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1. Christ Church Gate, Canterbury

Christ Church Gate, Canterbury
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
1793 to 1794
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 7/8 x 10 3/4 inches (22.5 x 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. St. Augustine's Gate, Canterbury

St. Augustine's Gate, Canterbury
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
between 1792 and 1793
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/4 x 10 5/8in. (21 x 27cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. The Bridge over the River Rye at Helmsley, with the Castle Beyond

The Bridge over the River Rye at Helmsley, with the Castle Beyond
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
between 1798 and 1799
Materials & Techniques:
Watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/8 x 10 1/2 inches (18.7 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. "Appear to the Americans upon the cloudy night..." (Plate 6)

"Appear to the Americans upon the cloudy night..." (Plate 6)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. "Arise 'O Rintrah eldest born..." (Plate 9)

"Arise 'O Rintrah eldest born..." (Plate 9)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. "The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)

"The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)

Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Color-printed relief etching in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. "In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)

"In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Title Page. America, A Prophecy (Plate 2)

Title Page. America, A Prophecy (Plate 2)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Color-printed relief etching in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. "The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)

"The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. "Unwilling I look up to heaven! unwilling count the stars!..." (Plate 4)

"Unwilling I look up to heaven! unwilling count the stars!..." (Plate 4)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper inlaid to size
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. "Albions Angel rose upon the Stone of Night..." (Plate 12)

"Albions Angel rose upon the Stone of Night..." (Plate 12)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. "The shrill winds wake!..." (Plate 6)

"The shrill winds wake!..." (Plate 6)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Frontispiece. Albion's Angel (Plate 1)

Frontispiece. Albion's Angel (Plate 1)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Color-printed relief etching in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. View near Swansea, South Wales

View near Swansea, South Wales
Creator:
James Ward, 1769–1859
Date:
ca. 1800
Materials & Techniques:
Watercolor over graphite on medium, moderately textured, beige laid paper mounted on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 4 3/8 × 10 5/8 inches (11.1 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Windsor Castle From the Long Walk

Windsor Castle From the Long Walk
Creator:
F. Norice, 19th century
Date:
undated
Materials & Techniques:
Watercolor, graphite, and gouache on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 6 7/8 × 10 5/8 inches (17.5 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. The Entrance to Hengrave Hall, 1819

The Entrance to Hengrave Hall, 1819
Creator:
Anna Mills, active 1819
Date:
1819
Materials & Techniques:
Watercolor and pen and black ink on medium, slightly textured, cream wove paper in contemporary wove paper insert with wash boader
Dimensions:
Sheet: 15 15/16 x 10 5/8 inches (40.5 x 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. French Coast Scene with Fisherboy

French Coast Scene with Fisherboy
Creator:
James Duffield Harding, 1798–1863
Date:
1829
Materials & Techniques:
Watercolor, pen and brown ink, pen and red ink, pen and gray ink, graphite, and gouache on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 7/8 x 10 3/4 inches (37.8 x 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Shipping in a Choppy Sea

Shipping in a Choppy Sea
Creator:
Follower of William Owen, 1769–1825
Date:
undated
Materials & Techniques:
Watercolor, graphite, and scratching out on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/2 x 10 3/4in. (19.1 x 27.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Country Scene: Figures by a Cottage Door and Cattle in a Stream

Country Scene: Figures by a Cottage Door and Cattle in a Stream
Creator:
Francis Wheatley, 1747–1801
Date:
1795
Materials & Techniques:
Watercolor and graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 9 7/8 x 10 3/4 inches (25.1 x 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Mowbray Park

Mowbray Park
Creator:
Edward Francis Burney, 1760–1848
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/8 × 10 3/4 inches (18.1 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Abel Cary Thomas, Yale BA 1905, transfer from the Yale University Library and the Yale University Art Gallery

22. Landscape with Castle

Landscape with Castle
Creator:
Cornelius Varley, 1781–1873
Date:
undated
Materials & Techniques:
Watercolor, brown wash, graphite, and white gouache on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 7 3/8 x 10 1/2 inches (18.7 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Mountainous Landscape with Cows

Mountainous Landscape with Cows
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, graphite, gouache and scratching out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 10 7/16 inches (18.1 × 26.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. In the Bay of Salerno, near Vietri

In the Bay of Salerno, near Vietri
Creator:
John Warwick Smith, 1749–1831
Date:
undated
Materials & Techniques:
Black ink, watercolor, and graphite on medium, moderately textured, cream laid paper mounted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/8 x 10 1/2 inches (18.7 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Geoffrey and Renée Hartman

25. Shipping in the Solent off Calshot Castle

Shipping in the Solent off Calshot Castle
Creator:
Dominic Serres, 1722–1793
Date:
between 1760 and 1793
Materials & Techniques:
Watercolor, black ink, and gray ink on medium, moderately textured, cream wove paper medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 x 10 1/2 inches (15.2 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The U Collection. In appreciation of Choh Shiu and Man Foo U, loving parents, and Dorothea and Frank Cockett, dear friends

26. On the Coast of Sorrentum

On the Coast of Sorrentum
Creator:
attributed to John Warwick Smith, 1749–1831
Date:
undated
Materials & Techniques:
Watercolor over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 5/8 x 10 1/2 inches (14.3 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Phoenix Park, Dublin

Phoenix Park, Dublin
Creator:
William Ashford, 1746–1824
Date:
1905
Materials & Techniques:
Watercolor, white gouache, graphite and pen and black ink on medium, moderately textured, gray wove paper mounted to card
Dimensions:
Sheet: 7 1/8 × 10 3/8 inches (18.1 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection