The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing
1805
4
James Gillray, 1756–1815
The Loves of the Fox and the Badger, - or The Coalition Wedding
1784
5
Print made by unknown artist
Proteus ye 2d in Sev'ral Among his Many Publick Characters
1784
6
James Gillray, 1756–1815
The Legacy
1786
7
James Gillray, 1756–1815
The Loves of the Fox and the Badger, - or The Coalition Wedding
1784
8
James Gillray, 1756–1815
The (Prince's) Nursery or Nine Months After
1786
9
James Gillray, 1756–1815
The Doctor Indulged with his Favorite Scene ---
ca. 1790
10
James Gillray, 1756–1815
The Tottering Pyramid
1784
11
James Gillray, 1756–1815
The Funeral Procession of Miss Regency
1789
12
James Gillray, 1756–1815
The Fall of Dagon - or Rare News for Leaden-Hall Street
1784
13
Print made by unknown artist
A Sacrifice to Slavery, Dedicated without Permission to the Puppet Player in Downing Street
1787
14
Print made by James Gillray, 1756–1815
The Butchers of Freedom
1788
15
Print made by Frederick George Byron, 1764–1794
The Pitt Fall
ca. 1785
16
James Gillray, 1756–1815
The Battle of Bow-Street
1788
17
James Gillray, 1756–1815
The English Regency
1789
18
James Gillray, 1756–1815
The Times - or a View of the Old House in Little Brittain - with Nobody Giving to Hannover
1784
19
James Gillray, 1756–1815
A Modern Cherub, - Vide Peters
1791
20
Print made by unknown artist
A Section of a Magnificent & Superb Water Closet
ca. 1790
21
Print made by unknown artist
Plan of Mud Island, off the Kingdom of Corsica
ca. 1794
22
Print made by James Gillray, 1756–1815
Mason, The Duke's Confectioner Disposing of the Trinkets
1788
23
Print made by unknown artist
The Restricted Regency
1789
24
Print made by James Gillray, 1756–1815
Hyde-Park; - Sunday, - or - Both Hemispheres of the World in a Sweat ---
1789
25
Print made by James Gillray, 1756–1815
John Bull, in a Quandary, Which Way Shall I Turn Me, How Shall I Decide?
1789
26
Print made by James Gillray, 1756–1815
The (Coward), Comforted; - or - A Scene Immediately After the Duel ---
1789
27
Isaac Cruikshank, 1764–1811
General Fast
1796
28
Isaac Cruikshank, 1764–1811
General Complaint
1796
29
Isaac Cruikshank, 1764–1811
The British Menagerie
1796
30
Charles Ansell, ca.1752–active 1790
The Sedition Hunter Disappointed, - or - D(amnin)g by Winchester Measure
1798
31
Charles Williams, active 1796–1830
A Peep into Totenham Street or Dillitanti Performers in Training
1802
32
James Gillray, 1756–1815
Destruction of the French Collossus
1798
33
James Gillray, 1756–1815
The Nuptial-Bower; "To the Nuptial-Bower he led her Blushing Like the Morn with the Evil-one, Peeping at the Charms of Eden." (from Milton)
1797
34
James Gillray, 1756–1815
Nelson's Victory: - or - Good - News Operating Upon Loyal - Feelings
1798
35
James Gillray, 1756–1815
Extirpation of the Plagues of Egypt
1798
36
James Gillray, 1756–1815
Homer Singing His Verses to the Greeks
1797
37
James Gillray, 1756–1815
Field Marshall Count Suwarrow-Rominskoy ---
1799
38
James Gillray, 1756–1815
The Feast of Reason, & the Flow of Soul, - ie: - The Wits of the Age, Setting the Table in a Roar
1797
39
James Gillray, 1756–1815
A Man of Importance
1799
40
James Gillray, 1756–1815
Independence
1799
41
James Gillray, 1756–1815
Elegance - Democratique, - A Sketch Found Near High-Wycombe; - Whenever I Wish to Form a Proper,- Estimate - of a Mans Mind, I Observe his Manners and his Dress. --- Lord Chesterfield,
1799
42
James Gillray, 1756–1815
And The' - Tisick, - The Colic, Punch Cures The Gout
1799
43
James Gillray, 1756–1815
A Hackney Meeting
1796
44
James Gillray, 1756–1815
A Portrait ------------
1799
45
James Gillray, 1756–1815
Pity The Sorrows of a Poor Old Man, Vide, Scene in Bloomsbury Square
1796
46
James Gillray, 1756–1815
The General of Patriotism, - or -The Bloomsbury Farmer, Planting Bedfordshire Wheat
1796
47
James Gillray, 1756–1815
Democratic Leveling; - Alliance a la Francoise; - or - The Union of the Coronet and Clyster-Pipe
1796
48
James Gillray, 1756–1815
Fashionable - Jockeyship
1796
49
James Gillray, 1756–1815
The Grand-Signior Retiring
1796
50
James Gillray, 1756–1815
Opening of the Budget; - or - John Bull Giving His Breeches to Save His Bacon
1796
51
James Gillray, 1756–1815
Hint to Modern Sculptors, as an Ornament to a Future Square ---
1796
52
James Gillray, 1756–1815
John Bull & His Dog Faithful; - "Among The Faithless, Faithful Only Found"
1796
53
James Gillray, 1756–1815
Patience on a Monument
1791
54
Print made by James Gillray, 1756–1815
The Prince of Wales
1802
55
James Gillray, 1756–1815
The Fall of the Wolsey of the Woolsack
1792
56
James Gillray, 1756–1815
A Warm Birth for the Old Administration -----
1783
57
James Gillray, 1756–1815
The Friendly Agent
1787
58
James Gillray, 1756–1815
Margarets Ghost. What's the Matter Auntee-Peg, What Makes You Put on Such a Long Face?
1791
59
James Gillray, 1756–1815
The Bubbles of Opposition
1788
60
James Gillray, 1756–1815
The Triumphant Britons
1780
61
James Gillray, 1756–1815
John Bull Triumphant
1780
62
James Gillray, 1756–1815
Bonus - Melior - Optimus, or the Devil's The Best of the Bunch
1783
63
Print made by James Gillray, 1756–1815
Scene Le Vrog House
1782
64
Print made by James Gillray, 1756–1815
A Coalition of Parties, Give Justice Her Claims
1783
65
Print made by James Gillray, 1756–1815
The Minister In - The Minister Out
1782
66
Print made by James Gillray, 1756–1815
The Coming-On, of the Monsoons; or - The Retreat from Seringapatam
1791
67
James Gillray, 1756–1815
The Prince at Grass --- The Prince in Clover
1787
68
James Gillray, 1756–1815
Love's Last Shift
1787
69
James Gillray, 1756–1815
Taking Physick; - or - The News of Shooting the King of Sweden!
1792
70
James Gillray, 1756–1815
The Royal Society
1786
71
James Gillray, 1756–1815
The Slough of Despond----; Vide - The Patriots Progress
1793
72
James Gillray, 1756–1815
The Bishop of a Tun's Breeches; - or - The Flaming Eveque, Purifying the House of Office
1792
73
James Gillray, 1756–1815
Miss, I Have a Monstrous Crow to Pluck with You!
1794
74
James Gillray, 1756–1815
Vices overlook'd in the New Proclamation
1792
75
James Gillray, 1756–1815
Sans-Culottes, Feeding Europe with the Bread of Liberty
1793
76
James Gillray, 1756–1815
A Democrat, - or - Reason and Philosophy
1793
77
James Gillray, 1756–1815
The Chancellor of the Inquisition Marking the Incorrigibles
1793
78
James Gillray, 1756–1815
John Bull Bother'd; - or - The Geese Alarming the Capitol
1792
79
James Gillray, 1756–1815
Un Petit Souper, a La Parisienne; - or - A Family of Sans-Culotts Refreshing, After the Fatigues of the Day
1792
80
James Gillray, 1756–1815
Sin, Death, and the Devil
1792
81
James Gillray, 1756–1815
Louis XVI Taking Leave of His Wife and Family
1793
82
James Gillray, 1756–1815
French Liberty - British Slavery
1792
83
James Gillray, 1756–1815
Alecto and Her Train, at the Gate of Pandeomonium; - or - The Recruiting Sargeant Enlisting John Bull, Into the Revolution Service
1791
84
James Gillray, 1756–1815
The Royal Joke, - or - Black Jades Delight, A Hint For a New Reform
1788
85
James Gillray, 1756–1815
Monstrous Craws, At a New Coalition Feast
1787
86
James Gillray, 1756–1815
Dido Forsaken, Sic Transit Gloria Regimae
1787
87
James Gillray, 1756–1815
Ancient Music
1787
88
James Gillray, 1756–1815
French Democrats Surprizing the Royal-Runaways
1791
89
James Gillray, 1756–1815
Anti-Sacharrites, - or - John Bull and His Family Leaving off the Use of Sugar
1792
90
James Gillray, 1756–1815
Malagrida, Driving Post
91
James Gillray, 1756–1815
The Bottomless-Pitt
1792
92
James Gillray, 1756–1815
The Power of Beauty; - St. Cecillia Charming the Brute; - or - The Seduction of the Welch-Ambassador (from: Caricature, vol. 2)
1792
93
James Gillray, 1756–1815
The Finishing Touch
1791
94
James Gillray, 1756–1815
Wha Wants Me?
1792
95
James Gillray, 1756–1815
A Duet. - Turn Fair Clora, Turn Ah Cruel, Turn Again
1792
96
James Gillray, 1756–1815
La Derniere Resource; - or - Van-Buchells
1791
97
James Gillray, 1756–1815
A Sphere, Projecting against a Plane ---
1792
98
James Gillray, 1756–1815
The National Assembly Petrified _________/The National Assembly Revivified