<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

You searched for:

Creator Cosway, Richard, 1742–1821

Remove constraint Creator: Cosway, Richard, 1742–1821

Height [cm] 24

Remove constraint Height [cm]: 24

Search Results

Lady Elizabeth Harriet Bulkeley (née Warren)
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1783
Materials & Techniques:
Stipple engraving on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 12 × 9 1/8 inches (30.5 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mrs. Abington as Thalia
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1783
Materials & Techniques:
Stipple engraving printed in brown ink on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 10 9/16 × 8 1/4 inches (26.8 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Othello and Desdemona, 'Othello', Act V, Scene II
Creator:
attributed to Richard Cosway, 1742–1821
Date:
ca. 1805
Materials & Techniques:
Graphite and black chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 5/8 × 7 3/4 inches (24.4 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Flight into Egypt
Creator:
Richard Cosway, 1742–1821
Date:
undated
Materials & Techniques:
Gray ink, gray wash, watercolor, black chalk, red chalk and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/4 x 7 1/2 inches (23.5 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mr. and Mrs. Stuart P. Feld
No cover image available
Creator:
Print made by Louis Sailliar, 1748–1795
Date:
1786-1787
Materials & Techniques:
Stipple engraving and soft-ground etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 5/8 × 10 3/4 inches (37.1 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund