Work Type: intaglio print / Width [cm]: 65 - YCBA Collections Search Search Results

Henry Roberts, ca. 1710–1790

A South West Prospect of the City of Bath

1757

Print made by James Ward, 1769–1859

The Spottiswoode Ox

1804

Lawrence Josset, 1910–1995

The Drummond Family

1960

Print made by William Miller, 1796–1882

The Grand Canal, Venice

1838

Print made by George Hollis, 1792–1842

St. Mark's Place, Venice - Juliet and her Nurse

1842

Print made by James Tibbits Willmore, 1800–1863

Ancient Italy

1842

Lawrence Josset, 1910–1995

The Drummond Family

1960

Marie C. Prestel, 1747–1794

Landscape

William Ward, 1766–1826

The Sailor's Orphans or Young Ladies' Subscription

ca. 1800

Robert Dunkarton, 1744–1811

The Soldier's Widow; or Schoolboys' Collection

ca. 1802

Francis David Soiron, Born 1764

The Promenade in St. Jame's Park

1793

Print made by Samuel William Reynolds, 1773–1835

Death of Captain Alexander Hood

1798

William Watts, 1752–1851

Sheerness Dockyard

1803

John Murphy, ca. 1748–1820

The Departure from Brighton

1796

Christian von Mechel Welgelegen: Vue Perspective de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam

Christian von Mechel, 1737–1817

Welgelegen: Vue Perspective de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam

1792

Christian von Mechel Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam

Christian von Mechel, 1737–1817

Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam

1792

Christian von Mechel, 1737–1817

Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam

1792

Print made by Edward Goodall, 1795–1870

Cologne on the Rhine

1824

Etched by Samuel Middiman, ca. 1750–1831

High Street, Oxford

1812

Print made by John Pye, 1782–1874

A View of Oxford from the Abingdon Road

1818

Charles Turner, 1774–1857

Lord Viscount Duncan

1798

Robert Pollard, 1755–1838

A North East View of the Tuesday Market Place of Lynn Regis

1797

Print made by Pierre Charles Canot, ca. 1710–1777

Geometrical Plan of his Majesty's Dockyard, at Chatham

1755

Print made by John Raphael Smith, 1752–1812

The Slave Trade

1791

Archibald Robertson, 1748–1788

The Triumpal Arch, Erected, June 17th 1777, in Honor of William Bromley Chester Esqr

1782

John Murphy, ca. 1748–1820

The Encampment at Brighton

1797

Richard Earlom, 1743–1822

Labourers

1790

Richard Earlom, 1743–1822

Game Keepers. To the Right Honorable. Lord Viscount Torrington

1790

Thomas Malton, 1726–1801

Lincoln Cathedral

1800

Robert Pollard, 1755–1838

Interior of St. Paul's on the Day of Solemn Thanksgiving for the Recovery of His Majesty

1790

George H. Phillips, active 1819–1825

The Paphian Bower

1826

Henry Papprill, 1816–d.after 1883

The Review of the Queens Own Regiment of the Yeomanry Cavalry

Print made by Pierre Charles Canot, ca. 1710–1777

Geometrical Plan of his Majesty's Dockyard, Deptford

1755

Print made by Pierre Charles Canot, ca. 1710–1777

Geometrical Plan of his Majesty's dockyard, at Sheerness

1755

Print made by Pierre Charles Canot, ca. 1710–1777

Geometrical Plan of his Majesty's Dockyard, near Plymouth

1756

Print made by John Raphael Smith, 1752–1812

African Hospitality

1791

Print made by Pierre Charles Canot, ca. 1710–1777

Geometrical Plan of his Majesty's Dockyard, at Woolwich

1753

Thomas Girtin, 1775–1802

A View of Pont Neuf, the Mint, &c

1803

Thomas Ryder, 1746–1810

Twelfth Night, Act III, Scene IV: Olivia's House

1803

Print made by George Hollis, 1792–1842

St. Mark's Place, Venice - Juliet and her Nurse

1842

George Vertue, 1684–1756

King Edward VI presenting the Charter for Bridewell to Sir George Barnes

1750

Lawrence Josset, 1910–1995

The Drummond Family

1960

Print made by John Murphy, ca. 1748–1820

Hiram King of Tyre, Sends Presents to King Solomon

1790

Print made by James Ward, 1769–1859

The Centurion Cornelius

1800

Print made by John Murphy, ca. 1748–1820

The Encampment at Brighton

1796

Print made by John Murphy, ca. 1748–1820

The Brothers of Joseph Showing his Bloody Coat

1782

Thomas Girtin, 1775–1802

A View of Pont Neuf, the Mint, &c

1802

Thomas Girtin, 1775–1802

View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations

1803

Print made by Robert Pollard, 1755–1838

View of Hanover Square

1787

Print made by Robert Pollard, 1755–1838

View of London Bloomsbury Square

1787

etching by Thomas Girtin, 1775–1802

A General View of Paris taken from Chaillot

1803

Thomas Girtin, 1775–1802

View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations

1802

Francis David Soiron, Born 1764

The Promenade in St. James's Park

1793

Print made by Henry Robert Robertson, 1839–1921

Ulysses Deriding Polyphemus

ca. 1887

Print made by Niccoló Schiavonetti, 1771–1813

The Last Effort and Fall of Tippoo Sultaun

1802

Print made by Daniel Orme, 1766–1837

The Delivery of the Definitive Treaty by the Hostage Princes into the Hands of Lord Cornwallis

1793

Print made by Anthony Cardon, 1772–1813

The Assault and Taking of Seringapatam

1801

Print made by Anthony Cardon, 1772–1813

The Surrender of the Sons of Tippoo Sultaun

1802

Thomas Gaugain Portraits Painted from Life, Representing Capt. Englefield with Eleven of his Crew Saving Themselves in the Pinnace, from the Wreck of the Centaur, of 74 Guns, Lost Sept. 1782

Print made by Thomas Gaugain, 1748–1812

Portraits Painted from Life, Representing Capt. Englefield with Eleven of his Crew Saving Themselves in the Pinnace, from the Wreck of the Centaur, of 74 Guns, Lost Sept. 1782

1796

Print made by Francesco Bartolozzi, 1728–1815

The Departure of the Sons of Tippoo from the Zenana

1793