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1
- At Haddon Hall (window)
- 1861
2
- Upper or Western Entrance to Eastbourne
- undated
3
- The Old Bayswater Turnpike
- undated
4
- (One of) Twenty-one pen drawings of Decorative Details in Antique Style
- undated
5
- (One of) Twenty-one pen drawings of Decorative Details in Antique Style
- undated
6
- (One of) Twenty-one pen drawings of Decorative Details in Antique Style
- undated
7
- Views of the Back Front of Henry Phillip Hope's house towards Hyde Park in Seymour Place
- 1818
8
- Study of classical figure of man
- between 1730 and 1768
9
- (One of) Twenty-one pen drawings of Decorative Details in Antique Style
- undated
10
- (One of) Twenty-one pen drawings of Decorative Details in Antique Style
- undated
11
- (One of) Twenty-one pen drawings of Decorative Details in Antique Style
- undated
12
- The Love Match, No. 1
- undated
13
- The "Love Match" No. 2
- undated
14
- The Love Match, No 3
- undated
15
- Dombeya torrida (J.F. Gmel): finished drawing of leafy flowering shoot with floral details
- undated
16
- The Love Match, No. 4
- undated
17
- The "Love Match" No 5
- undated
18
- A Half-Timbered House
- ca. 1800
19
- Design for Herms
- undated
20
- View of a House
- undated
21
- (One of) Twenty-one pen drawings of Decorative Details in Antique Style
- undated
22
- (One of) Twenty-one pen drawings of Decorative Details in Antique Style
- undated
23
- Two Studies of classical sculpture of Farnese Hercules
- between 1730 and 1768
24
- Studies of classical sculptures of Cesi Juno and Zingara
- between 1730 and 1768
25
- Two Designs for Table Legs in Egyptian Style; One Design for Wall Decoration
- undated
26
- Cottage by a Hill
- 1819 to 1821
27
- A Cottage
- 1819 to 1821
28
- Estate House and Trees
- 1819 to 1821
29
- Hillside with Houses
- 1819 to 1821
30
- Hillside Landscape with Steps
- 1819 to 1821
31
- Sketch of a Small Village in the Hills
- 1819 to 1821
32
- Sailing Boats and Pier, with a Steeple in the Distance
- 1819 to 1821
33
- Church of St. Mary Magadalene, Newark-on-Trent
- 1819 to 1821
34
- House beyond Trees
- 1819 to 1821
35
- Walkers in a Landscape
- 1819 to 1821
36
- Hillside View towards the Sea
- 1819 to 1821
37
- Study of Trees and Sheep Overlooking a Valley Town
- undated
38
- Landscape Study from a Hillside above a City
- undated
39
- View of a Cathedral at the End of a Street
- ca. 1830
40
- Chinoiserie Design
- undated
41
- Figure Drawing
- 1969
42
- Sketchbook, 10 September, 1819
- 1819 to 1821
43
- Views in the Levant: Street Scene With Domed Roofs, One Dome Surmounted by a Column (Possibly Cairo?)
- ca. 1785
44
- Three harnessed horses, with man mounted on one pulling wagon
- undated
45
- Study of Christ surrounded by angels, possibly a depiction of The Ascension
- undated
46
- Aleppo - January 1836
- 1836
47
- Birijick, from the North, May 1835
- 1835
48
- Port William, Aug. 1835
- 1835
49
- Antioch - Above The Bridge
- 1835 to 1836
50
- [Landscape]
- 1835-1836
51
- [Landscape]
- 1835-1836
52
- Ischaemum afrum (J.F. Gmel.) Dandy: finished drawing of inflorescence and leaves, with fifteen separate details below
- undated
53
- Study of the Resurrection of Lazarus
- undated
54
- American Bay, Crozet Island
- 1874
55
- Six Designs for Colreidge's Rime of the Ancient Mariner: The Spectre Ship Approaches
- ca. 1831
56
- Six Designs for Coleridge's Rime of the Ancient Mariner: The Spirit of the South Sends Forth the Albatross as a Sign of Peace to the Ship
- ca. 1831
57
- Six Designs for Coleridge's Rime of the Ancient Mariner: While Spirits of Peace Descend
- ca. 1831
58
- Six Designs for Coleridge's Rime of the Ancient Mariner: Death and Line-in-Death, Dice for the Crew
- ca. 1831
59
- The Love Match, No. 6
- undated
60
- A Turn Up with the Lads of the Village
- undated
61
- Putting Arms in the Hands of the Indians
- undated
62
- "Curtius Leaping into the Gulph"
- undated