Techniques:: Stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 15 1/2 x 10 5/8 inches (39.4 x 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1856. St. Julian's, Tours

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1833
Materials & Techniques:: Etching and line engraving with chine collé; early proof, 1st state on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 × 13 1/16 inches (22.9 × 33.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1857. Château Gaillard, from the South

Creator:: Print made by John Cousen, 1804–1880
Date:: 1835
Materials & Techniques:: Etching and line engraving; engraver's proof on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 8 7/8 × 6 inches (22.5 × 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1858. Château Gaillard, from the South

Creator:: Print made by John Cousen, 1804–1880
Date:: 1835
Materials & Techniques:: Etching and line engraving; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/8 × 6 1/2 inches (25.1 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1859. Bridge of Meulan

Creator:: Print made by John Cousen, 1804–1880
Date:: 1835
Materials & Techniques:: Etching and line engraving, with chine collé, graphite, and white chalk; early touched engraver's proof on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 × 13 1/4 inches (22.9 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1860. Calais Pier

Creator:: Print made by John Cousen, 1804–1880
Date:: between 1859 and 1861
Materials & Techniques:: Etching and line engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 9 × 12 3/4 inches (22.9 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1861. Luis Pinto de Sousa Coutinho, 1st Viscount of Balsemão

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: before 1797
Materials & Techniques:: Stipple engraving and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 15/16 x 10 7/8 inches (40.5 x 27.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1862. George Fox and Captain Keat

Creator:: Print made by Robert Spence, 1871–1964
Date:: between 1890 and 1911
Materials & Techniques:: Etching and drypoint on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 1/8 x 11 3/4 inches (23.2 x 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

1863. George Fox at Launceston Gaol

Creator:: Print made by Robert Spence, 1871–1964
Date:: between 1890 and 1911
Materials & Techniques:: Etching and drypoint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 12 3/16 x 10 1/16 inches (31 x 25.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

1864. Old Hotel Royal Dieppe

Creator:: Print made by Walter Richard Sickert, 1860–1942
Date:: 1910
Materials & Techniques:: Photogravure and etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/8 x 11 3/4 inches (23.2 x 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Patricia Cornwell

1865. Porta S. Giovanni, Rome

Creator:: William Leighton Leitch, 1804–1883
Date:: 1837
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 x 18in. (22.9 x 45.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1866. Sketchbook of Portrait Studies

Creator:: Thomas Patch, 1725–1782
Date:: 1760s
Materials & Techniques:: Graphite, red chalk, and pen and brown ink on medium, slightly textured, cream laid paper bound in carta fiorentina
Dimensions:: Sheet: 8 3/4 x 6 1/2 inches (22.2 x 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1867. Doorhead of the Palazzo Contarini della Porta di Ferro

Creator:: John Ruskin, 1819–1900
Date:: undated
Materials & Techniques:: Pen and black ink, brown wash and white gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/8 x 10 7/8 inches (22.5 x 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Chauncey B. Tinker, B.A. 1899

1868. Mountainous Landscape

Creator:: John Ruskin, 1819–1900
Date:: undated
Materials & Techniques:: Watercolor, white gouache, and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/8 x 11 1/4 inches (23.2 x 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1869. An Indian Tomb

Creator:: George Chinnery, 1774–1852
Date:: between 1803 and 1825
Materials & Techniques:: Watercolor, gouache, and black ink on medium, slightly textured, cream wove paper mounted on board
Dimensions:: Sheet: 9 x 12 3/8 inches (22.9 x 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

1870. Building on a Hill

Creator:: John Martin, 1789–1854
Date:: undated
Materials & Techniques:: Brown wash with gouache over graphite on moderately thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured, beige wove paper
Dimensions:: Mount: 8 7/8 x 11 3/4 inches (22.5 x 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

1871. Minotaur

Creator:: James McNeill Whistler, 1834–1903
Date:: undated
Materials & Techniques:: Graphite on medium, smooth, beige laid paper
Dimensions:: Sheet: 8 7/8 × 6 5/8 inches (22.5 × 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

1872. Castel Meur, Rocky Coast, Brittany

Creator:: John Piper, 1903–1992
Date:: undated
Materials & Techniques:: Graphite and pastel on medium, smooth, cream graph paper
Dimensions:: Sheet: 8 7/8 × 13 3/4 inches (22.5 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

1873. George Fox Comes to London After the Great Fire

Creator:: Print made by Robert Spence, 1871–1964
Date:: between 1890 and 1911
Materials & Techniques:: Etching and drypoint on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 11 11/16 x 18 7/16 inches (29.7 x 46.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

1874. The Mildmay Sea-Piece (on the frontispeice of the "Twelve Subjects" titled Sunset on Beach)

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1886
Materials & Techniques:: Etching and mezzotint, printed in brown ink; 2nd State on medium, slightly textured, cream wove paper
Dimensions:: Plate: 8 7/8 × 11 7/8 inches (22.5 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel and Pearl K. Bell

1875. Pastoral

Creator:: follower of George Morland, 1763–1804
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/8 x 5 3/8 inches (22.5 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Renée and Geoffrey Hartman, Yale PhD 1953

1876. Pot Valiant: Scene in a Tap-Room

Creator:: John Leech, 1817–1864
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, smooth, blue wove paper
Dimensions:: Sheet: 9 x 6 15/16in. (22.9 x 17.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1877. Elephants Fighting

Creator:: Johan Joseph Zoffany, 1733–1810
Date:: between 1784 and 1788
Materials & Techniques:: Black, white and red chalk on medium, slightly textured, blue laid paper
Dimensions:: Sheet: 9 1/16 × 16 5/16 inches (23 × 41.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1878. The Deposition

Creator:: Richard Cosway, 1742–1821
Date:: undated
Materials & Techniques:: Black ink, gray ink, graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Mount: 13 3/4 x 11 3/8 inches (34.9 x 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mr. and Mrs. Stuart P. Feld

1879. Three Clerical Scholars

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1789
Materials & Techniques:: Watercolor with pen and back and gray ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 15/16 x 11 3/16 inches (22.7 x 28.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1880. The Paris Diligence

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and black, gray and red-brown ink over graphite; verso: graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 3/16 x 14 1/8 inches (23.3 x 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1881. Harvesters Setting Out

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and gray and brown ink over graphite on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 9 1/16 x 14 7/8 inches (23 x 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1882. The Waggoner's Rest

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1800 and 1805
Materials & Techniques:: Watercolor with pen and gray ink over graphite on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 5 7/8 x 9 1/4 inches (14.9 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1883. The Inn Door (A Man escorted by two link boys to a door to the left)

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 9 1/16 x 13 1/8 inches (23 x 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1884. The Connoisseurs

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1790
Materials & Techniques:: Watercolor with pen and red, brown and black ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 x 12 inches (22.9 x 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1885. Soldiers on a March

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1805
Materials & Techniques:: Watercolor and graphite with pen and gray ink and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Mount: 10 3/16 x 14 1/2 inches (25.9 x 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1886. On the Wye

Creator:: Rev. William Warren Porter, 1776–1804
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/8 × 13 1/8 inches (23.2 × 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Edward Porter Street, Jr., Yale BE 1945W

1887. Lady Hamilton at Spining Wheel

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Gray wash, graphite and white chalk on medium, slightly textured, brown laid paper mounted on medium, slightly textured, brown laid paper
Dimensions:: Sheet: 8 1/8 × 7 1/4 inches (20.6 × 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

1888. Ratcliffe Power Station, Portfolio Study 1

Creator:: Michael Kenna, born 1953
Date:: 1984
Materials & Techniques:: Sepia and selenium toned gelatin silver print on photographic paper
Dimensions:: Sheet: 9 × 6 inches (22.9 × 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Joy of Giving Something, Inc.

1889. Ratcliffe Power Station, Portfolio Study 4

Creator:: Michael Kenna, born 1953
Date:: 1984
Materials & Techniques:: Sepia and selenium toned gelatin silver print on photographic paper
Dimensions:: Sheet: 9 × 6 1/8 inches (22.9 × 15.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Joy of Giving Something, Inc.

1890. Ratcliffe Power Station, Portfolio Study 8

Creator:: Michael Kenna, born 1953
Date:: 1986
Materials & Techniques:: Sepia and selenium toned gelatin silver print on photographic paper
Dimensions:: Sheet: 8 7/8 × 5 7/8 inches (22.5 × 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Joy of Giving Something, Inc.

1891. Ratcliffe Power Station, Study 35, Nottinghamshire, England

Creator:: Michael Kenna, born 1953
Date:: 1985
Materials & Techniques:: Sepia toned gelatin silver print on photographic paper
Dimensions:: Sheet: 9 1/8 × 6 inches (23.2 × 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Joy of Giving Something, Inc.

1892. Ratcliffe Power Station, Study 62, Nottinghamshire, England

Creator:: Michael Kenna, born 1953
Date:: 1984
Materials & Techniques:: Sepia toned gelatin silver print on photographic paper
Dimensions:: Sheet: 9 × 6 inches (22.9 × 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Joy of Giving Something, Inc.

1893. St. Paul's, from Ludgate Circus

Creator:: Alvin Langdon Coburn, 1882–1966
Date:: 1909
Materials & Techniques:: Photogravure on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/8 × 6 1/2 inches (22.5 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Joy of Giving Something, Inc.

1894. Family Walking in a Wood: Child Being Helped to Clamber up a Bank

Creator:: James Pattison Cockburn, 1779–1847
Date:: undated
Materials & Techniques:: Pen and brown ink with brown wash on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 8 7/8 × 7 inches (22.5 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1895. Officer 1st Bombay Lancers

Creator:: Print made by John Charlton, 1849–1917
Date:: 1897
Materials & Techniques:: Chromolithograph on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 × 10 1/8 inches (36.8 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

1896. Two Deer

Creator:: Sawrey Gilpin, 1733–1807
Date:: undated
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 1/8 × 8 11/16 inches (18.1 × 22.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1897. An architectural fantasy

Creator:: John Devoto, active 1708–1752
Date:: undated
Materials & Techniques:: Watercolor and pen and brown ink on medium, slightly textured cream wove paper mounted to medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 6 1/4 inches (22.9 × 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1898. Canary Fisherman

Creator:: Alfred Diston, active 1818–1829
Date:: 1825
Materials & Techniques:: Watercolor, graphite and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/8 × 6 1/2 inches (23.2 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1899. Man and woman of Chasna-Tenerife

Creator:: Alfred Diston, active 1818–1829
Date:: 1828
Materials & Techniques:: Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 7 1/2 inches (22.9 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1900. Ladies' Church dress

Creator:: Alfred Diston, active 1818–1829
Date:: ca. 1828
Materials & Techniques:: Watercolor, pen and brown ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/8 × 7 inches (23.2 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

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1801. Anthony van Dyck

1802. William Kent

1803. View of the Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c. taken from Pont Notre Dame

1804. View of the Gate of St. Denis taken from the Suburbs

1805. View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c., taken from Pont Notre Dame

1806. View of Pont de la Tournelle and Notre Dame taken from the Arsenal

1807. View of the Pantheon taken from the Arsenal

1808. View of the Palace and Village of Choisi on the Banks of the Seine

1809. View of the Palace and Village of Choisi on the Banks of the Seine

1810. View of the Pantheon taken from the Arsenal

1811. View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance

1812. View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance

1813. View of Tonbridge During the Late Election

1814. The Fates

1815. The Seven Bold Swabians - Who Sallied forth with One Spear, Vide Fairy Ring

1816. Rather a Dangerous Kind of Hug

1817. New Steine and Rock Gardens

1818. Paris, A View of Pont au Changes

1819. Royal Crescent, County Hospital, St. George's Chapel, Kemp Town

1820. The Castellated Rhine

1821. John Constable

1822. Robert Cleveley, Esqr. Marine Painter to his R.H. the Prince of Wales, and Marine Draftsman to his R.H. the Duke of Clarence

1823. On the Teith

1824. Set of seven: The Seven Ages of the Horse

1825. Set of seven: The Seven Ages of the Horse

1826. Set of seven: The Seven Ages of the Horse

1827. Set of seven: The Seven Ages of the Horse

1828. Torre delle Milizie

1829. George Gower

1830. Set of seven: The Seven Ages of the Horse

1831. Set of seven: The Seven Ages of the Horse

1832. Set of six: 3. Hunter

1833. Set of six: 2. Cart Horse

1834. Set of six: 6. Hack

1835. Set of six: 4. Pilot

1836. Set of six: 5. Tilbury Horse

1837. Château Hamelin

1838. Light Towers of the Hève

1839. Light Towers of the Hève

1840. Château Gaillard, from the South

1841. Château Gaillard, from the South

1842. Château Gaillard, from the South

1843. Wreck off Hastings

1844. Arthur Devis

1845. Richard Cosway

1846. The Acropolis of Athens

1847. Bacharach on the Rhine

1848. Nantes

1849. The Castellated Rhine

1850. The Castle of St. Angelo

1851. Palais at Blois

1852. Bemerside

1853. Inverness

1854. Château d'Arc, near Dieppe

1855. Luis Pinto de Sousa Coutinho, 1st Viscount of Balsemão

1856. St. Julian's, Tours

1857. Château Gaillard, from the South

1858. Château Gaillard, from the South

1859. Bridge of Meulan

1860. Calais Pier

1861. Luis Pinto de Sousa Coutinho, 1st Viscount of Balsemão

1862. George Fox and Captain Keat

1863. George Fox at Launceston Gaol

1864. Old Hotel Royal Dieppe

1865. Porta S. Giovanni, Rome

1866. Sketchbook of Portrait Studies

1867. Doorhead of the Palazzo Contarini della Porta di Ferro

1868. Mountainous Landscape

1869. An Indian Tomb

1870. Building on a Hill

1871. Minotaur

1872. Castel Meur, Rocky Coast, Brittany

1873. George Fox Comes to London After the Great Fire

1874. The Mildmay Sea-Piece (on the frontispeice of the "Twelve Subjects" titled Sunset on Beach)

1875. Pastoral