John Dunning, 1st Baron Ashburton, with Colonel Isaac Barre and William Petty, 2nd Earl of Shelburne, Marquis of Lansdowne
1847
7
Print made by Richard Earlom, 1743–1822
The Enchantress
1786
8
Print made by John Murphy, ca. 1748–1820
The Encampment at Brighton
1796
9
Print made by Richard Earlom, 1743–1822
The Enchantress
1786
10
Benjamin Smith, 1775–1833
"Tempest", Act I, Scene I
1797
11
Print made by Daniel Wilson, 1816–1892
Ancient Carthage - The Embarcation of Regulus
1840
12
Print made by Thomas Malton the Younger, 1748–1804
Cambridge University: Queens College
1800
13
James Ward, 1769–1859
A Boy Employed in Burning Weeds
1793
14
Print made by Samuel William Reynolds, 1773–1835
Death of Captain Alexander Hood
1798
15
Thomas Malton the Younger, 1748–1804
The East Front of the Library of Trinity College in the University of Cambridge
1800
16
Thomas Malton the Younger, 1748–1804
South Front of the Senate House and West End of St. Mary's Church in the University of Cambridge
1799
17
Print made by James Tibbits Willmore, 1800–1863
Ancient Italy
1842
18
William Ward, 1766–1826
The Truants
1796
19
Print made by Andrew Lawrence, 1708–1747
The Death of the Stag
1753
20
Print made by Gerard van der Gucht, 1696–1776
The Cape of Good Hope
1736
21
William Ward, 1766–1826
Selling Rabbits
1796
22
Print made by Joseph Wood, 1720–1763 or 1764
The View from One Tree Hill in Greenwich Park
1744
23
unknown artist
A View of St. Katharine's Dock in the Month of January, 1828
1828
24
Lawrence Josset, 1910–1995
The Drummond Family
1960
25
Thomas Malton, 1726–1801
Lleweney Bleach Works
1798
26
Print made by John Pye, 1782–1874
A View of Oxford from the Abingdon Road
1818
27
Print made by Samuel Middiman, ca. 1750–1831
High Street, Oxford
1811
28
Abraham Raimbach, 1784–1868
Distraining for Rent
1828
29
Figures engraved by William Sharp, 1749–1824
Niobe
1792
30
Thomas Girtin, 1775–1802
View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c., taken from Pont Notre Dame
1803
31
Thomas Girtin, 1775–1802
View of the Pantheon taken from the Arsenal
1802
32
Thomas Girtin, 1775–1802
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud
1802
33
Thomas Girtin, 1775–1802
View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance
1802
34
Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi on the Banks of the Seine
1803
35
Thomas Girtin, 1775–1802
View of the Pantheon taken from the Arsenal
1803
36
Print made by James Basire II, 1769–1822
Plan of the Ancient Palace of Westminster by the late Mr. William Capon, measured and drawn between 1793 and 1823
1828
37
James Girtin, ca. 1780–after 1820
Title Page for: A Selection of the Most Picturesque Views in Paris and its Environs
1803
38
Thomas Girtin, 1775–1802
View of the City with the Louvre &c. taken from Pont Marie
1802
39
Thomas Girtin, 1775–1802
View of the City with the Louvre &c., taken from Pont Marie
1802
40
Thomas Girtin, 1775–1802
View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf
1802
41
etching by Thomas Girtin, 1775–1802
A General View of Paris taken from Chaillot
1803
42
Thomas Girtin, 1775–1802
A View of Pont Neuf, the Mint, &c
1802
43
Thomas Girtin, 1775–1802
View of the Gate of St. Denis taken from the Suburbs
1802
44
Thomas Girtin, 1775–1802
The Waterworks at Marli; and St. Germain en Laye seen in the distance
1802
45
Thomas Girtin, 1775–1802
View of the Village of Chaillot &c., taken from Pont de la Concorde
1802
46
Richard Banks Harraden, 1778–1862
The Waterworks at Marli; and St. German en Laye seen in the distance
1803
47
Charles Robert Cockerell, 1788–1863
Progetto di collocazione delle statue antiche esistenti nella galleria di Firenze che rappresentano la favola di Niobe [scheme for the configuration of the ancient statues in the gallery of Florence that represent the myth of Niobe](Florence, 1816)
1816
48
Print made by James Girtin, ca. 1780–after 1820
Dedication Page for: to the Right Honorable George Earl of Essex
1803
49
Thomas Girtin, 1775–1802
View of the Thuilleries and Bridge taken f rom the Quai d'Orsai
1802
50
Thomas Girtin, 1775–1802
View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf
1802
51
James Girtin, ca. 1780–after 1820
Half Title page for: Views in Paris and its Environs
1803
52
Thomas Girtin, 1775–1802
View of Pont St. Michel, taken from Pont Neuf
1802
53
Thomas Girtin, 1775–1802
View of Pont St. Michel, taken from Pont Neuf
1803
54
Thomas Girtin, 1775–1802
View of Thuilleries and Bridge taken from the Quay d'Orsai
1802
55
Thomas Girtin, 1775–1802
A General View of Paris taken from Chaillot
1802
56
Thomas Girtin, 1775–1802
View of the Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c. taken from Pont Notre Dame
1802
57
Thomas Girtin, 1775–1802
View of Pont de la Tournelle and Notre Dame taken from the Arsenal
1802
58
Thomas Girtin, 1775–1802
View of Pont de la Tournelle and Notre Dame taken from the Arsenal
1802
59
Thomas Girtin, 1775–1802
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud
1802
60
Thomas Girtin, 1775–1802
View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance
1803
61
Thomas Girtin, 1775–1802
View of the Village of Chaillot and &c., taken from Pont de la Concorde
1803
62
Thomas Girtin, 1775–1802
View of St. Cloud and Mount Calvary taken from Pont de Seve
1802
63
Thomas Girtin, 1775–1802
The Water Mill above the Bridge at Charenton
1803
64
Thomas Girtin, 1775–1802
View of St. Cloud and Mount Calvary taken from Pont de Seve
1802
65
Print made by Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton
1803
66
Thomas Girtin, 1775–1802
View of the Gate of St. Denis taken from the Suburbs
1802
67
Thomas Girtin, 1775–1802
A View of Pont Neuf, the Mint, &c
1803
68
Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi on the Banks of the Seine
1802
69
Patrick Procktor, 1936–2003
Kathmandu
1970
70
Print made by Henry Lemon, 1823–1882
Saturday Night
ca. 1850
71
Print made by Henry Robert Robertson, 1839–1921
The Fighting Téméraire
ca. 1887
72
Conrad Martin Metz, 1749–1827
The Elect
1801
73
Print made by Ken Kiff, 1935–2001
The Hill
undated
74
Michael Landy, Born 1963
Herb-Robert
2002
75
Print made by Thomas Oldham Barlow, 1824–1889
The Death of Chatterton
1860
76
Print made by Axel Herman Haig, 1835–1921
Gefaler Cathedral
1901
77
Print made by J. P. Quilley, active 1828
Boccaccio, the Bird Cage
1830
78
Robert Laurie, 1755?–1836
Lion and Horse
1791
79
Print made by James Tibbits Willmore, 1800–1863
Dover
1851
80
Print made by James Tibbits Willmore, 1800–1863
Childe Harold's Pilgrimage, Italy
1861
81
Print made by William Miller, 1796–1882
Kilchurn Castle, Loch Awe
1847
82
Print made by Benedetto Pastorini, Italian, ca.1746–after 1803
Inside View of the Theatre Royal, Drury Lane
1775
83
Print made by William Walcot, 1874–1943
Antony in Egypt No.2, Morning of the Festival
1916
84
Print made by William Walcot, 1874–1943
A Tragedy of Sophocles Performed before the Emperor Hadrian
1913
85
Print made by James Basire II, 1769–1822
PLATE XV. Elevation of a Window Bay &c
1805
86
Print made by Richard Newton, 1777–1798
The Princess's Curtsey (Left)
1795
87
Print made by Joseph Grozer, ca. 1755–1798
Charles Marquis Cornwallis Receiving the two Sons of Tippoo Sultaun as Hostages from the Vakeel