Image Available: Unavailable - YCBA Collections Search Search Results

3201. The Trinket Box

Creator:: William Lee Hankey, 1869–1952
Date:: 1919
Materials & Techniques:: Etching and drypoint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 x 9 1/2 inches (17.8 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

3202. Madeleine

Creator:: William Lee Hankey, 1869–1952
Date:: between 1917 and 1918
Materials & Techniques:: Etching and drypoint on moderately thick, smooth, beige Asian paper
Dimensions:: Sheet: 15 13/16 x 11 7/8 inches (40.2 x 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

3203. The Summer Moon

Creator:: William Lee Hankey, 1869–1952
Date:: 1905
Materials & Techniques:: Etching and aquatint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 15 5/16 x 12 13/16 inches (38.9 x 32.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

3204. Far Prospect

Creator:: Print made by Martin Hardie, 1875–1952
Date:: 1910
Materials & Techniques:: Etching on laid paper
Dimensions:: Sheet: 6 5/8 × 10 inches (16.8 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

3205. The Sleeping Ferry

Creator:: Print made by Martin Hardie, 1875–1952
Date:: 1924
Materials & Techniques:: Etching and drypoint on laid paper
Dimensions:: Sheet: 10 1/4 × 15 3/4 inches (26 × 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

3206. The Bridge, Blakeney, England

Creator:: Print made by Martin Hardie, 1875–1952
Date:: 1937
Materials & Techniques:: Etching and drypoint on laid paper
Dimensions:: Sheet: 9 3/8 × 14 inches (23.8 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of Leatrice & Mervyn Schacht

3207. Unloading Barge

Creator:: Print made by Martin Hardie, 1875–1952
Date:: 1923
Materials & Techniques:: Etching on laid paper
Dimensions:: Sheet: 10 1/2 × 15 7/8 inches (26.7 × 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

3208. High Noon in the Boat Yard, Rye

Creator:: Print made by Martin Hardie, 1875–1952
Date:: 1909
Materials & Techniques:: Etching on wove paper
Dimensions:: Sheet: 14 × 19 inches (35.6 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

3209. Dulieu's Pig Farm

Creator:: Print made by Martin Hardie, 1875–1952
Date:: 1907
Materials & Techniques:: Etching on laid paper
Dimensions:: Sheet: 8 × 10 1/4 inches (20.3 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

3210. An Oast House, near Tonbridge

Creator:: Print made by Martin Hardie, 1875–1952
Date:: 1907
Materials & Techniques:: Etching on laid paper
Dimensions:: Sheet: 7 3/8 × 9 1/8 inches (18.7 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

3211. A Bend of the Rhine

Creator:: Print made by Martin Hardie, 1875–1952
Date:: 1912
Materials & Techniques:: Etching on vellum
Dimensions:: Sheet: 8 1/8 × 6 1/8 inches (20.6 × 15.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

3212. Halfway House

Creator:: Heywood Hardy, 1843–1933
Date:: undated
Materials & Techniques:: Etching on thin, slightly textured, beige Asian paper
Dimensions:: Sheet: 10 1/2 x 15 13/16 inches (26.7 x 40.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

3213. Head Study of a Woman

Creator:: Print made by Herbert Johnson Harvey, 1883–1928
Date:: ca. 1920
Materials & Techniques:: Etching and drypoint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 10 3/16 x 7 7/8 inches (25.9 x 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

3214. The Chancel, York Minster

Creator:: Print made by Albany E. Howarth, 1872–1936
Date:: 1923
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

3215. Stirling Castle

Creator:: Print made by Albany E. Howarth, 1872–1936
Date:: Between 1887 and 1936
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

3216. The Blue Mosque, Cairo

Creator:: Print made by Albany E. Howarth, 1872–1936
Date:: Between 1887 and 1936
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

3217. Old Dutch Mill

Creator:: Print made by Albany E. Howarth, 1872–1936
Date:: Between 1887 and 1936
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

3218. Phoebe Hoppner as a Flower Girl

Creator:: Print made by John Dean, 1754–1798
Date:: 1785
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 16 7/16 x 13 3/8 inches (41.7 x 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

3219. Lady Dover and Her Son

Creator:: Print made by Samuel Cousins, 1801–1887
Date:: 1831
Materials & Techniques:: Mezzotint (second state) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 19 1/2 × 15 3/4 inches (49.5 × 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

3220. Countess Grey and Children

Creator:: Print made by Samuel Cousins, 1801–1887
Date:: 1831
Materials & Techniques:: Mezzotint (third state) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 25 1/2 × 19 7/8 inches (64.8 × 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

3221. Countess Grosvenor

Creator:: Print made by Samuel Cousins, 1801–1887
Date:: 1833
Materials & Techniques:: Mezzotint (first state) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 30 × 20 1/2 inches (76.2 × 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

3222. Miss Macdonald

Creator:: Print made by Samuel Cousins, 1801–1887
Date:: 1831
Materials & Techniques:: Mezzotint (first published state) on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 25 1/8 × 19 1/8 inches (63.8 × 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

3223. Miss Kitty Stephens

Creator:: Print made by Henry Hoppner Meyer, ca. 1782–1847
Date:: ca. 1813
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 19 1/8 × 14 9/16 inches (48.5 × 37 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

3224. Juliana Vinicombe Lady St. Aubyn

Creator:: Print made by William James Ward, ca. 1800–1840
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 17 × 13 3/16 inches (43.2 × 33.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

3225. The Silks and Satins of the Field

Creator:: J. Summers, active 1867–1868
Materials & Techniques:: Hand-colored aquatint
Dimensions:: Sheet: 16 9/16 x 21 3/8in. (42.1 x 54.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3226. The Silks and Satins of the Turf

Creator:: J. Summers, active 1867–1868
Materials & Techniques:: Hand-colored aquatint
Dimensions:: Sheet: 27 5/16 x 47 1/2in. (69.4 x 120.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3227. Agrippina

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1776
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 21 1/4 × 28 1/2 inches (54 × 72.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

3228. The Children of Joseph Bradshaw of Holbrook

Creator:: Print made by Valentine Green, 1739–1813
Date:: 1769
Materials & Techniques:: Mezzotint (first published state) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 28 × 21 inches (71.1 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

3229. Elkanah, Hannah and Samuel

Creator:: Print made by George Graham, active 1786–1813
Date:: 1815
Materials & Techniques:: Mezzotint (proof without letters) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 20 3/4 × 25 5/8 inches (52.7 × 65.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

3230. Abraham Lincoln

Creator:: Print made by Otto J. Schneider, 1875–1946
Date:: 1908
Materials & Techniques:: Etching (fourth proof) on vellum
Dimensions:: Sheet: 18 1/8 × 12 7/8 inches (46 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

3231. Abraham Lincoln

Creator:: Print made by Otto J. Schneider, 1875–1946
Date:: 1908
Materials & Techniques:: Etching (fourth proof) on vellum
Dimensions:: Sheet: 18 5/8 × 13 3/4 inches (47.3 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

3232. The Judgement of Paris

Creator:: Print made by Bernard Lens II, 1659–1725
Date:: 1680s to 1690s
Materials & Techniques:: Mezzotint on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 × 8 3/4 inches (29.2 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

3233. Woman Seated in a Landscape with a Bridge

Creator:: Print made by Robert Robinson, active 1674–1706
Date:: between 1683 and 1695
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 7/8 × 7 3/4 inches (14.9 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

3234. Horatio Walpole, Earl of Orford

Creator:: Henry Hoppner Meyer, ca. 1782–1847
Date:: 1811
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

3235. The Plains of Heaven

Creator:: Charles Mottram, 1807–1876
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 28 7/8 x 41 3/4in. (73.3 x 106cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3236. Statue de Louis XV a Reims

Creator:: Print made by unknown artist
Date:: 1774
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

3237. York Minister

Creator:: Henry Cave, 1780–1836
Date:: ca. 1813
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3238. York Minister

Creator:: Henry Cave, 1780–1836
Date:: ca. 1813
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3239. York Minister

Creator:: Henry Cave, 1780–1836
Date:: ca. 1813
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3240. York Minister

Creator:: Henry Cave, 1780–1836
Date:: ca. 1813
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3241. York Minister

Creator:: Henry Cave, 1780–1836
Date:: ca. 1813
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3242. York Minister

Creator:: Henry Cave, 1780–1836
Date:: ca. 1813
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3243. York Minister

Creator:: Henry Cave, 1780–1836
Date:: ca. 1813
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3244. York Minister

Creator:: Henry Cave, 1780–1836
Date:: ca. 1813
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3245. York Minister

Creator:: Henry Cave, 1780–1836
Date:: ca. 1813
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3246. York Minister

Creator:: Henry Cave, 1780–1836
Date:: ca. 1813
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3247. York Minister

Creator:: Henry Cave, 1780–1836
Date:: ca. 1813
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3248. York Minister

Creator:: Henry Cave, 1780–1836
Date:: ca. 1813
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3249. York Minister

Creator:: Henry Cave, 1780–1836
Date:: ca. 1813
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3250. York Minister

Creator:: Henry Cave, 1780–1836
Date:: ca. 1813
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3251. York Minister

Creator:: Henry Cave, 1780–1836
Date:: ca. 1813
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3252. York Minister

Creator:: Henry Cave, 1780–1836
Date:: ca. 1813
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3253. York Minister

Creator:: Henry Cave, 1780–1836
Date:: ca. 1813
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3254. York Minister

Creator:: Henry Cave, 1780–1836
Date:: ca. 1813
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3255. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3256. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3257. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3258. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3259. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3260. The Right Honorable Edward, Lord Hawke

Creator:: Jonathan Hall
Date:: 1795
Materials & Techniques:: Colored, line engraving
Dimensions:: Sheet: 14 1/4 x 10 1/4in. (36.2 x 26cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Mr. J. Richardson Dilworth

3261. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3262. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3263. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3264. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3265. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3266. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3267. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3268. The Sun here gets more force, and beams along the surface of the ground; but the Day is setting in cloudy, and obscure (Design for Plate 3)

Creator:: Rev. William Gilpin, 1724–1804
Date:: undated
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3269. The Sun still gets more power, and objects begin to appear more distinctly (Design for Plate 4)

Creator:: Rev. William Gilpin, 1724–1804
Date:: undated
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3270. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

Creator:: Walter Sneyd, 1809–1888
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3271. As the Day advances, the Morning gets clearer. The Sun shines out; but without much strength (Design for Plate 9)

Creator:: Rev. William Gilpin, 1724–1804
Date:: undated
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3272. The Sun is obscured, and the atmosphere inclines to rain (Design for Plate 10)

Creator:: Rev. William Gilpin, 1724–1804
Date:: undated
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3273. These subjects are all instances of Landscapes under meridian Suns, chastised by different degrees of mist, and cloudy weather (Design for Plate 16)

Creator:: Rev. William Gilpin, 1724–1804
Date:: undated
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3274. As it is now high noon, which always affords an unfavourable light to the painter ... It here shines wanly and hazily upon the cliffs (Design for Plate 12)

Creator:: Rev. William Gilpin, 1724–1804
Date:: undated
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3275. The effect here intended, is that of reflection of a bright sky on the water, when the Sun itself is obscured (Design for Plate 11)

Creator:: Rev. William Gilpin, 1724–1804
Date:: undated
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3276. These subjects are all instances of Landscapes under meridian Suns, chastised by different degrees of mist, and cloudy weather (Design for Plate 15)

Creator:: Rev. William Gilpin, 1724–1804
Date:: undated
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3277. A calm Sun-set; the Sun is supposed to be setting behind the rising ground on which the ruin stands (Design for Plate 27)

Creator:: Rev. William Gilpin, 1724–1804
Date:: undated
Materials & Techniques:: Graphite
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3278. [One from a group of views] Thames and South Coast

Creator:: William Havell, 1782–1857
Date:: 1822
Materials & Techniques:: Wash
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3279. [One from a group of views] Thames and South Coast

Creator:: William Havell, 1782–1857
Date:: 1822
Materials & Techniques:: Wash
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3280. [One from a group of views] Thames and South Coast

Creator:: William Havell, 1782–1857
Date:: 1822
Materials & Techniques:: Wash
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3281. [One from a group of views] Thames and South Coast

Creator:: William Havell, 1782–1857
Date:: 1822
Materials & Techniques:: Wash
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3282. Alexander Hood, 1st Viscount Bridport

Creator:: unknown artist
Materials & Techniques:: Stipple engraving and line engraving
Dimensions:: Sheet: 5 1/8 x 4in. (13 x 10.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Mr. J. Richardson Dilworth

3283. No.7, The Lime Kilns and Mr. Williamson's House, Returning from the Rocks

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3284. No.10, The Milk House, Lime Kilns, Webber's Farm, etc., Going from Exmouth

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3285. No.13, The Beacon, General Legder's, Star Cross, etc., Taken from the Beacon Fields

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3286. No.15, The Windmill, Parker's Warehouse with Powderham in the Distance

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3287. No.14, The Beacon, Taken from the Windmill

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3288. No.17, The Rocks, towards Salterton, Taken near the Windmill, Exmouth

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3289. No.18, Berry Head, etc., Taken at Dawlish

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3290. Lympstone, Mr. Hornell's House and Farm, The Embankment

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3291. Chapel, Library, Fishmarket, Beacon

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3292. April in the Hills

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: undated
Materials & Techniques:: Etching on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 3 15/16 × 5 7/16 inches (10 × 13.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Judith Zlotsky

3293. The little Hunchback dining with the Taylor, is choak'd with a Fish Bone

Creator:: Simon Watts, active 1812
Date:: 1787
Materials & Techniques:: Color printed etching and aquatint with hand coloring in watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3294. Chelsea

Creator:: Charles John Watson, 1846–1927
Date:: 1879
Materials & Techniques:: Etching and drypoint
Dimensions:: Sheet: 7 1/2 x 11 7/16in. (19 x 29cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Judith Zlotsky

3295. Three Landscape Studies

Creator:: Print made by John Crome, 1768–1821
Date:: undated
Materials & Techniques:: Etching on medium, slightly textured, white wove paper
Dimensions:: Sheet: 9 5/16 x 9 3/16 inches (23.7 x 23.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3296. The Great Harry. The First Ship of War that Carried Guns

Creator:: George Cruikshank, 1792–1878
Date:: 1834
Materials & Techniques:: Colored aquatint
Dimensions:: Sheet: 21 3/8 x 28in. (54.3 x 71.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3297. Illustrations of the Travels of Lord Valentia: Two Volumes

Creator:: Henry Salt, 1780–1827
Date:: 1802-1806
Materials & Techniques:: Watercolor, pen and ink and wash, and graphite
Dimensions:: Sheet: 14 5/16 x 8 7/16in. (36.4 x 21.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3298. Illustrations of the Travels of Lord Valentia: Two Volumes

Creator:: Henry Salt, 1780–1827
Date:: 1802-1806
Materials & Techniques:: Watercolor, pen and ink and wash, and graphite
Dimensions:: Sheet: 14 5/16 x 8 7/16in. (36.4 x 21.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3299. Illustrations of the Travels of Lord Valentia: Two Volumes

Creator:: Henry Salt, 1780–1827
Date:: 1802-1806
Materials & Techniques:: Watercolor, pen and ink and wash, and graphite
Dimensions:: Sheet: 14 5/16 x 8 7/16in. (36.4 x 21.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3300. Illustrations of the Travels of Lord Valentia: Two Volumes

Creator:: Henry Salt, 1780–1827
Date:: 1802-1806
Materials & Techniques:: Watercolor, pen and ink and wash, and graphite
Dimensions:: Sheet: 14 5/16 x 8 7/16in. (36.4 x 21.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

Refine your search

Search Constraints

Image Available Unavailable

Search Results

3201. The Trinket Box

3202. Madeleine

3203. The Summer Moon

3204. Far Prospect

3205. The Sleeping Ferry

3206. The Bridge, Blakeney, England

3207. Unloading Barge

3208. High Noon in the Boat Yard, Rye

3209. Dulieu's Pig Farm

3210. An Oast House, near Tonbridge

3211. A Bend of the Rhine

3212. Halfway House

3213. Head Study of a Woman

3214. The Chancel, York Minster

3215. Stirling Castle

3216. The Blue Mosque, Cairo

3217. Old Dutch Mill

3218. Phoebe Hoppner as a Flower Girl

3219. Lady Dover and Her Son

3220. Countess Grey and Children

3221. Countess Grosvenor

3222. Miss Macdonald

3223. Miss Kitty Stephens

3224. Juliana Vinicombe Lady St. Aubyn

3225. The Silks and Satins of the Field

3226. The Silks and Satins of the Turf

3227. Agrippina

3228. The Children of Joseph Bradshaw of Holbrook

3229. Elkanah, Hannah and Samuel

3230. Abraham Lincoln

3231. Abraham Lincoln

3232. The Judgement of Paris

3233. Woman Seated in a Landscape with a Bridge

3234. Horatio Walpole, Earl of Orford

3235. The Plains of Heaven

3236. Statue de Louis XV a Reims

3237. York Minister

3238. York Minister

3239. York Minister

3240. York Minister

3241. York Minister

3242. York Minister

3243. York Minister

3244. York Minister

3245. York Minister

3246. York Minister

3247. York Minister

3248. York Minister

3249. York Minister

3250. York Minister

3251. York Minister

3252. York Minister

3253. York Minister

3254. York Minister

3255. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

3256. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

3257. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

3258. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

3259. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

3260. The Right Honorable Edward, Lord Hawke

3261. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

3262. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

3263. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

3264. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

3265. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

3266. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

3267. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

3268. The Sun here gets more force, and beams along the surface of the ground; but the Day is setting in cloudy, and obscure (Design for Plate 3)

3269. The Sun still gets more power, and objects begin to appear more distinctly (Design for Plate 4)

3270. Sneyd's Illustrations to [Henry Fielding's] Tom Jones

3271. As the Day advances, the Morning gets clearer. The Sun shines out; but without much strength (Design for Plate 9)

3272. The Sun is obscured, and the atmosphere inclines to rain (Design for Plate 10)

3273. These subjects are all instances of Landscapes under meridian Suns, chastised by different degrees of mist, and cloudy weather (Design for Plate 16)

3274. As it is now high noon, which always affords an unfavourable light to the painter ... It here shines wanly and hazily upon the cliffs (Design for Plate 12)

3275. The effect here intended, is that of reflection of a bright sky on the water, when the Sun itself is obscured (Design for Plate 11)