Height [cm]: 19 / Width [cm]: 25 - YCBA Collections Search Search Results

201. Entrance to Cardigan, 8 September 1847

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1847
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/8 × 10 inches (18.7 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

202. Study of a Horse

Creator:: Gilbert Joseph Holiday, 1879 –1937
Date:: undated
Materials & Techniques:: Graphite, chalk and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/8 × 8 11/16 inches (15.6 × 22.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

203. A Lady Riding Side-Saddle, Turns to Look at a Dismounted Rider

Creator:: James Seymour, 1702–1752
Date:: undated
Materials & Techniques:: Red chalk, with graphite; verso: graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 7 1/2 × 9 5/16 inches (19.1 × 23.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

204. Vauxhall Stairs, from Millbank, July 5, 1797

Creator:: Francis Towne, 1740–1816
Date:: 1797
Materials & Techniques:: Watercolor, pen and brown ink, black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Mount: 9 9/16 × 11 inches (24.3 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

205. A View of Doncaster Racecourse, Drawn From Nature, Sept. 2, 1848

Creator:: Attributed to Thomas Baker of Leamington, 1809–1864
Date:: 1848
Materials & Techniques:: Watercolor, and pen and black ink on moderately thick, rough, cream wove paper
Dimensions:: Mount: 8 15/16 × 12 15/16 inches (22.7 × 32.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

206. A Farmhand Riding Side-saddle, Carrying an Urn

Creator:: James Ward, 1769–1859
Date:: undated
Materials & Techniques:: Graphite on medium, smooth, cream wove paper
Dimensions:: Mount: 9 3/4 × 12 inches (24.8 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

207. The Lover

Creator:: Print made by Henry Thomas Alken, 1785–1851
Date:: 1824
Materials & Techniques:: Soft-ground etching with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 5/16 × 11 1/4 inches (23.7 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

208. The School-Boy

Creator:: Print made by Henry Thomas Alken, 1785–1851
Date:: 1824
Materials & Techniques:: Soft-ground etching with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/8 × 11 1/4 inches (22.6 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

209. The Justice

Creator:: Print made by Henry Thomas Alken, 1785–1851
Date:: 1824
Materials & Techniques:: Soft-ground etching with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/16 × 11 1/4 inches (23 × 28.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

210. Marine Study No. 1

Creator:: Print made by Pierre Charles Canot, ca. 1710–1777
Date:: 1773
Materials & Techniques:: Line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 5/16 x 13 7/8 inches (31.2 x 35.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

211. Marine Study No. 4

Creator:: Print made by Pierre Charles Canot, ca. 1710–1777
Date:: 1773
Materials & Techniques:: Line engraving and etching on thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 3/8 x 13 15/16 inches (31.4 x 35.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

212. Marine Study No. 3

Creator:: Print made by Pierre Charles Canot, ca. 1710–1777
Date:: 1773
Materials & Techniques:: Line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 9/16 x 14 1/16 inches (31.9 x 35.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

213. Marine Study No. 2

Creator:: Print made by Pierre Charles Canot, ca. 1710–1777
Date:: 1773
Materials & Techniques:: Line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 1/2 x 14 inches (31.8 x 35.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

214. Egham

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1859
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 3/8 x 10 inches (18.7 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Stanley J. Halle, Yale BA 1912, in memory of His Parents Jacques S. and Hattie S. Halle, transfer from the Yale University Art Gallery

215. The Towing Path

Creator:: Print made by Sir Francis Seymour Haden, 1818–1910
Date:: 1864
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 7 5/16 x 9 15/16 inches (18.5 x 25.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Miss Grace Tuttle in memory of her father Emerson Tuttle, Yale BA 1914, transfer from the Yale University Art Gallery

216. Kenarth, South Wales

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1864
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, smooth, cream parchment
Dimensions:: Sheet: 7 5/8 x 9 13/16 inches (19.4 x 25 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. J. Dwight Dana

217. Noon

Creator:: Print made by David Lucas, 1802–1881
Date:: 1830
Materials & Techniques:: Mezzotint and drypoint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 5/8 x 17 3/8 inches (29.5 x 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. John Archer Gee for History of Art (History of Prints)

218. Yarmouth, Norfolk

Creator:: Print made by David Lucas, 1802–1881
Date:: 1832
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 x 17 1/4 inches (29.2 x 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. John Archer Gee for History of Art (History of Prints)

219. Modern Defence or the Siege of Fort Phyllis

Creator:: unknown artist
Date:: 1786
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 7 5/16 x 10in. (18.6 x 25.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

220. Venus Attired by the Graces

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1785
Materials & Techniques:: Stipple engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 50 13/16 × 11 5/16 inches (129.1 × 28.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

221. Earth

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1803
Materials & Techniques:: Stipple engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/8 x 10 1/2 inches (20.6 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

222. Mathematical Abstraction

Creator:: Print made by Robert Graves, 1798–1873
Date:: 1833
Materials & Techniques:: Line engraving and stipple engraving on medium, smooth, cream wove paper mounted on board
Dimensions:: Sheet: 10 7/8 × 12 1/2 inches (27.6 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Linda G. Mitchell and David M. Doret, Yale BA 1968

223. Moreby Hall

Creator:: unknown artist
Date:: after 1828
Materials & Techniques:: Brown ink, watercolor, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/4 × 10 inches (15.9 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Linda G. Mitchell and David M. Doret, Yale BA 1968

224. Page 17

Creator:: Myles Birket Foster, 1825–1899
Materials & Techniques:: Graphite
Dimensions:: Spine: 7 5/16in. (18.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

225. Page 16: Young Girl Dancing in the Wind

Creator:: Myles Birket Foster, 1825–1899
Materials & Techniques:: Graphite
Dimensions:: Spine: 7 5/16in. (18.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

226. St. Martin's Bridge, Toledo

Creator:: Print made by Oliver Hall, 1869–1957
Date:: undated
Materials & Techniques:: Drypoint on medium, slightly textured, beige wove paper, pasted on contemporary mount made of thick, slightly textured, orange card
Dimensions:: Mount: 11 5/16 x 13 13/16 inches (28.8 x 35.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Donald & Willi Holden

227. Lowdore

Creator:: William Green, 1760–1823
Date:: undated
Materials & Techniques:: Pen and black ink, gray wash and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 9 7/8 inches (19.1 x 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Renée and Geoffrey H. Hartman, Yale PhD 1953

228. Page 2: Study of a Cottage

Creator:: Myles Birket Foster, 1825–1899
Materials & Techniques:: Graphite
Dimensions:: Spine: 7 5/16in. (18.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

229. Page 1: Landscape Sketch with Boat

Creator:: Myles Birket Foster, 1825–1899
Materials & Techniques:: Graphite
Dimensions:: Spine: 7 5/16in. (18.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

230. Page 3

Creator:: Myles Birket Foster, 1825–1899
Materials & Techniques:: Graphite
Dimensions:: Spine: 7 5/16in. (18.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

231. Page 4: Study of Two Chairs

Creator:: Myles Birket Foster, 1825–1899
Materials & Techniques:: Graphite
Dimensions:: Spine: 7 5/16in. (18.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

232. Page 5: Sktech of the Town of Berwick and its Viaduct

Creator:: Myles Birket Foster, 1825–1899
Materials & Techniques:: Graphite
Dimensions:: Spine: 7 5/16in. (18.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

233. Page 7: Study of a Town and Viaduct

Creator:: Myles Birket Foster, 1825–1899
Materials & Techniques:: Graphite
Dimensions:: Spine: 7 5/16in. (18.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

234. Page 8: Study of a Rural Landscape

Creator:: Myles Birket Foster, 1825–1899
Materials & Techniques:: Graphite
Dimensions:: Spine: 7 5/16in. (18.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

235. Page 6: Study of Unidentified Fruit Hanging to Dry

Creator:: Myles Birket Foster, 1825–1899
Materials & Techniques:: Graphite
Dimensions:: Spine: 7 5/16in. (18.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

236. Page 10: Sketch of a Beach

Creator:: Myles Birket Foster, 1825–1899
Materials & Techniques:: Graphite
Dimensions:: Spine: 7 5/16in. (18.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

237. Page 13: Sketch of a Lake

Creator:: Myles Birket Foster, 1825–1899
Materials & Techniques:: Graphite
Dimensions:: Spine: 7 5/16in. (18.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

238. Page 11: Study of a Country Cottage alongside a Road

Creator:: Myles Birket Foster, 1825–1899
Materials & Techniques:: Graphite
Dimensions:: Spine: 7 5/16in. (18.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

239. Page 14: Study of a Country Church

Creator:: Myles Birket Foster, 1825–1899
Materials & Techniques:: Graphite
Dimensions:: Spine: 7 5/16in. (18.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

240. Page 19

Creator:: Myles Birket Foster, 1825–1899
Materials & Techniques:: Graphite
Dimensions:: Spine: 7 5/16in. (18.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

241. Page 27: Landscape Study

Creator:: Myles Birket Foster, 1825–1899
Materials & Techniques:: Graphite
Dimensions:: Spine: 7 5/16in. (18.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

242. Page 22: Children on a Beach

Creator:: Myles Birket Foster, 1825–1899
Materials & Techniques:: Graphite
Dimensions:: Spine: 7 5/16in. (18.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

243. Page 26: Studies of Roof, Rafters, and Round Unidentified Object

Creator:: Myles Birket Foster, 1825–1899
Materials & Techniques:: Graphite
Dimensions:: Spine: 7 5/16in. (18.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

244. The Drunkard's Progress. From the Pawnbroker's to the Gin Shop from thence to the Workhouse thence to the Gaol & ultimately to the Scaffold.

Creator:: Print made by Charles Jameson Grant, active 1830–1852
Date:: 1834
Materials & Techniques:: Lithograph with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 × 9 3/4 inches (19.1 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Godfrey Pearlson

245. Illustrations to the Travels of Lord Valentia: Volume 2 - View of the South Quarter, Motha

Creator:: Henry Salt, 1780–1827
Date:: 1802-1803
Materials & Techniques:: Watercolor, pen and ink and wash, and graphite
Dimensions:: Sheet: 7 3/8 x 9 7/8in. (18.7 x 25.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

246. An Inside View of the Choir of the Cathedral Church of Canterbury, (plate no. 9)

Creator:: unknown artist
Materials & Techniques:: Engraving
Dimensions:: Sheet: 7 5/8 x 9 15/16in. (19.4 x 25.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

247. Shooting, Coursing, Racing, etc: a series of twenty-four drawings bound in a volume

Creator:: Henry Thomas Alken, 1785–1851
Materials & Techniques:: Graphite and watercolor
Dimensions:: Sheet: 8 x 10in. (20.3 x 25.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

248. Shooting, Coursing, Racing, etc: a series of twenty-four drawings bound in a volume

Creator:: Henry Thomas Alken, 1785–1851
Materials & Techniques:: Graphite and watercolor
Dimensions:: Sheet: 8 x 10in. (20.3 x 25.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

249. Two girls

Creator:: Gilbert Adams, 1906–1996
Date:: 1934
Materials & Techniques:: Gelatin silver print on photographic paper mounted on beige wove paper
Dimensions:: Mount: 14 5/16 × 9 13/16 inches (36.4 × 25 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund

250. Owlpen Manor

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1931
Materials & Techniques:: Etching; 2nd state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 1/2 × 13 3/4 inches (31.8 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

251. A Large Country House with Mountains in the Distance; lower half: warehouse on a river

Creator:: Thomas D. W. Dearn, 1777–1853
Date:: 1833
Materials & Techniques:: Graphite on wove paper
Dimensions:: Sheet: 7 1/2 × 5 3/8 inches (19.1 × 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

252. Sketchbook I

Creator:: Myles Birket Foster, 1825–1899
Materials & Techniques:: Graphite
Dimensions:: Spine: 7 5/16in. (18.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

253. Dead Stag with Vulture

Creator:: unknown artist
Date:: 1849
Materials & Techniques:: Etching
Dimensions:: Sheet: 7 1/2 x 9 11/16in. (19 x 24.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

254. Corfe Castle

Creator:: Print made by Martin Hardie, 1875–1952
Date:: 1913
Materials & Techniques:: Etching on laid paper
Dimensions:: Sheet: 7 5/8 × 10 inches (19.4 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

YCBA Collections Search

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Height [cm] 19

Width [cm] 25

Search Results

201. Entrance to Cardigan, 8 September 1847

202. Study of a Horse

203. A Lady Riding Side-Saddle, Turns to Look at a Dismounted Rider

204. Vauxhall Stairs, from Millbank, July 5, 1797

205. A View of Doncaster Racecourse, Drawn From Nature, Sept. 2, 1848

206. A Farmhand Riding Side-saddle, Carrying an Urn

207. The Lover

208. The School-Boy

209. The Justice

210. Marine Study No. 1

211. Marine Study No. 4

212. Marine Study No. 3

213. Marine Study No. 2

214. Egham

215. The Towing Path

216. Kenarth, South Wales

217. Noon

218. Yarmouth, Norfolk

219. Modern Defence or the Siege of Fort Phyllis

220. Venus Attired by the Graces

221. Earth

222. Mathematical Abstraction

223. Moreby Hall

224. Page 17

225. Page 16: Young Girl Dancing in the Wind

226. St. Martin's Bridge, Toledo

227. Lowdore

228. Page 2: Study of a Cottage

229. Page 1: Landscape Sketch with Boat

230. Page 3

231. Page 4: Study of Two Chairs

232. Page 5: Sktech of the Town of Berwick and its Viaduct

233. Page 7: Study of a Town and Viaduct

234. Page 8: Study of a Rural Landscape

235. Page 6: Study of Unidentified Fruit Hanging to Dry

236. Page 10: Sketch of a Beach

237. Page 13: Sketch of a Lake

238. Page 11: Study of a Country Cottage alongside a Road

239. Page 14: Study of a Country Church

240. Page 19

241. Page 27: Landscape Study

242. Page 22: Children on a Beach

243. Page 26: Studies of Roof, Rafters, and Round Unidentified Object

244. The Drunkard's Progress. From the Pawnbroker's to the Gin Shop from thence to the Workhouse thence to the Gaol & ultimately to the Scaffold.

245. Illustrations to the Travels of Lord Valentia: Volume 2 - View of the South Quarter, Motha

246. An Inside View of the Choir of the Cathedral Church of Canterbury, (plate no. 9)

247. Shooting, Coursing, Racing, etc: a series of twenty-four drawings bound in a volume

248. Shooting, Coursing, Racing, etc: a series of twenty-four drawings bound in a volume

249. Two girls

250. Owlpen Manor

251. A Large Country House with Mountains in the Distance; lower half: warehouse on a river

252. Sketchbook I

253. Dead Stag with Vulture

254. Corfe Castle