Creator: Seymour, James, 1702–1752 / Subject Terms: landscape - YCBA Collections Search Search Results

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Creator Seymour, James, 1702–1752

Subject Terms landscape

1. One of Four Portraits of Horses - a Chestnut Racehorse Exercised by a Trainer in a Blue Coat: galloping to the left, the horse wearing blue sweat cover and saddle-cloth edged with gold

One of Four Portraits of Horses - a Chestnut Racehorse Exercised by a Trainer in a Blue Coat: galloping to the left, the horse wearing blue sweat cover and saddle-cloth edged with gold

Creator:: Attributed to James Seymour, 1702–1752
Date:: ca. 1730
Materials & Techniques:: Oil on canvas
Dimensions:: 12 x 14 inches (30.5 x 35.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. One of Four Portraits of Horses - a Chestnut Horse (? Old Partner) held by a Groom: standing facing right, wearing blue saddle-cloth edged with gold; the groom in blue...

One of Four Portraits of Horses - a Chestnut Horse (? Old Partner) held by a Groom: standing facing right, wearing blue saddle-cloth edged with gold; the groom in blue...

Creator:: Attributed to James Seymour, 1702–1752
Date:: ca. 1730
Materials & Techniques:: Oil on canvas
Dimensions:: 12 x 14 inches (30.5 x 35.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. Old Fox held by a Groom

Old Fox held by a Groom

Creator:: James Seymour, 1702–1752
Date:: 1721
Materials & Techniques:: Oil on canvas
Dimensions:: 40 x 50 inches (101.6 x 127 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

4. The Chaise Match Run on Newmarket Heath on Wednesday the 29th of August, 1750

The Chaise Match Run on Newmarket Heath on Wednesday the 29th of August, 1750

Creator:: James Seymour, 1702–1752
Date:: 1750
Materials & Techniques:: Oil on canvas
Dimensions:: 42 × 66 inches (106.7 × 167.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

5. Making a Cast at a Fault

Making a Cast at a Fault

Creator:: Print made by Thomas Burford, ca. 1710–after 1774
Date:: 1794
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 1/8 x 15 7/8 inches (28.3 x 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

6. The Death of the Fox

The Death of the Fox

Creator:: Print made by Thomas Burford, ca. 1710–after 1774
Date:: 1794
Materials & Techniques:: Mezzotint on moderately thick, smooth, beige laid paper
Dimensions:: Sheet: 11 x 15 9/16 inches (27.9 x 39.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

7. A Boar Hunt

Creator:: James Seymour, 1702–1752
Date:: undated
Materials & Techniques:: Pen and brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Mount: 9 1/8 × 10 7/8 inches (23.2 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Setting Off for the Chase: The Huntsman Leading out a Pack of Harriers followed by the Master and the Whipper-In

Setting Off for the Chase: The Huntsman Leading out a Pack of Harriers followed by the Master and the Whipper-In

Creator:: James Seymour, 1702–1752
Date:: undated
Materials & Techniques:: Gouache on medium, slightly textured, cream wove paper mounted on stretched canvas
Dimensions:: Sheet: 12 1/8 × 20 inches (30.8 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Riders and Hounds in an Open Landscape

Riders and Hounds in an Open Landscape

Creator:: James Seymour, 1702–1752
Date:: undated
Materials & Techniques:: Pen and brown ink, and graphite on medium, moderately textured, beige laid paper
Dimensions:: Mount: 10 13/16 × 16 5/8 inches (27.5 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection