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Work Type intaglio print

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Width [cm] 32

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Subject Terms horse (animal)

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William Hogarth The Second Stage of Cruelty: Coachman Beating a Fallen Horse
Print made by William Hogarth, 1697–1764
The Second Stage of Cruelty: Coachman Beating a Fallen Horse
1751, printed 1790
William Blake 'As if the sun could envy, check'd his beam' (Page 49)
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
ca. 1797
William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
ca. 1797
William Blake 'As if the sun could envy, check'd his beam' (Page 49)
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
1797
William Blake 'Love, and love only, is the loan for love' (Page 37)
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
1797
William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
1797
James Redway Christ Church College, Oxford
Print made by James Redway, active 1827–1838
Christ Church College, Oxford
1834
James H. Kernot St. Catherine's Hill, near Guildford, Surrey
Print made by James H. Kernot, 1802–1858
St. Catherine's Hill, near Guildford, Surrey
1832
Thomas Shotter Boys Quayside, Notre Dame in Distance
Print made by Thomas Shotter Boys, 1803–1874
Quayside, Notre Dame in Distance
undated
James McNeill Whistler Landscape with a Fisherman
James McNeill Whistler, 1834–1903
Landscape with a Fisherman
1861