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1. Spanish Wheelwrights

Creator:: Sir William Russell Flint, 1880–1969
Date:: 1930
Materials & Techniques:: Etching and drypoint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 12 11/16 x 17 3/8 inches (32.2 x 44.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

2. Chichester, Sussex

Creator:: Print made by Albany E. Howarth, 1872–1936
Date:: Between 1887 and 1936
Materials & Techniques:: Etching and drypoint on laid paper
Dimensions:: Sheet: 9 1/4 × 11 1/4 inches (23.5 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

3. Devon Coast

Creator:: Print made by Edward Bouverie-Hoyton, active 1930
Date:: 1920s
Materials & Techniques:: Etching on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 13 3/8 x 17 3/16 inches (33.9 x 43.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Anonymous Gift, The Frederick Benjamin Kaye Memorial Collection, transfer from the Yale University Art Gallery

4. Craigievar

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1908
Materials & Techniques:: Etching and drypoint on wove paper
Dimensions:: Sheet: 10 1/2 × 14 1/2 inches (26.7 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

5. The Farm on the Hilltop

Creator:: Print made by Martin Hardie, 1875–1952
Date:: 1926
Materials & Techniques:: Etching on laid paper
Dimensions:: Sheet: 9 1/4 × 12 3/8 inches (23.5 × 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

6. British General Headquarters at Montreuil

Creator:: William Lee Hankey, 1869–1952
Date:: 1917
Materials & Techniques:: Etching and drypoint on thick, slightly textured, beige laid paper
Dimensions:: Sheet: 13 1/2 x 17 7/16 inches (34.3 x 44.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

7. A Breton Farm

Creator:: Print made by Martin Hardie, 1875–1952
Date:: 1921
Materials & Techniques:: Drypoint on laid paper
Dimensions:: Sheet: 9 1/4 × 12 3/8 inches (23.5 × 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

8. The Bridge, Blakeney, England

Creator:: Print made by Martin Hardie, 1875–1952
Date:: 1937
Materials & Techniques:: Etching and drypoint on laid paper
Dimensions:: Sheet: 9 3/8 × 14 inches (23.8 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of Leatrice & Mervyn Schacht

9. Net Poles, Studland Bay

Creator:: Print made by Martin Hardie, 1875–1952
Date:: 1912
Materials & Techniques:: Etching on laid paper
Dimensions:: Sheet: 9 1/2 × 12 1/4 inches (24.1 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

10. Richmond Terrace, Surrey

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1838
Materials & Techniques:: Etching and line engraving with chine collé; 1st state on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 13 3/16 × 18 1/8 inches (33.5 × 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Chain Bridge over the River Tees

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1838
Materials & Techniques:: Etching and line engraving with chine collé; 2nd state on thick, smooth, cream wove paper
Dimensions:: Sheet: 11 × 14 3/4 inches (27.9 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. The Maypole Inn

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1929
Materials & Techniques:: Etching; 3rd state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 5/8 × 13 1/8 inches (24.4 × 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

13. Railway and Commercial Hotel, Stirling

Creator:: Print made by Susan Fletcher Crawford, active 1892–died 1919
Date:: undated
Materials & Techniques:: Etching and drypoint print on medium, smooth, cream laid paper
Dimensions:: Sheet: 9 5/16 x 11 5/8 inches (23.6 x 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

14. Fotheringhay

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1932
Materials & Techniques:: Etching; 2nd state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 inches (17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

15. Castor

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1927
Materials & Techniques:: Etching; 6th state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/4 × 7 1/4 inches (23.5 × 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

16. Nursemaids on the Piazza, Venice

Creator:: Sir William Russell Flint, 1880–1969
Date:: 1929
Materials & Techniques:: Etching and drypoint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 12 11/16 x 17 13/16 inches (32.2 x 45.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

17. Hester Lynch Piozzi (Mrs. Thrale)

Creator:: Edward Francis Finden, 1791–1857
Date:: 1835
Materials & Techniques:: Stipple engraving, line engraving and etching on moderately thick, slightly textured, beige wove paper with beige chine collé
Dimensions:: Sheet: 13 7/16 × 9 15/16 inches (34.2 × 25.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

18. The Mark of the Beast

Creator:: Print made by William Strang, 1859–1921
Date:: 1900
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/2 × 7 1/2 inches (24.1 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of Dr. Harrison Wood

19. William the Conqueror

Creator:: Print made by William Strang, 1859–1921
Date:: 1900
Materials & Techniques:: Etching and aquatint on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 9 3/8 × 7 1/2 inches (23.8 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of Dr. Harrison Wood

20. Gondolas, St. Mark's, Venice

Creator:: Print made by William Walcot, 1874–1943
Date:: 1938
Materials & Techniques:: Aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/8 × 27 1/4 inches (46 × 69.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

21. Potato Lifting

Creator:: Print made by William Strang, 1859–1921
Date:: 1882
Materials & Techniques:: Etching on medium, slightly textured,beige laid paper
Dimensions:: Sheet: 11 3/8 × 8 5/8 inches (28.9 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of Allen Evarts Foster, B.A. 1906

22. The Pool

Creator:: Print made by James McBey, 1883–1959
Date:: 1914
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 5/8 × 16 3/4 inches (32.1 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

23. St. Mary Redcliffe, Bristol

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1888
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Plate: 6 7/8 × 9 1/2 inches (17.5 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Forfecle

Creator:: George Percival Gaskell, 1868–1934
Date:: 1868
Materials & Techniques:: Mezzotint and etching on moderately thick, slightly textured, white wove paper with cream chine collé
Dimensions:: Sheet: 15 1/16 x 21 inches (38.3 x 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

25. Aragonese String Makers

Creator:: Sir William Russell Flint, 1880–1969
Date:: 1930
Materials & Techniques:: Etching and drypoint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 12 3/4 x 17 7/8 inches (32.4 x 45.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

26. The Almonry

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1925
Materials & Techniques:: Etching; 5th state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 × 7 inches (25.4 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

27. Petrus Stevens

Creator:: Print made by Lucas Vorsterman I, 1595–1675
Date:: ca. 1635
Materials & Techniques:: Line engraving, stipple engraving and etching on medium, slightly textured, cream laid paper
Dimensions:: Mount: 13 9/16 × 10 15/16 inches (34.4 × 27.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Three Landscape Studies

Creator:: Print made by John Crome, 1768–1821
Date:: undated
Materials & Techniques:: Etching on medium, slightly textured, white wove paper
Dimensions:: Sheet: 9 5/16 x 9 3/16 inches (23.7 x 23.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. The Paris Set: R. 366 Rue Saint-Julien le Pauvre (1904)

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1904
Materials & Techniques:: Etching and drypoint on medium, slightly textured, light blue laid paper
Dimensions:: Sheet: 9 1/2 × 7 1/4 inches (24.1 × 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel Bell

30. The Descent of Man into the Vale of Death

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Death's Door

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. The Soul Exploring the Recesses of the Grave

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Binding: 14 1/2 inches (36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. The Death of the Good Old Man

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 13 5/8 × 20 inches (34.6 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. The Reunion of the Soul & the Body

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 19 3/4 × 13 7/8 inches (50.2 × 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Death's Door

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Binding: 14 1/2 inches (36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Death's Door

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 19 5/8 × 13 3/4 inches (49.8 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Death of the Strong Wicked Man

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/4 × 20 inches (34.9 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. R. 35. Albert, Railway and Victoria Bridges. No. 6 in the Clyde Set

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1889
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/4 × 14 1/8 inches (23.5 × 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Daniel Bell

39. The Paris Set: R. 366 Rue Saint Julien le Pauvre

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1904
Materials & Techniques:: Etching and drypoint on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/4 × 7 1/8 inches (23.5 × 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Daniel Bell

40. Death of the Strong Wicked Man

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. The Death of the Good Old Man

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. The Reunion of the Soul & the Body

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. The Meeting of a Family in Heaven

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. The Meeting of a Family in Heaven

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Binding: 14 1/2 inches (36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Death of the Strong Wicked Man

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Binding: 14 1/2 inches (36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. The Descent of Man into the Vale of Death

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 20 × 14 inches (50.8 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Mrs. Martyr The Enchantress in the Pantomime of Omai

Creator:: John Dean, 1754–1798
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 21 3/4 × 16 inches (55.2 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. The Soul Exploring the Recesses of the Grave

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 20 1/4 × 13 1/2 inches (51.4 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. The Soul Exploring the Recesses of the Grave

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. The Descent of Man into the Vale of Death

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Binding: 14 1/2 inches (36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. The Death of the Good Old Man

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Binding: 14 1/2 inches (36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. The Reunion of the Soul & the Body

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Binding: 14 1/2 inches (36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. The Meeting of a Family in Heaven

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 20 1/4 × 13 1/2 inches (51.4 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Madame La Marquise de Pompadour

Creator:: James Watson, 1740–1790
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 21 3/4 × 16 inches (55.2 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Wenceslaus Coeberger

Creator:: Print made by Lucas Vorsterman I, 1595–1675
Date:: ca. 1635
Materials & Techniques:: Line engraving and stipple engraving on medium, slightly textured, cream laid paper
Dimensions:: Mount: 13 9/16 × 11 1/16 inches (34.4 × 28.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Horatius Gentilescius

Creator:: Print made by Lucas Vorsterman I, 1595–1675
Date:: ca. 1635
Materials & Techniques:: Line engraving, stipple engraving and etching on medium, slightly textured, cream laid paper
Dimensions:: Mount: 15 × 11 3/16 inches (38.1 × 28.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Pan and Syrinx, No. 1

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1896
Materials & Techniques:: Etching with mezzotint (trial proof of abandoned plate) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 5/8 × 12 1/4 inches (24.4 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel Bell

58. The Entrance of the Medway

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1896
Materials & Techniques:: Mezzotint printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 3/8 × 17 1/4 inches (31.4 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Cornelius Schut

Creator:: Print made by Lucas Vorsterman I, 1595–1675
Date:: ca. 1635
Materials & Techniques:: Etching and line engraving on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/2 × 6 3/8 inches (24.1 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Castle Urquhart

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1929
Materials & Techniques:: Drypoint with etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 × 17 1/8 inches (30.5 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

61. Ilfracombe, North Devon

Creator:: Print made by William Chapman, 1817–1879
Date:: between 1853 and 1874
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 22 × 29 7/8 inches (55.9 × 75.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. The Old Fountain in the Minories

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Etching on slightly textured, medium, white wove paper
Dimensions:: Sheet: 9 7/16 × 7 5/8 inches (24 × 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Moonlight at Sea off the Isle of Wight

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1896
Materials & Techniques:: Mezzotint printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/8 × 17 3/8 inches (30.8 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Adam de Coster

Creator:: Print made by Pieter de Jode II, ca. 1606–1674
Date:: ca. 1635
Materials & Techniques:: Stipple engraving and line engraving (2nd state) on medium, slightly textured, cream laid paper
Dimensions:: Mount: 10 7/8 × 7 7/8 inches (27.6 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Adam de Coster

Creator:: Print made by Pieter de Jode II, ca. 1606–1674
Date:: ca. 1635
Materials & Techniques:: Line engraving and stiipple engraving, (3rd state) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 7/16 × 7 5/8 inches (26.5 × 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. The Temple of Jupiter in the Island of Aegina

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1920
Materials & Techniques:: Etching printed in brown ink, with brown wash and scratching out (touched proof) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/8 × 13 inches (23.8 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel Bell

67. A Sea Piece

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1889
Materials & Techniques:: Mezzotint printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 × 8 1/2 inches (34.6 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Entrance to the Meuse: Orange Merchant on the Bar Going to Pieces

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1889
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/8 × 13 3/4 inches (23.8 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Mrs. Elizabeth Deane (née Johnson)

Creator:: Joseph Grozer, ca. 1755–1798
Date:: 1794
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 7/16 × 11 3/8 inches (39.2 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. James Harris, 1st Earl of Malmesbury

Creator:: Kitson
Date:: undated
Materials & Techniques:: Aquatint and stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 9 1/2 × 7 3/4 inches (24.1 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Sir William Ffienlez Knight

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Engraving on smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 15 7/8 × 11 1/8 inches (40.3 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Macbeth's Witches

Creator:: Print made by William Strang, 1859–1921
Date:: 1882
Materials & Techniques:: Etching on moderately thick, slightly textured, creme laid paper
Dimensions:: Plate: 9 3/8 × 7 inches (23.8 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Alan S. Fortunoff

73. The Sacrifice of Isaac

Creator:: Print made by Robert Robinson, active 1674–1706
Date:: undated
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 3/4 × 7 7/8 inches (24.8 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

74. His Royal Highness George Prince of Wales

Creator:: Print made by Louis Sailliar, 1748–1795
Date:: 1786-1787
Materials & Techniques:: Stipple engraving and soft-ground etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 5/8 × 10 3/4 inches (37.1 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

75. Diana at a Fountain

Creator:: Print made by Robert Robinson, active 1674–1706
Date:: undated
Materials & Techniques:: Mezzotint, state before all letters on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 10 1/16 × 7 1/8 inches (25.6 × 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

76. Autumnus

Creator:: Print made by Pieter Schenck I, 1660–1719
Date:: 1680s
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 3/4 × 7 1/4 inches (24.8 × 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

77. Lydia

Creator:: Print made by William Dickinson, 1746–1823
Date:: 1776
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 12 1/2 x 13 3/4 inches (31.8 x 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

78. Lydia

Creator:: Print made by William Dickinson, 1746–1823
Date:: 1776
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 11 15/16 × 13 1/8 inches (30.3 × 33.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

79. Countess Grosvenor

Creator:: Print made by Samuel Cousins, 1801–1887
Date:: 1833
Materials & Techniques:: Mezzotint (first state) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 30 × 20 1/2 inches (76.2 × 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

80. Blood on Thunder Fording the Red Sea

Creator:: James Gillray, 1756–1815
Date:: 1788
Materials & Techniques:: Etching and stipple engraving, hand-colored on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 9 7/16 × 13 1/4 inches (24 × 33.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Untitled

Creator:: Print made by Stephen Buckley, born 1944
Date:: 1977
Materials & Techniques:: Color printed aquatint from four plates; artist's proof on moderately thick, moderately textured, white Arches wove paper
Dimensions:: Sheet: 25 1/2 × 19 1/2 inches (64.8 × 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

82. British Tars Towing the Danish Fleet into Harbour; The Broad Bottom Leviathan Trying to Swamp Billy's Old Boat; and the Little Corsican Tottering on the Clouds of Ambition

Creator:: James Gillray, 1756–1815
Date:: 1807
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 14 7/8 inches (27.9 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. King Henry The Fourth's Last Scene

Creator:: James Gillray, 1756–1815
Date:: 1788
Materials & Techniques:: Etching with hand coloring in watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/4 × 16 7/8 inches (26 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Despair

Creator:: James Gillray, 1756–1815
Date:: 1802
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 × 8 1/8 inches (25.4 × 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Hope

Creator:: James Gillray, 1756–1815
Date:: 1802
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 × 8 1/8 inches (25.4 × 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Tiddy-Doll the Great French-Ginger-Bread-Baker, Drawing Out a Batch of Kings-His Man, Hopping Talley, Mixing the Dough

Creator:: James Gillray, 1756–1815
Date:: 1806
Materials & Techniques:: Etching in black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 16 inches (26.7 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. The North View of the Summer Palace of Her Imperial Majesty at St. Petersburg

Creator:: unknown artist
Date:: 18th century
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Image: 9 9/16 x 16 1/16in. (24.3 x 40.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Aspin

Creator:: Print made by John Robert Cozens, 1752–1797
Date:: 1789
Materials & Techniques:: Soft-ground etching and aquatint on moderately thick, slightly textured, beige wove paper mounted on contemporary moderately thick, slightly textured, beige wove paper with soft-ground etched border
Dimensions:: Mount: 14 3/8 × 21 1/4 inches (36.5 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

89. Cedar

Creator:: Print made by John Robert Cozens, 1752–1797
Date:: 1789
Materials & Techniques:: Soft-ground etching and aquatint on moderately thick, slightly textured, beige wove paper mounted on contemporary moderately thick, slightly textured, beige wove paper with soft-ground etched border
Dimensions:: Mount: 14 3/8 × 21 1/4 inches (36.5 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

90. Italian Pine and Cypress

Creator:: Print made by John Robert Cozens, 1752–1797
Date:: 1789
Materials & Techniques:: Soft-ground etching and aquatint on moderately thick, slightly textured, beige wove paper mounted on contemporary moderately thick, slightly textured, beige wove paper with soft-ground etched border
Dimensions:: Mount: 14 1/2 × 21 3/8 inches (36.8 × 54.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

91. Hawthorn

Creator:: Print made by John Robert Cozens, 1752–1797
Date:: 1789
Materials & Techniques:: Soft-ground etching and aquatint on moderately thick, slightly textured, beige wove paper mounted on contemporary moderately thick, slightly textured, beige wove paper with soft-ground etched border
Dimensions:: Mount: 14 3/8 × 21 1/8 inches (36.5 × 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

92. Beech

Creator:: Print made by John Robert Cozens, 1752–1797
Date:: 1789
Materials & Techniques:: Soft-ground etching and aquatint on moderately thick, slightly textured, beige wove paper mounted on contemporary moderately thick, slightly textured, beige wove paper with soft-ground etched border
Dimensions:: Mount: 14 1/4 × 21 1/4 inches (36.2 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

93. Horse Chestnut

Creator:: Print made by John Robert Cozens, 1752–1797
Date:: 1789
Materials & Techniques:: Soft-ground etching and aquatint on moderately thick, slightly textured, beige wove paper mounted on contemporary moderately thick, slightly textured, beige wove paper with soft-ground etched border
Dimensions:: Mount: 14 1/4 × 21 inches (36.2 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

94. Weeping Willows

Creator:: Print made by John Robert Cozens, 1752–1797
Date:: 1789
Materials & Techniques:: Soft-ground etching and aquatint on moderately thick, slightly textured, beige wove paper mounted on contemporary moderately thick, slightly textured, beige wove paper with soft-ground etched border
Dimensions:: Mount: 14 3/8 × 21 1/4 inches (36.5 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

95. Birch

Creator:: Print made by John Robert Cozens, 1752–1797
Date:: 1789
Materials & Techniques:: Soft-ground etching and aquatint on moderately thick, slightly textured, beige wove paper mounted on contemporary moderately thick, slightly textured, beige wove paper with soft-ground etched border
Dimensions:: Mount: 14 1/4 × 21 1/4 inches (36.2 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

96. Poplar

Creator:: Print made by John Robert Cozens, 1752–1797
Date:: 1789
Materials & Techniques:: Soft-ground etching and aquatint on moderately thick, slightly textured, beige wove paper mounted on contemporary moderately thick, slightly textured, beige wove paper with soft-ground etched border
Dimensions:: Mount: 14 1/4 × 21 inches (36.2 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

97. Preparing for The Grand Attack - or - A Private Rehearsal of the Ci-Devant Ministry in Danger

Creator:: James Gillray, 1756–1815
Date:: 1801
Materials & Techniques:: Etching with hand-coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/8 × 13 7/8 inches (25.7 × 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. The Bear and His Leader. --"What tho' I am Obliged to Dance A Bear, A Man may be a Gentleman for That, --My Bear Ever Dances to the Genteelest of Tunes"

Creator:: James Gillray, 1756–1815
Date:: 1806
Materials & Techniques:: Etching on medium, slightly textured, white wove paper
Dimensions:: Sheet: 11 × 15 inches (27.9 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. The New Dynasty; or the Little Corsican Gardener Planting a Royal Pippin-Tree. -All the Talents (Busy in) are Clearing the Ground of the Old Timber.

Creator:: James Gillray, 1756–1815
Date:: 1807
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 14 7/8 inches (27.9 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. The Nursery, with, Britannia Reposing in Peace

Creator:: James Gillray, 1756–1815
Date:: 1802
Materials & Techniques:: Etching with hand-coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/8 × 14 inches (25.7 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Work Type intaglio print

Height [cm] 24

Search Results

1. Spanish Wheelwrights

2. Chichester, Sussex

3. Devon Coast

4. Craigievar

5. The Farm on the Hilltop

6. British General Headquarters at Montreuil

7. A Breton Farm

8. The Bridge, Blakeney, England

9. Net Poles, Studland Bay

10. Richmond Terrace, Surrey

11. Chain Bridge over the River Tees

12. The Maypole Inn

13. Railway and Commercial Hotel, Stirling

14. Fotheringhay

15. Castor

16. Nursemaids on the Piazza, Venice

17. Hester Lynch Piozzi (Mrs. Thrale)

18. The Mark of the Beast

19. William the Conqueror

20. Gondolas, St. Mark's, Venice

21. Potato Lifting

22. The Pool

23. St. Mary Redcliffe, Bristol

24. Forfecle

25. Aragonese String Makers

26. The Almonry

27. Petrus Stevens

28. Three Landscape Studies

29. The Paris Set: R. 366 Rue Saint-Julien le Pauvre (1904)

30. The Descent of Man into the Vale of Death

31. Death's Door

32. The Soul Exploring the Recesses of the Grave

33. The Death of the Good Old Man

34. The Reunion of the Soul & the Body

35. Death's Door

36. Death's Door

37. Death of the Strong Wicked Man

38. R. 35. Albert, Railway and Victoria Bridges. No. 6 in the Clyde Set

39. The Paris Set: R. 366 Rue Saint Julien le Pauvre

40. Death of the Strong Wicked Man

41. The Death of the Good Old Man

42. The Reunion of the Soul & the Body

43. The Meeting of a Family in Heaven

44. The Meeting of a Family in Heaven

45. Death of the Strong Wicked Man

46. The Descent of Man into the Vale of Death

47. Mrs. Martyr The Enchantress in the Pantomime of Omai

48. The Soul Exploring the Recesses of the Grave

49. The Soul Exploring the Recesses of the Grave

50. The Descent of Man into the Vale of Death

51. The Death of the Good Old Man

52. The Reunion of the Soul & the Body

53. The Meeting of a Family in Heaven

54. Madame La Marquise de Pompadour

55. Wenceslaus Coeberger

56. Horatius Gentilescius

57. Pan and Syrinx, No. 1

58. The Entrance of the Medway

59. Cornelius Schut

60. Castle Urquhart

61. Ilfracombe, North Devon

62. The Old Fountain in the Minories

63. Moonlight at Sea off the Isle of Wight

64. Adam de Coster

65. Adam de Coster

66. The Temple of Jupiter in the Island of Aegina

67. A Sea Piece

68. Entrance to the Meuse: Orange Merchant on the Bar Going to Pieces

69. Mrs. Elizabeth Deane (née Johnson)

70. James Harris, 1st Earl of Malmesbury

71. Sir William Ffienlez Knight

72. Macbeth's Witches

73. The Sacrifice of Isaac