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Classification Archives and Manuscripts
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101
- Paul Mellon Centre for Studies in British Art
- The Stranger from Paradise: A biography of William Blake, by Gerald Eades Bentley
- 2001
- Archives
102
- Paul Mellon Centre for Studies in British Art
- The Synagogues of Britain and Ireland: an Architecture and Social History, by Sharman Kadish
- 2011
- Archives
103
- Paul Mellon Centre for Studies in British Art
- The Tory View of Landscape, by Nigel Everett
- 1994
- Archives
104
- Paul Mellon Centre for Studies in British Art
- The Town House in Georgian London, by Rachel Stewart
- 2009
- Archives
105
- Paul Mellon Centre for Studies in British Art
- The Tudor House and Garden: Architecture and Landscape in the Sixteenth and Early Seventeenth Centuries, by Paula Henderson
- 2005
- Archives
106
- Paul Mellon Centre for Studies in British Art
- The Tyranny of Taste: The Politics of Architecture and Design in Britain, 1550-1960, by Jules Lubbock
- 1995
- Archives
107
- Paul Mellon Centre for Studies in British Art
- Sickert: Paintings and Drawings, by Wendy Baron
- 2006
- Archives
108
- Paul Mellon Centre for Studies in British Art
- Sir John Vanbrugh: Storyteller in Stone, Vaughan Hart
- 2008
- Archives
109
- Paul Mellon Centre for Studies in British Art
- Sir Joshua Reynolds: A Complete Catalogue of His Paintings (2 volumes), by David Mannings
- 2000
- Archives
110
- Paul Mellon Centre for Studies in British Art
- Sir Thomas Lawrence, by Michael Levey
- 2006
- Archives
111
- Paul Mellon Centre for Studies in British Art
- The Duchess's Shells: Natural History Collecting in the Age of Cook's Voyages, by Beth Fowkes Tobin
- 2014
- Archives
112
- Paul Mellon Centre for Studies in British Art
- The Edwardian Sense: Art, Design and Performance in Britain 1901-191, ed. Morna O'Neill and Michael Hatt
- 2010
- Archives
113
- Paul Mellon Centre for Studies in British Art
- The English Castle 1066-1650, by John Goodall
- 2011
- Archives
114
- Paul Mellon Centre for Studies in British Art
- The Formation of English Gothic: Architecture and Identity, by Peter Draper
- 2007
- Archives
115
- Paul Mellon Centre for Studies in British Art
- The Genius of Robert Adam: His Interiors, by Eileen Harris
- 2001
- Archives
116
- Paul Mellon Centre for Studies in British Art
- The Geographies of Englishness: Landscape and the National Past, 1880-1940, ed. David Peters Corbett, Ysanne Holt, and Fiona Russell
- 2002
- Archives
117
- Paul Mellon Centre for Studies in British Art
- The Idea of the English Landscape Painter: Genius as Alibi in the Early Nineteenth Century, by Kay Dian Kriz
- 1997
- Archives
118
- Paul Mellon Centre for Studies in British Art
- The Image of Antiquity: Ancient Britain and the Romantic Imagination, by Sam Smiles
- 1994
- Archives
119
- Paul Mellon Centre for Studies in British Art
- The King's Pictures: The Formation and Dispersal of the Collections of Charles I and His Courtiers, by Francis Haskell
- 2013
- Archives
120
- Paul Mellon Centre for Studies in British Art
- The Last Sane Man: Michael Cardew: Modern Pots, Colonialism, and the Counterculture, by Tanya Harrod
- 2013
- Archives
121
- Paul Mellon Centre for Studies in British Art
- The Letters of Sir Joshua Reynolds, by John Ingamells and John Edgcumbe
- 2000
- Archives
122
- Paul Mellon Centre for Studies in British Art
- The Letters of Thomas Gainsborough, by John Hayes
- 2001
- Archives
123
- Paul Mellon Centre for Studies in British Art
- The London Square: Gardens in the Midst of Town, by Todd Longstaffe-Gowan
- 2012
- Archives
124
- Paul Mellon Centre for Studies in British Art
- The London Town Garden 1740-1840, by Todd Longstaffe-Gowan
- 2001
- Archives
125
- Paul Mellon Centre for Studies in British Art
- The New Painting of the 1860s: Between the Pre-Raphaelites and the Aesthetic Movement, by Allen Staley
- 2011
- Archives
126
- Paul Mellon Centre for Studies in British Art
- A Biographical Dictionary of British Architects, 1600-1840 4th Ed, by Howard Montagu Colvin
- 2008
- Archives
127
- Paul Mellon Centre for Studies in British Art
- A Biographical Dictionary of Sculptors in Britain 1660-1851, by Ingrid Roscoe, Emma Hardy, and M. G. Sullivan
- 2009
- Archives
128
- Paul Mellon Centre for Studies in British Art
- A Capital Collection: Houghton Hall and the Hermitage, ed. Larissa A Dukelskaya and Andrew W Moore
- 2002
- Archives
129
- Paul Mellon Centre for Studies in British Art
- A Dictionary of British and Irish Travellers in Italy, 1701-1800, by John Ingamells and Brinsley Ford
- 1997
- Archives
130
- Paul Mellon Centre for Studies in British Art
- A Fragile Modernism: Whistler and his Impressionist Followers, by Anna Gruetzner Robins
- 2008
- Archives
131
- Paul Mellon Centre for Studies in British Art
- Henry VIII and the Art of Majesty: Tapestries at the Tudor Court, by Thomas P Campbell
- 2007
- Archives
132
- Paul Mellon Centre for Studies in British Art
- Fashion and Fiction: Dress in Art and Literature in Stuart England, by Aileen Riberio
- 2006
- Archives
133
- Paul Mellon Centre for Studies in British Art
- Ford Madox Brown: A Catalogue Raisonné (2 vol), by Mary Bennett
- 2010
- Archives
134
- Paul Mellon Centre for Studies in British Art
- Frederic Leighton: Antiquity, Renaissance, Modernity, by Tim Barringer and Elizabeth Prettejohn
- 1999
- Archives
135
- Paul Mellon Centre for Studies in British Art
- Essays in English Architectural History, by Howard Montagu Colvin
- 1999
- Archives
136
- Paul Mellon Centre for Studies in British Art
- Exhibiting Englishness: John Boydell's Shakespeare Gallery and the Formation of a National Aesthetics, by Rosie Dias
- 2013
- Archives
137
- Paul Mellon Centre for Studies in British Art
- French Art in Nineteenth Century Britain, by Edward Morris
- 2005
- Archives
138
- Paul Mellon Centre for Studies in British Art
- From Still Life to the Screen: Print Culture, Display, and the Materiality of the Image in Eighteenth-Century London, by Joseph Monteyne
- 2013
- Archives
139
- Paul Mellon Centre for Studies in British Art
- From William Morris: Building Conservation and the Arts and Crafts Cult of Authenticity, 1877-1939, by Chris Miele
- 2005
- Archives
140
- Paul Mellon Centre for Studies in British Art
- G F Watts: the Last Great Victorian, by Veronica Franklin Gould
- 2004
- Archives
141
- Paul Mellon Centre for Studies in British Art
- Gainsborough in Bath, by Susan Sloman
- 2002
- Archives
142
- Paul Mellon Centre for Studies in British Art
- Gender, Taste and Material Culture in Britain and Northern America, 1700-1830, ed. John Styles and Amanda Vickery
- 2007
- Archives
143
- Paul Mellon Centre for Studies in British Art
- George Stubbs, Painter: Catalouge Raisonné, by Judy Egerton
- 2007
- Archives
144
- Paul Mellon Centre for Studies in British Art
- Georgian London, by John Summerson and Howard Montagu Colvin
- 2003
- Archives
145
- Paul Mellon Centre for Studies in British Art
- Gothic Art in Ireland, 1169-1550: Enduring Vitality, by Colum Hourihane
- 2003
- Archives
146
- Paul Mellon Centre for Studies in British Art
- Ham House: 400 Years of Collecting and Patronage, by Christopher Rowell
- 2013
- Archives
147
- Paul Mellon Centre for Studies in British Art
- Hampton Court: A Social and Architectural History, by Simon Thurley
- 2004
- Archives
148
- Paul Mellon Centre for Studies in British Art
- Empire to Nation: Art, History, and the Visualization of Maritime Britain 1768-1829, by Geoff Quilley
- 2011
- Archives
149
- Paul Mellon Centre for Studies in British Art
- English Art and Modernism, 1900-1939, by Charles Harrison
- 1994
- Archives
150
- Paul Mellon Centre for Studies in British Art
- English Drawings and Watercolors 1550-1850, by Pierpont Morgan Library
- 1972
- Archives
151
- Paul Mellon Centre for Studies in British Art
- English Shops and Shopping, by Kathryn A Morrison
- 2004
- Archives
152
- Paul Mellon Centre for Studies in British Art
- Bacon and Sutherland, by Martin Hammer
- 2005
- Archives
153
- Paul Mellon Centre for Studies in British Art
- Becket's Crown: Art and Imagination in Gothic England, 1170-1300, by Paul Binski
- 2005
- Archives
154
- Paul Mellon Centre for Studies in British Art
- Bernard Leach: Life and Work, by Emmanuel Cooper
- 2003
- Archives
155
- Paul Mellon Centre for Studies in British Art
- Blake Records: Documents, 1714-1841, Concerning the Life of William Blake, 1757-1827, by Gerald Eades Bentley
- 2004
- Archives
156
- Paul Mellon Centre for Studies in British Art
- Body Doubles: Sculpture in Britain, 1877-1905, by David J. Getsy
- 2004
- Archives
157
- Paul Mellon Centre for Studies in British Art
- Bodybuilding: Reforming Masculinities in British Art, 1750-1810, by Martin Myrone
- 2006
- Archives
158
- Paul Mellon Centre for Studies in British Art
- Carscapes: the Motor Car, Architecture and Landscape in England, by Kathryn A Morrison and John Minnis
- 2012
- Archives
159
- Paul Mellon Centre for Studies in British Art
- Catalogue of Portraits in the Collection of the Earl of Clarendon, by Robin Gibson
- 1977
- Archives
160
- Paul Mellon Centre for Studies in British Art
- After Sir Joshua: Essays on British Art and Cultural History, by Richard Wendorf
- 2005
- Archives
161
- Paul Mellon Centre for Studies in British Art
- Albion's Classicism: The Visual Arts in Britain, 1550-1660, ed. Lucy Gent
- 1996
- Archives
162
- Paul Mellon Centre for Studies in British Art
- Alfred Gilbert, by Richard Dorment
- 1985
- Archives
163
- Paul Mellon Centre for Studies in British Art
- Allan Ramsay: Painter, Essayist and Man of the Enlightenment, by Alastair Smart
- 1992
- Archives
164
- Paul Mellon Centre for Studies in British Art
- Building the Bank of England: Money, Architecture, Society, 1694-1942, by Daniel Michael Abramson
- 2005
- Archives
165
- Paul Mellon Centre for Studies in British Art
- Building the Georgian City, by James Ayres
- 1998
- Archives
166
- Paul Mellon Centre for Studies in British Art
- Above the Battlefield: Modernism and the Peace Movement in Britain, 1900-1918, by Grace Brockington
- 2011
- Archives
167
- Paul Mellon Centre for Studies in British Art
- Brilliant Effects: a Cultural History of Gem Stones and Jewellery, by Marcia Pointon
- 2010
- Archives
168
- Paul Mellon Centre for Studies in British Art
- British and Irish Paintings in Public Collection, by Christopher Wright, Catherine Gordon, and Mary Peskett Smith
- 2006
- Archives
169
- Paul Mellon Centre for Studies in British Art
- Art as Evidence: Writings on Art and Material Culture, by Jules David Prown
- 2002
- Archives
170
- Paul Mellon Centre for Studies in British Art
- Art for Art's Sake: Aestheticism in Victorian Painting, by Elizabeth Prettejohn
- 2008
- Archives
171
- Paul Mellon Centre for Studies in British Art
- Art on the Line: the Royal Academy Exhibitions at Somerset House, 1780-1836, by Courtauld institute Gallery and David Hersh Solkin
- 2001
- Archives
172
- Paul Mellon Centre for Studies in British Art
- Angelica Kauffman: Art and Sensibility, by Angela Rosenthal
- 2006
- Archives
173
- Paul Mellon Centre for Studies in British Art
- Candidates for Fame: the Society of Artists of Great Britain 1760-1791, by Matthew Hargraves
- 2006
- Archives
174
- Paul Mellon Centre for Studies in British Art
- Canterbury Cathedral Priory in the Age of Becket, by Peter Fergusson
- 2011
- Archives
175
- Paul Mellon Centre for Studies in British Art
- John Everett Millais: Beyond the Pre-Raphaelite Brotherhood, ed. Debra N Mancoff
- 2001
- Archives
176
- Paul Mellon Centre for Studies in British Art
- John Singer Sargent: Figures and Landscapes, 1874-1882: Complete Paintings v. 4, by Richard Ormond and Elaine Kilmurray
- 2006
- Archives
177
- Paul Mellon Centre for Studies in British Art
- John Singer Sargent: Figures and Landscapes, 1883-1899: complete paintings, v. 5, by Richard Ormond and Elaine Kilmurray
- 2010
- Archives
178
- Paul Mellon Centre for Studies in British Art
- John Singer Sargent: Figures and Landscapes, 1900-1907: complete paintings, v. 7, by Richard Ormond and Elaine Kilmurray
- 2012
- Archives
179
- Paul Mellon Centre for Studies in British Art
- John Singer Sargent: Portraits of the 1890s: complete paintings vol. 2, by Richard Ormond and Elaine Kilmurray
- 2002
- Archives
180
- Paul Mellon Centre for Studies in British Art
- John Singer Sargent: The Early Portraits, by Richard Ormond and Elaine Kilmurray
- 1998
- Archives
181
- Paul Mellon Centre for Studies in British Art
- John Singer Sargent: The Later Portraits: complete paintings vol .3, by Richard Ormond and Elaine Kilmurray
- 2003
- Archives
182
- Paul Mellon Centre for Studies in British Art
- John Singer Sargent: Venetian Figures and Landscapes, 1898-1913: complete paintings, v. 6, by Richard Ormond and Elaine Kilmurray
- 2009
- Archives
183
- Paul Mellon Centre for Studies in British Art
- John Talman: an Early-Eighteenth-Century Connoisseur, by Cinzia Maria Sicca
- 2009
- Archives
184
- Paul Mellon Centre for Studies in British Art
- Jonathan Richardson, by Carol Gibson-Wood
- 2000
- Archives
185
- Paul Mellon Centre for Studies in British Art
- Holbein and England, by Susan Foister
- 2005
- Archives
186
- Paul Mellon Centre for Studies in British Art
- Houses of the Gentry 1480-1680, by Nicholas Cooper
- 1999
- Archives
187
- Paul Mellon Centre for Studies in British Art
- Humphry Repton: Landscape Gardening and the Geography of Georgian England, by Stephen Daniels
- 1999
- Archives