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Creator Downman, John, 1750–1824

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Robert, Duke of Normandy, in Prison
Creator:
John Downman, 1750–1824
Date:
1779
Materials & Techniques:
Oil on copper
Dimensions:
9 1/16 x 7 1/2 inches (23 x 19.1 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund
On View:
Not on view
An Unknown Man
Creator:
John Downman, 1750–1824
Date:
ca. 1780
Materials & Techniques:
Oil on panel
Dimensions:
14 x 10 1/2 inches (35.6 x 26.7 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Lady Jane Mathew and Her Daughters
Creator:
unknown artist
Date:
ca. 1790
Materials & Techniques:
Oil on canvas
Dimensions:
36 × 36 inches (91.4 × 91.4 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
The Ghost of Clytemnestra Awakening the Furies
Creator:
John Downman, 1750–1824
Date:
1781
Materials & Techniques:
Oil on panel
Dimensions:
20 x 25 1/2 inches (50.8 x 64.8 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Tom Jones
Creator:
Peter Simon, 1750–1810
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection
Mrs. Ives of Catton
Creator:
John Downman, 1750–1824
Date:
1780
Materials & Techniques:
Black chalk and red chalk with stumping on medium, smooth, beige wove paper
Dimensions:
Sheet: 9 x 7 1/4 inches (22.8 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Priestess of Bacchus (Anne Catley)
Creator:
John Raphael Smith, 1752–1812
Date:
ca. 1779
Materials & Techniques:
Mezzotint
Dimensions:
Sheet: 10 x 13 7/8in. (25.4 x 35.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tom Jones; The Interview of Tom Jones, and Sophia, after the Reconciliation
Creator:
Peter Simon, 1750–1810
Date:
1789
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale University Art Gallery Collection
George James Riddell
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1784
Materials & Techniques:
Stipple engraving and red ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/8 × 6 1/8 inches (20.6 × 15.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Admiral Charles Middleton, 1st Baron Barham
Creator:
Maria Anne Bourlier, active 1807
Date:
1809
Materials & Techniques:
Stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 13 7/8 × 11 inches (35.2 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mr. Edwin and Mrs. Wells in the Characters of Lingo and Cowslip
Creator:
Print made by Hugh Downman, d. 1789
Date:
ca. 1787
Materials & Techniques:
Stipple engraving on moderately thick, slightly textured, beige laid paper, pasted on mount
Dimensions:
Sheet: 19 × 13 1/4 inches (48.2 × 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Miss Eliza Farren
Creator:
Print made by Joseph Collyer, 1748–1827
Date:
1788
Materials & Techniques:
Stipple engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 3/8 x 9 9/16 inches (31.5 x 24.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Mrs. Billington
Creator:
Print made by Robert Dunkarton, 1744–1811
Date:
1786
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 14 1/8 x 11 1/8 inches (35.9 x 28.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Lady Elizabeth Foster
Creator:
Print made by Caroline Watson, 1760–1814
Date:
1788
Materials & Techniques:
Stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 13 1/8 × 10 inches (33.3 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Miss Harriet Serocold
Creator:
Print made by Henry Kingsbury, active 1750–1780
Date:
1779
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 × 10 inches (35.6 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Mrs. Siddons
Creator:
Print made by Peltro W. Tomkins, 1760–1840
Date:
undated
Materials & Techniques:
Stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 10 7/8 × 8 5/16 inches (27.6 × 21.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Harriet Serocold
Creator:
Henry Kingsbury, active 1750–1780
Date:
1779
Materials & Techniques:
Mezzotint
Dimensions:
Sheet: 14 7/8 x 9 15/16in. (37.8 x 25.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Portrait of Lady Marjorie Jenkins
Creator:
John Downman, 1750–1824
Date:
1798
Materials & Techniques:
Black chalk with watercolor and stumping on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 11 x 8 1/2 inches (28 x 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Anonymous Gift
Tom Jones: 'The Philosopher Square, Discovered in Molly Seagrim's Garret'
Creator:
Peter Simon, 1750–1810
Date:
1789
Materials & Techniques:
Colored stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 16 7/8 × 19 7/8 inches (42.9 × 50.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Interview of Tom Jones and Sophia, After the Reconciliation.
Creator:
Peter Simon, 1750–1810
Date:
1789
Materials & Techniques:
Colored stipple engraving on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 16 13/16 × 20 inches (42.7 × 50.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Portrait of a Lady
Creator:
John Downman, 1750–1824
Date:
undated
Materials & Techniques:
Black chalk with stumping on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 9 x 7 3/16 inches (22.9 x 18.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Robert, Duke of Normandy
Creator:
John Downman, 1750–1824
Date:
1779
Materials & Techniques:
Black chalk with stumping and graphite on thin, smooth, beige wove paper
Dimensions:
Sheet: 9 x 7 5/8 inches (22.9 x 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

23. Miss Nott

Miss Nott
Creator:
John Downman, 1750–1824
Date:
1789
Materials & Techniques:
Watercolor with black and red chalk with stumping on thin, smooth, cream laid paper
Dimensions:
Sheet: 8 5/8 x 7 1/4 inches (21.9 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Portrait of a Lady, Facing Front
Creator:
John Downman, 1750–1824
Date:
undated
Materials & Techniques:
Black, red, yellow, and blue chalk over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 5/8 × 8 inches (24.4 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Portrait of a Lady
Creator:
John Downman, 1750–1824
Date:
undated
Materials & Techniques:
Black and red chalk with stumping over graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 3/8 × 6 1/8 inches (18.7 × 15.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Portrait of a Divine Called Reverend John Wesley
Creator:
John Downman, 1750–1824
Date:
ca. 1781
Materials & Techniques:
Black and red chalk on thin, slightly textured, cream wove paper
Dimensions:
Mount: 9 x 7 1/2 inches (22.9 x 19 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Miss Campbell
Creator:
John Downman, 1750–1824
Date:
1803
Materials & Techniques:
Black chalk, red chalk, and graphite, with stumping on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/16 x 9 1/2 inches (30.6 x 24.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
John Edwin and Mrs. Mary Wells as Lingo and Cowslip in "The Agreeable Surprise"
Creator:
John Downman, 1750–1824
Date:
1787
Materials & Techniques:
Watercolor with gouache, black chalk and stumping on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 16 5/16 x 12 5/8 inches (41.4 x 32 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Portrait of a Lady, Facing Left
Creator:
John Downman, 1750–1824
Date:
undated
Materials & Techniques:
Black and red chalk with watercolor and stumping on medium, smooth, cream wove paper
Dimensions:
Sheet: 7 7/8 x 6 3/8 inches (20 x 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Portrait of a Lady, Facing Right
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor with black chalk and stumping over graphite on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 8 × 6 5/8 inches (20.3 × 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Portrait of a Girl Holding a Garland
Creator:
attributed to John Downman, 1750–1824
Date:
undated
Materials & Techniques:
Black and red chalk with graphite on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, beige wove paper
Dimensions:
Mount: 12 3/8 × 9 1/2 inches (31.4 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
William S. Leney, 1769–1831
Date:
1803
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection