Height [cm]: 13 / Image Use: Free to Use / Subject Terms: trees

1. Landscape

Creator:: Lionel Constable, 1828–1887
Date:: between 1849 and 1855
Materials & Techniques:: Oil on panel
Dimensions:: 5 1/8 x 9 inches (13 x 22.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. Kensington Gardens

Creator:: John Martin, 1789–1854
Date:: between 1815 and 1816
Materials & Techniques:: Oil on panel
Dimensions:: 5 1/4 × 7 7/8 inches (13.3 × 20 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. Landscape with Lake

Creator:: unknown artist
Date:: 1828 to 1829
Materials & Techniques:: Oil on paper
Dimensions:: 5 1/8 x 11 inches (13 x 27.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

4. The Weary Ploughman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1858
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 9/16 x 16 3/8 inches (29.4 x 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
On View:: On view at YUAG

5. A Classical City

Creator:: Francis Danby, 1793–1861
Date:: undated
Materials & Techniques:: Graphite and brown wash on medium, slightly textured, gray wove paper
Dimensions:: Sheet: 5 × 7 3/8 inches (12.7 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

6. Suffolk Landscape

Creator:: John Constable, 1776–1837
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 5 x 6 7/8 inches (12.7 x 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. The Ruins of Netley Abbey

Creator:: Print made by John Constable, 1776–1837
Date:: 1826
Materials & Techniques:: Etching and drypoint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/16 x 17 5/16 inches (30.7 x 44 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Streets of the Tombs, Pompeii

Creator:: Samuel Palmer, 1805–1881
Date:: undated
Materials & Techniques:: Graphite with pen and brown ink on moderately thick, slightly textured, beige wove paper mounted on thick, smooth, beige board
Dimensions:: Mount: 5 1/8 × 6 3/8 inches (13 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

9. The Weary Ploughman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1858
Materials & Techniques:: Etching and drypoint with chine collé on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 x 17 1/16 inches (29.8 x 43.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. The Weary Ploughman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1858
Materials & Techniques:: Etching and drypoint, with plate tone on thick, smooth, beige wove paper
Dimensions:: Sheet: 6 7/16 x 9 3/16 inches (16.3 x 23.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. The Cypress Grove

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: between 1880 and 1883
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/8 x 14 1/8 inches (25.7 x 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

12. The Sepulchre

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: between 1880 and 1883
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 9 15/16 x 14 3/8 inches (25.3 x 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

13. The Sleeping Shepherd

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1857
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 5/16 x 7 inches (21.1 x 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

14. The Herdsman's Cottage

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1850
Materials & Techniques:: Etching and drypoint with chine collé, retouched with graphite on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 x 8 9/16 inches (29.9 x 21.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. The Timber Wain

Creator:: Samuel Palmer, 1805–1881
Date:: between 1833 and 1834
Materials & Techniques:: Watercolor and gouache with pen and black ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 5 1/16 x 6 5/16 inches (12.9 x 16 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. The Early Ploughman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: begun before 1861
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 14 3/4 inches (30.2 x 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

17. Albania

Creator:: Edward Lear, 1812–1888
Date:: between 1848 and 1849
Materials & Techniques:: Watercolor with pen in brown ink and brown wash over graphite on thick, rough, cream wove paper
Dimensions:: Sheet: 5 3/16 x 9 13/16 inches (13.2 x 24.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. English Country Town

Creator:: Edward Lear, 1812–1888
Date:: undated
Materials & Techniques:: Graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 5 × 6 7/8 inches (12.7 × 17.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

19. Knowsley Hall

Creator:: Edward Lear, 1812–1888
Date:: ca. 1834
Materials & Techniques:: Graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 5 1/4 x 15 inches (13.3 x 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

20. Harb. Gozo

Creator:: Edward Lear, 1812–1888
Date:: 1866
Materials & Techniques:: Watercolor, graphite, gouache, pen and brown ink on moderately thick, slightly textured, cream wove paper, mounted on medium, slightly textured, brown wove paper
Dimensions:: Mount: 6 1/4 x 8 inches (15.9 x 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of George E. Dix, B.A. 1934, M.A. 1942

21. II. "Man by his reasoning power can only compare..." (Plate 4)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. III. "From a perception of only 3 senses..." (Plate 5)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. VI. "The desires & perceptions of man untaught..." (Plate 8)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. There Is No Natural Religion; Frontispiece (Plate 1)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. The Argument. "Man has no notion of moral fitness..." (Plate 2"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. I. "Man cannot naturally Percieve..."(Plate 3)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. IV. "None could have other than natural or organic thoughts..." (Plate 6)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. V. "Mans desires are limited by his perceptions..." (Plate 7)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. "Therefore God becomes as we are..." (Plate 9)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. River Landscape with a Single Arched Bridge

Creator:: John Warwick Smith, 1749–1831
Date:: 1797
Materials & Techniques:: Watercolor and gouache on medium, smooth wove paper mounted on thick slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/8 × 7 5/8 inches (13 × 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

31. Great Marlow Church, Buckinghamshire

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1795
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/8 × 8 1/2 inches (13 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Battersea Reach

Creator:: James McNeill Whistler, 1834–1903
Date:: 1863
Materials & Techniques:: Etching and drypoint, printed from canceled plate on medium, smooth, cream laid paper
Dimensions:: Sheet: 10 x 12 7/8 inches (25.4 x 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Robert N. Whittemore, Yale BS 1943

33. The Enraged Vicar

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and gray ink and pen and brown ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 5 1/16 x 7 5/16 inches (12.9 x 18.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Sharpham, near Totnes, Devon

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1797
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/8 x 7 3/4 inches (13 x 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Dr. Syntax Visits a Boarding School for Young Ladies

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1821
Materials & Techniques:: Watercolor and graphite with pen and gray ink and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 8 3/16 inches (13.3 x 20.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Dr. Syntax Bound to a Tree by Highwaymen

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1820
Materials & Techniques:: Watercolor with pen and brown and red ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 7 1/4 inches (13.3 x 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Soldiers in St. James Park

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor, graphite, pen and brown ink, and pen and gray ink on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 5 x 7 1/4 inches (12.7 x 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. River and Boat

Creator:: Alexander Cozens, 1717–1786
Date:: ca. 1770
Materials & Techniques:: Brushed black ink, pen and black ink, graphite, light brown ground and varnish on thin, slightly textured, cream laid paper, mounted on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/8 x 6 1/2 inches (13 x 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. In the Garden of a Villa

Creator:: John Robert Cozens, 1752–1797
Date:: ca. 1780
Materials & Techniques:: Graphite and varnish on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/4 x 6 3/8 inches (13.3 x 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Design for a Frontispiece: Shepherds with Flock

Creator:: Hubert-François Gravelot, 1699–1773
Date:: undated
Materials & Techniques:: Pen in black ink, graphite, and red chalk, incised and squared for transfer on medium, slightly textured, cream laid paper
Dimensions:: Mount: 11 3/8 × 11 1/8 inches (28.9 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Entrance to the Valley of the Dhoon

Creator:: Print made by J. Sands, active ca. 1840
Date:: 1840
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/8 × 10 1/8 inches (20.6 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

42. Two Figures on a Road with Castle in Center Distance

Creator:: Rev. William Gilpin, 1724–1804
Date:: between 1745 and 1748
Materials & Techniques:: Gray and brown wash with pen and brown ink over graphite on medium, moderately textured, cream laid paper, prepared with orange wash
Dimensions:: Sheet: 5 x 7 5/8in. (12.7 x 19.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. The Botanical Garden near Port Orotava, Tenerife

Creator:: Alfred Diston, active 1818–1829
Date:: 1821
Materials & Techniques:: Watercolor, pen and brown ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 × 6 3/4 inches (12.7 × 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Landscape with Mountain in Center Distance

Creator:: Rev. William Gilpin, 1724–1804
Date:: between 1745 and 1748
Materials & Techniques:: Brown and gray wash with pen and brown ink over graphite on moderately thick, moderately textured, beige laid paper, prepared with yellow wash
Dimensions:: Sheet: 5 1/4 x 7 1/2 inches (13.3 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. A Rocky Landscape

Creator:: Rev. William Gilpin, 1724–1804
Date:: between 1745 and 1748
Materials & Techniques:: Brown and gray wash with pen and brown ink over graphite on moderately thick, moderately textured, beige laid paper, prepared with yellow wash
Dimensions:: Sheet: 5 1/16 x 7 3/8 inches (12.9 x 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Landscape with Two Figures on a Road

Creator:: Rev. William Gilpin, 1724–1804
Date:: between 1745 and 1748
Materials & Techniques:: Gray wash with pen and gray ink over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 5 1/8 x 7 3/16 inches (13 x 18.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Landscape with Four Figures

Creator:: Rev. William Gilpin, 1724–1804
Date:: between 1745 and 1748
Materials & Techniques:: Gray wash with pen and brown ink over graphite on medium, moderately textured, cream laid paper, prepared with orange wash
Dimensions:: Sheet: 5 x 7 1/4in. (12.7 x 18.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Mountainous Landscape with River, Trees and Foliage in Foreground

Creator:: Rev. William Gilpin, 1724–1804
Date:: between 1745 and 1748
Materials & Techniques:: Gray and brown wash with pen and brown ink over graphite on medium, moderately thick, cream laid paper, prepared with orange wash
Dimensions:: Sheet: 4 15/16 x 7 3/8in. (12.5 x 18.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Hilly Landscape

Creator:: Rev. William Gilpin, 1724–1804
Date:: between 1745 and 1748
Materials & Techniques:: Gray wash with pen and brown ink over graphite on medium, moderately textured, cream laid paper, prepared with orange wash
Dimensions:: Sheet: 5 x 7 1/8in. (12.7 x 18.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Landscape with Three Figures on a Road

Creator:: Rev. William Gilpin, 1724–1804
Date:: between 1745 and 1748
Materials & Techniques:: Gray and brown wash with pen and black ink over graphite on medium, moderately textured, beige laid paper, prepared with orange wash
Dimensions:: Sheet: 4 15/16 x 7 1/4 inches (12.5 x 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Landscape with Classical Building at Left

Creator:: Rev. William Gilpin, 1724–1804
Date:: between 1745 and 1748
Materials & Techniques:: Brown and gray wash over graphite on moderately thick, moderately textured, cream laid paper, prepared with orange wash
Dimensions:: Sheet: 5 x 7 11/16in. (12.7 x 19.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. River Forth with the Town and Castle of Stirling in the Distance

Creator:: Rev. William Gilpin, 1724–1804
Date:: 1780
Materials & Techniques:: Brown, gray, and yellow wash over graphite on moderately thick, rough, cream wove paper prepared with yellow wash
Dimensions:: Sheet: 5 1/4 x 8 1/2 inches (13.3 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Elizabeth Manwaring

53. Mountainous Landscape with Rocky Crag at Right

Creator:: Rev. William Gilpin, 1724–1804
Date:: between 1745 and 1748
Materials & Techniques:: Brown and gray wash with pen and brown ink over graphite on medium, moderately textured, cream laid paper, prepared with orange wash
Dimensions:: Sheet: 4 15/16 x 17 1/8in. (12.5 x 43.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Cumberland Landscape

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Gray wash, pen and black ink and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/8 x 7 3/4 inches (13 x 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. View of the City of Bristol

Creator:: Louis Haghe, 1806–1885
Date:: ca. 1831
Materials & Techniques:: Lithograph with chine collé on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 3/4 x 11 7/16 inches (27.3 x 29 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Brian and Linda Gracie

56. The Mausoleum

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, gray ink, and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 5 x 8 11/16 inches (12.7 x 22.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. View of Norwich

Creator:: Miles Edmund Cotman, 1810–1858
Date:: undated
Materials & Techniques:: Brown wash, gray wash and graphite on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 5 × 7 inches (12.7 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Landscape with Trees

Creator:: attributed to Robert Hills, 1769–1844
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 x 5 7/8 inches (12.7 x 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Thorncroft, near Leatherhead

Creator:: Thomas Allom, 1804–1872
Date:: undated
Materials & Techniques:: Pen and brown ink, brown wash, graphite, and white gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/8 × 7 7/8 inches (13 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. The Theater at Tien-Sin

Creator:: Thomas Allom, 1804–1872
Date:: undated
Materials & Techniques:: Brown wash, pen and brown ink, graphite and white gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 × 7 1/2 inches (12.7 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. The House of a Chinese Merchant near Canton

Creator:: Thomas Allom, 1804–1872
Date:: ca. 1843
Materials & Techniques:: Pen and brown ink, brown wash, graphite, and white gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 × 7 5/8 inches (12.7 × 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Farmhouse, River and Barge

Creator:: Thomas Daniell, 1749–1840
Date:: 1784
Materials & Techniques:: Watercolor and gray ink over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/4 x 8 3/8 inches (13.3 x 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. An Obelisk with Roofs and Trees in the Distance

Creator:: John Robert Cozens, 1752–1797
Date:: ca. 1780
Materials & Techniques:: Graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/8 x 5 7/8 inches (13 x 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. The Priory of Beddgelert, Caernarfonshire

Creator:: John Warwick Smith, 1749–1831
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 8 1/4 inches (13.3 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. A Fisherman in the Vale of Myfod, Site of the Palace of the Princess of Powis

Creator:: John Warwick Smith, 1749–1831
Date:: undated
Materials & Techniques:: Watercolor, brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/8 x 8 5/8 inches (13 x 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Arcadian Landscape with Shepherds

Creator:: Joshua Cristall, 1768–1847
Date:: 1814
Materials & Techniques:: Watercolor with scraping over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 x 7 11/16 inches (12.7 x 19.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. A Study

Creator:: Frank Meadow Sutcliffe, 1853–1941
Date:: 1871
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 5 1/4 × 4 inches (13.3 × 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

68. Landscape

Creator:: Possibly by Rev. William Gilpin, 1724–1804
Date:: undated
Materials & Techniques:: Gray wash, graphite, pen and gray ink on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 5 1/4 × 7 15/16 inches (13.3 × 20.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Arthur Weyhe

69. Price's Mill

Creator:: Luke Sullivan, 1705–1771
Date:: undated
Materials & Techniques:: Gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 3/16 × 8 1/4 inches (13.2 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Mount Honey, Fonthill, Wiltshire

Creator:: William Rider, active 1824–1849
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 × 7 5/8 inches (13.3 × 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Boulogne, France - a Mill in a Wooded Valley

Creator:: Robert Streatfeild, 1786–1852
Date:: undated
Materials & Techniques:: Watercolor, graphite, and pen and ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 × 7 1/2 inches (12.7 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Spa, Germany - a road flanked by a high bank

Creator:: Robert Streatfeild, 1786–1852
Date:: undated
Materials & Techniques:: Graphite, pen and ink, and watercolor on medium, smooth, cream wove paper
Dimensions:: Sheet: 7 7/8 × 10 7/8 inches (20 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Carnedd Llewelyn and Carnedd David, Carnarvonshire, Seen Across the River Ogwen

Creator:: John Warwick Smith, 1749–1831
Date:: undated
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 8 3/4 inches (13.3 x 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Bacchus

Creator:: Print made by Bernard Lens II, 1659–1725
Date:: undated
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 7/16 × 4 1/4 inches (13.8 × 10.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

75. Pine Trees and Castle in a Landscape

Creator:: Rev. William Gilpin, 1724–1804
Date:: between 1762 and 1783
Materials & Techniques:: Gray wash, graphite, pen and brown ink on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 5 x 7 3/4in. (12.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Arthur Weyhe

76. Tree and Lake

Creator:: Rev. William Gilpin, 1724–1804
Date:: between 1762 and 1783
Materials & Techniques:: Gray wash, black wash, and graphite on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 5 × 7 3/4 inches (12.7 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Arthur Weyhe

77. Meppershall Chapel

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1915
Materials & Techniques:: Etching; 1st state on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 8 5/8 × 9 1/4 inches (21.9 × 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

78. Meppershall Chapel

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: c.1915
Materials & Techniques:: Etching; 3rd state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/4 × 6 3/4 inches (27.3 × 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

79. Meppershall Chapel

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1915
Materials & Techniques:: Etching; 2nd state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 8 3/8 inches (27.9 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

80. Maur's Farm

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1913
Materials & Techniques:: Etching; 8th state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/4 × 7 7/8 inches (13.3 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

81. View of Florence from South Bank of the Arno

Creator:: John Robert Cozens, 1752–1797
Date:: ca. 1780
Materials & Techniques:: Graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/4 x 5 7/8 inches (13.3 x 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Temple of Venus near Baia

Creator:: John Robert Cozens, 1752–1797
Date:: undated
Materials & Techniques:: Graphite and varnish on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/4 x 6 1/4 inches (13.3 x 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Ascent to the Bochetta

Creator:: John Robert Cozens, 1752–1797
Date:: undated
Materials & Techniques:: Graphite and varnish on thin, slightly textured, beige laid paper
Dimensions:: Sheet: 5 1/8 x 7 1/4 inches (13 x 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Manarola

Creator:: John Robert Cozens, 1752–1797
Date:: undated
Materials & Techniques:: Graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/8 x 9 3/4 inches (13 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Lago di Vico

Creator:: John Robert Cozens, 1752–1797
Date:: undated
Materials & Techniques:: Graphite and varnish on thin, slightly textured, beige laid paper
Dimensions:: Sheet: 5 1/4 x 10 1/8 inches (13.3 x 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Bacharach and View near Bingen

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Etching and aquatint, with color woodcut on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 12 13/16 × 8 7/8 inches (32.5 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. View near Bingen

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Etching and aquatint, with color woodcut on moderately thick, smooth, cream wove paper
Dimensions:: Image: 4 15/16 x 6 7/8 inches (12.5 x 17.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Chepstow Castle

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Etching and color woodcut on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 11/16 × 6 11/16 inches (14.5 × 17 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Malvolio abusing Maria, Fabian and Sir Toby

Creator:: Robert Smirke, 1752–1845
Date:: 1822
Materials & Techniques:: Pen and brown ink, brown wash, gouache, and oil, partly varnished on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/8 x 4 5/16 inches (15.5 x 11 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Wooded Landscape with a River Leading to Distant Buildings

Creator:: Print made by Jean Baptiste Claude Chatelain, 1710–1771
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 5 3/16 × 6 5/8 inches (13.1 × 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Ruins of the Old Bridge, Vernon

Creator:: Frederick Goulding, 1842–1909
Date:: 1879
Materials & Techniques:: Etching on moderately thick, slightly texture, beige laid paper
Dimensions:: Sheet: 5 3/8 x 10 1/4 inches (13.7 x 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Judith Zlotsky

92. Chelsea

Creator:: Print made by James McNeill Whistler, 1834–1903
Date:: ca. 1882
Materials & Techniques:: Etching and drypoint on thick, smooth, beige wove paper
Dimensions:: Sheet: 9 1/2 x 12 1/4 inches (24.2 x 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald and Willi Holden

93. The Gipsy Encampment

Creator:: Print made by Samuel David Colkett, 1806–1863
Date:: 1830
Materials & Techniques:: Etching on very thick, rough, white wove paper
Dimensions:: Sheet: 11 7/16 x 15 3/4 inches (29.1 x 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Tan-y-Bwlch, Merionethshire, North Wales

Creator:: Print made by John Sell Cotman, 1782–1842
Date:: between 1810 and 1817
Materials & Techniques:: Soft-ground etching on medium, rough, dark blue wove paper
Dimensions:: Sheet: 7 1/8 x 9 inches (18.1 x 22.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Study of Trees on the Banks of the Yare

Creator:: Print made by Miles Edmund Cotman, 1810–1858
Date:: 1846
Materials & Techniques:: Etching on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 5 1/4 x 6 5/8 inches (13.3 x 16.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Tobias and the Angel

Creator:: Print made by John Smith, the mezzotinter, 1652–1743
Date:: ca. 1685
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 5 1/16 x 6 9/16 inches (12.8 x 16.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Egham

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1859
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly thick, cream laid paper
Dimensions:: Sheet: 6 1/4 x 9 1/4 inches (15.9 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Garden Stair, Haddon Hall

Creator:: William Callow, 1812–1908
Date:: 1849
Materials & Techniques:: Watercolor over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 7 1/4 × 11 inches (18.4 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Preparatory drawing for Design 1, Plate 1 of A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Gray wash and graphite with pen and black on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/8 × 7 9/16 inches (13 × 19.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. West Hill, the seat of D.H. Rucker

Creator:: Humphry Repton, 1752–1818
Date:: undated
Materials & Techniques:: Gray wash and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 × 7 1/8 inches (13.3 × 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

Refine your search

Search Constraints

Height [cm] 13

Image Use Free to Use

Subject Terms trees

Search Results

1. Landscape

2. Kensington Gardens

3. Landscape with Lake

4. The Weary Ploughman

5. A Classical City

6. Suffolk Landscape

7. The Ruins of Netley Abbey

8. Streets of the Tombs, Pompeii

9. The Weary Ploughman

10. The Weary Ploughman

11. The Cypress Grove

12. The Sepulchre

13. The Sleeping Shepherd

14. The Herdsman's Cottage

15. The Timber Wain

16. The Early Ploughman

17. Albania

18. English Country Town

19. Knowsley Hall

20. Harb. Gozo

21. II. "Man by his reasoning power can only compare..." (Plate 4)

22. III. "From a perception of only 3 senses..." (Plate 5)

23. VI. "The desires & perceptions of man untaught..." (Plate 8)

24. There Is No Natural Religion; Frontispiece (Plate 1)

25. The Argument. "Man has no notion of moral fitness..." (Plate 2"

26. I. "Man cannot naturally Percieve..."(Plate 3)

27. IV. "None could have other than natural or organic thoughts..." (Plate 6)

28. V. "Mans desires are limited by his perceptions..." (Plate 7)

29. "Therefore God becomes as we are..." (Plate 9)

30. River Landscape with a Single Arched Bridge

31. Great Marlow Church, Buckinghamshire

32. Battersea Reach

33. The Enraged Vicar

34. Sharpham, near Totnes, Devon

35. Dr. Syntax Visits a Boarding School for Young Ladies

36. Dr. Syntax Bound to a Tree by Highwaymen

37. Soldiers in St. James Park

38. River and Boat

39. In the Garden of a Villa

40. Design for a Frontispiece: Shepherds with Flock

41. Entrance to the Valley of the Dhoon

42. Two Figures on a Road with Castle in Center Distance

43. The Botanical Garden near Port Orotava, Tenerife

44. Landscape with Mountain in Center Distance

45. A Rocky Landscape

46. Landscape with Two Figures on a Road

47. Landscape with Four Figures

48. Mountainous Landscape with River, Trees and Foliage in Foreground

49. Hilly Landscape

50. Landscape with Three Figures on a Road

51. Landscape with Classical Building at Left

52. River Forth with the Town and Castle of Stirling in the Distance

53. Mountainous Landscape with Rocky Crag at Right

54. Cumberland Landscape

55. View of the City of Bristol

56. The Mausoleum

57. View of Norwich

58. Landscape with Trees

59. Thorncroft, near Leatherhead

60. The Theater at Tien-Sin

61. The House of a Chinese Merchant near Canton

62. Farmhouse, River and Barge

63. An Obelisk with Roofs and Trees in the Distance

64. The Priory of Beddgelert, Caernarfonshire

65. A Fisherman in the Vale of Myfod, Site of the Palace of the Princess of Powis

66. Arcadian Landscape with Shepherds

67. A Study

68. Landscape

69. Price's Mill

70. Mount Honey, Fonthill, Wiltshire

71. Boulogne, France - a Mill in a Wooded Valley

72. Spa, Germany - a road flanked by a high bank

73. Carnedd Llewelyn and Carnedd David, Carnarvonshire, Seen Across the River Ogwen