An introduction to perspective, drawing, and painting
1815
2
Douglass, George
The art of drawing in perspective,
1805
3
Wood, John George, 1768–1838
Lectures on the principles and practice of perspective
1844
4
Bardwell, Thomas, 1704–1767
The practice of painting and perspective made easy
1756
5
Burnet, John, 1784–1868
Practical hints on light and shade in painting
1829
6
Fielding, T. H. (Theodore Henry), 1781–1851
Synopsis of practical perspective, lineal and serial
1836
7
Davenport, Richard
The amateur's perspective;
1828
8
Varley, John, 1778–1842
A practical treatise on perspective
1815.]
9
The art of drawing in perspective
1777
10
Smith, George, architect
The cabinet-maker's and upholsterer's guide
1826
11
Wood, John George, 1768–1838
Lectures on the principles and practice of perspective
1809
12
Howard, Frank, 1805–1866
Imitative art, or, The means of representing the pictorial appearances of objects
[1840]
13
Green, Benjamin Richard, 1808–1876
Illustrations of perspective
[184-?]
14
Ferguson, James, 1710–1776
The art of drawing in perspective made easy
1810
15
Wood, John George, 1768–1838
Footsteps to drawing, according to the rules of perspective
1816
16
Sirigatti, Lorenzo
The practice of perspective
MDCCLVI [1756]
17
Drawings of rooms at Grafton Lodge, with perspective studies
1844
18
Burnet, John, 1784–1868
A practical treatise on painting
1827
19
Whittock, N. (Nathaniel), 1791–1860
The Oxford drawing book, or, The art of drawing, and the theory and practice of perspective, in a series of letters containing progressive information on sketching, drawing, and colouring landscape scenery, animals, and the human figure
[between 1829 and 1848]
20
Wells, John, 1757 or 1758–1843
An epitome of perspective
1817]
21
Hayter, Charles, 1761–1835
An introduction to perspective, drawing, and painting in a series of pleasing and familiar dialogues
[1825]
22
Taylor, C. (Charles), 1756–1823
Heads of a second set of lectures, on the polite arts
1778
23
The artist's assistant in drawing, perspective, etching in copper and steel, engraving, metzotinto scraping, painting on glass, in crayons, in water-colours, and on silks and satins ...
1825
24
Dubreuil, Jean, 1602–1670
The practice of perspective
1726
25
Burnet, John, 1784–1868
A practical treatise on painting
1830
26
Brown, Richard, architect
The rudiments of drawing cabinet and upholstery furniture
1820
27
Locock, William
Theory and practice of perspective;
1852
28
Hayter, Charles, 1761–1835
An introduction to perspective, drawing, and painting in a series of pleasing and familiar dialogues between the author's children
1820
29
Malton, Thomas, 1726–1801
A compleat treatise on perspective,
1778
30
Rudge, Edward
An introduction to the study of painting
1828
31
Orme, William, active 1797–1819
William Orme's Rudiments of landscape drawing, and perspective
[1802]
32
Burnet, John, 1784–1868
Practical hints on light and shade in painting
1864
33
Malton, Thomas, 1726–1801
A compleat treatise on perspective, in theory and practice;
1776
34
Tyrwhitt, R. St. John (Richard St. John), 1827–1895
A handbook of pictorial art
1875
35
The complete guide to the fine arts
1841
36
Burnet, John, 1784–1868
Practical hints on light and shade in painting
1838
37
Hayter, Charles, 1761–1835
An introduction to perspective
1845
38
Fielding, T. H. (Theodore Henry), 1781–1851
Synopsis of practical perspective, lineal and aerial,
1843
39
Prout, Samuel, 1783–1852
Bits for beginners
1817
40
Noble, Thomas
Practical perspective,
1805
41
Edwards, Edward, 1738–1806
A practical treatise of perspective, on the principles of Dr. Brook Taylor
1803
42
Noble, Thomas
Practical perspective,
1809
43
Fielding, T. H. (Theodore Henry), 1781–1851
Synopsis of practical perspective, linear and aerial
1829
44
Ferguson, James, 1710–1776
The art of drawing in perspective made easy
1803
45
Ruskin, John, 1819–1900
The elements of perspective
1859
46
Harding, James Duffield, 1798–1863
The guide and companion to the "Lessons on art"
[1854]
47
Whittock, N. (Nathaniel), 1791–1860
The Oxford drawing book, or, The art of drawing, and the theory and practice of perspective, in a series of letters containing progressive information on sketching, drawing, and colouring landscape scenery, animals, and the human figure
[between 1829 and 1848]
48
Cox, David, 1783–1859
A series of progressive lessons intended to elucidate the art of painting in water colours
1838
49
Symonds, John Addington, 1840–1893
The principles of beauty
1857
50
Gilman, Ernest B., 1946–
The curious perspective
1978
51
Jackson-Stops, Gervase
The English country house in perspective
c1990
52
Edgerton, Samuel Y
The heritage of Giotto's geometry
1991
53
Tyrwhitt, R. St. John (Richard St. John), 1827–1895