Work Type: intaglio print / Width [cm]: 65 - YCBA Collections Search Search Results

1. Cologne on the Rhine

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1824
Materials & Techniques:: Etching and engraving, with graphite and white chalk; early touched engraver's proof on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 3/4 × 25 1/2 inches (45.1 × 64.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam

Creator:: Christian von Mechel, 1737–1817
Date:: 1792
Materials & Techniques:: Colored engraving on textured, moderately thick, cream laid paper
Dimensions:: Sheet: 19 3/8 × 25 3/4 inches (49.2 × 65.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam

Creator:: Christian von Mechel, 1737–1817
Date:: 1792
Materials & Techniques:: Engraving on smooth, thick, cream wove paper
Dimensions:: Sheet: 19 × 25 3/8 inches (48.3 × 64.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Welgelegen: Vue Perspective de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam

Creator:: Christian von Mechel, 1737–1817
Date:: 1792
Materials & Techniques:: Engraving on slightly textured, thick, cream wove paper
Dimensions:: Sheet: 18 3/4 × 25 1/2 inches (47.6 × 64.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. A View of Oxford from the Abingdon Road

Creator:: Print made by John Pye, 1782–1874
Date:: 1818
Materials & Techniques:: Etching and engraving with chine collé; first published state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 23 1/8 × 34 7/8 inches (58.7 × 88.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. High Street, Oxford

Creator:: Etched by Samuel Middiman, ca. 1750–1831
Date:: 1812
Materials & Techniques:: Etching and engraving; engraver's proof (b) on medium, slightly textured, cream wove paper, mounted to thick, moderately textured, cream wove paper
Dimensions:: Sheet: 19 3/8 × 24 5/8 inches (49.2 × 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. The Promenade in St. James's Park

Creator:: Francis David Soiron, Born 1764
Date:: 1793
Materials & Techniques:: Etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 1/8 × 28 1/4 inches (48.6 × 71.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. A View of Pont Neuf, the Mint, &c.

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. View of Hanover Square

Creator:: Print made by Robert Pollard, 1755–1838
Date:: 1787
Materials & Techniques:: Etching and aquatint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 9/16 × 25 5/8 inches (49.7 × 65.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. A South West Prospect of the City of Bath

Creator:: Henry Roberts, ca. 1710–1790
Date:: 1757
Materials & Techniques:: Hand colored engraving on thick, rough, cream laid paper
Dimensions:: Sheet: 16 × 25 5/8 inches (40.6 × 65.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. The Sailor's Orphans or Young Ladies' Subscription

Creator:: William Ward, 1766–1826
Date:: ca. 1800
Materials & Techniques:: Color printed mezzotint with hand coloring in watercolor
Dimensions:: Plate: 19 1/8 x 23 3/4in. (48.6 x 60.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. The Soldier's Widow; or Schoolboys' Collection

Creator:: Robert Dunkarton, 1744–1811
Date:: ca. 1802
Materials & Techniques:: Mezzotint, colored impression
Dimensions:: Plate: 19 1/8 x 23 7/8in. (48.6 x 60.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. The Drummond Family

Creator:: Lawrence Josset, 1910–1995
Date:: 1960
Materials & Techniques:: Mezzotint on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 20 1/2 x 28 inches (52.1 x 71.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. The Drummond Family

Creator:: Lawrence Josset, 1910–1995
Date:: 1960
Materials & Techniques:: Color printed mezzotint with hand coloring in watercolor on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 23 1/8 x 31 5/8 inches (58.7 x 80.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Lincoln Cathedral

Creator:: Thomas Malton, 1726–1801
Date:: 1800
Materials & Techniques:: Color aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 22 3/8 × 29 3/8 inches (56.8 × 74.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. View of London Bloomsbury Square

Creator:: Print made by Robert Pollard, 1755–1838
Date:: 1787
Materials & Techniques:: Etching and aquatint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 3/4 × 25 3/4 inches (50.2 × 65.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. A General View of Paris taken from Chaillot

Creator:: etching by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Soft-ground etching and aquatint, printed in brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 1/8 inches (46.4 x 66.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. A View of Pont Neuf, the Mint, &c.

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Aquatint with soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 1/4 inches (46.4 x 66.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 1/4 inches (46.4 x 66.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. A North East View of the Tuesday Market Place of Lynn Regis

Creator:: Robert Pollard, 1755–1838
Date:: 1797
Materials & Techniques:: Colored aquatint on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 17 1/16 × 26 9/16 inches (43.3 × 67.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Geometrical Plan of his Majesty's Dockyard, Deptford

Creator:: Print made by Pierre Charles Canot, ca. 1710–1777
Date:: 1755
Materials & Techniques:: Line engraving on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 21 1/2 × 28 9/16 inches (54.6 × 72.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Geometrical Plan of his Majesty's dockyard, at Sheerness

Creator:: Print made by Pierre Charles Canot, ca. 1710–1777
Date:: 1755
Materials & Techniques:: Line engraving on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 22 1/8 × 28 11/16 inches (56.2 × 72.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Geometrical Plan of his Majesty's Dockyard, near Plymouth

Creator:: Print made by Pierre Charles Canot, ca. 1710–1777
Date:: 1756
Materials & Techniques:: Line engraving on medium, moderately textured, cream laid paper mounted on laid paper
Dimensions:: Sheet: 22 1/16 × 28 13/16 inches (56 × 73.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. The Encampment at Brighton

Creator:: John Murphy, ca. 1748–1820
Date:: 1797
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 23 7/8 × 31 1/2 inches (60.6 × 80 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. The Grand Canal, Venice

Creator:: Print made by William Miller, 1796–1882
Date:: 1838
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 25 3/8 × 37 1/2 inches (64.5 × 95.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. The Brothers of Joseph Showing his Bloody Coat

Creator:: Print made by John Murphy, ca. 1748–1820
Date:: 1782
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 21 9/16 × 25 3/4 inches (54.8 × 65.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

28. St. Mark's Place, Venice - Juliet and her Nurse

Creator:: Print made by George Hollis, 1792–1842
Date:: 1842
Materials & Techniques:: Etching and engraving; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 25 3/8 × 33 3/8 inches (64.5 × 84.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. King Edward VI presenting the Charter for Bridewell to Sir George Barnes

Creator:: George Vertue, 1684–1756
Date:: 1750
Materials & Techniques:: Stipple engraving and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 9/16 × 25 3/4 inches (49.7 × 65.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Twelfth Night, Act III, Scene IV: Olivia's House

Creator:: Thomas Ryder, 1746–1810
Date:: 1803
Materials & Techniques:: Stipple engraving on medium, smooth, cream laid paper
Dimensions:: Sheet: 20 x 29 1/2 inches (50.8 x 74.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. The Drummond Family

Creator:: Lawrence Josset, 1910–1995
Date:: 1960
Materials & Techniques:: Mezzotint on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 23 3/8 x 32 inches (59.4 x 81.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Game Keepers. To the Right Honorable. Lord Viscount Torrington

Creator:: Richard Earlom, 1743–1822
Date:: 1790
Materials & Techniques:: Mezzotint, color printed
Dimensions:: Sheet: 15 5/16 x 25 5/8in. (38.9 x 65.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Landscape

Creator:: Marie C. Prestel, 1747–1794
Materials & Techniques:: Sepia aquatint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 3/4 × 26 5/16 inches (50.2 × 66.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Interior of St. Paul's on the Day of Solemn Thanksgiving for the Recovery of His Majesty

Creator:: Robert Pollard, 1755–1838
Date:: 1790
Materials & Techniques:: Aquatint, etching, and engraving on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 × 27 3/8 inches (45.7 × 69.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. The Promenade in St. Jame's Park

Creator:: Francis David Soiron, Born 1764
Date:: 1793
Materials & Techniques:: Etching on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 22 5/8 × 31 5/16 inches (57.5 × 79.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Sheerness Dockyard

Creator:: William Watts, 1752–1851
Date:: 1803
Materials & Techniques:: Engraving on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 19 15/16 × 26 13/16 inches (50.6 × 68.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Death of Captain Alexander Hood

Creator:: Print made by Samuel William Reynolds, 1773–1835
Date:: 1798
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 22 1/8 × 26 1/2 inches (56.2 × 67.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Hiram King of Tyre, Sends Presents to King Solomon

Creator:: Print made by John Murphy, ca. 1748–1820
Date:: 1790
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 5/16 × 25 1/2 inches (49.1 × 64.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

39. St. Mark's Place, Venice - Juliet and her Nurse

Creator:: Print made by George Hollis, 1792–1842
Date:: 1842
Materials & Techniques:: Etching; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 24 1/8 × 30 1/2 inches (61.3 × 77.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Ancient Italy

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1842
Materials & Techniques:: Etching and engraving, with graphite, white chalk, scraping out, and chine collé; touched engraver's proof (a) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 26 3/4 × 38 1/2 inches (67.9 × 97.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Labourers

Creator:: Richard Earlom, 1743–1822
Date:: 1790
Materials & Techniques:: Mezzotint, second state, finished proof
Dimensions:: Sheet: 17 7/16 x 25 5/8in. (44.3 x 65.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. The Paphian Bower

Creator:: George H. Phillips, active 1819–1825
Date:: 1826
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 20 5/8 × 26 11/16 inches (52.4 × 67.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. The Review of the Queens Own Regiment of the Yeomanry Cavalry

Creator:: Henry Papprill, 1816–d.after 1883
Materials & Techniques:: Aquatint, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 × 25 1/2 inches (46.4 × 64.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. The Spottiswoode Ox

Creator:: Print made by James Ward, 1769–1859
Date:: 1804
Materials & Techniques:: Mezzotint and etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 20 1/4 × 25 1/2 inches (51.4 × 64.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

45. The Centurion Cornelius

Creator:: Print made by James Ward, 1769–1859
Date:: 1800
Materials & Techniques:: Mezzotint on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 24 × 28 1/16 inches (61 × 71.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

46. The Encampment at Brighton

Creator:: Print made by John Murphy, ca. 1748–1820
Date:: 1796
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 20 13/16 × 25 7/8 inches (52.9 × 65.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

47. Lord Viscount Duncan

Creator:: Charles Turner, 1774–1857
Date:: 1798
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 18 x 25 3/4in. (45.7 x 65.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth

48. The Departure from Brighton

Creator:: John Murphy, ca. 1748–1820
Date:: 1796
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 24 1/8 × 30 9/16 inches (61.3 × 77.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Geometrical Plan of his Majesty's Dockyard, at Chatham

Creator:: Print made by Pierre Charles Canot, ca. 1710–1777
Date:: 1755
Materials & Techniques:: Line engraving on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 22 1/8 × 28 13/16 inches (56.2 × 73.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Geometrical Plan of his Majesty's Dockyard, at Woolwich

Creator:: Print made by Pierre Charles Canot, ca. 1710–1777
Date:: 1753
Materials & Techniques:: Line engraving on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 22 1/8 × 28 9/16 inches (56.2 × 72.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. The Slave Trade

Creator:: Print made by John Raphael Smith, 1752–1812
Date:: 1791
Materials & Techniques:: Mezzotint, printed in color, published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 22 × 29 1/2 inches (55.9 × 74.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. The Triumpal Arch, Erected, June 17th 1777, in Honor of William Bromley Chester Esqr.

Creator:: Archibald Robertson, 1748–1788
Date:: 1782
Materials & Techniques:: Sepia aquatint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 7/8 × 25 1/2 inches (45.4 × 64.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. African Hospitality

Creator:: Print made by John Raphael Smith, 1752–1812
Date:: 1791
Materials & Techniques:: Mezzotint, printed in color, published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 22 1/4 x 29 1/4in. (56.5 x 74.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. The Departure of the Sons of Tippoo from the Zenana

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1793
Materials & Techniques:: Stipple engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 20 1/2 x 25 1/2 inches (52.1 x 64.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

55. The Delivery of the Definitive Treaty by the Hostage Princes into the Hands of Lord Cornwallis

Creator:: Print made by Daniel Orme, 1766–1837
Date:: 1793
Materials & Techniques:: Stipple engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 20 1/4 x 25 3/8 inches (51.4 x 64.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

56. Ulysses Deriding Polyphemus

Creator:: Print made by Henry Robert Robertson, 1839–1921
Date:: ca. 1887
Materials & Techniques:: Etching printed in brown ink on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 22 1/8 × 29 inches (56.2 × 73.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of David Doret, Yale BA 1968

57. Goshawk

Creator:: Print made by Dame Elisabeth Frink, 1930–1993
Date:: 1974
Materials & Techniques:: Color-printed etching and aquatint on moderately thick, moderately textured, white wove paper
Dimensions:: Sheet: 36 1/2 × 25 5/8 inches (92.7 × 65.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the Indianapolis Museum of Art at Newfields

58. Osprey

Creator:: Print made by Dame Elisabeth Frink, 1930–1993
Date:: 1974
Materials & Techniques:: Color-printed etching and aquatint on moderately thick, moderately textured, white wove paper
Dimensions:: Sheet: 36 1/4 × 25 5/8 inches (92.1 × 65.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the Indianapolis Museum of Art at Newfields

59. Sparrow Hawk

Creator:: Print made by Dame Elisabeth Frink, 1930–1993
Date:: 1974
Materials & Techniques:: Color-printed etching and aquatint on moderately thick, moderately textured, white wove paper
Dimensions:: Sheet: 36 1/4 × 25 5/8 inches (92.1 × 65.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the Indianapolis Museum of Art at Newfields

60. Honey Buzzard

Creator:: Print made by Dame Elisabeth Frink, 1930–1993
Date:: 1974
Materials & Techniques:: Color-printed etching and aquatint on moderately thick, moderately textured, white wove paper
Dimensions:: Sheet: 36 1/4 × 25 5/8 inches (92.1 × 65.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the Indianapolis Museum of Art at Newfields

61. Kestrel

Creator:: Print made by Dame Elisabeth Frink, 1930–1993
Date:: 1974
Materials & Techniques:: Color-printed etching and aquatint on moderately thick, moderately textured, white wove paper
Dimensions:: Sheet: 36 1/4 × 25 5/8 inches (92.1 × 65.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the Indianapolis Museum of Art at Newfields

62. Peregrine Falcon

Creator:: Print made by Dame Elisabeth Frink, 1930–1993
Date:: 1974
Materials & Techniques:: Color-printed etching and aquatint on moderately thick, moderately textured, white wove paper
Dimensions:: Sheet: 36 1/4 × 25 5/8 inches (92.1 × 65.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the Indianapolis Museum of Art at Newfields

63. Goggled Head

Creator:: Print made by Dame Elisabeth Frink, 1930–1993
Date:: 1974
Materials & Techniques:: Color-printed etching and aquatint on moderately thick, moderately textured, white wove paper
Dimensions:: Sheet: 36 1/4 × 25 5/8 inches (92.1 × 65.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the Indianapolis Museum of Art at Newfields

64. Portraits Painted from Life, Representing Capt. Englefield with Eleven of his Crew Saving Themselves in the Pinnace, from the Wreck of the Centaur, of 74 Guns, Lost Sept. 1782

Portraits Painted from Life, Representing Capt. Englefield with Eleven of his Crew Saving Themselves in the Pinnace, from the Wreck of the Centaur, of 74 Guns, Lost Sept. 1782

Creator:: Print made by Thomas Gaugain, 1748–1812
Date:: 1796
Materials & Techniques:: Mezzotint and stipple engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 20 3/4 × 25 1/2 inches (52.7 × 64.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

65. The Last Effort and Fall of Tippoo Sultaun

Creator:: Print made by Niccoló Schiavonetti, 1771–1813
Date:: 1802
Materials & Techniques:: Stipple engraving and etching with hand coloring in watercolor on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured cream wove paper
Dimensions:: Sheet: 22 1/8 × 25 5/8 inches (56.2 × 65.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

66. The Surrender of the Sons of Tippoo Sultaun

Creator:: Print made by Anthony Cardon, 1772–1813
Date:: 1802
Materials & Techniques:: Stipple engraving and etching with hand coloring in watercolor on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured cream wove paper
Dimensions:: Sheet: 22 1/8 × 25 5/8 inches (56.2 × 65.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

67. The Assault and Taking of Seringapatam

Creator:: Print made by Anthony Cardon, 1772–1813
Date:: 1801
Materials & Techniques:: Stipple engraving and etching with hand coloring in watercolor on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured cream wove paper
Dimensions:: Sheet: 22 1/8 × 25 5/8 inches (56.2 × 65.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

68. Lammergeier

Creator:: Print made by Dame Elisabeth Frink, 1930–1993
Date:: 1974
Materials & Techniques:: Color-printed etching and aquatint on moderately thick, moderately textured, white wove paper
Dimensions:: Sheet: 36 1/4 × 25 5/8 inches (92.1 × 65.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the Indianapolis Museum of Art at Newfields

69. Antony in Egypt No.1 (A Visit to Cleopatra)

Creator:: Print made by William Walcot, 1874–1943
Date:: 1913
Materials & Techniques:: Etching and aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 30 3/8 × 25 3/8 inches (77.2 × 64.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

70. The Mausoleum at Brocklesby

Creator:: Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:: ca. 1800
Materials & Techniques:: Etching printed in brown ink; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 23 1/8 × 28 1/4 inches (58.7 × 71.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Kilchurn Castle, Loch Awe

Creator:: Print made by William Miller, 1796–1882
Date:: 1847
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 25 3/8 × 37 1/2 inches (64.5 × 95.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Hastings

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1851
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof (a) on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 26 1/4 × 36 5/8 inches (66.7 × 93 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Hastings

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1851
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof (b) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 20 5/8 × 26 3/4 inches (52.4 × 67.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Elkanah, Hannah and Samuel

Creator:: Print made by George Graham, active 1786–1813
Date:: 1815
Materials & Techniques:: Mezzotint (proof without letters) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 20 3/4 × 25 5/8 inches (52.7 × 65.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

75. Fishing Boats off Calais (The Pas de Calais)

Creator:: Print made by William Davison, active 1813–1843
Date:: 1830
Materials & Techniques:: Mezzotint, with graphite and white chalk; touched engraver's proof (b) on medium, slightly textured, cream wove paper, mounted on cream card
Dimensions:: Sheet: 19 × 25 3/4 inches (48.3 × 65.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Untitled

Creator:: Print made by Stephen Buckley, born 1944
Date:: 1977
Materials & Techniques:: Color printed etching and aquatint; artist's proof on moderately thick, moderately textured, white Arches wove paper
Dimensions:: Sheet: 20 × 25 5/8 inches (50.8 × 65.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

77. Untitled

Creator:: Print made by Stephen Buckley, born 1944
Date:: 1979
Materials & Techniques:: Color-printed etching and aquatint; color proof on moderately thick, slightly textured, cream Arches wove paper
Dimensions:: Sheet: 22 1/2 × 27 3/8 inches (57.2 × 69.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

78. George III and Family

Creator:: Print made by John Murphy, ca. 1748–1820
Date:: 1794
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 21 3/8 × 27 inches (54.3 × 68.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Herman W. Liebert

79. The Body of Tippoo Sultan Recognised by his Family

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1801
Materials & Techniques:: Stipple engraving and etching with hand coloring in watercolor on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured cream wove paper
Dimensions:: Sheet: 22 1/8 × 25 5/8 inches (56.2 × 65.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

80. A Clerical Alphabet

Creator:: Print made by Richard Newton, 1777–1798
Date:: 1795
Materials & Techniques:: Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 18 × 25 3/4 inches (45.7 × 65.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of William S. Konecky

YCBA Collections Search

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Work Type intaglio print

Width [cm] 65

Search Results

1. Cologne on the Rhine

2. Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam

3. Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam

4. Welgelegen: Vue Perspective de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam

5. A View of Oxford from the Abingdon Road

6. High Street, Oxford

7. The Promenade in St. James's Park

8. A View of Pont Neuf, the Mint, &c.

9. View of Hanover Square

10. A South West Prospect of the City of Bath

11. The Sailor's Orphans or Young Ladies' Subscription

12. The Soldier's Widow; or Schoolboys' Collection

13. The Drummond Family

14. The Drummond Family

15. Lincoln Cathedral

16. View of London Bloomsbury Square

17. A General View of Paris taken from Chaillot

18. A View of Pont Neuf, the Mint, &c.

19. View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations

20. View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations

21. A North East View of the Tuesday Market Place of Lynn Regis

22. Geometrical Plan of his Majesty's Dockyard, Deptford

23. Geometrical Plan of his Majesty's dockyard, at Sheerness

24. Geometrical Plan of his Majesty's Dockyard, near Plymouth

25. The Encampment at Brighton

26. The Grand Canal, Venice

27. The Brothers of Joseph Showing his Bloody Coat

28. St. Mark's Place, Venice - Juliet and her Nurse

29. King Edward VI presenting the Charter for Bridewell to Sir George Barnes

30. Twelfth Night, Act III, Scene IV: Olivia's House

31. The Drummond Family

32. Game Keepers. To the Right Honorable. Lord Viscount Torrington

33. Landscape

34. Interior of St. Paul's on the Day of Solemn Thanksgiving for the Recovery of His Majesty

35. The Promenade in St. Jame's Park

36. Sheerness Dockyard

37. Death of Captain Alexander Hood

38. Hiram King of Tyre, Sends Presents to King Solomon

39. St. Mark's Place, Venice - Juliet and her Nurse

40. Ancient Italy

41. Labourers

42. The Paphian Bower

43. The Review of the Queens Own Regiment of the Yeomanry Cavalry

44. The Spottiswoode Ox

45. The Centurion Cornelius

46. The Encampment at Brighton

47. Lord Viscount Duncan

48. The Departure from Brighton

49. Geometrical Plan of his Majesty's Dockyard, at Chatham

50. Geometrical Plan of his Majesty's Dockyard, at Woolwich

51. The Slave Trade

52. The Triumpal Arch, Erected, June 17th 1777, in Honor of William Bromley Chester Esqr.

53. African Hospitality

54. The Departure of the Sons of Tippoo from the Zenana

55. The Delivery of the Definitive Treaty by the Hostage Princes into the Hands of Lord Cornwallis

56. Ulysses Deriding Polyphemus

57. Goshawk

58. Osprey

59. Sparrow Hawk

60. Honey Buzzard

61. Kestrel

62. Peregrine Falcon

63. Goggled Head

64. Portraits Painted from Life, Representing Capt. Englefield with Eleven of his Crew Saving Themselves in the Pinnace, from the Wreck of the Centaur, of 74 Guns, Lost Sept. 1782

65. The Last Effort and Fall of Tippoo Sultaun

66. The Surrender of the Sons of Tippoo Sultaun

67. The Assault and Taking of Seringapatam

68. Lammergeier

69. Antony in Egypt No.1 (A Visit to Cleopatra)

70. The Mausoleum at Brocklesby

71. Kilchurn Castle, Loch Awe

72. Hastings

73. Hastings

74. Elkanah, Hannah and Samuel