Ars pictoria, or, An academy treating of drawing, limning, painting, etching
1675
3
Peacham, Henry, approximately 1576–approximately 1643
The art of dravving vvith the pen,
1607
4
Richter, Henry, 1772–1857
Day-light
1817
5
Lairesse, Gérard de, 1640–1711
The art of painting,
1738
6
Ackermann, Rudolph, 1764–1834
A treatise on Ackermann's superfine water colours
[1801]
7
The principles of drawing and painting
1811
8
A book of drawing, limning, washing or colouring of maps and prints,
1647
9
A very proper treatise,
1573
10
Laurie, Richard Holmes
The art of painting in oil colours
1840
11
Payne, John
The art of painting in miniature, on ivory,
1812
12
Roberts, James, 1753–approximately 1809
Introductory lessons with familiar examples in landscape
1800
13
The excellency of the pen and pencil,
1668
14
Prout, Samuel, 1783–1852
Hints on light and shadow, composition, etc.
1848
15
Burgess, John Cart, 1798–1863
Useful hints on drawing and painting;
1818
16
Art's master-piece
[171-?]
17
Massoul, Constant de
A treatise on the art of painting,
1797
18
Hayter, Charles, 1761–1835
An introduction to perspective, drawing, and painting
1815
19
Lairesse, Gérard de, 1640–1711
The principles of design
1777
20
Albert Durer revived, or, A book of drawing, limning, washing, or colouring of maps and prints
1731
21
Bardwell, Thomas, 1704–1767
The practice of painting and perspective made easy
1756
22
Fielding, T. H. (Theodore Henry), 1781–1851
On painting in oil and water colours, for landscape and portraits
1839
23
Experienced artist
The painter's primer
1810
24
Dagley, Richard, d. 1841
A compendium of the theory and practice of drawing and painting
1819
25
Burnet, John, 1784–1868
Practical hints on portrait painting
1860
26
Instructions in the art of drawing and painting
[between 1782 and 1807]
27
The excellency of the pen and pencil,
1688
28
Osborn, Laughton, 1809–1878
Handbook of young artists and amateurs in oil painting,
1845
29
Robertson, Hannah
The young ladies school of arts
1777
30
Art's masterpiece
1697
31
Payne, John
The art of painting in miniature on ivory
1848
32
Chinnery, George, 1774–1852
Notebook
1814-1821
33
The art of drawing, in perspective ... To which are annexed, the art of painting upon glass, and drawing in crayons ... to which is added, a method of casting amber ..
1757
34
Cawse, John, 1779–1862
Introduction to the art of painting in oil colours
1829
35
Whittock, N. (Nathaniel), 1791–1860
The art of drawing and colouring from nature
1829
36
Hayter, Charles, 1761–1835
An introduction to perspective, drawing, and painting in a series of pleasing and familiar dialogues between the author's children
1820
37
The manual of oil-painting, for young artists and amateurs
Peacham, Henry, approximately 1576–approximately 1643
The first booke of drawing & limning
circa 1700?
42
The artist's assistant in drawing, perspective, etching in copper and steel, engraving, metzotinto scraping, painting on glass, in crayons, in water-colours, and on silks and satins ...
1825
43
Burnet, John, 1784–1868
Practical hints on colour in painting
1827
44
Cawse, John, 1779–1862
Introduction to the art of painting in oil colours
1822
45
Peacham, Henry, 1576?-1643?
The gentlemans exercise, or, An exquisite practise
1634
46
A new drawing book engrav'd from the curious designs of that great master M. Poilly
[approximately 1730]
47
The art of drawing, in perspective ... To which are annexed, the art of painting upon glass, and drawing in crayons ... also the art of etching, and that of japanning ... to which is added, a method of casting amber in any form whatever
1763
48
Daniell, William, 1769–1837
A familiar treatise on perspective
1807
49
Art's masterpiece
[170-?]
50
Smith, John, fl. 1673–1680
The art of painting
1676
51
Whittock, N. (Nathaniel), 1791–1860
The art of drawing and colouring from nature
1830
52
Hareux, Ernest, 1847–1909
Practical manual of painting in oil colours
[between 1880 and 1895]
53
Payne, John
The art of painting in miniature, on ivory,
1820
54
The complete guide to the fine arts
1841
55
Millar, Andrew
Scumbling & colour glazing
1909
56
Phillips, G. F. (Giles Firman), 1780–1867
Principles of effect and colour as applicable to landscape painting
1833
57
Prout, Samuel, 1783–1852
Sketches at home and abroad
1844
58
Perkins, Elizabeth Steele
Elements of drawing and flower painting
1835
59
Burnet, John, 1784–1868
Practical hints on composition in painting
1845
60
Hundertpfund, Liberat, 1805–1878
The art of painting restored to its simplest and surest principles
1849
61
Ibbetson, Julius, 1759–1817
An accidence, or gamut, of painting in oil / by Julius Caesar Ibbetson
1828
62
Kingston, William
The Kingstonian system of painting in dry colours after the ancient Grecian method;
1835
63
P. L
The English academy
1672
64
Clark, John Heaviside, ca. 1770–1863
A series of practical instructions in landscape painting in water colours
1827
65
Merritt, Henry, 1822–1877
Dirt and pictures separated,
1854
66
Tyrwhitt, R. St. John (Richard St. John), 1827–1895
A handbook of pictorial art
1875
67
Fielding, T. H. (Theodore Henry), 1781–1851
The theory and practice of painting in oil and water colours for landscape and portraits
1852
68
Burnet, John, 1784–1868
Practical hints on portrait painting
1850
69
The young artist's complete magazine, for the instruction of the young of both sexes, or, A complete body of the polite and useful arts
[1785?]
70
Gilbert, B. W
A treatise on the art of mezzotinto pencilling
[183-?]
71
Chapman, J. G. (John Gadsby), 1808–1889
The American drawing-book
1847
72
Field, George, 1777?-1854
Chromatography
[ca. 1840]
73
Phillips, G. F. (Giles Firman), 1780–1867
Principles of effect and colour
[ca. 1840]
74
The bee, or, The exhibition exhibited in a new light
1788
75
The art of painting in miniature ..
1752
76
Arts companion, or A new assistant for the ingenious,
1749
77
Cawse, John, 1779–1862
The art of painting portraits, landscapes, animals, draperies, satins, &c. in oil colours
1840
78
Lloyds, F
Practical guide to scene painting and painting in distemper
[1875]
79
A book of drawing, limning, washing or colouring of maps and prints
1660
80
Hayter, Charles, 1761–1835
An introduction to perspective, adapted to the capacities of youth, in a series of pleasing and familiar dialogues, between the author's children
1813
81
Williams, W
Transparency painting on linen
1856
82
Field, George, 1777?-1854
Chromatography, or, A treatise on colours and pigments
1835
83
Field, George, 1777?-1854
Field's chromatography
1885
84
Albert Durer revived, or, A book of drawing, limning, washing, or colouring of maps and prints
[1698]
85
Norgate, Edward, d. 1650
Miniatura; or, The art of limning,
1919
86
Browne, Alexander, active 1660–1677
Ars pictoria; or, An academy treating of drawing, painting, limning, and etching
1669
87
Everard, Anne
Flowers from nature
1835
88
Busby, T. L. (Thomas Lord)
The elements of flower and fruit painting
1814
89
Andrews, James, 1806–1876
Lessons in flower painting.
[1836]
90
Gandee, B. F
The artist, or, Young ladies' instructor in ornamental painting,
1835
91
Sillett, James, 1764–1840
Grammar to flower-painting
1826
92
Whittock, N. (Nathaniel), 1791–1860
The art of drawing and colouring from nature
[184-?]
93
Smith, John, fl. 1673–1680
The art of painting in oyl
1687
94
Burnet, John, 1784–1868
Practical hints on composition in painting
1865
95
Hayter, Charles, 1761–1835
Perspective explained in a series of dialogues between the author's children George, Ann, Eliza and John
circa 1820
96
Letter to Anthony Abbott on the mixing and use of paint colors