Work Type: intaglio print / Subject Terms: nudes - YCBA Collections Search Search Results

<< YCBA Home << YCBA Home

Start Over

You searched for:

Work Type intaglio print

Subject Terms nudes

Joseph Mallord William Turner The Drawing of the Clyde

Etched by Joseph Mallord William Turner, 1775–1851

The Drawing of the Clyde

1809

Joseph Mallord William Turner The Drawing of the Clyde

Etched by Joseph Mallord William Turner, 1775–1851

The Drawing of the Clyde

1809

William Blake 'Emblem of that which shall awake the dead' (Page 19)

Print made by William Blake, 1757–1827

'Emblem of that which shall awake the dead' (Page 19)

1797

William Blake 'Behold him, when past by; what then is seen' (Page 25)

Print made by William Blake, 1757–1827

'Behold him, when past by; what then is seen' (Page 25)

1797

William Blake 'Swift on his downy pinion flies from woe' (Page 1)

Print made by William Blake, 1757–1827

'Swift on his downy pinion flies from woe' (Page 1)

1797

William Blake 'As if the sun could envy, check'd his beam' (Page 49)

Print made by William Blake, 1757–1827

'As if the sun could envy, check'd his beam' (Page 49)

1797

William Blake 'But for the blessing wrestle not with heaven' (Page 88)

Print made by William Blake, 1757–1827

'But for the blessing wrestle not with heaven' (Page 88)

1797

William Blake 'The goddess bursts in thunder and in flame' (Page 95)

Print made by William Blake, 1757–1827

'The goddess bursts in thunder and in flame' (Page 95)

1797

William Blake 'Disease invades the chastest temperence' (Page 10)

Print made by William Blake, 1757–1827

'Disease invades the chastest temperence' (Page 10)

1797

William Blake "Does thy God O Priest take such vengeance as this?" (Plate 14)

Print made by William Blake, 1757–1827

"Does thy God O Priest take such vengeance as this?" (Plate 14)

1826

William Blake "To The Accuser who is The God of This World..." (Plate 19)

Print made by William Blake, 1757–1827

"To The Accuser who is The God of This World..." (Plate 19)

1826

William Blake "He meets his Saviour in the Grave..." (Plate 20)

Print made by William Blake, 1757–1827

"He meets his Saviour in the Grave..." (Plate 20)

1826

William Blake Air (Plate 6)

Print made by William Blake, 1757–1827

Air (Plate 6)

1826

William Blake "My son! my Son!" (Plate 10)

Print made by William Blake, 1757–1827

"My son! my Son!" (Plate 10)

1826

William Blake Aged Ignorance (Plate 13)

Print made by William Blake, 1757–1827

Aged Ignorance (Plate 13)

1826

William Blake Water (Plate 4)

Print made by William Blake, 1757–1827

Water (Plate 4)

1826

William Blake Earth (Plate 5)

Print made by William Blake, 1757–1827

Earth (Plate 5)

1826

William Blake 'What, though my soul fantastick measures trod' (Page 4)

Print made by William Blake, 1757–1827

'What, though my soul fantastick measures trod' (Page 4)

ca. 1797

William Blake 'The present moment terminates our sight' (Page 13)

Print made by William Blake, 1757–1827

'The present moment terminates our sight' (Page 13)

ca. 1797

William Blake 'What, though my soul fantastick measures trod' (Page 4)

Print made by William Blake, 1757–1827

'What, though my soul fantastick measures trod' (Page 4)

1797

William Blake The Christian Triumph; Title Page

Print made by William Blake, 1757–1827

The Christian Triumph; Title Page

1797

William Blake Alas! (Plate 9)

Print made by William Blake, 1757–1827

Alas! (Plate 9)

1826

William Blake 'We censure nature for a span too short' (Page 23)

Print made by William Blake, 1757–1827

'We censure nature for a span too short' (Page 23)

1797

William Blake 'That touch, with charm celestial heals the soul' (Page 90)

Print made by William Blake, 1757–1827

'That touch, with charm celestial heals the soul' (Page 90)

1797

William Blake Night the First. On Life, Death and Immortality; Title Page

Print made by William Blake, 1757–1827

Night the First. On Life, Death and Immortality; Title Page

1797

William Blake 'The present moment terminates our sight' (Page 13)

Print made by William Blake, 1757–1827

'The present moment terminates our sight' (Page 13)

1797

William Blake Water (Plate 4)

Print made by William Blake, 1757–1827

Water (Plate 4)

1793

William Blake 'Where sense runs savage broke from reason's chain' (Page 46)

Print made by William Blake, 1757–1827

'Where sense runs savage broke from reason's chain' (Page 46)

ca. 1797

William Blake 'And vapid; sense and reason shew the door' (Page 72)

Print made by William Blake, 1757–1827

'And vapid; sense and reason shew the door' (Page 72)

ca. 1797

William Blake 'The goddess bursts in thunder and in flame' (Page 95)

Print made by William Blake, 1757–1827

'The goddess bursts in thunder and in flame' (Page 95)

ca. 1797

William Blake Air (Plate 6)

Print made by William Blake, 1757–1827

Air (Plate 6)

1793

William Blake Fire (Plate 7)

Print made by William Blake, 1757–1827

Fire (Plate 7)

1793

William Blake 'Emblem of that which shall awake the dead' (Page 19)

Print made by William Blake, 1757–1827

'Emblem of that which shall awake the dead' (Page 19)

ca. 1797

William Blake 'As if the sun could envy, check'd his beam' (Page 49)

Print made by William Blake, 1757–1827

'As if the sun could envy, check'd his beam' (Page 49)

ca. 1797

William Blake The Christian Triumph; Title Page

Print made by William Blake, 1757–1827

The Christian Triumph; Title Page

ca. 1797

William Blake 'That touch, with charm celestial heals the soul' (Page 90)

Print made by William Blake, 1757–1827

'That touch, with charm celestial heals the soul' (Page 90)

ca. 1797

William Blake 'Disease invades the chastest temperence' (Page 10)

Print made by William Blake, 1757–1827

'Disease invades the chastest temperence' (Page 10)

ca. 1797

William Blake Night the Second. On Time, Death and Friendship; Title Page

Print made by William Blake, 1757–1827

Night the Second. On Time, Death and Friendship; Title Page

ca. 1797

William Blake Night the First. On Life, Death and Immortality; Title Page

Print made by William Blake, 1757–1827

Night the First. On Life, Death and Immortality; Title Page

ca. 1797

William Blake 'Swift on His Downy Pinion Flies from Woe' (Page 1)

Print made by William Blake, 1757–1827

'Swift on His Downy Pinion Flies from Woe' (Page 1)

ca. 1797

William Blake 'Till death, that mighty hunter, earths them all' (Page 70)

Print made by William Blake, 1757–1827

'Till death, that mighty hunter, earths them all' (Page 70)

ca. 1797

William Blake Earth (Plate 5)

Print made by William Blake, 1757–1827

Earth (Plate 5)

1793

William Blake Aged Ignorance (Plate 13)

Print made by William Blake, 1757–1827

Aged Ignorance (Plate 13)

1793

William Blake Does Thy God O Priest Take such Vengeance as This? (Plate 14)

Print made by William Blake, 1757–1827

Does Thy God O Priest Take such Vengeance as This? (Plate 14)

1793

William Blake Alas! (Plate 9)

Print made by William Blake, 1757–1827

Alas! (Plate 9)

1793

William Blake My Son! My Son! (Plate 10)

Print made by William Blake, 1757–1827

My Son! My Son! (Plate 10)

1793

William Blake 'Behold him, when past by; what then is seen' (Page 25)

Print made by William Blake, 1757–1827

'Behold him, when past by; what then is seen' (Page 25)

ca. 1797

William Blake 'We censure nature for a span too short' (Page 23)

Print made by William Blake, 1757–1827

'We censure nature for a span too short' (Page 23)

ca. 1797

Richard Earlom Life School at the Royal Academy

Print made by Richard Earlom, 1743–1822

Life School at the Royal Academy

1773

Simon Gribelin From the Painting of the Ceiling in the Banqueting House at White-Hall in the Year 1720

Simon Gribelin, 1662–1733

From the Painting of the Ceiling in the Banqueting House at White-Hall in the Year 1720

ca. 1720

John Smith, the mezzotinter Diana and Acteon

Print made by John Smith, the mezzotinter, 1652–1743

Diana and Acteon

1705

John Boydell A View of Erith, Looking Up the Thames

Print made by John Boydell, 1720–1804

A View of Erith, Looking Up the Thames

1750

Richard Earlom Life School at the Royal Academy

Print made by Richard Earlom, 1743–1822

Life School at the Royal Academy

1773

Richard Earlom The Royal Academy of Arts

Print made by Richard Earlom, 1743–1822

The Royal Academy of Arts

1773

Francesco Bartolozzi Ticket: Mr. Cox's Museum

Print made by Francesco Bartolozzi, 1728–1815

Ticket: Mr. Cox's Museum

1772

Richard Earlom Life School at the Royal Academy

Print made by Richard Earlom, 1743–1822

Life School at the Royal Academy

1773

Francesco Bartolozzi Ticket: Anacreontic Society Meeting

Print made by Francesco Bartolozzi, 1728–1815

Ticket: Anacreontic Society Meeting

1779

Cornelis Apostool Here Nature List'ning Stood

Print made by Cornelis Apostool, 1762–1844

Here Nature List'ning Stood

1795

Edward Calvert The Bride

Print made by Edward Calvert, 1799–1883

The Bride

1828

Charles Phillips Venus and Cupid

Print made by Charles Phillips, 1737– after 1783

Venus and Cupid

1766

Luigi Schiavonetti Death of the Strong Wicked Man

Print made by Luigi Schiavonetti, 1765–1810

Death of the Strong Wicked Man

1808, published 1813

Luigi Schiavonetti The Day of Judgment

Print made by Luigi Schiavonetti, 1765–1810

The Day of Judgment

1808, published 1813

Isaac Beckett Cupid's Tent

Print made by Isaac Beckett, 1652/3–1719

Cupid's Tent

1680s

Bernard Lens II Diana and Acteon

Print made by Bernard Lens II, 1659–1725

Diana and Acteon

undated

Bernard Lens II Flora and Putti

Print made by Bernard Lens II, 1659–1725

Flora and Putti

undated

Bernard Lens II Nymphs Bathing

Print made by Bernard Lens II, 1659–1725

Nymphs Bathing

undated

Bernard Lens II Juno, Venus, and Cupid

Print made by Bernard Lens II, 1659–1725

Juno, Venus, and Cupid

undated

Guillaume Sulpice Chevalier Intemperance

Print made by Guillaume Sulpice Chevalier, 1804–1866

Intemperance

undated

John Smith, the mezzotinter Cupids Trying Out a Bow

Print made by John Smith, the mezzotinter, 1652–1743

Cupids Trying Out a Bow

undated

John Copley Morning on a Hillside

Print made by John Copley, 1875–1950

Morning on a Hillside

1936

John Copley The Apple Tree

Print made by John Copley, 1875–1950

The Apple Tree

1950

Bernard Lens II The Four Elements

Print made by Bernard Lens II, 1659–1725

The Four Elements

undated

Bernard Lens II Acteon and Diana

Print made by Bernard Lens II, 1659–1725

Acteon and Diana

undated

Bernard Lens II Acteon and Diana

Print made by Bernard Lens II, 1659–1725

Acteon and Diana

undated

Bernard Lens II Nymphs Bathing

Print made by Bernard Lens II, 1659–1725

Nymphs Bathing

undated

Bernard Lens II Venus and Cupid

Print made by Bernard Lens II, 1659–1725

Venus and Cupid

undated

Johann Ulrich Kraus A Bacchanian Scene

Print made by Johann Ulrich Kraus, 1655–1719

A Bacchanian Scene

undated

Bernard Lens II Venus Attiring by the Graces

Print made by Bernard Lens II, 1659–1725

Venus Attiring by the Graces

undated

Francesco Bartolozzi Ticket: Anacreontic Society Meeting

Print made by Francesco Bartolozzi, 1728–1815

Ticket: Anacreontic Society Meeting

1773

William Baillie Captain William Baillie

Print made by William Baillie, 1723–1810

Captain William Baillie

between 1750 and 1810

unknown artist Key to Life School at the Royal Academy

Print made by unknown artist

Key to Life School at the Royal Academy

1794

Ibrahim El-Salahi No. 6 from The Group

Print made by Ibrahim El-Salahi, born 1930

No. 6 from The Group

2016