Practical guide to scene painting and painting in distemper
[1875]
4
Everard, Anne
Flowers from nature
1835
5
Art's masterpiece
1697
6
Sillett, James, 1764–1840
Grammar to flower-painting
1826
7
Burnet, John, 1784–1868
Practical hints on composition in painting
1865
8
Smith, John, fl. 1673–1680
The art of painting in oyl
1687
9
Art's master-piece
[171-?]
10
Bardwell, Thomas, 1704–1767
The practice of painting and perspective made easy
1756
11
Hayter, Charles, 1761–1835
Perspective explained in a series of dialogues between the author's children George, Ann, Eliza and John
circa 1820
12
Andrews, James, 1806–1876
Lessons in flower painting.
[1836]
13
The art of painting in miniature ..
1752
14
Burnet, John, 1784–1868
Practical hints on composition in painting
1845
15
Arts companion, or A new assistant for the ingenious,
1749
16
Cawse, John, 1779–1862
The art of painting portraits, landscapes, animals, draperies, satins, &c. in oil colours
1840
17
P. L
The English academy
1672
18
Phillips, G. F. (Giles Firman), 1780–1867
Principles of effect and colour as applicable to landscape painting
1833
19
Clark, John Heaviside, ca. 1770–1863
A series of practical instructions in landscape painting in water colours
1827
20
Dagley, Richard, d. 1841
A compendium of the theory and practice of drawing and painting
1819
21
Robertson, Hannah
The young ladies school of arts
1777
22
Gandee, B. F
The artist, or, Young ladies' instructor in ornamental painting,
1835
23
Osborn, Laughton, 1809–1878
Handbook of young artists and amateurs in oil painting,
1845
24
The art of drawing, in perspective ... To which are annexed, the art of painting upon glass, and drawing in crayons ... to which is added, a method of casting amber ..
1757
25
Chinnery, George, 1774–1852
Notebook
1814-1821
26
Whittock, N. (Nathaniel), 1791–1860
The art of drawing and colouring from nature
1829
27
Instructions in the art of drawing and painting
[between 1782 and 1807]
28
The young artist's complete magazine, for the instruction of the young of both sexes, or, A complete body of the polite and useful arts
[1785?]
29
Gilbert, B. W
A treatise on the art of mezzotinto pencilling
[183-?]
30
Burgess, John Cart, 1798–1863
Useful hints on drawing and painting;
1818
31
Fielding, T. H. (Theodore Henry), 1781–1851
On painting in oil and water colours, for landscape and portraits
1839
32
A book of drawing, limning, washing or colouring of maps and prints
1660
33
Browne, Alexander, active 1660–1677
Ars pictoria; or, An academy treating of drawing, painting, limning, and etching
1669
34
Albert Durer revived, or, A book of drawing, limning, washing, or colouring of maps and prints
[1698]
35
Williams, W
Transparency painting on linen
1856
36
Field, George, 1777?-1854
Chromatography, or, A treatise on colours and pigments
1835
37
Field, George, 1777?-1854
Field's chromatography
1885
38
Norgate, Edward, d. 1650
Miniatura; or, The art of limning,
1919
39
Hayter, Charles, 1761–1835
An introduction to perspective, adapted to the capacities of youth, in a series of pleasing and familiar dialogues, between the author's children
1813
40
Busby, T. L. (Thomas Lord)
The elements of flower and fruit painting
1814
41
The bee, or, The exhibition exhibited in a new light
1788
42
Tyrwhitt, R. St. John (Richard St. John), 1827–1895
A handbook of pictorial art
1875
43
Merritt, Henry, 1822–1877
Dirt and pictures separated,
1854
44
Phillips, G. F. (Giles Firman), 1780–1867
Principles of effect and colour
[ca. 1840]
45
Field, George, 1777?-1854
Chromatography
[ca. 1840]
46
Daniell, William, 1769–1837
A familiar treatise on perspective
1807
47
The artist's assistant in drawing, perspective, etching in copper and steel, engraving, metzotinto scraping, painting on glass, in crayons, in water-colours, and on silks and satins ...
1825
48
Burnet, John, 1784–1868
Practical hints on colour in painting
1827
49
Hayter, Charles, 1761–1835
An introduction to perspective, drawing, and painting in a series of pleasing and familiar dialogues between the author's children
1820
50
Perkins, Elizabeth Steele
Elements of drawing and flower painting
1835
51
Prout, Samuel, 1783–1852
Sketches at home and abroad
1844
52
Burnet, John, 1784–1868
Practical hints on portrait painting
1850
53
Cawse, John, 1779–1862
Introduction to the art of painting in oil colours
1822
54
Letter to Anthony Abbott on the mixing and use of paint colors
Introductory lessons with familiar examples in landscape
1800
61
The excellency of the pen and pencil,
1668
62
Albert Durer revived, or, A book of drawing, limning, washing, or colouring of maps and prints
1731
63
Massoul, Constant de
A treatise on the art of painting,
1797
64
Prout, Samuel, 1783–1852
Hints on light and shadow, composition, etc.
1848
65
Hayter, Charles, 1761–1835
An introduction to perspective, drawing, and painting
1815
66
Lairesse, Gérard de, 1640–1711
The principles of design
1777
67
Laurie, Richard Holmes
The art of painting in oil colours
1840
68
Cawse, John, 1779–1862
Introduction to the art of painting in oil colours
1829
69
Burnet, John, 1784–1868
Practical hints on portrait painting
1860
70
Whittock, N. (Nathaniel), 1791–1860
The art of drawing and colouring from nature
[184-?]
71
The excellency of the pen and pencil,
1688
72
Payne, John
The art of painting in miniature on ivory
1848
73
Peacham, Henry, approximately 1576–approximately 1643
The first booke of drawing & limning
circa 1700?
74
The manual of oil-painting, for young artists and amateurs
1847
75
Kingston, William
The Kingstonian system of painting in dry colours after the ancient Grecian method;
1835
76
Fielding, T. H. (Theodore Henry), 1781–1851
The theory and practice of painting in oil and water colours for landscape and portraits
1852
77
Art's masterpiece
[170-?]
78
A new drawing book engrav'd from the curious designs of that great master M. Poilly
[approximately 1730]
79
Lairesse, Gérard de, 1640–1711
The art of painting,
1738
80
Peacham, Henry, 1576?-1643?
The gentlemans exercise, or, An exquisite practise
1634
81
Field, George, 1777?-1854
Rudiments of the painters' art;
1850
82
Ibbetson, Julius, 1759–1817
An accidence, or gamut, of painting in oil / by Julius Caesar Ibbetson
1828
83
Hundertpfund, Liberat, 1805–1878
The art of painting restored to its simplest and surest principles
1849
84
Smith, John, fl. 1673–1680
The art of painting
1676
85
Whittock, N. (Nathaniel), 1791–1860
The art of drawing and colouring from nature
1830
86
The art of drawing, in perspective ... To which are annexed, the art of painting upon glass, and drawing in crayons ... also the art of etching, and that of japanning ... to which is added, a method of casting amber in any form whatever
1763
87
Burnet, John, 1784–1868
Practical hints on colour in painting
1843
88
Payne, John
The art of painting in miniature, on ivory,
1820
89
The complete guide to the fine arts
1841
90
Bickham, George, 1706?-1771
General rures [sic] for painting in oil and water-colours;
1747
91
Dagley, Richard, d. 1841
A compendium of the theory and practice of drawing and painting
1818
92
Le Blon, J. C., 1667–1741
Coloritto, or, The harmony of colouring in painting
[1725]
93
Millar, Andrew
Scumbling & colour glazing
1909
94
Williams, W.
Transparency painting on linen
1855
95
The art of drawing and painting in water-colours
1755
96
Hareux, Ernest, 1847–1909
Practical manual of painting in oil colours
[between 1880 and 1895]
97
La Cave, P. (Peter)
Fores's new chalk drawing-book of studies of trees, landscape, animals, figures, buildings, &c.
[1801]
98
Sanderson, William, Sir, 1586?-1676
Graphice
1658
99
Ibbetson, Julius, 1759–1817
An accidence, or gamut, of painting in oil and water colours
1803
100
Sowerby, James, 1757–1822
A new elucidation of colours, original, prismatic, and material