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Henry Thomas Alken Shooting, Coursing, Racing, etc: a series of twenty-four drawings bound in a volume
Henry Thomas Alken, 1785–1851
Shooting, Coursing, Racing, etc: a series of twenty-four drawings bound in a volume
Sawrey Gilpin Cow facing right
Sawrey Gilpin, 1733–1807
Cow facing right
1793
Sawrey Gilpin Two cows facing left
Sawrey Gilpin, 1733–1807
Two cows facing left
1793
Sawrey Gilpin Stag and doe
Sawrey Gilpin, 1733–1807
Stag and doe
1793
Sawrey Gilpin Cow facing left
Sawrey Gilpin, 1733–1807
Cow facing left
1793
Sawrey Gilpin Four cows, two standing
Sawrey Gilpin, 1733–1807
Four cows, two standing
1793
Sawrey Gilpin Cow and calf
Sawrey Gilpin, 1733–1807
Cow and calf
1793
Sawrey Gilpin Cow, with calf standing on left
Sawrey Gilpin, 1733–1807
Cow, with calf standing on left
1793
Henry Thomas Alken Shooting, Coursing, Racing, etc: a series of twenty-four drawings bound in a volume
Henry Thomas Alken, 1785–1851
Shooting, Coursing, Racing, etc: a series of twenty-four drawings bound in a volume
Louis Haghe West Front View of Eaton Hall
Print made by Louis Haghe, 1806–1885
West Front View of Eaton Hall
ca. 1845
unknown artist No rest in the grave, or the second appearance of Miss Bailey's ghost
Print made by unknown artist
No rest in the grave, or the second appearance of Miss Bailey's ghost
1806
Charles Jameson Grant The Drunkard's Progress. From the Pawnbroker's to the Gin Shop from thence to the Workhouse thence to the Gaol & ultimately to the Scaffold.
Print made by Charles Jameson Grant, active 1830–1852
The Drunkard's Progress. From the Pawnbroker's to the Gin Shop from thence to the Workhouse thence to the Gaol & ultimately to the Scaffold
1834