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John Constable Hadleigh Castle, The Mouth of the Thames--Morning after a Stormy Night
John Constable, 1776–1837
Hadleigh Castle, The Mouth of the Thames--Morning after a Stormy Night
1829
On view at YUAG
Samuel Palmer Sketch from Nature in Sion Park
Samuel Palmer, 1805–1881
Sketch from Nature in Sion Park
1819
Not on view
John Constable A Shepherd in a Landscape looking across Dedham Vale towards Langham
John Constable, 1776–1837
A Shepherd in a Landscape looking across Dedham Vale towards Langham
ca. 1811
Not on view
Edward Lear Corfu from Ascension
Edward Lear, 1812–1888
Corfu from Ascension
1862
Not on view
Edward Lear Landscape with Goatherd
Edward Lear, 1812–1888
Landscape with Goatherd
ca. 1842
Not on view
Edward Lear Corfu from Ascension
Edward Lear, 1812–1888
Corfu from Ascension
ca. 1860
Not on view
Thomas Gainsborough Wooded Landscape with a Cottage and Shepherd
Thomas Gainsborough, 1727–1788
Wooded Landscape with a Cottage and Shepherd
1748 to 1750
Not on view
Edmund Bristow A Traveller and a Shepherd in a Landscape
Edmund Bristow, 1787–1876
A Traveller and a Shepherd in a Landscape
ca. 1825
Not on view
James Smetham Evening Pasture
James Smetham, 1821–1889
Evening Pasture
ca. 1865
Not on view
John Rogers Herbert David, the Future King of Israel, While a Shepherd at Bethlehem
John Rogers Herbert, 1810–1890
David, the Future King of Israel, While a Shepherd at Bethlehem
1877
Not on view
Richard Redgrave The Deserter's Home
Richard Redgrave, 1804–1888
The Deserter's Home
1847
Not on view
Arthur Nelson Landscape, with Dover Castle in the Distance
Arthur Nelson, active 1765–1773
Landscape, with Dover Castle in the Distance
ca. 1767
Not on view
William Turner of Oxford Shepherd Boy on a Hillside
William Turner of Oxford, 1789–1862
Shepherd Boy on a Hillside
ca. 1840
Not on view
George Vincent A View of Cheddar Gorge
George Vincent, 1796–1832
A View of Cheddar Gorge
ca. 1820
Not on view
Charles Towne Landscape with a Shepherd
Charles Towne, 1763–1840
Landscape with a Shepherd
ca. 1800
Not on view
Thomas Gainsborough Coastal Landscape with a Shepherd and His Flock
Thomas Gainsborough, 1727–1788
Coastal Landscape with a Shepherd and His Flock
between 1783 and 1784
Not on view
George Barret Morning: Landscape with Cattle
George Barret, ca. 1728/32–1784
Morning: Landscape with Cattle
ca. 1775
Not on view
Thomas Gainsborough Mountain Valley with Figures and Distant Village
Thomas Gainsborough, 1727–1788
Mountain Valley with Figures and Distant Village
between 1773 and 1777
Not on view
John Linnell Shepherd Boy Playing a Flute
John Linnell, 1792–1882
Shepherd Boy Playing a Flute
1831
Not on view
John Gibson Cupid Disguised as a Shepherd Boy
John Gibson, 1790–1866
Cupid Disguised as a Shepherd Boy
commissioned in 1834
Not on view
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Samuel Palmer The Lonely Tower
Samuel Palmer, 1805–1881
The Lonely Tower
1868
Samuel Palmer A Shepherd and his Flock under the Moon and Stars
Samuel Palmer, 1805–1881
A Shepherd and his Flock under the Moon and Stars
ca. 1827
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Samuel Palmer The Sleeping Shepherd
Print made by Samuel Palmer, 1805–1881
The Sleeping Shepherd
1857
Samuel Palmer The Sleeping Shepherd
Print made by Samuel Palmer, 1805–1881
The Sleeping Shepherd
1857
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Samuel Palmer Opening the Fold
Print made by Samuel Palmer, 1805–1881
Opening the Fold
1880
Samuel Palmer The Sleeping Shepherd
Print made by Samuel Palmer, 1805–1881
The Sleeping Shepherd
1857
Samuel Palmer The Herdsman's Cottage
Print made by Samuel Palmer, 1805–1881
The Herdsman's Cottage
1850
Samuel Palmer The Herdsman's Cottage
Print made by Samuel Palmer, 1805–1881
The Herdsman's Cottage
1850
Samuel Palmer Opening the Fold
Print made by Samuel Palmer, 1805–1881
Opening the Fold
1880
Joseph Mallord William Turner Mer de Glace, in the Valley of Chamonix
Joseph Mallord William Turner, 1775–1851
Mer de Glace, in the Valley of Chamonix
1803
Edward Lear A Dry Halfeh Grass
Edward Lear, 1812–1888
A Dry Halfeh Grass
1867
William Blake "Condens'd his Emanations..." (Plate 9)
Print made by William Blake, 1757–1827
"Condens'd his Emanations..." (Plate 9)
1804 to 1820
William Blake The Lamb (Plate 18)
Print made by William Blake, 1757–1827
The Lamb (Plate 18)
1789
William Blake The Shepherd (Plate 4)
Print made by William Blake, 1757–1827
The Shepherd (Plate 4)
1789
William Blake The Little Black Boy (Plate 6)
Print made by William Blake, 1757–1827
The Little Black Boy (Plate 6)
1789
William Blake Songs of Innocence, Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
Songs of Innocence, Frontispiece (Plate 1)
1789
William Blake Songs of Innocence, Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
Songs of Innocence, Frontispiece (Plate 1)
1789
William Blake Infant Joy (Plate 14)
Print made by William Blake, 1757–1827
Infant Joy (Plate 14)
1789
William Blake "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
William Blake, 1757–1827
"Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
between 1797 and 1798
William Blake The Lamb (Plate 8)
Print made by William Blake, 1757–1827
The Lamb (Plate 8)
1789
William Blake Title Page, The Book of Thel (Plate 2)
Print made by William Blake, 1757–1827
Title Page, The Book of Thel (Plate 2)
1789
William Blake 'Disease invades the chastest temperence' (Page 10)
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
1797
William Blake The Little Black Boy (Plate 30)
Print made by William Blake, 1757–1827
The Little Black Boy (Plate 30)
1789
William Blake Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul
Prints made by William Blake, 1757–1827
Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul
1789-1794
William Blake Illustrations of Imitation of Eclogue I, Page 16
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Page 16
1821
Richard Wilson Shepherd Seated Under a Tree
Richard Wilson, 1713/4–1782
Shepherd Seated Under a Tree
undated
Samuel Woodforde A Bard and a Shepherd
Samuel Woodforde, 1763–1817
A Bard and a Shepherd
undated
Edward Radclyffe Changing Pasture
Print made by Edward Radclyffe, 1809–1863
Changing Pasture
undated
Abraham Blooteling Shepherd and Shepherdess
Print made by Abraham Blooteling, 1640–1690
Shepherd and Shepherdess
1676
Robert Dixon West Tower, Wymondham Church
Robert Dixon, 1780–1815
West Tower, Wymondham Church
1810
Thomas Gainsborough Wooded Landscape with Herdsman and Cows
Print made by Thomas Gainsborough, 1727–1788
Wooded Landscape with Herdsman and Cows
between 1785 and 1788
James Heath "Mark your divorce young sir, whom son I dare not call"
James Heath, 1757–1834
"Mark your divorce young sir, whom son I dare not call"
1804
David Lucas Old Sarum
Print made by David Lucas, 1802–1881
Old Sarum
1829 to 1830
John Browne Evening
Print made by John Browne, 1741–1801
Evening
ca. 1797
John Browne Evening
Print made by John Browne, 1741–1801
Evening
ca. 1797
David Cox The Junction of the Severn and the Wye with Chepstow in the Distance
David Cox, 1783–1859
The Junction of the Severn and the Wye with Chepstow in the Distance
1830
Arthur James Stark A Shepherd with Flock Beneath a Large Tree
Arthur James Stark, 1831–1902
A Shepherd with Flock Beneath a Large Tree
undated
David Lucas Hadleigh Castle, Large Plate
Print made by David Lucas, 1802–1881
Hadleigh Castle, Large Plate
1830 to 1832
William Woollett Celadon and Amelia
Print made by William Woollett, 1735–1785
Celadon and Amelia
1766
Richard Parkes Bonington Road Workers, near Lillebonne
Richard Parkes Bonington, 1802–1828
Road Workers, near Lillebonne
undated
James Caldwall Ham Court, the Seat of John Martin, Esq.
Print made by James Caldwall, 1739–1819
Ham Court, the Seat of John Martin, Esq
undated
Jean B. C. Chatelain Shepherd and Flock Outside a Village
Print made by Jean B. C. Chatelain, 1710–1771
Shepherd and Flock Outside a Village
1737
Jean B. C. Chatelain A New Book of Landskips, Pleasant & Useful for to Learn to Draw without a Master
Print made by Jean B. C. Chatelain, 1710–1771
A New Book of Landskips, Pleasant & Useful for to Learn to Draw without a Master
1737
George Cooke Tooting Church
Print made by George Cooke, 1781–1834
Tooting Church
1827
Paul Sandby Landscape with beech trees and man driving cattle and sheep
style of Paul Sandby, 1731–1809
Landscape with beech trees and man driving cattle and sheep
undated
Michel Vincent Brandoin Shepherd, Shepherdess and Dog
Michel Vincent Brandoin, 1733–1807
Shepherd, Shepherdess and Dog
undated
John Renton A Mountain Landscape with a Shepherd
John Renton, 1774–c.1841
A Mountain Landscape with a Shepherd
undated
William Byrne The Ruins of the College of Lincluden
Print made by William Byrne, 1743–1805
The Ruins of the College of Lincluden
1782
Paul Sandby Roslin Castle, Midlothian
Paul Sandby, 1731–1809
Roslin Castle, Midlothian
ca. 1780
John Varley Classic Composition
John Varley, 1778–1842
Classic Composition
ca. 1800
Richard Earlom A Shepherd Boy
Print made by Richard Earlom, 1743–1822
A Shepherd Boy
1781
Claude Hayes Moorland with Sheep and Shepherd
Claude Hayes, 1852–1922
Moorland with Sheep and Shepherd
undated
Thomas Hearne The Ruins of the College of Lincluden, Near Dumfries
Thomas Hearne, 1744–1817
The Ruins of the College of Lincluden, Near Dumfries
ca. 1778
Hugh O'Neill Oxford from Boar's Hill
Hugh O'Neill, 1784–1824
Oxford from Boar's Hill
1811
Thomas Hearne The Ruins of the College of Lincluden, near Dumfries
Thomas Hearne, 1744–1817
The Ruins of the College of Lincluden, near Dumfries
ca. 1806
Samuel Howitt A Park Landscape with Shepherd and Sheep
Samuel Howitt, 1756–1822
A Park Landscape with Shepherd and Sheep
1793
Edward Radclyffe Outskirts of the Forest
Print made by Edward Radclyffe, 1809–1863
Outskirts of the Forest
undated
James Havard Thomas Shepherd Resting and Conversing
James Havard Thomas, 1854–1921
Shepherd Resting and Conversing
1897
James Ward A Shepherd Boy
James Ward, 1769–1859
A Shepherd Boy
undated
Thomas Barker Landscape with Shepherd and Sheep
Thomas Barker, 1769–1847
Landscape with Shepherd and Sheep
undated
Walter Goodall Glencoe: A Shepherd Boy Crossing a Burn
Walter Goodall, 1830–1889
Glencoe: A Shepherd Boy Crossing a Burn
1857
Welby Sherman Shepherd and Shepherdess by Moonlight
Welby Sherman, active 1827
Shepherd and Shepherdess by Moonlight
undated
John Robert Cozens South View of Bath
Print made by John Robert Cozens, 1752–1797
South View of Bath
1773
William Havell Landscape with a Seated Shepherd
Print made by William Havell, 1782–1857
Landscape with a Seated Shepherd
1804
Richard Earlom A Landscape
Print made by Richard Earlom, 1743–1822
A Landscape
1817
Richard Earlom The Exposition of Cyrus
Print made by Richard Earlom, 1743–1822
The Exposition of Cyrus
1781
Thomas Gainsborough Wooded Landscape with Herdsman and Cows
Print made by Thomas Gainsborough, 1727–1788
Wooded Landscape with Herdsman and Cows
1797
Edward Calvert The Return Home
Print made by Edward Calvert, 1799–1883
The Return Home
1830
Richard Ansdell Sleepest or Wakest Thou?
Print made by Richard Ansdell, 1815–1885
Sleepest or Wakest Thou?
ca. 1853
John Boyne Shepherd with Dog and Sheep
Print made by John Boyne, ca. 1750–1810
Shepherd with Dog and Sheep
1806
Welby Sherman The Shepherd
Engraved by Welby Sherman, active 1827
The Shepherd
between 1827 and 1836
Frederick Landseer Maur Griggs Stevenage
Print made by Frederick Landseer Maur Griggs, 1876–1938
Stevenage
1902
George Richmond The Shepherd
Print made by George Richmond, 1809–1896
The Shepherd
1827
James Heath "This is fairy gold, boy, and will prove so"
James Heath, 1757–1834
"This is fairy gold, boy, and will prove so"
1804