Ars pictoria, or, An academy treating of drawing, limning, painting, etching
1675
3
Peacham, Henry, approximately 1576–approximately 1643
The art of dravving vvith the pen,
1607
4
A book of drawing, limning, washing or colouring of maps and prints,
1647
5
The principles of drawing and painting
1811
6
Richter, Henry, 1772–1857
Day-light
1817
7
Lairesse, Gérard de, 1640–1711
The art of painting,
1738
8
Ackermann, Rudolph, 1764–1834
A treatise on Ackermann's superfine water colours
[1801]
9
A very proper treatise,
1573
10
Laurie, Richard Holmes
The art of painting in oil colours
1840
11
Payne, John
The art of painting in miniature, on ivory,
1812
12
Roberts, James, 1753–approximately 1809
Introductory lessons with familiar examples in landscape
1800
13
The excellency of the pen and pencil,
1668
14
Prout, Samuel, 1783–1852
Hints on light and shadow, composition, etc.
1848
15
Burgess, John Cart, 1798–1863
Useful hints on drawing and painting;
1818
16
Art's master-piece
[171-?]
17
Massoul, Constant de
A treatise on the art of painting,
1797
18
Hayter, Charles, 1761–1835
An introduction to perspective, drawing, and painting
1815
19
Lairesse, Gérard de, 1640–1711
The principles of design
1777
20
Albert Durer revived, or, A book of drawing, limning, washing, or colouring of maps and prints
1731
21
Bardwell, Thomas, 1704–1767
The practice of painting and perspective made easy
1756
22
Fielding, T. H. (Theodore Henry), 1781–1851
On painting in oil and water colours, for landscape and portraits
1839
23
Lloyds, F
Practical guide to scene painting and painting in distemper
[1875]
24
A book of drawing, limning, washing or colouring of maps and prints
1660
25
Hayter, Charles, 1761–1835
An introduction to perspective, adapted to the capacities of youth, in a series of pleasing and familiar dialogues, between the author's children
1813
26
Williams, W
Transparency painting on linen
1856
27
Field, George, 1777?-1854
Chromatography, or, A treatise on colours and pigments
1835
28
Field, George, 1777?-1854
Field's chromatography
1885
29
Albert Durer revived, or, A book of drawing, limning, washing, or colouring of maps and prints
[1698]
30
Norgate, Edward, d. 1650
Miniatura; or, The art of limning,
1919
31
Browne, Alexander, active 1660–1677
Ars pictoria; or, An academy treating of drawing, painting, limning, and etching
1669
32
Everard, Anne
Flowers from nature
1835
33
Experienced artist
The painter's primer
1810
34
Dagley, Richard, d. 1841
A compendium of the theory and practice of drawing and painting
1819
35
Burnet, John, 1784–1868
Practical hints on portrait painting
1860
36
Instructions in the art of drawing and painting
[between 1782 and 1807]
37
The excellency of the pen and pencil,
1688
38
Osborn, Laughton, 1809–1878
Handbook of young artists and amateurs in oil painting,
1845
39
Robertson, Hannah
The young ladies school of arts
1777
40
Art's masterpiece
1697
41
Payne, John
The art of painting in miniature on ivory
1848
42
Chinnery, George, 1774–1852
Notebook
1814-1821
43
The art of drawing, in perspective ... To which are annexed, the art of painting upon glass, and drawing in crayons ... to which is added, a method of casting amber ..
1757
44
Cawse, John, 1779–1862
Introduction to the art of painting in oil colours
1829
45
Whittock, N. (Nathaniel), 1791–1860
The art of drawing and colouring from nature
1829
46
Sillett, James, 1764–1840
Grammar to flower-painting
1826
47
Whittock, N. (Nathaniel), 1791–1860
The art of drawing and colouring from nature
[184-?]
48
Smith, John, fl. 1673–1680
The art of painting in oyl
1687
49
Burnet, John, 1784–1868
Practical hints on composition in painting
1865
50
Hayter, Charles, 1761–1835
Perspective explained in a series of dialogues between the author's children George, Ann, Eliza and John
circa 1820
51
Busby, T. L. (Thomas Lord)
The elements of flower and fruit painting
1814
52
Andrews, James, 1806–1876
Lessons in flower painting.
[1836]
53
Gandee, B. F
The artist, or, Young ladies' instructor in ornamental painting,
1835
54
Phillips, G. F. (Giles Firman), 1780–1867
Principles of effect and colour as applicable to landscape painting
1833
55
Prout, Samuel, 1783–1852
Sketches at home and abroad
1844
56
Perkins, Elizabeth Steele
Elements of drawing and flower painting
1835
57
Burnet, John, 1784–1868
Practical hints on composition in painting
1845
58
Hundertpfund, Liberat, 1805–1878
The art of painting restored to its simplest and surest principles
1849
59
Ibbetson, Julius, 1759–1817
An accidence, or gamut, of painting in oil / by Julius Caesar Ibbetson
1828
60
Kingston, William
The Kingstonian system of painting in dry colours after the ancient Grecian method;
1835
61
P. L
The English academy
1672
62
Clark, John Heaviside, ca. 1770–1863
A series of practical instructions in landscape painting in water colours
1827
63
Merritt, Henry, 1822–1877
Dirt and pictures separated,
1854
64
Tyrwhitt, R. St. John (Richard St. John), 1827–1895
A handbook of pictorial art
1875
65
Fielding, T. H. (Theodore Henry), 1781–1851
The theory and practice of painting in oil and water colours for landscape and portraits
1852
66
Burnet, John, 1784–1868
Practical hints on portrait painting
1850
67
The young artist's complete magazine, for the instruction of the young of both sexes, or, A complete body of the polite and useful arts
[1785?]
68
Gilbert, B. W
A treatise on the art of mezzotinto pencilling
[183-?]
69
Chapman, J. G. (John Gadsby), 1808–1889
The American drawing-book
1847
70
Field, George, 1777?-1854
Chromatography
[ca. 1840]
71
Phillips, G. F. (Giles Firman), 1780–1867
Principles of effect and colour
[ca. 1840]
72
The bee, or, The exhibition exhibited in a new light
1788
73
The art of painting in miniature ..
1752
74
Arts companion, or A new assistant for the ingenious,
1749
75
Cawse, John, 1779–1862
The art of painting portraits, landscapes, animals, draperies, satins, &c. in oil colours
1840
76
Letter to Anthony Abbott on the mixing and use of paint colors
1838 October 4
77
Fielding, T. H. (Theodore Henry), 1781–1851
On the theory of painting
1836
78
Pinnock, William, 1782–1843
A catechism on the practice of painting in oil
1821 [i.e. 1823]
79
Hayter, Charles, 1761–1835
An introduction to perspective, drawing, and painting in a series of pleasing and familiar dialogues between the author's children
1820
80
The manual of oil-painting, for young artists and amateurs
Peacham, Henry, approximately 1576–approximately 1643
The first booke of drawing & limning
circa 1700?
85
The artist's assistant in drawing, perspective, etching in copper and steel, engraving, metzotinto scraping, painting on glass, in crayons, in water-colours, and on silks and satins ...
1825
86
Burnet, John, 1784–1868
Practical hints on colour in painting
1827
87
Cawse, John, 1779–1862
Introduction to the art of painting in oil colours
1822
88
Peacham, Henry, 1576?-1643?
The gentlemans exercise, or, An exquisite practise
1634
89
A new drawing book engrav'd from the curious designs of that great master M. Poilly
[approximately 1730]
90
The art of drawing, in perspective ... To which are annexed, the art of painting upon glass, and drawing in crayons ... also the art of etching, and that of japanning ... to which is added, a method of casting amber in any form whatever