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1. John Henderson as Falstaff

John Henderson as Falstaff
Creator:
George Romney, 1734–1802
Date:
1780
Materials & Techniques:
Gray ink and gray wash with pen and black ink over graphite on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 15 1/2 x 12 1/2 inches (39.3 x 31.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

2. The Witches' Cavern

The Witches' Cavern
Creator:
George Romney, 1734–1802
Date:
1792-1793
Materials & Techniques:
Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 5/8 x 9 3/16 inches (14.3 x 23.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

3. King Lear Awakened by Cordelia

King Lear Awakened by Cordelia
Creator:
George Romney, 1734–1802
Date:
ca. 1774
Materials & Techniques:
Brown ink over graphite on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 14 15/16 x 19 5/16 inches (38 x 49 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

4. Prospero and Miranda

Prospero and Miranda
Creator:
George Romney, 1734–1802
Date:
ca. 1787
Materials & Techniques:
Graphite on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 20 5/16 x 13 5/8 inches (51.6 x 34.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

5. King Lear Awakened by Cordelia

King Lear Awakened by Cordelia
Creator:
George Romney, 1734–1802
Date:
ca. 1770
Materials & Techniques:
Brown ink over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 12 1/16 x 19 5/16 inches (30.7 x 49 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

6. Seht Ihr denn nichts hier: 'Hamlet,' Act IV, Scene II

Seht Ihr denn nichts hier: 'Hamlet,' Act IV, Scene II
Creator:
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801
Date:
1778
Materials & Techniques:
Etching on medium, slightly textured, gray laid paper
Dimensions:
Sheet: 6 7/16 × 4 inches (16.3 × 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

7. Hamlet in Scotland

Hamlet in Scotland
Creator:
Print made by Robert Dighton, 1752–1814
Date:
1794
Materials & Techniques:
Etching and stipple engraving, hand-colored on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 11 1/4 x 9 3/8 inches (28.6 x 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

8. Mr. W. J. Hammond and Miss Daly as Othello and Desdemona at the New Strand Theatre

Mr. W. J. Hammond and Miss Daly as Othello and Desdemona at the New Strand Theatre
Creator:
Print made by John W. Gear, 1806–1866
Date:
undated
Materials & Techniques:
Lithograph with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 5/16 x 14 9/16 inches (26.2 x 37 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

9. Mr. Rossi as Othello

Mr. Rossi as Othello
Creator:
Print made by Antonin Marie Chatinière, 1828–ca. 1900
Date:
undated
Materials & Techniques:
Tinted lithograph with hand coloring in watercolor on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 10 1/16 x 7 1/16 inches (25.5 x 17.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

10. 'Henry IV, Part I,' Act II, Scene IV

'Henry IV, Part I,' Act II, Scene IV
Creator:
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801
Date:
undated
Materials & Techniques:
Etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 4 1/16 × 2 9/16 inches (10.3 × 6.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

11. 'Henry IV, Part I,' Act II, Scene IV

'Henry IV, Part I,' Act II, Scene IV
Creator:
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801
Date:
undated
Materials & Techniques:
Etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 4 × 2 5/8 inches (10.2 × 6.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

12. 'Henry IV, Part I,' Act II, Scene IV

'Henry IV, Part I,' Act II, Scene IV
Creator:
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801
Date:
undated
Materials & Techniques:
Etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 4 1/16 x 2 3/8 inches (10.3 x 6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

13. 'Henry IV, Part I,' Act II, Scene IV

'Henry IV, Part I,' Act II, Scene IV
Creator:
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801
Date:
undated
Materials & Techniques:
Etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 4 1/16 × 2 3/8 inches (10.3 × 6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

14. 'Henry IV, Part I,' Act II, Scene III

'Henry IV, Part I,' Act II, Scene III
Creator:
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801
Date:
undated
Materials & Techniques:
Etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 4 1/16 × 2 3/8 inches (10.3 × 6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

15. 'Henry IV, Part I,' Act III, Scene III

'Henry IV, Part I,' Act III, Scene III
Creator:
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801
Date:
undated
Materials & Techniques:
Etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 4 1/8 × 2 1/2 inches (10.5 × 6.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

16. 'Henry IV, Part I,' Act V, Scene I

'Henry IV, Part I,' Act V, Scene I
Creator:
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801
Date:
undated
Materials & Techniques:
Etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 4 1/16 x 2 3/8 inches (10.3 x 6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

17. 'Henry IV, Part I,' Act V, Scene IV

'Henry IV, Part I,' Act V, Scene IV
Creator:
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801
Date:
undated
Materials & Techniques:
Etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 4 1/16 × 2 3/8 inches (10.3 × 6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

18. 'Henry IV, Part I,' Act IV, Scene II

'Henry IV, Part I,' Act IV, Scene II
Creator:
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801
Date:
undated
Materials & Techniques:
Etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 4 × 2 3/8 inches (10.2 × 6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

19. 'Henry IV, Part I,' Act III, Scene III

'Henry IV, Part I,' Act III, Scene III
Creator:
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801
Date:
undated
Materials & Techniques:
Etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 4 1/16 × 2 1/2 inches (10.3 × 6.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

20. Traveling in France -or, -Le départ de la diligence

Traveling in France -or, -Le départ de la diligence
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1818
Materials & Techniques:
Etching and stipple engraving, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 x 17 5/8 inches (29.9 x 44.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. A Jack in Office

A Jack in Office
Creator:
Robert Dighton, 1752–1814
Date:
1793
Materials & Techniques:
Etching, hand-colored on medium, smooth, beige wove paper
Dimensions:
Sheet: 14 1/16 x 9 11/16 inches (35.7 x 24.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Le Retour de Paris, or, the Niece Presented to her Relatives by her French Governess

Le Retour de Paris, or, the Niece Presented to her Relatives by her French Governess
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1835
Materials & Techniques:
Etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 7/16 x 16 1/8 inches (29 x 41 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Anne Page and Slender

Anne Page and Slender
Creator:
Robert Smirke, 1752–1845
Date:
1821
Materials & Techniques:
Pen and brown ink with brown wash and gouache over graphite with gum on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/8 x 4 7/16 inches (18.8 x 11.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Lysander Awakening to See Helena

Lysander Awakening to See Helena
Creator:
Robert Smirke, 1752–1845
Date:
1825
Materials & Techniques:
Pen and brown ink with brown wash and gouache over graphite with gum on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/2 x 4 1/4 inches (16.5 x 10.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Studies for Shylock

Studies for Shylock
Creator:
Richard Parkes Bonington, 1802–1828
Date:
1825
Materials & Techniques:
Pen and brown ink on thin, slightly textured, cream laid paper joined to thin, slightly textured, cream laid paper, mounted on card
Dimensions:
Mount: 15 × 18 7/8 inches (38.1 × 47.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. The Damnation of Obadiah

The Damnation of Obadiah
Creator:
Print made by Henry William Bunbury, 1750–1811
Date:
between 1773 and 1817
Materials & Techniques:
Hand-colored etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 13/16 x 17 1/2 inches (27.5 x 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. The Battle of the Cataplasm

The Battle of the Cataplasm
Creator:
Print made by Henry William Bunbury, 1750–1811
Date:
between 1773 and 1817
Materials & Techniques:
Hand-colored etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/8 x 17 3/4 inches (28.2 x 45.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Bristol High Cross

Bristol High Cross
Creator:
Print made by Samuel Buck, 1696–1779
Date:
1734
Materials & Techniques:
Line engraving and stipple engraving, hand-colored on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 19 9/16 x 11 11/16 inches (49.7 x 29.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. The Puzzle for the Dog, the Puzzle for the Horse, the Puzzle for Turk, Frenchman, or, Christian

The Puzzle for the Dog, the Puzzle for the Horse, the Puzzle for Turk, Frenchman, or, Christian
Creator:
William Dickinson, 1746–1823
Date:
1791
Materials & Techniques:
Stipple engraving and etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 10 1/2 × 8 13/16 inches (26.6 × 22.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Front of the New Mills

Front of the New Mills
Creator:
Print made by John Crome, 1768–1821
Date:
1813
Materials & Techniques:
Etching with chine collé on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/2 x 17 3/8 inches (31.8 x 44.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Remains of the Priory, Beeston Regis

Remains of the Priory, Beeston Regis
Creator:
Robert Dixon, 1780–1815
Date:
1810
Materials & Techniques:
Soft-ground etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 7/16 x 8 1/4 inches (26.5 x 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Portrait of a Man Wearing Turban

Portrait of a Man Wearing Turban
Creator:
Print made by Thomas Frye, 1710–1762
Date:
1760
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 20 5/16 × 14 1/8 inches (51.6 × 35.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Thomas Shadwell, Esquire, Poet Laureat & Historiographer

Thomas Shadwell, Esquire, Poet Laureat & Historiographer
Creator:
Print made by William Faithorne the Younger, ca. 1669–1703
Date:
between 1690 and 1703
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 15 13/16 x 11 1/8 inches (40.1 x 28.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of John Hay Whitney, Yale BA 1926, Yale MA (HON.) 1956, transfer from the Yale University Library and the Yale University Art Gallery

34. The Prison Door, Concaran

The Prison Door, Concaran
Creator:
Sir William Russell Flint, 1880–1969
Date:
1929
Materials & Techniques:
Etching and drypoint on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 13 3/8 x 10 inches (34 x 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

35. The Last Supper

The Last Supper
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
ca. 1854
Materials & Techniques:
Etching and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 5 5/8 × 8 3/4 inches (14.3 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Oriental Scenes

Oriental Scenes
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Etching, stipple engraving and color woodcut on cream card mounted on beige card
Dimensions:
Image: 2 3/4 x 6 13/16 inches (7 x 17.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Christ's Charge to Peter

Christ's Charge to Peter
Creator:
after George Baxter, 1804–1867
Date:
after 1855
Materials & Techniques:
Aquatint, etching, stipple engraving, and color woodcut on thick, smooth, cream wove paper mounted on beige card
Dimensions:
Image: 4 1/2 x 7 inches (11.4 x 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Scene Illustration: Milton's 'L'Allegro'

Scene Illustration: Milton's 'L'Allegro'
Creator:
Print made by Benjamin Fawcett, 1808–1893
Date:
between 1860 and 1885
Materials & Techniques:
Wood-engraving, printed in color with additional hand-coloring on moderately thick, smooth, cream card
Dimensions:
Sheet: 6 13/16 x 9 3/4 inches (17.3 x 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Claudio and Isabella

Claudio and Isabella
Creator:
Robert Smirke, 1752–1845
Date:
1823
Materials & Techniques:
Pen and brown ink, brown wash, gouache, and oil on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/8 x 4 inches (13 x 10.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Prospero Conjuring a Masque for Ferdinand and Miranda

Prospero Conjuring a Masque for Ferdinand and Miranda
Creator:
Robert Smirke, 1752–1845
Date:
ca. 1810
Materials & Techniques:
Pen and brown ink, brown wash, gouache, and oil on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 4 15/16 x 6 9/16 inches (12.6 x 16.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Viola and Olivia

Viola and Olivia
Creator:
Robert Smirke, 1752–1845
Date:
1822
Materials & Techniques:
Pen and brown ink, brown wash, gouache, and oil on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 9/16 x 4 3/8 inches (16.7 x 11.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. Katherina and Grumio

Katherina and Grumio
Creator:
Robert Smirke, 1752–1845
Date:
1821
Materials & Techniques:
Pen and brown ink, brown wash, gouache, oil, and graphite on moderately thick, slightly textured, cream beige paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/8 x 4 3/8in. (16.2 x 11.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. Malvolio abusing Maria, Fabian and Sir Toby

Malvolio abusing Maria, Fabian and Sir Toby
Creator:
Robert Smirke, 1752–1845
Date:
1822
Materials & Techniques:
Pen and brown ink, brown wash, gouache, and oil, partly varnished on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/8 x 4 5/16 inches (15.5 x 11 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. Ford in a Rage After Seeing Falstaff

Ford in a Rage After Seeing Falstaff
Creator:
Robert Smirke, 1752–1845
Date:
1821
Materials & Techniques:
Pen and brown ink, brown wash, gouache and oil on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 15/16 x 4 1/2 inches (15.1 x 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. Isabella and Mariana Kneeling Before the Duke

Isabella and Mariana Kneeling Before the Duke
Creator:
Robert Smirke, 1752–1845
Date:
1822
Materials & Techniques:
Pen and brown ink, brown wash, gouache, and oil on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/8 x 4 inches (13 x 10.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. Master William Page and Sir Hugh Evans

Master William Page and Sir Hugh Evans
Creator:
Robert Smirke, 1752–1845
Date:
1821
Materials & Techniques:
Pen and brown ink, brown wash, gouache and oil on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 5/16 x 4 1/2 inches (18.5 x 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. Hotspur and the Plotters at Bangor

Hotspur and the Plotters at Bangor
Creator:
Robert Smirke, 1752–1845
Date:
1825
Materials & Techniques:
Graphite, pen and brown ink, brown wash, gouache and oil on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 5/8 x 5 inches (16.8 x 12.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. Launce with his Dog Crab

Launce with his Dog Crab
Creator:
Robert Smirke, 1752–1845
Date:
ca. 1821
Materials & Techniques:
Pen and brown ink, brown wash, gouache and oil on moderately thick, slightly textured, cream laid paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/8 x 6 1/2in. (20.6 x 16.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. The Death of Ophelia

The Death of Ophelia
Creator:
Robert Smirke, 1752–1845
Date:
ca. 1810
Materials & Techniques:
Pen and brown ink, brown wash, gouache, and oil on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 4 13/16 x 5 7/8 inches (12.2 x 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. Women at Prayer

Women at Prayer
Creator:
Print made by Robert Austin, 1895–1973
Date:
1936
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 11/16 x 11 9/16 inches (39.8 x 29.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

51. The Crimean War

The Crimean War
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, stipple engraving, etching and color woodcut on cream card mounted on beige card
Dimensions:
Sheet: 8 1/8 × 9 7/16 inches (20.7 × 23.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. Four Subjects

Four Subjects
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, etching, stipple engraving and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Image: 4 7/16 x 3 1/4 inches (11.3 x 8.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. Four Subjects

Four Subjects
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, etching, stipple engraving and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Image: 4 3/8 x 3 1/4 inches (11.1 x 8.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. The Death of Ananias

The Death of Ananias
Creator:
after George Baxter, 1804–1867
Date:
after 1855
Materials & Techniques:
Aquatint, etching, stipple engraving, and color woodcut on thick, smooth, cream wove paper mounted on beige card
Dimensions:
Image: 4 3/4 x 7 1/16 inches (12 x 18 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. Set of Needle-Box Prints

Set of Needle-Box Prints
Creator:
Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Etching and stipple engraving, with color woodcut on cream card mounted on beige card
Dimensions:
Sheet: 2 3/16 × 4 9/16 inches (5.5 × 11.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. Set of Needle-Box Prints

Set of Needle-Box Prints
Creator:
Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Etching, stipple engraving and aquatint, with color woodcut on cream card mounted on beige card
Dimensions:
Sheet: 2 1/4 × 5 1/4 inches (5.7 × 13.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. Study of a Young Girl, with Ringlets, in a Black Evening Dress

Study of a Young Girl, with Ringlets, in a Black Evening Dress
Creator:
William Henry Hunt, 1790–1864
Date:
ca. 1830
Materials & Techniques:
Watercolor over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Contemporary drawn border: 8 3/4 x 4 7/8 inches (22.2 x 12.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. Millbank

Millbank
Creator:
John Linnell, 1792–1882
Date:
1806
Materials & Techniques:
Black and white chalk on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 8 5/8 x 6 5/8 inches (21.9 x 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. The Vision of Eliphaz

The Vision of Eliphaz
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 x 3 3/4 inches (13.3 x 9.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. Job Rebuked by His Friends

Job Rebuked by His Friends
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 3 5/8 x 4 3/4 inches (9.2 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

61. The Wrath of Elihu

The Wrath of Elihu
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 3 5/8 x 4 3/4 inches (9.2 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. The Creation

The Creation
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 3/4 x 3 3/4 inches (14.6 x 9.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

63. Job's Sacrifice

Job's Sacrifice
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 4 3/4 x 3 1/2 inches (12.1 x 8.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

64. The Messengers Tell Job of the Misfortunes that Have Befallen Him

The Messengers Tell Job of the Misfortunes that Have Befallen Him
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 3 1/2 x 4 5/8 inches (8.9 x 11.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

65. The Lord Answering Job out of the Whirlwind

The Lord Answering Job out of the Whirlwind
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 3 3/4 x 4 7/8 inches (9.5 x 12.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

66. Job's Comforters

Job's Comforters
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 3 5/8 x 4 5/8 inches (9.2 x 11.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

67. Job's Despair

Job's Despair
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 3 3/4 x 4 3/4 inches (9.5 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

68. A Correct Representation of Her Majesty Queen Caroline Returning from the House of Lords, 1820

A Correct Representation of Her Majesty Queen Caroline Returning from the House of Lords, 1820
Creator:
Print made by Robert Isaac Cruikshank, 1789–1856
Date:
after 1820
Materials & Techniques:
Aquatint and etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 9 5/16 x 17 5/8 inches (23.6 x 44.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

69. The Beehive

The Beehive
Creator:
Print made by Robert Barnes, 1840–1895
Date:
1854
Materials & Techniques:
Wood-engraving and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 × 5 1/8 inches (19.1 × 13 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

70. A Sloop of War in a Light Breeze

A Sloop of War in a Light Breeze
Creator:
J. Hill, active 19th century
Date:
1811
Materials & Techniques:
Aquatint on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 10 1/2 x 16 7/16 inches (26.7 x 41.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

71. A Highland Interior

A Highland Interior
Creator:
Print made by Alexander George Fraser, 1786–1865
Date:
undated
Materials & Techniques:
Etching with chine collé on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/16 x 3 1/2 inches (12.8 x 8.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of James A. Bergquist

72. A Woman Sitting by the Window (Evening thou Bringest All)

A Woman Sitting by the Window (Evening thou Bringest All)
Creator:
Print made by Henry Fuseli, 1741–1825
Date:
1802, published 1806
Materials & Techniques:
Lithograph on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 9 x 13 5/8 inches (22.8 x 34.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Everett V. Meeks, B.A. 1901, Fund

73. Robert van Voerst

Robert van Voerst
Creator:
Print made by Thomas Chambars, ca. 1724–1789
Date:
1771
Materials & Techniques:
Line engraving, stipple engraving and etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 × 9 1/8 inches (30.2 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

74. Robert Walker

Robert Walker
Creator:
Print made by Thomas Chambars, ca. 1724–1789
Date:
undated
Materials & Techniques:
Etching on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 11 7/8 x 9 1/16 inches (30.1 x 23 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

75. Lord Cardross

Lord Cardross
Creator:
John Finlayson, 1730–1776
Date:
1765
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 15 1/16 × 11 inches (38.2 × 28 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

76. Miss Emma Crewe and Miss Elizabeth Crewe

Miss Emma Crewe and Miss Elizabeth Crewe
Creator:
John Dixon, ca. 1740–1811
Date:
1782
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 19 7/8 × 14 inches (50.5 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

77. Falstaff Disguised as Herne

Falstaff Disguised as Herne
Creator:
John Massey Wright, 1777–1866
Date:
undated
Materials & Techniques:
Brown wash and graphite with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 x 10 3/16 inches (28.9 x 25.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

78. The Death of Cordelia

The Death of Cordelia
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, gouache, red crayon, and graphite on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 12 x 9 3/4 inches (30.5 x 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

79. Macbeth and the Witches

Macbeth and the Witches
Creator:
James Northcote, 1746–1831
Date:
between 1777 and 1778
Materials & Techniques:
Pen and brown ink, brown wash, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 3/4 x 16 1/4 inches (32.4 x 41.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

80. View Near the Mill Looking Toward Licenza: Horace's Villa on the Left

View Near the Mill Looking Toward Licenza: Horace's Villa on the Left
Creator:
Jacob More, 1740–1793
Date:
1783
Materials & Techniques:
Gray wash, watercolor, pen and black ink, and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Mount: 13 9/16 x 17 11/16 inches (34.5 x 45 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

81. Two Figures with a Skull

Two Figures with a Skull
Creator:
Sir George Howland Beaumont seventh Baronet, 1753–1827
Date:
undated
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 5 3/4 × 6 3/8 inches (14.6 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

82. Falstaff Inspecting the Recruits

Falstaff Inspecting the Recruits
Creator:
Francis Hayman, 1707/8–1776
Date:
between 1761 and 1765
Materials & Techniques:
Black chalk, gouache, and graphite on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 7 3/8 × 9 5/8 inches (18.8 × 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

83. The Ruins of Leiston Abbey

The Ruins of Leiston Abbey
Creator:
Thomas Hearne, 1744–1817
Date:
1781
Materials & Techniques:
Watercolor, pen and black ink, gouache, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 9 3/4 x 12 3/8 inches (24.8 x 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

84. Laurence Sterne, A.M.

Laurence Sterne, A.M.
Creator:
Edward Fisher, 1722–1785
Date:
1760
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 15 5/8 x 11 3/4 inches (39.7 x 29.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

85. Laurence Sterne, A.M.

Laurence Sterne, A.M.
Creator:
Print made by Edward Fisher, 1722–1785
Date:
1760
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 15 1/16 × 10 15/16 inches (38.2 × 27.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

86. The Calling of Samuel

The Calling of Samuel
Creator:
Print made by John Raphael Smith, 1752–1812
Date:
1783
Materials & Techniques:
Mezzotint (second state) on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 16 5/16 × 12 3/16 inches (41.4 × 31 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

87. Ignis - t' Vuer

Ignis - t' Vuer
Creator:
Print made by Cornelis Danckerts, before 1604–before 1656
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 10 1/16 x 7 5/8 inches (25.6 x 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

88. Peasants Drinking

Peasants Drinking
Creator:
Print made by John Dixon, ca. 1740–1811
Date:
between 1765 and 1771
Materials & Techniques:
Mezzotint and etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 7 7/8 x 5 7/8 inches (20 x 15 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

89. Sancta Maria Magdalena

Sancta Maria Magdalena
Creator:
Print made by William Faithorne the Younger, ca. 1669–1703
Date:
between 1686 and 1703
Materials & Techniques:
Mezzotint on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 12 1/16 x 8 15/16 inches (30.7 x 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

90. Mary Commended, Martha Reprehended

Mary Commended, Martha Reprehended
Creator:
Print made by William Faithorne the Younger, ca. 1669–1703
Date:
between 1752 and 1768
Materials & Techniques:
Mezzotint on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 9 1/8 × 12 7/8 inches (23.1 × 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

91. Peter Abelard (1079-1142), French scholastic philosopher

Peter Abelard (1079-1142), French scholastic philosopher
Creator:
Print made by Edward Fisher, 1722–1785
Date:
1779
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 12 11/16 x 9 13/16 inches (32.2 x 24.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

92. Mary Commended, Martha Reprehended

Mary Commended, Martha Reprehended
Creator:
Print made by William Faithorne the Younger, ca. 1669–1703
Date:
between 1690 and 1703
Materials & Techniques:
Mezzotint on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 9 1/8 × 12 11/16 inches (23.2 × 32.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

93. Don Ferdinand

Don Ferdinand
Creator:
Print made by Edward Fisher, 1722–1785
Date:
1777
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 14 5/8 x 10 3/8 inches (37.2 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

94. Vertumnus and Pomonae

Vertumnus and Pomonae
Creator:
Print made by William Faithorne the Younger, ca. 1669–1703
Date:
between 1690 and 1703
Materials & Techniques:
Mezzotint on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 11 3/4 × 9 1/16 inches (29.8 × 23 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

95. Angelina

Angelina
Creator:
Print made by Edward Fisher, 1722–1785
Date:
1776
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 13 1/8 x 10 3/16 inches (33.4 x 25.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

96. Don Ferdinand

Don Ferdinand
Creator:
Print made by Edward Fisher, 1722–1785
Date:
1777
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 17 3/16 x 11 3/4 inches (43.6 x 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

97. Edwin

Edwin
Creator:
Print made by Edward Fisher, 1722–1785
Date:
1776
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 11 7/8 x 9 3/16 inches (30.1 x 23.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

98. George Primrose

George Primrose
Creator:
Print made by Edward Fisher, 1722–1785
Date:
1777
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 14 1/2 x 10 3/8 inches (36.8 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

99. Standing Man Gesturing

Standing Man Gesturing
Creator:
Sir Joshua Reynolds, 1723–1792
Date:
undated
Materials & Techniques:
Pen and brown ink over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 5/8 × 7 3/8 inches (27 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

100. Peasant Girls

Peasant Girls
Creator:
attributed to John Absolon, 1815–1895
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 3/4 × 9 1/2 inches (32.4 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection