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Mrs. Abington as Thalia
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
ca. 1783
Materials & Techniques:
Stipple engraving, with hand colored ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 3/16 × 7 1/8 inches (23.4 × 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
John Constable
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/16 x 6 7/16 inches (25.5 x 16.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Sir Joshua Reynolds
Creator:
George H. Every, 1837–1910
Date:
1866
Materials & Techniques:
Mezzotint and etching on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 19 15/16 x 13 3/8 inches (50.7 x 33.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Alan Ramsay Scotus
Creator:
Print made by David Allan, 1744–1796
Date:
1808
Materials & Techniques:
Aquatint, stipple engraving, and etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/8 x 8 7/8 inches (28.3 x 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960
Design for a Frontispiece: Bust of a Roman Man
Creator:
Hubert-François Gravelot, 1699–1773
Date:
undated
Materials & Techniques:
Red chalk and graphite, incised for transfer on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 7 1/2 × 5 1/4 inches (19.1 × 13.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Print made by Bernard Lens II, 1659–1725
Date:
1690s
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 9 × 11 7/16 inches (22.9 × 29.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund