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Creator Blake, William, 1757–1827

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Job's Comforters
Creator:
Print made by William Blake, 1757–1827
Materials & Techniques:
Line engraving
Dimensions:
Overall: 16 × 10 3/4 inches (40.6 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of J. T. Johnston Coe in memory of Henry E. Coe, Yale BA 1878, Henry E. Coe Jr., Yale BA 1917, and Henry E. Coe III, Yale BA 1946
The Vision of Eliphaz
Creator:
Print made by William Blake, 1757–1827
Materials & Techniques:
Line engraving
Dimensions:
Overall: 16 × 10 3/4 inches (40.6 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of J. T. Johnston Coe in memory of Henry E. Coe, Yale BA 1878, Henry E. Coe Jr., Yale BA 1917, and Henry E. Coe III, Yale BA 1946
Job's Despair
Creator:
Print made by William Blake, 1757–1827
Materials & Techniques:
Line engraving
Dimensions:
Overall: 16 × 10 3/4 inches (40.6 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of J. T. Johnston Coe in memory of Henry E. Coe, Yale BA 1878, Henry E. Coe Jr., Yale BA 1917, and Henry E. Coe III, Yale BA 1946
When the Morning Stars Sang Together
Creator:
Print made by William Blake, 1757–1827
Materials & Techniques:
Line engraving
Dimensions:
Overall: 16 × 10 3/4 inches (40.6 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of J. T. Johnston Coe in memory of Henry E. Coe, Yale BA 1878, Henry E. Coe Jr., Yale BA 1917, and Henry E. Coe III, Yale BA 1946
Behemoth and Leviathan
Creator:
Print made by William Blake, 1757–1827
Materials & Techniques:
Line engraving
Dimensions:
Overall: 16 × 10 3/4 inches (40.6 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of J. T. Johnston Coe in memory of Henry E. Coe, Yale BA 1878, Henry E. Coe Jr., Yale BA 1917, and Henry E. Coe III, Yale BA 1946
Job's Evil Dreams
Creator:
Print made by William Blake, 1757–1827
Materials & Techniques:
Line engraving
Dimensions:
Overall: 16 × 10 3/4 inches (40.6 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of J. T. Johnston Coe in memory of Henry E. Coe, Yale BA 1878, Henry E. Coe Jr., Yale BA 1917, and Henry E. Coe III, Yale BA 1946
The Wrath of Elihu
Creator:
Print made by William Blake, 1757–1827
Materials & Techniques:
Line engraving
Dimensions:
Overall: 16 × 10 3/4 inches (40.6 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of J. T. Johnston Coe in memory of Henry E. Coe, Yale BA 1878, Henry E. Coe Jr., Yale BA 1917, and Henry E. Coe III, Yale BA 1946
Job's Sacrifice
Creator:
Print made by William Blake, 1757–1827
Materials & Techniques:
Line engraving
Dimensions:
Overall: 16 × 10 3/4 inches (40.6 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of J. T. Johnston Coe in memory of Henry E. Coe, Yale BA 1878, Henry E. Coe Jr., Yale BA 1917, and Henry E. Coe III, Yale BA 1946
The Vision of Christ
Creator:
Print made by William Blake, 1757–1827
Materials & Techniques:
Line engraving
Dimensions:
Overall: 16 × 10 3/4 inches (40.6 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of J. T. Johnston Coe in memory of Henry E. Coe, Yale BA 1878, Henry E. Coe Jr., Yale BA 1917, and Henry E. Coe III, Yale BA 1946
Every One also Gave Him a Piece of Money
Creator:
Print made by William Blake, 1757–1827
Materials & Techniques:
Line engraving
Dimensions:
Overall: 16 × 10 3/4 inches (40.6 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of J. T. Johnston Coe in memory of Henry E. Coe, Yale BA 1878, Henry E. Coe Jr., Yale BA 1917, and Henry E. Coe III, Yale BA 1946
The Fall of Satan
Creator:
Print made by William Blake, 1757–1827
Materials & Techniques:
Line engraving
Dimensions:
Overall: 16 × 10 3/4 inches (40.6 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of J. T. Johnston Coe in memory of Henry E. Coe, Yale BA 1878, Henry E. Coe Jr., Yale BA 1917, and Henry E. Coe III, Yale BA 1946
Job and His Family Restored to Prosperity
Creator:
Print made by William Blake, 1757–1827
Materials & Techniques:
Line engraving
Dimensions:
Overall: 16 × 10 3/4 inches (40.6 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of J. T. Johnston Coe in memory of Henry E. Coe, Yale BA 1878, Henry E. Coe Jr., Yale BA 1917, and Henry E. Coe III, Yale BA 1946
Job and His Daughters
Creator:
Print made by William Blake, 1757–1827
Materials & Techniques:
Line engraving
Dimensions:
Overall: 16 × 10 3/4 inches (40.6 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of J. T. Johnston Coe in memory of Henry E. Coe, Yale BA 1878, Henry E. Coe Jr., Yale BA 1917, and Henry E. Coe III, Yale BA 1946

614. Theocritus

Theocritus
Creator:
William Blake, 1757–1827
Date:
1821
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Spine: 7 1/8 inches (18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Illustrations of Imitation of Eclogue I, Page 15
Creator:
William Blake, 1757–1827
Date:
1821
Materials & Techniques:
Wood-engraving and letterpress on medium, slightly textured, cream wove paper
Dimensions:
Spine: 7 1/8 inches (18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Illustrations of Eclogue I, Introductory, The Giant Polypheme
Creator:
William Blake, 1757–1827
Date:
1821
Materials & Techniques:
Wood-engraving and letterpress on medium, slightly textured, cream wove paper
Dimensions:
Spine: 7 1/8 inches (18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
An Angel with a Trumpet
Creator:
William Blake, 1757–1827
Date:
between 1805 and 1808
Materials & Techniques:
Graphite, watercolor, and pen and black ink on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 7 3/4 x 4 1/8 inches (19.7 x 10.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Visionary Head
Creator:
William Blake, 1757–1827
Date:
1819 to 1820
Materials & Techniques:
Graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 5 5/8 inches (19.1 x 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Socrates, a Visionary Head
Creator:
William Blake, 1757–1827
Date:
ca. 1820
Materials & Techniques:
Graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 8 7/8 x 7 1/4 inches (22.5 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Widow Embracing Her Husband's Grave
Creator:
William Blake, 1757–1827
Date:
1805 to 1808
Materials & Techniques:
Pen and gray ink with graphite and watercolor on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 6 x 8 1/8 inches (15.2 x 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 x 9 1/2 inches (30.5 x 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mary Magdalen at the Sepulchre
Creator:
William Blake, 1757–1827
Date:
ca. 1805
Materials & Techniques:
Watercolor with pen and black ink and gray ink on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 17 1/4 x 12 1/4 inches (43.8 x 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Gambols of Ghosts According with Their Affections Previous to the Final Judgement
Creator:
William Blake, 1757–1827
Date:
1805 to 1808
Materials & Techniques:
Graphite and brown wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 18 3/16 × 12 1/2 inches (46.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Thomas Hayley the Disciple of John Flaxman, from a Medallion
Creator:
Print made by William Blake, 1757–1827
Date:
1800
Materials & Techniques:
Stipple engraving and line engraving on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 11 5/16 x 8 11/16 inches (28.7 x 22.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Fable XVI. The Ravens, the Sexton, and the Earth-Worm
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Binding: 10 1/2 inches (26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD
The Descent of Man into the Vale of Death
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1808, published 1813
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Robert Blair, The Grave, Title Page
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1808, published 1813
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Christ Descending into the Grave
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1808, published 1813
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Death of the Strong Wicked Man
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1808, published 1813
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 × 15 inches (28.9 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Meeting of a Family in Heaven
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1808, published 1813
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Death of the Good Old Man
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1808, published 1813
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 × 15 inches (28.9 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Soul Exploring the Recesses of the Grave
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1808, published 1813
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Soul Hovering over the Body reluctantly Parting with Life
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1808, published 1813
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 × 15 inches (28.9 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Counsellor, King, Warrior, Mother & Child, in the Tomb
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1808, published 1813
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 × 15 inches (28.9 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Reunion of the Soul & the Body
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1808, published 1813
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Death's Door
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1808, published 1813
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Day of Judgment
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1808, published 1813
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
God Creating the Universe
Creator:
unknown artist
Date:
ca. 1800
Materials & Techniques:
Graphite, and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/4 x 13 1/8 inches (23.5 x 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Reproduction of "William Blake in Youth and Age"
Creator:
Print made by George Richmond, 1809–1896
Date:
ca. 1830
Materials & Techniques:
Lithograph with gray tint on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 11/16 x 7 13/16 inches (27.2 x 19.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Reproduction of "William Blake in Youth and Age"
Creator:
Print made by George Richmond, 1809–1896
Date:
ca. 1830
Materials & Techniques:
Lithograph with gray tint on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 11/16 x 8 1/16 inches (27.1 x 20.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Facsimile of plate number 76 from "Jerusalem"
Creator:
Published by Whittington and Griggs, Chiswick, active 1921
Date:
1921
Materials & Techniques:
Color printed collotype
Dimensions:
Sheet: 13 1/2 x 10 3/8in. (34.3 x 26.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Title Page: Illustrations of the Book of Job
Creator:
circle of John Linnell, 1792–1882
Date:
after 1825
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 x 3 1/2 inches (12.7 x 8.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Job Rebuked by His Friends
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 3 5/8 x 4 3/4 inches (9.2 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Job's Evil Dreams
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 3 5/8 x 4 5/8 inches (9.2 x 11.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Wrath of Elihu
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 3 5/8 x 4 3/4 inches (9.2 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Vision of God
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 3 5/8 x 5 inches (9.2 x 12.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Job's Sacrifice
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 4 3/4 x 3 1/2 inches (12.1 x 8.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Job and His Family
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Black ink and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 3 1/2 x 4 5/8 inches (8.9 x 11.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Job Accepting Charity
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 3 1/2 x 4 3/4 inches (8.9 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Songs of Innocence and of Experience
Creator:
unknown artist
Date:
ca. 1808
Materials & Techniques:
54 watercolors with pen & brown ink, on 54 leaves (with a letter from Samuel Rogers)
Dimensions:
Spine: 8 1/8in. (20.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Behemoth and Leviathan
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Frame: 20 1/4 x 15 1/4 x 1in. (51.4 x 38.7 x 2.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Satan before the Throne of God
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 3/8 x 4 1/8 inches (13.7 x 10.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Destruction of Job's Sons
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 x 4 1/8 inches (13.3 x 10.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Job's Despair
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 3 3/4 x 4 3/4 inches (9.5 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Creation
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 3/4 x 3 3/4 inches (14.6 x 9.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Fall of Satan
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 x 3 7/8 inches (13.3 x 9.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Job and His Daughters
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 3 3/4 x 4 3/4 inches (9.5 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Job and His Wife Restored to Prosperity
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 3 1/2 x 4 5/8 inches (8.9 x 11.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Figure of Aveline Countess of Lancaster, Cumbent on her Monument, Plate II
Creator:
Print made by James Basire, 1730–1802
Date:
1780
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Vision of Eliphaz
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 x 3 3/4 inches (13.3 x 9.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Lord Answering Job out of the Whirlwind
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 3 3/4 x 4 7/8 inches (9.5 x 12.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Messengers Tell Job of the Misfortunes that Have Befallen Him
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 3 1/2 x 4 5/8 inches (8.9 x 11.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Satan Going Forth from the Presence of the Lord
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 x 4 1/8 inches (13.3 x 10.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Satan Smiting Job with Boils
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 3 3/4 x 4 3/4 inches (9.5 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Job's Comforters
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 3 5/8 x 4 5/8 inches (9.2 x 11.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Illustrations of the Book of Job
Creator:
John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor with pen and black ink on card
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Under Vaulting of one Side of the Canopy of the Monument of Aveline, Coutess of Lancaster, Plate III
Creator:
Print made by James Basire, 1730–1802
Date:
1780
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Figures Supposed to be those of King Sebert and King Henry III, Plate V
Creator:
Print made by James Basire, 1730–1802
Date:
1780
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Front of the Monument of Aveline, First Wife of Edmund Crouchback, Plate I
Creator:
Print made by James Basire, 1730–1802
Date:
1780
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The North Front of the Monument of King Sebert, Plate IV
Creator:
Print made by James Basire, 1730–1802
Date:
1780
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Heads & Ornaments on the North Side of the Monument of King Sebert, Plate VI
Creator:
Print made by James Basire, 1730–1802
Date:
1780
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Monument of Ann of Cleves, Fourth Wife of King Henry VIII, Plate VII
Creator:
Print made by James Basire, 1730–1802
Date:
1780
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Etching and engraving with chine collé
Dimensions:
Binding: 17 1/4in. (43.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Line engraving on india proof paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Wood block engraved by William Blake, 1757–1827
Date:
1821, reprinted 1977
Materials & Techniques:
Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:
Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Wood block engraved by William Blake, 1757–1827
Date:
1821, reprinted 1977
Materials & Techniques:
Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:
Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Wood block engraved by William Blake, 1757–1827
Date:
1821, reprinted 1977
Materials & Techniques:
Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:
Sheet: 4 3/4 × 6 inches (12.1 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Wood block engraved by William Blake, 1757–1827
Date:
1821, reprinted 1977
Materials & Techniques:
Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:
Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Wood block engraved by William Blake, 1757–1827
Date:
1821, reprinted 1977
Materials & Techniques:
Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:
Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Wood block engraved by William Blake, 1757–1827
Date:
1821, reprinted 1977
Materials & Techniques:
Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:
Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Wood block engraved by William Blake, 1757–1827
Date:
1821, reprinted 1977
Materials & Techniques:
Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:
Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Wood block engraved by William Blake, 1757–1827
Date:
1821, reprinted 1977
Materials & Techniques:
Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:
Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Etching and line engraving
Dimensions:
Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Etching and line engraving
Dimensions:
Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Etching and line engraving
Dimensions:
Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

695. Iron Age

No cover image available
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Etching
Dimensions:
Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Print made by William Blake, 1757–1827
Date:
1795
Materials & Techniques:
Etching and line engraving
Dimensions:
Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Etching
Dimensions:
Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Etching and engraving with chine collé
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection