Work Type: drawing / Height [cm]: 26 - YCBA Collections Search Search Results

1. Subterranean Pool with Sculptural Torchere

Creator:: attributed to Francis Danby, 1793–1861
Date:: undated
Materials & Techniques:: Brown wash, with scraping on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 x 9 inches (26 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Swiss Cottage, Hampstead

Creator:: Robert Polhill Bevan, 1865–1925
Date:: between 1912 and 1913
Materials & Techniques:: Black chalk, graphite, and watercolor, squared for transfer on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/16 × 13 1/2 inches (25.9 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Under the Hammer

Creator:: Robert Polhill Bevan, 1865–1925
Date:: between 1912 and 1913
Materials & Techniques:: Black chalk and watercolor on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 10 3/16 × 12 5/16 inches (25.9 × 31.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Kensington Gardens

Creator:: Samuel Palmer, 1805–1881
Date:: ca. 1848
Materials & Techniques:: Watercolor and graphite on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/8 x 14 5/8 inches (25.7 x 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Tintern Abbey

Creator:: Samuel Palmer, 1805–1881
Date:: 1835
Materials & Techniques:: Watercolor, gouache, pen and brown ink, and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 10 3/8 x 14 3/4 inches (26.4 x 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Fowl Head and Neck, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite, and pen with iron gall ink on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 x 8 1/4 inches (26 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Dorking Hen Body, Lateral View (Outline drawing of the muscles)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite, pen with iron gall ink, with traces of red ink on thin, slightly textured, cream wove paper laid down on cream moderately thick, moderately textured, wove paper
Dimensions:: Sheet: 10 1/4 x 12 3/4 inches (26 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Tiger Body, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Red chalk, and pen with iron gall ink on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/8 x 13 5/8 inches (26.4 x 34.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Tiger Body, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite and red chalk on thin, slightly textured, cream wove paper; squared in graphite for transfer with pin pricks along outer border
Dimensions:: Sheet: 10 3/8 x 13 5/8 inches (26.4 x 34.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Tiger Body, Lateral View (Study of the fourth stage of dissection showing the deeper muscles)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite and red chalk on thin, slightly textured, cream wove paper; squared in graphite for transfer
Dimensions:: Sheet: 10 1/4 x 13 1/8 inches (26 x 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Leopard Body, Lateral View (Later stage in dissection, superficial connective tissue and ears removed)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Pen with iron gall ink, and red chalk on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/8 x 15 3/8 inches (25.7 x 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Study of a Female Nude

Creator:: William Hogarth, 1697–1764
Date:: undated
Materials & Techniques:: Graphite, black chalk, and white chalk on medium, moderately textured, brown laid paper
Dimensions:: Sheet: 10 1/4 × 17 1/8 inches (26 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Gabriel Hunt

Creator:: William Hogarth, 1697–1764
Date:: undated
Materials & Techniques:: Gray wash, black chalk, and graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 10 3/8 x 7 1/8 inches (26.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Dent de Lion, near Margate

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1791
Materials & Techniques:: Watercolor, graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/8 x 13 5/8in. (25.7 x 34.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Turin, Italy

Creator:: Edward Lear, 1812–1888
Date:: after 1872
Materials & Techniques:: Pen in brown ink with brown wash over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 1/2 x 21 1/2 inches (34.3 x 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. La Cava, 20 July 1838

Creator:: Edward Lear, 1812–1888
Date:: 1838
Materials & Techniques:: Graphite on moderately thick, moderately textured, gray-green wove paper
Dimensions:: Sheet: 10 1/16 x 14 inches (25.6 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

17. Burpham Oct.4.1834

Creator:: Edward Lear, 1812–1888
Date:: 1834
Materials & Techniques:: Graphite and white gouache on moderately thick, slightly textured, gray wove paper
Dimensions:: Sheet: 10 3/8 x 6 7/8 inches (26.4 x 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

18. Parham, October.13.1834

Creator:: Edward Lear, 1812–1888
Date:: 1834
Materials & Techniques:: Graphite and white gouache on moderately thick, slightly textured, gray wove paper
Dimensions:: Sheet: 10 5/16 x 6 13/16 inches (26.2 x 17.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

19. Prostrate Woman

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Brown wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 10 1/4 x 16 5/8 inches (26 x 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938, to the Yale University Art Gallery

20. Learning to Walk

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Brown ink over graphite on medium slightly textured cream laid paper
Dimensions:: Sheet: 10 1/4 x 10 3/4 inches (26 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Mythological Group of Women and Children

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Brown wash and graphite with pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/8 x 16 1/2 inches (26.4 x 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Studies for the Head of a Lady (Studies of a Woman's Head)

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Brown wash on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 10 1/8 x 15 1/4 inches (25.7 x 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. The Widow Embracing Her Husband's Grave

Creator:: William Blake, 1757–1827
Date:: 1805 to 1808
Materials & Techniques:: Pen and gray ink with graphite and watercolor on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 6 x 8 1/8 inches (15.2 x 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Christ Giving Sight to Bartimaeus

Creator:: William Blake, 1757–1827
Date:: 1799 to 1800
Materials & Techniques:: Tempera with pen and black ink on canvas
Dimensions:: Sheet: 10 1/4 x 15 inches (26 x 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Chapter I, "Lo, a shadow of horror is risen..." (Plate 5)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. "Such visions have appeared to me..."; Chapter 2 Frontispiece (Plate 26)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 3/8 x 13 1/2 inches (26.4 x 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Fettered Urizen Weeping (Plate 3)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. The First Book of Urizen, Plate 4 (Bentley 24)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Chapter 3 Frontispiece (Plate 51)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in black ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 3/8 x 13 1/2 inches (26.4 x 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Title Page, The First Book of Urizen (Plate 1)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Jerusalem, Tailpiece (Plate 100)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 3/8 x 13 1/2 inches (26.4 x 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Preparatory drawing for Designs 5 and 6, Plate 3 from A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Gray wash, pen and black ink, and graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 10 5/16 x 8 5/8in. (26.2 x 21.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. A Moored Barque and Barge in a River

Creator:: Richard Henry Nibbs, 1816–1893
Date:: 1884
Materials & Techniques:: Watercolor, gouache and graphite with scratching out on moderately thick, rough, cream wove paper
Dimensions:: Sheet: 10 1/8 × 19 1/4 inches (25.7 × 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Mountainous Landscape with River

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper, mounted on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 7/8 × 11 inches (20 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Nemi

Creator:: James William Giles, 1801–1870
Date:: 1824
Materials & Techniques:: Brown wash, graphite, pen and brown ink, and white gouache on moderately thick, moderately textured, blue wove paper
Dimensions:: Sheet: 10 3/8 x 14 3/4in. (26.4 x 37.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. A Young Daughter of the Picts

Creator:: Jacques Le Moyne de Morgues, ca. 1533–before 1588
Date:: ca. 1585
Materials & Techniques:: Watercolor and gouache, touched with gold on parchment
Dimensions:: Sheet: 10 1/4 × 7 3/8 inches (26 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Chilham Castle, Kent

Creator:: Job Bulman, active 1767
Date:: undated
Materials & Techniques:: Watercolor on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/8 × 14 3/4 inches (25.7 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. A Village Street

Creator:: pupil of John Varley, 1778–1842
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper, mounted on moderately thick, slightly textured, beige wove paper
Dimensions:: Mount: 10 3/8 x 13 7/8 inches (26.4 x 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Margate

Creator:: William Callow, 1812–1908
Date:: 1849
Materials & Techniques:: Watercolor with pen in brown ink over graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 10 1/4 x 14 3/16 inches (26 x 36 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Study for the Central Group in the "Death of Earl of Chatham"

Creator:: John Singleton Copley, 1738–1815
Date:: 1778
Materials & Techniques:: Black and white chalk on moderately thick, moderately textured, blue wove paper
Dimensions:: Sheet: 10 3/8 x 12 1/2 inches (26.4 x 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. View of the Britannia

Creator:: Attributed to William Ward, 1766–1826
Date:: undated
Materials & Techniques:: Watercolor, graphite, and brown wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 16 1/2 inches (26 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Larici

Creator:: Sir George Howland Beaumont seventh Baronet, 1753–1827
Date:: 1782
Materials & Techniques:: Graphite and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Mount: 13 15/16 × 19 3/8 inches (35.4 × 49.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Part of the Cloisters of the Old Blue Coat School Looking East

Creator:: James Lawson Stewart, active 1883–died 1929
Date:: undated
Materials & Techniques:: watercolor over graphite on medium, textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 7 3/8 inches (26 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Thugs in the School of Industry, Jubblepoor

Creator:: William Simpson, 1823–1899
Date:: undated
Materials & Techniques:: watercolor, gouache and graphite on thick, smooth, cream wove paper
Dimensions:: Sheet: 10 1/4 x 14 1/2 inches (26 x 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Caister Castle, Norfolk

Creator:: Michael "Angelo" Rooker, 1746–1801
Date:: undated
Materials & Techniques:: Watercolor over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 1/4 x 14 1/4 inches (26 x 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Boat Sailing to the Left with Mountains in the Background

Creator:: John Christian Schetky, 1778–1874
Date:: 1834
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/8 × 17 1/4 inches (25.7 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. The Nave of Rievaulx Abbey, Yorkshire

Creator:: unknown artist
Date:: 1787
Materials & Techniques:: Graphite, pen and gray ink, and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/8 × 13 1/2 inches (25.7 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Vatican from the road to Ponte Mola

Creator:: Sir George Howland Beaumont seventh Baronet, 1753–1827
Date:: 1783
Materials & Techniques:: Gray wash and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 14 × 19 1/4 inches (35.6 × 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Hermitage Near Albano

Creator:: Sir George Howland Beaumont seventh Baronet, 1753–1827
Date:: 1782
Materials & Techniques:: Graphite and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Mount: 13 7/8 × 19 5/16 inches (35.2 × 49.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Temple of Venus Monday, March 18th, 1782

Creator:: Sir George Howland Beaumont seventh Baronet, 1753–1827
Date:: 1782
Materials & Techniques:: Graphite and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Mount: 14 × 19 9/16 inches (35.6 × 49.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Lismore Castle, Ireland

Creator:: Francis Wheatley, 1747–1801
Date:: 1783
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/4 x 14 7/8 inches (26 x 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Sketches in Ireland; Killarney & Neighbourhood

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1841
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper in marbled boards
Dimensions:: Spine: 10 3/8in. (26.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Study of Classical figure holding broken sword

Creator:: Giles Hussey, 1710–1788
Date:: between 1730 and 1768
Materials & Techniques:: Pen and brown ink, black ink, and graphite on medium, slightly textured, cream tracing paper
Dimensions:: Sheet: 10 1/4 x 7 5/8in. (26 x 19.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Study of classical sculpture of Faun with Pipes

Creator:: Giles Hussey, 1710–1788
Date:: between 1730 and 1768
Materials & Techniques:: Pen and brown ink, black ink, and graphite on medium, slightly textured, cream tracing paper
Dimensions:: Sheet: 10 1/4 x 7 5/8in. (26 x 19.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Tivoli Above the Casade

Creator:: Jonathan Skelton, active 1754, died 1758
Date:: 1758
Materials & Techniques:: Pen and black ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/4 x 14 3/4in. (26 x 37.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Harlech Castle

Creator:: Cornelius Varley, 1781–1873
Date:: ca. 1803
Materials & Techniques:: Brown wash, brown gouache, graphite, and pen and brown ink on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 1/8 x 14 7/8 inches (25.7 x 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Group of Three Young Women

Creator:: Biagio Rebecca, Italian, 1735–1808
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and pen and gray ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/4 x 8 11/16in. (26 x 22.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Italian Landscape with Three-Arched Bridge, Bridgehouse, Figures on near Bank, and Poplars on Farther Bank

Creator:: Richard Wilson, 1713/4–1782
Date:: ca. 1752
Materials & Techniques:: Graphite and black chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 13/16 x 11 1/8 inches (19.8 x 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Study of a Seated Woman Holding a Fan

Creator:: unknown artist
Date:: ca. 1740
Materials & Techniques:: Red chalk on moderately thick, moderately textured, brown wove paper
Dimensions:: Sheet: 10 1/8 × 8 1/4 inches (25.7 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Study of a Drayman (A Study for "Sides - all")

Creator:: James Ward, 1769–1859
Date:: undated
Materials & Techniques:: Graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 10 1/4 × 7 inches (26 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Baby, a favorite horse belonging to Lt. Cobham

Creator:: Giles Hussey, 1710–1788
Date:: between 1730 and 1768
Materials & Techniques:: Pen and ink over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/4 x 9in. (26 x 22.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Head of a Young Woman or Man

Creator:: Allan Ramsay, 1713–1784
Date:: undated
Materials & Techniques:: Red chalk, white chalk, and graphite on medium, moderately textured, brown wove paper
Dimensions:: Sheet: 10 3/8 x 8 1/2 inches (26.4 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Aquaduct at Segovia, Spain

Creator:: Edward Alfred Goodall, 1819–1908
Date:: undated
Materials & Techniques:: Watercolor, graphite and gouache on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 18 inches (26 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Lion and Lioness Attacking a Steer

Creator:: Samuel Howitt, 1756–1822
Date:: undated
Materials & Techniques:: Brown wash, gray wash, black wash, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/8 × 14 1/8 inches (26.4 × 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Bridge over Pool at Llanrwst

Creator:: Sir George Howland Beaumont seventh Baronet, 1753–1827
Date:: undated
Materials & Techniques:: Black chalk and white chalk on medium, slightly textured, blue-gray wove paper
Dimensions:: Sheet: 10 1/8 × 13 inches (25.7 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Evening with a Procession of Choir Boys Walking Towards Westminster Abbey

Creator:: Albert Goodwin, 1845–1932
Date:: undated
Materials & Techniques:: Watercolor and gouache with pen and brown ink and scratching out over graphite on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/16 x 14 3/4in. (25.6 x 37.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. A Rocky Bank

Creator:: John Hoppner, 1758–1810
Date:: undated
Materials & Techniques:: Brown crayon and gray wash on medium, moderately textured, beige wove paper mounted on card
Dimensions:: Sheet: 9 7/8 × 9 inches (25.1 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Drifting

Creator:: Thomas Alexander Graham, 1840–1906
Date:: undated
Materials & Techniques:: Watercolor over graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 1/4 x 14 3/16in. (26 x 36cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Edwin Austin Abbey Memorial Collection

70. Design for A Blue Grotto

Creator:: Thomas Grieve, 1799–1882
Date:: undated
Materials & Techniques:: Watercolor, gouache, graphite, and collage, squared and numbered for transfer on two layered sheets of medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/8 × 15 1/2 inches (26.4 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. View of Baron Hill, Anglesey, Wales

Creator:: Moses Griffith, 1747–1819
Date:: 1776
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/16 x 17 1/2in. (25.9 x 44.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Aloes and Prickly Pears, Tarragona, Spain

Creator:: Harry John Johnson, 1826–1884
Date:: undated
Materials & Techniques:: Watercolor, gouache, and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 10 1/4 × 15 inches (26 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Self-Portrait

Creator:: Angelica Kauffmann, 1741–1807
Date:: undated
Materials & Techniques:: Black chalk, blue wash, pen and brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/16 x 7 1/8in. (25.6 x 18.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Konigstein

Creator:: Charles Gore, 1729–1807
Date:: 1789
Materials & Techniques:: Watercolor and gouache with pen and brown ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 10 3/8 x 18 1/4 inches (26.4 x 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Chamonix, Mer de Glace

Creator:: Charles Gore, 1729–1807
Date:: between 1778 and 1779
Materials & Techniques:: Watercolor with pen and black ink over graphite on moderately thick, slightly textured, cream laid paper, pasted on thick, rough, blue wove paper
Dimensions:: Sheet: 10 1/16 x 16 13/16in. (25.6 x 42.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. La Montaneta de Las Arenas

Creator:: Alfred Diston, active 1818–1829
Date:: undated
Materials & Techniques:: Pen and black ink and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/8 inches (26 × 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Long Library at Blenheim Palace

Creator:: attributed to David Cox, 1783–1859
Date:: mid-19th century
Materials & Techniques:: Watercolor, gouache, and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 1/4 × 13 7/8 inches (26 × 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Carnarvon

Creator:: Cornelius Varley, 1781–1873
Date:: 1802
Materials & Techniques:: Watercolor with gray wash over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/8 x 19 1/4 inches (25.7 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Pass through the Andes

Creator:: Lt. William Smyth, 1813–1878
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, white gouache, and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 10 3/16 x 14 1/8in. (25.9 x 35.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Campagna/ Rome

Creator:: Isaac Weld, 1774–1856
Date:: 1818
Materials & Techniques:: Pen and black ink, gray ink, gray wash, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 5/16 × 16 9/16 inches (26.2 × 42.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Gloucester Cathedral

Creator:: unknown artist
Date:: ca. 1795
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/8 x 10 inches (20.6 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Roma/ Palace of Caesars

Creator:: Isaac Weld, 1774–1856
Date:: 1818
Materials & Techniques:: Watercolor, pen and brown ink, over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 5/16 x 17in. (26.2 x 43.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Harlech Castle

Creator:: Isaac Weld, 1774–1856
Date:: 1810
Materials & Techniques:: Pen and brown ink, brown wash, sponging, gouache, and graphite on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 1/4 × 16 7/16 inches (26 × 41.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. The Wine Tasting

Creator:: Isaac Weld, 1774–1856
Date:: 1819
Materials & Techniques:: Pen and brown ink, graphite, and red chalk on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/8 × 16 7/16 inches (25.7 × 41.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. A Rustic Bridge over the Thames, Anglers on the River Bank

Creator:: William Evans of Eton, 1798–1877
Date:: 1845
Materials & Techniques:: Watercolor and ink on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 3/8 inches (26 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Fort Putnam From Across the River

Creator:: Thomas Sully, 1783–1872
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 10 5/16 × 6 3/8 inches (26.2 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Girl on Lane, Entering Wooded Area

Creator:: Thomas Sully, 1783–1872
Date:: 1834
Materials & Techniques:: Watercolor, graphite, gouache, gum arabic, scratching out, and sponging on thick, smooth, beige wove paper
Dimensions:: Sheet: 10 1/16 × 7 7/8 inches (25.6 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Two Men Seated

Creator:: Sir Joshua Reynolds, 1723–1792
Date:: undated
Materials & Techniques:: Graphite, and black chalk on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 10 3/16 × 7 5/8 inches (25.9 × 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

89. Woman and Child

Creator:: Sir Joshua Reynolds, 1723–1792
Date:: undated
Materials & Techniques:: Pen and brown ink on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 5/16 × 8 inches (26.2 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

90. Dancing Woman

Creator:: Sir Joshua Reynolds, 1723–1792
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 10 1/16 × 7 7/8 inches (25.6 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

91. View of Mount Vernon, the seat of General Washington

Creator:: Isaac Weld, 1774–1856
Date:: 1795
Materials & Techniques:: Graphite, pen and black ink, and gray wash on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/8 x 8 15/16in. (16.2 x 22.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Harlech Castle

Creator:: Isaac Weld, 1774–1856
Date:: 1810
Materials & Techniques:: Brown wash, pen and rown ink, over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 10 3/16 x 16 5/16in. (25.9 x 41.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Two Sketches of Woman

Creator:: Sir Joshua Reynolds, 1723–1792
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 10 1/4 x 7 3/8in. (26 x 18.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

94. Waterfall and Distant Mountains

Creator:: Paul Sandby Munn, 1773–1845
Date:: 1814
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 10 1/4 × 6 5/8 inches (26 × 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Position de la Garde de Tierce et le Coup de Seconde

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/8 × 17 1/16 inches (26.4 × 43.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Position de la Garde en Quarte, et le Coup de Flanconnade

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 1/4 × 15 7/8 inches (26 × 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Seconde Position du Salut

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 1/8 × 10 3/16 inches (25.7 × 25.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Du Desarmement sur le Coup de Quarte ou de Seconde Paré de Prime

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/8 × 15 1/16 inches (26.4 × 38.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Position pour la Garde en Tierce

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 1/4 × 11 1/4 inches (26 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Premiere Position du Salut

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 1/4 × 10 1/16 inches (26 × 25.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

Refine your search

Search Constraints

Work Type drawing

Height [cm] 26

Search Results

1. Subterranean Pool with Sculptural Torchere

2. Swiss Cottage, Hampstead

3. Under the Hammer

4. Kensington Gardens

5. Tintern Abbey

6. Fowl Head and Neck, Lateral View

7. Dorking Hen Body, Lateral View (Outline drawing of the muscles)

8. Tiger Body, Lateral View

9. Tiger Body, Lateral View

10. Tiger Body, Lateral View (Study of the fourth stage of dissection showing the deeper muscles)

11. Leopard Body, Lateral View (Later stage in dissection, superficial connective tissue and ears removed)

12. Study of a Female Nude

13. Gabriel Hunt

14. Dent de Lion, near Margate

15. Turin, Italy

16. La Cava, 20 July 1838

17. Burpham Oct.4.1834

18. Parham, October.13.1834

19. Prostrate Woman

20. Learning to Walk

21. Mythological Group of Women and Children

22. Studies for the Head of a Lady (Studies of a Woman's Head)

23. The Widow Embracing Her Husband's Grave

24. Christ Giving Sight to Bartimaeus

25. Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)

26. Chapter I, "Lo, a shadow of horror is risen..." (Plate 5)

27. "Such visions have appeared to me..."; Chapter 2 Frontispiece (Plate 26)

28. Fettered Urizen Weeping (Plate 3)

29. The First Book of Urizen, Plate 4 (Bentley 24)

30. Chapter 3 Frontispiece (Plate 51)

31. Title Page, The First Book of Urizen (Plate 1)

32. Jerusalem, Tailpiece (Plate 100)

33. Preparatory drawing for Designs 5 and 6, Plate 3 from A Collection of Designs for Rural Retreats

34. A Moored Barque and Barge in a River

35. Mountainous Landscape with River

36. Nemi

37. A Young Daughter of the Picts

38. Chilham Castle, Kent

39. A Village Street

40. Margate

41. Study for the Central Group in the "Death of Earl of Chatham"

42. View of the Britannia

43. Larici

44. Part of the Cloisters of the Old Blue Coat School Looking East

45. Thugs in the School of Industry, Jubblepoor

46. Caister Castle, Norfolk

47. Boat Sailing to the Left with Mountains in the Background

48. The Nave of Rievaulx Abbey, Yorkshire

49. Vatican from the road to Ponte Mola

50. Hermitage Near Albano

51. Temple of Venus Monday, March 18th, 1782

52. Lismore Castle, Ireland

53. Sketches in Ireland; Killarney & Neighbourhood

54. Study of Classical figure holding broken sword

55. Study of classical sculpture of Faun with Pipes

56. Tivoli Above the Casade

57. Harlech Castle

58. Group of Three Young Women

59. Italian Landscape with Three-Arched Bridge, Bridgehouse, Figures on near Bank, and Poplars on Farther Bank

60. Study of a Seated Woman Holding a Fan

61. Study of a Drayman (A Study for "Sides - all")

62. Baby, a favorite horse belonging to Lt. Cobham

63. Head of a Young Woman or Man

64. Aquaduct at Segovia, Spain

65. Lion and Lioness Attacking a Steer

66. Bridge over Pool at Llanrwst

67. Evening with a Procession of Choir Boys Walking Towards Westminster Abbey

68. A Rocky Bank

69. Drifting

70. Design for A Blue Grotto

71. View of Baron Hill, Anglesey, Wales

72. Aloes and Prickly Pears, Tarragona, Spain

73. Self-Portrait

74. Konigstein