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1
- The Beggar's Opera
- 1729
- Not on view
2
- Cordelia Championed by the Earl of Kent, from Shakespeare's "King Lear," I, i
- between 1770 and 1780
- Not on view
3
- Edward Shuter, John Beard, and John Dunstall in Isaac Bickerton's "Love in a Village"
- 1767
- Not on view
4
- David Garrick and Hannah Pritchard (née Vaughan) in Benjamin Hoadly's "The Suspicious Husband"
- 1747
- Not on view
5
- A Scene from 'The Maid of the Mill'
- 1765
- Not on view
6
- Frances Abington (née Barton) as Miss Prue in William Congreve’s “Love for Love”
- 1771
- Not on view
7
- Ballet Scene from "On the Sands"
- 1910
- Not on view
8
- The First Appearance of William Shakespeare on the Stage of the Globe Theatre
- 1864 to 1865
- Not on view
9
- Portrait of Mr. Van Amburgh, As He Appeared with His Animals at the London Theatres
- Summer 1846 to March 1847
- Not on view
10
- Stage Design for Heart of Midlothian; Deans' Cottage
- ca. 1819
- Not on view
11
- Stage Design for Heart of Midlothian; The Tolbooth
- ca. 1819
- Not on view
12
- John Quick as Tony Allspice
- ca. 1796
- Not on view
13
- The Mandrake: A Charm
- exhibited RA 1785
- Not on view
14
- The revelation of Olivia's betrothal, from "Twelfth Night," Act V, Scene i
- ca. 1790
- Not on view
15
- Scene in a park, with figures from the Commedia dell'Arte
- ca. 1735
- Not on view
16
- Unidentified Subjects
- undated
17
- MacBeth: Banquet Scene
- undated
18
- MacBeth: Banquet Scene
- undated
19
- Mrs. Frances Abington (née Barton)
- undated
20
- Mrs. Frances Abington, (née Barton)
- 1814
21
- Mrs. Frances Abington (née Barton) as Roxalana in "The Sultan"
- 1791
22
- Mrs. Frances Abington (née Barton)
- between 1768 and 1786
23
- Mrs. Abington
- undated
24
- A Great Actor between Tragedy and Comedy
- 1834
25
- Sheet of Sketches
- undated
26
- Mrs. Abington As Thalia
- 1783
27
- Mrs. Abington
- undated
28
- Study for "On the Sands"
- 1910
29
- Strephon and Chloe
- 1801
30
- The Alhambra Theatre, "On the Sands"
- 1910
31
- The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing
- 1805
32
- Interior of the New Bedford
- between 1908 and 1909
33
- Design for A Winter's Tale
- undated
34
- Cave of the Golden Calf: Study for Stage
- 1912
35
- Cave of the Golden Calf: Sketches of a Stage and Bar
- 1912
36
- Scene from a Play, possibly Benjamin Hoadley's "The Suspicious Husband"
- undated
37
- Cave of the Golden Calf: Study of Cabaret Stage and Painted Murals
- 1912
38
- Capricornus - A Caper- o' - corns
- undated
39
- Turning the Tables
- undated
40
- Gemini - Odd-fellows
- undated
41
- Mrs. Abington
- 1772
42
- A Scene From the Farce of "The Critic," a Little Altered
- 1848
43
- Study for a Stage Set: a Fortress with Cannon and Buildings
- undated
44
- Mrs. Abington
- 1772
45
- Mrs. Abington as 'the Comic Muse'
- ca. 1769
46
- Mrs. Abington as 'Roxana'
- ca. 1791
47
- Mrs. Abington as Thalia
- ca. 1783
48
- Cave of the Golden Calf: Study for Mural
- 1912
49
- Cave of the Golden Calf: Study of the Cabaret Stage and Painted Panels on Either Side
- 1912
50
- Four Children on a Stage
- undated
51
- Punch
- after 1821
52
- Garrick as Abel Drugger in "The Alchemist"
- 1776
53
- Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets
- 1802
54
- Mrs. Abington as Thalia
- 1783
55
- This is NOT the Baron of Oakland, in the Opera of the Haunted Tower
- 1831
56
- An Ampitheatrical Version of the Fall of Bastille
- undated
57
- Polite Amusement of Brute Beasts at the Lyceum
- undated
58
- A Man doing the Splits
- between 1760 and 1790