Image Available: Unavailable / Work Type: relief print / Classification: Prints

1. Thenot and Colinet, Frontispiece; Imitation of Eclogue I

Creator:: Wood block engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Thenot and Colinet Converse Seated between Two Trees; Imitation of Eclogue I

Creator:: Wood block engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Thenot Remonstrates with Colinet, Lightfoot in the Distance; Imitation of Eclogue I

Creator:: Wood block engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 × 6 inches (12.1 × 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Thenot, with Colinet Waving his Arms in Sorrow; Imitation of Eclogue I

Creator:: Wood block engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. The Blighted Corn; Imitation of Eclogue I

Creator:: Wood block engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Nor Fox, nor Wolf, nor Rat among Our Sheep; Imitation of Eclogue I

Creator:: Wood block engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Sabrina's Silvery Flood; Imitation of Eclogue I

Creator:: Wood block engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. And Unyok'd Heifers, Loitering Homewards, Low; Imitation of Eclogue I

Creator:: Wood block engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Colinet's Fond Desire Strange Lands to Know; Imitation of Eclogue I

Creator:: Wood block engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Colinet Rests by a Stream at Night; Imitation of Eclogue I

Creator:: Wood block engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Colinet with his Shepherd's Pipe, Mocked by Two Boys; Imitation of Eclogue I

Creator:: Wood block engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Thenot and Colinet Folding their Flocks together at Sunset; Imitation of Eclogue I

Creator:: Wood block engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Thenot and Colinet at Supper; Imitation of Eclogue I

Creator:: Wood block engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. With Songs the Jovial Hinds Return from Plow; Imitation of Eclogue I

Creator:: Wood block engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. A Rolling Stone is Ever Bare of Moss; Imitation of Eclogue I

Creator:: Wood block engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. For Him Our Yearly Wakes and Feasts We Hold; Imitation of Eclogue I

Creator:: Wood block engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Thenot Remonstrates with Colinet; Imitation of Eclogue I

Creator:: Wood block engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. The Wood Engravings of William Blake for Thornton's 'Pastorals of Virgil'

Creator:: Wood blocks engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Seventeen electrotypes taken from the original wood-engraved blocks, each in a small folio with letterpress text on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. The Pastorals of Virgil, Volume 1

Creator:: William Blake, 1757–1827
Date:: 1821
Materials & Techniques:: Wood-engraving and letterpress on medium, slightly textured, cream wove paper
Dimensions:: Spine: 7 1/8 inches (18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. The Pastorals of Virgil, Volume 2

Creator:: Print made by William Blake, 1757–1827
Date:: 1821
Materials & Techniques:: Wood-engraving and letterpress on medium, slightly textured, cream wove paper
Dimensions:: Spine: 7 1/8 inches (18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Constantinopole

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Stipple engraving, etching and color woodcut on moderately thick, smooth, cream wove paper cut into six scenes and mounted on medium, smooth, beige wove paper
Dimensions:: Image: 2 1/8 x 1 1/16 inches (5.4 x 2.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Highland Dancers

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Stipple engraving, etching and colored woodcut on moderately thick, smooth, cream wove paper cut into five scenes and mounted on medium, smooth, beige wove paper
Dimensions:: Image: 1 7/8 x 1 inches (4.8 x 2.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Hot August

Creator:: Print made by Charles Shannon, 1863–1937
Date:: 1897
Materials & Techniques:: Chiaroscuro woodcut on thin, slightly textured, beige laid paper
Dimensions:: Sheet: 8 7/8 × 7 1/2 inches (22.5 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Donald & Willi Holden

24. Ben Nevis

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Stipple engraving, etching and color woodcut on moderately thick, smooth, cream wove paper cut into five scenes and mounted on medium, smooth, beige wove paper
Dimensions:: Image: 1 7/8 x 1 inches (4.8 x 2.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Constantinople

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Stipple engraving, etching, aquatint and color woodcut on moderately thick, smooth, cream wove paper mounted on moderately thick, smooth, beige laid paper
Dimensions:: Image: 2 1/8 x 1 inches (5.4 x 2.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Country Scenes

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint, stipple engraving, etching and color woodcut on medium, smooth, cream wove paper cut into eight scenes and mounted on medium, smooth, beige wove paper
Dimensions:: Image: 2 3/4 x 7/8 inches (7 x 2.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Scottish Scenes. Albanian Scenes.

Creator:: Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint and stipple engraving, with color woodcut on moderately thick, slightly textured, cream wove paper cut into six scenes and mounted on moderately thick, smooth, cream wove paper
Dimensions:: Image: 2 15/16 x 13/16 inches (7.4 x 2.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Turkish Scenes

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint, stipple engraving, etching and color woodcut on medium, smooth, cream wove paper cut into eight scenes and mounted on medium, smooth, beige wove paper
Dimensions:: Image: 2 11/16 x 7/8 inches (6.8 x 2.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. St Paul Preaching in Athens

Creator:: George Baxter, 1804–1867
Date:: after 1855
Materials & Techniques:: Aquatint, etching, stipple engraving and color woodcut on cream card mounted on contemporary cream card
Dimensions:: Mount: 7 11/16 x 10 1/8 inches (19.6 x 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Scottish Scenes. Albanian Scenes.

Creator:: Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint and stipple engraving, with color woodcut on moderately thick, slightly textured, cream wove paper cut into two rows of five scenes and mounted on moderately thick, smooth, cream wove paper
Dimensions:: Image: 2 7/8 x 7/8 inches (7.3 x 2.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Review of the Troops

Creator:: Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint, etching and stipple engraving with color woodcut on moderately thick, slightly textured, cream wove paper cut into six scenes and mounted on moderately thick, smooth, cream wove paper
Dimensions:: Image: 2 1/16 x 1 1/16 inches (5.3 x 2.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Text for Picturesque Views on the Southern Coast

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1823 to 1827
Materials & Techniques:: Letterpress (five sheets)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Wrapper and Advertisements and Text (unbound) for Rivers of England (Number two)

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1823 to 1827
Materials & Techniques:: Letterpress
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Wrapper for Rivers of England (Number One)

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1823 to 1827
Materials & Techniques:: Letterpress
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Wrapper for Rivers of England (Number Two)

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1823 to 1827
Materials & Techniques:: Letterpress
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Front Wrapper for Turner's Sketches from Nature, Part Three

Creator:: Print made by unknown artist
Materials & Techniques:: Letterpress
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Dedication for 'The Rape of Hastings'

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1816 to 1820
Materials & Techniques:: Letterpress
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Text for 'The Rape of Hastings'

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1816 to 1820
Materials & Techniques:: Letterpress
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Text for 'The Rape of Hastings'

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1816 to 1820
Materials & Techniques:: Letterpress
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Advertisement for 'The Old Téméraire'

Creator:: unknown artist
Date:: 1859 to 1861
Materials & Techniques:: Letterpress
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Advertisement for prints after J.M.W. Turner by George and William B. Cooke

Creator:: Print made by unknown artist
Materials & Techniques:: Letterpress
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. House Painters

Creator:: Robert John Gibbings, 1889–1958
Date:: 1921
Materials & Techniques:: Woodcut on thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 x 6 7/8in. (27.9 x 17.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Bequest of Frank Altschul, Yale BA 1908, Yale PhD (HON.) 1967

43. Half Moons, Part 8

Creator:: Print made by Sir Terry Frost, 1915–2003
Date:: 1998
Materials & Techniques:: Color woodcut; one from a set of ten on 310gsm Somerset Satin white wove paper
Dimensions:: Sheet: 33 1/8 x 13 1/2in. (84.1 x 34.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

44. Half Moons, Part 10

Creator:: Print made by Sir Terry Frost, 1915–2003
Date:: 1998
Materials & Techniques:: Color woodcut; one from a set of ten on 310gsm Somerset Satin white wove paper
Dimensions:: Sheet: 33 1/8 × 13 1/2 inches (84.1 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

45. Half Moons, Part 1

Creator:: Print made by Sir Terry Frost, 1915–2003
Date:: 1998
Materials & Techniques:: Color woodcut; one from a set of ten on 310gsm Somerset Satin white wove paper
Dimensions:: Sheet: 33 1/8 x 13 1/2in. (84.1 x 34.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

46. Half Moons, Part 2

Creator:: Print made by Sir Terry Frost, 1915–2003
Date:: 1998
Materials & Techniques:: Color woodcut; one from a set of ten on 310gsm Somerset Satin white wove paper
Dimensions:: Sheet: 33 1/8 x 13 1/2in. (84.1 x 34.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

47. Half Moons, Part 3

Creator:: Print made by Sir Terry Frost, 1915–2003
Date:: 1998
Materials & Techniques:: Color woodcut; one from a set of ten on 310gsm Somerset Satin white wove paper
Dimensions:: Sheet: 33 1/8 x 13 1/2in. (84.1 x 34.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

48. Half Moons, Part 4

Creator:: Print made by Sir Terry Frost, 1915–2003
Date:: 1998
Materials & Techniques:: Color woodcut; one from a set of ten on 310gsm Somerset Satin white wove paper
Dimensions:: Sheet: 33 1/8 x 13 1/2in. (84.1 x 34.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

49. Half Moons, Part 6

Creator:: Print made by Sir Terry Frost, 1915–2003
Date:: 1998
Materials & Techniques:: Color woodcut; one from a set of ten on 310gsm Somerset Satin white wove paper
Dimensions:: Sheet: 33 1/8 x 13 1/2in. (84.1 x 34.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

50. Half Moons, Part 5

Creator:: Print made by Sir Terry Frost, 1915–2003
Date:: 1998
Materials & Techniques:: Color woodcut; one from a set of ten on 310gsm Somerset Satin white wove paper
Dimensions:: Sheet: 33 1/8 x 13 1/2in. (84.1 x 34.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

51. Half Moons, Part 7

Creator:: Print made by Sir Terry Frost, 1915–2003
Date:: 1998
Materials & Techniques:: Color woodcut; one from a set of ten on 310gsm Somerset Satin white wove paper
Dimensions:: Sheet: 33 1/8 x 13 1/2in. (84.1 x 34.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

52. Half Moons, Part 9

Creator:: Print made by Sir Terry Frost, 1915–2003
Date:: 1998
Materials & Techniques:: Color woodcut; one from a set of ten on 310gsm Somerset Satin white wove paper
Dimensions:: Sheet: 33 1/8 x 13 1/2in. (84.1 x 34.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

53. The Marine Society, Bishopsgate Street

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Woodcut on slightly textured, thin, white wove paper
Dimensions:: Sheet: 3 × 3 15/16 inches (7.6 × 10 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Animals All

Creator:: Eric Gill, 1882–1940
Date:: 1916
Materials & Techniques:: Wood-engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 2 7/16 x 2 7/16 inches (6.2 x 6.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

55. The Grave, A Poem, by Robert Blair

Creator:: Prints made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching and letterpress, bound in contemporary publisher's paper-covered boards, rebacked on moderately thick, slightly textured, cream wove paper
Dimensions:: Binding: 14 1/2 inches (36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Anglers

Creator:: Print made by Douglas Percy Bliss, 1900–1984
Date:: ca. 1925
Materials & Techniques:: Woodcut on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 6 15/16 x 8 1/16 inches (17.6 x 20.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Judith and Norman A. Zlotsky, Yale BS 1953

57. Landscape with Walls

Creator:: John Frederic Greenwood, 1885–1954
Date:: ca. 1925
Materials & Techniques:: Wood-engraving on medium, slightly textured, beige Asian paper
Dimensions:: Sheet: 6 15/16 x 8 inches (17.6 x 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Judith and Norman A. Zlotsky, Yale BS 1953

58. Story from Glasgow

Creator:: Ken Currie, born 1960
Date:: 1989
Materials & Techniques:: Linocut on cream 225gsm Zerkall wove paper
Dimensions:: Spine: 17 inches (43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

59. Monotype C

Creator:: Ian McKeever, born 1946
Date:: 1996
Materials & Techniques:: Monotype with ball-point pen on moderately thick, slightly textured, white wove paper
Dimensions:: Frame: 9 3/4 x 8 1/4 inches (24.8 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Anonymous gift