Creator: Smith, William R., active 1819–1851 - YCBA Collections Search Search Results

1. Saltash, Cornwall

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: ca. 1827
Materials & Techniques:: Etching and line engraving; 1st published state, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 9 13/16 × 12 7/16 inches (24.9 × 31.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Tynemouth, Northumberland

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1827-1838
Materials & Techniques:: Etching; open etched state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Tynemouth, Northumberland

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving; engraver's proof (b)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Chain Bridge over the River Tees

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1838
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Lowestoffe, Suffolk

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1837
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Hannibal Passing the Alps

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1830
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 1/2 × 11 7/8 inches (44.5 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Heriot's Hospital

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1822
Materials & Techniques:: Etching on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 13 1/2 × 20 1/16 inches (34.3 × 51 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Hospice of the Great St. Bernard

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1830
Materials & Techniques:: Etching; open etched state, engraver's proof (a) on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 17 × 12 inches (43.2 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Hospice of the Great St. Bernard II (The Dead-House)

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1830
Materials & Techniques:: Etching; open etching on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 17 1/8 × 12 1/8 inches (43.5 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Entrance to Fowey Harbour, Cornwall

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 16 7/8 × 22 1/2 inches (42.9 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Entrance to Fowey Harbour, Cornwall

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1827-1838
Materials & Techniques:: Etching; open etched state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 16 3/8 × 22 1/2 inches (41.6 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Entrance to Fowey Harbour, Cornwall

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1829
Materials & Techniques:: Line engraving, first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 14 15/16 × 21 1/16 inches (37.9 × 53.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Entrance to Fowey Harbour, Cornwall

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving; early engraver's proof on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 10 1/4 × 12 1/2 inches (26 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Hannibal Passing the Alps

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1830
Materials & Techniques:: Etching; open etched state (a) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/8 × 5 3/8 inches (13.7 × 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Hannibal Passing the Alps

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1830
Materials & Techniques:: Etching; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 5/8 × 5 3/8 inches (11.7 × 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Hannibal Passing the Alps

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1830
Materials & Techniques:: Etching and line engraving; engraver's proof (c) on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 × 7 3/8 inches (30.5 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Hannibal Passing the Alps

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1830
Materials & Techniques:: Etching and line engraving with graphite and scraping out; touched engraver's proof (d) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 7/8 × 6 inches (27.6 × 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Hospice of the Great St. Bernard II (The Dead-House)

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1830
Materials & Techniques:: Etching and line engraving; engraver's proof (a) on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 1/4 × 6 5/8 inches (28.6 × 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Hospice of the Great St. Bernard

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1830
Materials & Techniques:: Etching and line engraving; engraver's proof (b) on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 17 1/4 × 11 3/4 inches (43.8 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Hannibal Passing the Alps

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1830
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/8 × 5 1/4 inches (11.1 × 13.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Hospice of the Great St. Bernard II (The Dead-House)

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1830
Materials & Techniques:: Etching and line engraving; engraver's proof (b) on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 17 1/4 × 11 7/8 inches (43.8 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Petrarch's House at Arqua

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1830
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 3/8 × 12 1/8 inches (44.1 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Florence, from Fiesoli

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1818-1820
Materials & Techniques:: Etching; open etched state on medium, smooth, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 × 14 3/8 inches (25.4 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Florence, from Fiesoli

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1818-1820
Materials & Techniques:: Line engraving, and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 1/8 × 17 1/4 inches (28.3 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Richmond, Yorkshire

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1818-1823
Materials & Techniques:: Etching and line engraving; touched engraver's proof on moderately thick, smooth, cream wove paper, with cream chine collé
Dimensions:: Sheet: 15 9/16 × 20 1/8 inches (39.5 × 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Heysham and Cumberland Mountains

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1818-1823
Materials & Techniques:: Etching; open etched state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/16 × 11 3/16 inches (20.8 × 28.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Heysham and Cumberland Mountains

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1818-1823
Materials & Techniques:: Line engraving and etching, engraver's proof (b) on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 13 1/4 × 19 5/8 inches (33.7 × 49.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Roslin Castle

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: ca. 1822
Materials & Techniques:: Etching and line engraving; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/16 × 13 3/8 inches (26.2 × 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Hospice of the Great St. Bernard II (The Dead-House)

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1829
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 17 1/2 × 12 inches (44.5 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Roslin Castle

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1834
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Richmond Hill and Bridge, Surrey

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1832
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Richmond Hill and Bridge, Surrey

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1832
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Richmond Hill and Bridge, Surrey

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1832
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Richmond Hill and Bridge, Surrey

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1832
Materials & Techniques:: Etching and line engraving with graphite; touched engraver's proof (b) on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 12 × 17 1/8 inches (30.5 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Lago Maggiore

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1828-1837
Materials & Techniques:: Line engraving, first published state on medium, smooth, cream wove paper, with cream chine collé
Dimensions:: Sheet: 8 15/16 × 11 7/8 inches (22.7 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Lago Maggiore

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1828 to 1837
Materials & Techniques:: Etching and line engraving; engraver's proof (c) on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Saltash, Cornwall

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1827-1838
Materials & Techniques:: Etching; early engraver's proof on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 16 3/8 × 22 1/4 inches (41.6 × 56.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Saltash, Cornwall

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1827-1838
Materials & Techniques:: Etching; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 × 16 1/8 inches (28.3 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Richmond, Yorkshire

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 15 × 21 inches (38.1 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Richmond, Yorkshire

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1818-1823
Materials & Techniques:: Etching on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 8 1/16 × 11 1/8 inches (20.5 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Richmond, Yorkshire

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1818-1823
Materials & Techniques:: Line engraving and etching, engraver's proof on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 1/4 × 19 7/8 inches (33.7 × 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Amboise

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1833
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 13/16 × 10 9/16 inches (17.3 × 26.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

43. Amboise

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1833
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured white wove paper with cream chine collé
Dimensions:: Sheet: 11 1/8 × 16 5/8 inches (28.3 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Amboise

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1833
Materials & Techniques:: Etching and line engraving, with graphite and scraping out; touched engraver's proof (b) on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 10 5/8 × 15 inches (27 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Amboise

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1833
Materials & Techniques:: Etching; open etched state on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 11 1/2 × 16 inches (29.2 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Amboise

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1833
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 × 17 1/4 inches (30.2 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Amboise

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1833
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 8 1/4 × 11 7/16 inches (21 × 29.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Amboise

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1833
Materials & Techniques:: Etching and line engraving; engraver's proof (c) on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 11 3/4 × 17 1/8 inches (29.8 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Tynemouth, Northumberland

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1831
Materials & Techniques:: Etching and line engraving; 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 × 14 5/8 inches (27 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Lowestoffe, Suffolk

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1837
Materials & Techniques:: Line engraving, 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 × 14 5/8 inches (27.3 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Lago Maggiore

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1828
Materials & Techniques:: Line engraving, 2nd state on medium, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 11 1/4 × 16 3/8 inches (28.6 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Harlech Castle, North Wales

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1836
Materials & Techniques:: Etching and line engraving; second state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 1/8 × 15 inches (28.3 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Dartmouth Cove

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1827
Materials & Techniques:: Line engraving and etching, 2nd state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 1/4 × 14 3/16 inches (26 × 36 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Richmond, Yorkshire

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1827
Materials & Techniques:: Line engraving and etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/16 × 14 3/8 inches (25.6 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Saltash, Cornwall

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1827
Materials & Techniques:: Line engraving and etching, 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 × 14 3/4 inches (27.3 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Tynemouth, Northumberland

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1831
Materials & Techniques:: Etching; open etched state on moderately thick, smooth, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/16 × 14 13/16 inches (28.4 × 37.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Heysham and Cumberland Mountains

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1822
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 11/16 × 14 3/4 inches (27.1 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Richmond, Yorkshire

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1819
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 1/2 × 17 11/16 inches (29.2 × 44.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Florence, from Fiesoli

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1819
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 15 1/8 inches (26.7 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Richmond, Yorkshire

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1827
Materials & Techniques:: Line engraving and etching, 2nd state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 1/2 × 14 1/2 inches (26.7 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Entrance to Fowey Harbour, Cornwall

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1829
Materials & Techniques:: Line engraving, 3rd state on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 5/8 × 14 9/16 inches (27 × 37 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Richmond, Yorkshire

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1827
Materials & Techniques:: Line engraving and etching, 1st state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 9 9/16 × 12 inches (24.3 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. The 'Horse and Groom' Public House, Lea Bridge

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1839
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Leicester Abbey, Leicestershire

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1834
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Leicester Abbey, Leicestershire

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1834
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Beaumaris, Isle of Anglesea

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1836
Materials & Techniques:: Line engraving, engraver's proof
Dimensions:: Sheet: 6 1/2 x 10in. (16.5 x 25.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Longships Lighthouse, Land's End

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1836
Materials & Techniques:: Line engraving, engraver's proof (negative)
Dimensions:: Sheet: 6 1/2 x 10in. (16.5 x 25.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Longships Lighthouse, Lands End

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1836
Materials & Techniques:: Line engraving, open etching negative
Dimensions:: Sheet: 10 x 13in. (25.4 x 33cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Beaumaris, Isle of Anglesea

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1836
Materials & Techniques:: Line engraving, first published state
Dimensions:: Sheet: 6 1/2 x 10in. (16.5 x 25.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Harlech Castle, North Wales

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1836
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Beaumaris, Isle of Anglesea

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1836
Materials & Techniques:: Line engraving, open etching
Dimensions:: Sheet: 6 1/2 x 10in. (16.5 x 25.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Harlech Castle, North Wales

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1836
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Harlech Castle, North Wales

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1836
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Harlech Castle, North Wales

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1836
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Lago Maggiore

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1828
Materials & Techniques:: Etching; open etched state on moderately thick, slightly textured, beige wove paper, with beige chine collé
Dimensions:: Sheet: 11 15/16 × 17 1/2 inches (30.3 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Saltash, Cornwall

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving; early engraver's proof on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 16 1/2 × 22 3/4 inches (41.9 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Saltash, Cornwall

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving; first published state on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 15 × 21 inches (38.1 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Richmond, Yorkshire

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 16 7/8 × 22 3/4 inches (42.9 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Richmond, Yorkshire

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1827-1838
Materials & Techniques:: Etching; open etched state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 16 3/8 × 22 3/4 inches (41.6 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Richmond, Yorkshire

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving, with graphite and scratching out; touched engraver's proof on medium, slightly textured, beige laid paper with cream chine-collé
Dimensions:: Sheet: 13 × 17 1/8 inches (33 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Dartmouth Cove

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving; engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 16 3/4 × 22 3/4 inches (42.5 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Dartmouth Cove

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1827-1838
Materials & Techniques:: Etching; open etched state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 16 1/2 × 22 7/8 inches (41.9 × 58.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Longships Lighthouse, Lands End

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1836
Materials & Techniques:: Line engraving, 1st published state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 16 3/8 × 22 inches (41.6 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Amboise

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1833
Materials & Techniques:: Etching and line engraving; engraver's proof (a) on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 11 5/8 × 15 5/8 inches (29.5 × 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Saltash, Cornwall

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving, with graphite and scratching out; touched engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/8 × 12 1/4 inches (25.1 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Richmond, Yorkshire

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving with graphite; touched engraver's proof (a) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 × 9 3/4 inches (17.8 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Richmond Hill and Bridge, Surrey

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1832
Materials & Techniques:: Etching and line engraving; engraver's proof (b)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Leicester Abbey, Leicestershire

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1834
Materials & Techniques:: Etching and line engraving; engraver's proof (a)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Harlech Castle, North Wales

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1836
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Harlech Castle, North Wales

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1836
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Harlech Castle, North Wales

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1836
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Whitehaven, Cumberland

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1837
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Whitehaven, Cumberland

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1837
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Dido and Aeneas; The Morning of the Chase

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1842
Materials & Techniques:: Etching and line engraving with graphite; touched engraver's proof (a) on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 21 1/8 × 28 1/8 inches (53.7 × 71.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Richmond Hill and Bridge, Surrey

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1832
Materials & Techniques:: Line engraving, 2nd state on moderarely thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 10 13/16 × 14 5/8 inches (27.5 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Leicester Abbey, Leicestershire

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1834
Materials & Techniques:: Line engraving and etching, 2nd state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 3/4 × 15 inches (27.3 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Leicester Abbey, Leicestershire

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1834
Materials & Techniques:: Line engraving and etching, 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 15 inches (27.9 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Longships Lighthouse, Lands End

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1836
Materials & Techniques:: Line engraving, 3rd state on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 3/4 × 14 3/4 inches (27.3 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Beaumaris, Isle of Anglesea

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1836
Materials & Techniques:: Line engraving and etching, 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 × 14 3/4 inches (27 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Whitehaven, Cumberland

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1837
Materials & Techniques:: Line engraving, 1st state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 1/16 × 13 inches (25.6 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

Refine your search

Search Constraints

Creator Smith, William R., active 1819–1851

Search Results

1. Saltash, Cornwall

2. Tynemouth, Northumberland

3. Tynemouth, Northumberland

4. Chain Bridge over the River Tees

5. Lowestoffe, Suffolk

6. Hannibal Passing the Alps

7. Heriot's Hospital

8. Hospice of the Great St. Bernard

9. Hospice of the Great St. Bernard II (The Dead-House)

10. Entrance to Fowey Harbour, Cornwall

11. Entrance to Fowey Harbour, Cornwall

12. Entrance to Fowey Harbour, Cornwall

13. Entrance to Fowey Harbour, Cornwall

14. Hannibal Passing the Alps

15. Hannibal Passing the Alps

16. Hannibal Passing the Alps

17. Hannibal Passing the Alps

18. Hospice of the Great St. Bernard II (The Dead-House)

19. Hospice of the Great St. Bernard

20. Hannibal Passing the Alps

21. Hospice of the Great St. Bernard II (The Dead-House)

22. Petrarch's House at Arqua

23. Florence, from Fiesoli

24. Florence, from Fiesoli

25. Richmond, Yorkshire

26. Heysham and Cumberland Mountains

27. Heysham and Cumberland Mountains

28. Roslin Castle

29. Hospice of the Great St. Bernard II (The Dead-House)

30. Roslin Castle

31. Richmond Hill and Bridge, Surrey

32. Richmond Hill and Bridge, Surrey

33. Richmond Hill and Bridge, Surrey

34. Richmond Hill and Bridge, Surrey

35. Lago Maggiore

36. Lago Maggiore

37. Saltash, Cornwall

38. Saltash, Cornwall

39. Richmond, Yorkshire

40. Richmond, Yorkshire

41. Richmond, Yorkshire

42. Amboise

43. Amboise

44. Amboise

45. Amboise

46. Amboise

47. Amboise

48. Amboise

49. Tynemouth, Northumberland

50. Lowestoffe, Suffolk

51. Lago Maggiore

52. Harlech Castle, North Wales

53. Dartmouth Cove

54. Richmond, Yorkshire

55. Saltash, Cornwall

56. Tynemouth, Northumberland

57. Heysham and Cumberland Mountains

58. Richmond, Yorkshire

59. Florence, from Fiesoli

60. Richmond, Yorkshire

61. Entrance to Fowey Harbour, Cornwall

62. Richmond, Yorkshire

63. The 'Horse and Groom' Public House, Lea Bridge

64. Leicester Abbey, Leicestershire

65. Leicester Abbey, Leicestershire

66. Beaumaris, Isle of Anglesea

67. Longships Lighthouse, Land's End

68. Longships Lighthouse, Lands End

69. Beaumaris, Isle of Anglesea

70. Harlech Castle, North Wales

71. Beaumaris, Isle of Anglesea

72. Harlech Castle, North Wales

73. Harlech Castle, North Wales

74. Harlech Castle, North Wales

75. Lago Maggiore