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Creator Downman, John, 1750–1824

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Subject Terms fichu

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Mr. Edwin and Mrs. Wells in the Characters of Lingo and Cowslip
Creator:
Print made by Hugh Downman, d. 1789
Date:
ca. 1787
Materials & Techniques:
Stipple engraving on moderately thick, slightly textured, beige laid paper, pasted on mount
Dimensions:
Sheet: 19 × 13 1/4 inches (48.2 × 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mrs. Billington
Creator:
Print made by Robert Dunkarton, 1744–1811
Date:
1786
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 14 1/8 x 11 1/8 inches (35.9 x 28.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Portrait of a Lady
Creator:
John Downman, 1750–1824
Date:
undated
Materials & Techniques:
Black and red chalk with stumping over graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 3/8 × 6 1/8 inches (18.7 × 15.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Portrait of a Lady, Facing Front
Creator:
John Downman, 1750–1824
Date:
undated
Materials & Techniques:
Black, red, yellow, and blue chalk over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 5/8 × 8 inches (24.4 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Portrait of a Lady
Creator:
John Downman, 1750–1824
Date:
undated
Materials & Techniques:
Black chalk with stumping on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 9 x 7 3/16 inches (22.9 x 18.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Portrait of a Lady, Facing Right
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor with black chalk and stumping over graphite on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 8 × 6 5/8 inches (20.3 × 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection