The Caller at the Mill, with sketches outside margin
1918-1919
3
Robert Polhill Bevan, 1865–1925
Fields Farm, Clayhidon
1917
4
Robert Polhill Bevan, 1865–1925
Two Bridges
1912-1913
5
Print made by Samuel Palmer, 1805–1881
Christmas
1877
6
Print made by Samuel Palmer, 1805–1881
Christmas
1850
7
Print made by Samuel Palmer, 1805–1881
Christmas
1850
8
William Taverner, 1703–1772
Landscape with Buildings: Possibly at Richmond, Surrey
undated
9
Henry Phillip Hope, active 1799–1818
Perspective View of Henry Phillip Hope's Arklow House in Connaught Place
undated
10
Henry Phillip Hope, active 1799–1818
Plan of Private Entrance from the Uxbridge Road (Arklow House)
undated
11
Henry Phillip Hope, active 1799–1818
Left Side of the China Cabinet in the Drawing Room (Arklow House)
undated
12
Henry Phillip Hope, active 1799–1818
South East Front of the Deepdene - Elevation
undated
13
unknown artist
View of the North West Front of the Deepdene
undated
14
unknown artist
View of the South East or Entrance Front seen from the East, Deepdene
undated
15
unknown artist
South Wing, Deepdene
undated
16
unknown artist
East or Carriage Front
undated
17
unknown artist
Conservatory, Deepdene
undated
18
unknown artist
Theatre, Deepdene
undated
19
unknown artist
Entrance to Conservatory, Deepdene
undated
20
unknown artist
At the Deepdene
undated
21
unknown artist
Kitchen Garden, Deepdene
undated
22
unknown artist
Kitchen and Dairy, Deepdene
undated
23
unknown artist
Stables, Deepdene
undated
24
unknown artist
Gateway at the Deepdene - West Side
undated
25
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Elevation of Library Cabinet - Detail of Concice
undated
26
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Boudoir - Plan and Elevations of Walls
undated
27
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Drawing Room - Plan and Elevations
undated
28
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Ante Room - Elevations and Ceiling Plan
undated
29
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Gallery - Plan and Elevations
undated
30
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Chamber Floor Bedroom over Anteroom - Plan of Ceiling and Wall Elevations
undated
31
unknown artist
Sketch for Ceiling or Bed Canopy
undated
32
unknown artist
Design for Table Top or Ceiling, with fringed flap on corner suggesting alterntive border pattern
undated
33
Henry Phillip Hope, active 1799–1818
Bedgebury: Design for the Stone Floor of the Pavilion.. (1 of 4)
undated
34
unknown artist
Sketch I - Elevation of Pavilion Wall
undated
35
Henry Phillip Hope, active 1799–1818
Bedgebury: View of Interior of Pavilion (3 of 4)
undated
36
Henry Phillip Hope, active 1799–1818
Bedgebury: Alternative design for Pavilion Window
undated
37
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Vue Perspective d'une Maison de la rue Pigale Appartenant a Madame la Comtesse Rapp - Cote du Jardin
undated
38
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Plan du Rez-de-Chaussee d'une Maison de la Rue Pigale...(indiquant) les Changements faits par Monsieur le Duc d'Otrante
undated
39
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay - Elevation sur la Cour
undated
40
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Vue Occidentale du Chateau de Wildenstein, Dedie a son Exell le Lieutenent General, Compt Rapp, par son tres Humble Serviteur 1
undated
41
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan au Rez-de-Chaussee (du Chateau de Wildenstein)
undated
42
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan generale de la Propriete de la rue Plumer - Entree sur la rue Plumer - Vue Perspective de la Fontaine
undated
43
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan, a Rez-de-Chaussee, du Petit Chateau de Brucourt dans son Etat Primitif
undated
44
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan, a Rez-de-Chaussee, du Petit Chateau de Brucourt, avec un Agrandissement Projette
undated
45
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan, au Premier Etage, du Petit Chateau de Brucourt, avec un Agrandissement Projete
undated
46
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Facade du Petit Chateau de Brucourt, du Cote du Nord, avec l'Agrandissement Projete
undated
47
unknown artist
Colmar, Chateau Wildenstein, Rue Plumer: Tombeau de General Rapp a Colmar
1825
48
unknown artist
Colmar, Chateau Wildenstein, Rue Plumer: Maison dans laquelle le General Rapp a ete place comme Apprenti Epicier a Colmar
undated
49
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
50
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
51
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
52
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
53
Henry Shaw, 1800–1873
Italian Churches
undated
54
Henry Shaw, 1800–1873
Italian Churches
undated
55
Henry Shaw, 1800–1873
Greek Armour
undated
56
Henry Phillip Hope, active 1799–1818
Vue du Temple de Minerve au Cap Colonne
undated
57
Henry Phillip Hope, active 1799–1818
Cariatides d'Athenes
undated
58
Henry Phillip Hope, active 1799–1818
Soldats Asiatique
undated
59
Thomas Hope, 1769–1831
Views of the Back Front of Henry Phillip Hope's house towards Hyde Park in Seymour Place
1818
60
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Ante Room - Plan and Elevations of Walls
undated
61
Humphry Repton, 1752–1818
Cobham Hall, Kent: Landscape drawing for Cobham Hall
ca. 1790
62
unknown artist
Cobham Hall, Kent: Design for Dining Room Curtain
ca. 1790
63
Thomas Miles Richardson Sr., 1784–1848
The Great Market, Newcastle Upon Tyne, with view of Spire of St. Nicholas
undated
64
Thomas Miles Richardson Sr., 1784–1848
Monk Bar, York
undated
65
Thomas Miles Richardson Sr., 1784–1848
St. Nicholas Church, Newcastle Upon Tyne
ca. 1825
66
Thomas Miles Richardson Sr., 1784–1848
Dunstanborough Castle
undated
67
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevation of House with Alternative Design for Pediment
ca. 1790
68
James Wyatt, 1746–1813
Cobham Hall, Kent: Section of the Dining Parlor
ca. 1790
69
James Wyatt, 1746–1813
Cobham Hall, Kent: Section of a Hallway
ca. 1790
70
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Drawing Room - Plan of Ceiling and Elevations
undated
71
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Boudoir - Elevations and Ceiling Plan
undated
72
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Furniture Designs
undated
73
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Corner Bedrooom on Chamber Floor - Elevations and Ceiling Plan
undated
74
unknown artist
View of Bedgebury Park - Entrance Front
undated
75
unknown artist
Principal Front of Bedgebury House - Elevation
undated
76
unknown artist
Design for Table - Elevation, View of Top, View of base
ca. 1835
77
unknown artist
Badgebury House, South East Front - Elevation
1841
78
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
79
Charles Hamilton Smith, 1776–1859
Views of England and Wales, Volume II
undated
80
Charles Hamilton Smith, 1776–1859
Views of Northern Europe, Volume I
undated
81
Charles Hamilton Smith, 1776–1859
Views of Northern Europe, Volume II
undated
82
Charles Hamilton Smith, 1776–1859
Views of Spain, Volume II
undated
83
Charles Hamilton Smith, 1776–1859
Views of England and Wales, Volume I
undated
84
Charles Hamilton Smith, 1776–1859
Album Drawings
ca. 1820
85
Charles Hamilton Smith, 1776–1859
Views of France, Volume II
undated
86
Print made by unknown artist
Brass Plate for John Lord L'Estrange and his Wife Jacquetta Woodville, Hillingdon Church