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801
- Country Lane with Gypsies Resting
- between 1760 and 1765
802
- Fluellen Forcing Pistol to Eat His Leek
- undated
803
- Mousehold Heath, Norwich
- 1808
804
- Figure Studies: A Farm Worker, Mr. Samuel, the Drawing Master Reclining and Dozing, and a Slight Sketch of a Man in a Hat
- undated
805
- Wooded Landscape with Figures, Donkeys and Cottage
- ca. 1767
806
- Farm Buildings in the Vaux, Jersey
- ca. 1832
807
- Greenwich Park
- undated
808
- Landscape with Cottage, Bridge and Figures
- 1774
809
- The Mouth of the Cavern at Castleton in the Peak of Derby
- 1791
810
- The Proposal
- undated
811
- Genoa
- between 1782 and 1783
812
- The Pagliaro in the Myrtle Plantation at Sir William Hamilton's Villa, Portici
- ca. 1783
813
- Three Horses
- undated
814
- Lulworth Cove
- ca. 1813
815
- Bovisand, near Plymouth
- ca. 1813
816
- Exmouth, Devon
- ca. 1813
817
- The English Lady at Paris
- 1771
818
- Landscape: Country Houses in a Park
- undated
819
- Behind Middlesex Hospital
- undated
820
- Vanbrugh Castle, Greenwich
- undated
821
- An Oak in Englefield Park
- undated
822
- Figures in a Rocky Romantic Landscape
- 1787
823
- On the Coast of Salerno
- ca. 1783
824
- The Temple of Aphaia at Aegina: Ground Plan
- undated
825
- The Collector
- undated
826
- The Roman Arch at Canterbury
- ca. 1780
827
- At Portici, Evening, August 9
- ca. 1783
828
- Monte Circeo from the Road between Terracina and Velletri
- ca. 1783
829
- South Entrance of the Sound between Jura and Islay
- ca. 1815
830
- Craignish Castle, Jura
- ca. 1815
831
- The Wall of Naples near Ponte Nuovo
- ca. 1783
832
- Fano on the Adriatic
- between 1782 and 1783
833
- Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2
- undated
834
- Studies of Pallah Deer Resting
- ca. 1801
835
- A Summerhouse in the Rustic Style
- 1795
836
- Design for Setting of Charles Kean's Richard II at the Princess's Theatre, March 12, 1857 - Act 5, Scene 2
- undated
837
- The End of the Ruin'd Bridge at Rouen
- 1778
838
- Boscastle Pier on the Coast of Cornwall
- after 1814
839
- At Haddon Hall (window)
- 1861
840
- Upper or Western Entrance to Eastbourne
- undated
841
- A Turn Up with the Lads of the Village
- undated
842
- Putting Arms in the Hands of the Indians
- undated
843
- The Old Bayswater Turnpike
- undated
844
- American Bay, Crozet Island
- 1874
845
- Dombeya torrida (J.F. Gmel): finished drawing of leafy flowering shoot with floral details
- undated
846
- Ischaemum afrum (J.F. Gmel.) Dandy: finished drawing of inflorescence and leaves, with fifteen separate details below
- undated
847
- Views of the Back Front of Henry Phillip Hope's house towards Hyde Park in Seymour Place
- 1818
848
- Two Designs for Table Legs in Egyptian Style; One Design for Wall Decoration
- undated
849
- (One of) Twenty-one pen drawings of Decorative Details in Antique Style
- undated
850
- Two Studies of classical sculpture of Farnese Hercules
- between 1730 and 1768
851
- (One of) Twenty-one pen drawings of Decorative Details in Antique Style
- undated
852
- (One of) Twenty-one pen drawings of Decorative Details in Antique Style
- undated
853
- (One of) Twenty-one pen drawings of Decorative Details in Antique Style
- undated
854
- (One of) Twenty-one pen drawings of Decorative Details in Antique Style
- undated
855
- Studies of classical sculptures of Cesi Juno and Zingara
- between 1730 and 1768
856
- Design for Herms
- undated
857
- The "Love Match" No. 2
- undated
858
- The Love Match, No. 4
- undated
859
- The "Love Match" No 5
- undated
860
- The Love Match, No. 6
- undated
861
- Six Designs for Colreidge's Rime of the Ancient Mariner: The Spectre Ship Approaches
- ca. 1831
862
- Six Designs for Coleridge's Rime of the Ancient Mariner: The Spirit of the South Sends Forth the Albatross as a Sign of Peace to the Ship
- ca. 1831
863
- Six Designs for Coleridge's Rime of the Ancient Mariner: While Spirits of Peace Descend
- ca. 1831
864
- Six Designs for Coleridge's Rime of the Ancient Mariner: Death and Line-in-Death, Dice for the Crew
- ca. 1831
865
- View of a House
- undated
866
- A Half-Timbered House
- ca. 1800
867
- Study of the Resurrection of Lazarus
- undated
868
- Port William, Aug. 1835
- 1835
869
- Antioch - Above The Bridge
- 1835 to 1836
870
- Aleppo - January 1836
- 1836
871
- [Landscape]
- 1835-1836
872
- [Landscape]
- 1835-1836
873
- Birijick, from the North, May 1835
- 1835
874
- Study of classical figure of man
- between 1730 and 1768
875
- (One of) Twenty-one pen drawings of Decorative Details in Antique Style
- undated
876
- (One of) Twenty-one pen drawings of Decorative Details in Antique Style
- undated
877
- (One of) Twenty-one pen drawings of Decorative Details in Antique Style
- undated
878
- The Love Match, No. 1
- undated
879
- The Love Match, No 3
- undated
880
- Views in the Levant: Street Scene With Domed Roofs, One Dome Surmounted by a Column (Possibly Cairo?)
- ca. 1785
881
- "Curtius Leaping into the Gulph"
- undated
882
- Three harnessed horses, with man mounted on one pulling wagon
- undated
883
- Study of Christ surrounded by angels, possibly a depiction of The Ascension
- undated
884
- Sketchbook, 10 September, 1819
- 1819 to 1821
885
- Hillside with Houses
- 1819 to 1821
886
- Sailing Boats and Pier, with a Steeple in the Distance
- 1819 to 1821
887
- A Cottage
- 1819 to 1821
888
- House beyond Trees
- 1819 to 1821
889
- Walkers in a Landscape
- 1819 to 1821
890
- Figure Drawing
- 1969
891
- Chinoiserie Design
- undated
892
- Landscape Study from a Hillside above a City
- undated
893
- Study of Trees and Sheep Overlooking a Valley Town
- undated
894
- View of a Cathedral at the End of a Street
- ca. 1830
895
- Cottage by a Hill
- 1819 to 1821
896
- Hillside Landscape with Steps
- 1819 to 1821
897
- Sketch of a Small Village in the Hills
- 1819 to 1821
898
- Church of St. Mary Magadalene, Newark-on-Trent
- 1819 to 1821
899
- Estate House and Trees
- 1819 to 1821
900
- Hillside View towards the Sea
- 1819 to 1821