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Distraining for Rent
Creator:
Abraham Raimbach, 1784–1868
Date:
1828
Materials & Techniques:
Engraving with chine collé on thick, moderately textured, cream laid paper
Dimensions:
Sheet: 21 5/8 × 27 7/8 inches (54.9 × 70.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Parish Beadle
Creator:
Abraham Raimbach, 1784–1868
Date:
1834
Materials & Techniques:
Engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 13/16 × 24 5/16 inches (47.8 × 61.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Village Politicians
Creator:
Abraham Raimbach, 1784–1868
Date:
1814
Materials & Techniques:
Engraving and etching
Dimensions:
Plate: 20 x 24 1/2in. (50.8 x 62.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

104. Niobe

Niobe
Creator:
Figures engraved by William Sharp, 1749–1824
Date:
1792
Materials & Techniques:
Etching and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 19 3/4 x 26 1/8 inches (50.2 x 66.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Carnarvon Castle
Creator:
William Byrne, 1743–1805
Date:
1775
Materials & Techniques:
Line engraving and etching with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 17 1/2 x 24 1/4 inches (44.5 x 61.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of Gloucestershire Country House
Creator:
Thomas Robins the elder, 1715–1770
Date:
ca. 1755
Materials & Techniques:
Opaque watercolor on vellum
Dimensions:
Sheet: 16 3/8 × 24 3/8 inches (41.6 × 61.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of the Tuilleries and Bridge taken from the Quay D'Orsai
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 1/4 × 24 1/2 inches (41.3 × 62.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of the Tuilleries and Bridge and etc. taken from Pont de la Concorde
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 1/4 × 24 7/8 inches (41.3 × 63.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A View of Windsor Castle
Creator:
unknown artist
Date:
1813
Materials & Techniques:
Colored aquatint
Dimensions:
Sheet: 19 1/2 x 24 1/2in. (49.5 x 62.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Easter Monday. 2. A View of Fair Mead Bottom Epping Forest.
Creator:
James Pollard, 1792–1867
Date:
1820
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 12 3/8 x 24 1/2in. (31.4 x 62.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

111. Football

Football
Creator:
Andrew Power, 1898–1992
Date:
1933
Materials & Techniques:
Lithograph on canvas
Dimensions:
Sheet: 39 5/8 x 24 7/16 inches (100.6 x 62.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965
41,271 Engineering Workmen
Creator:
Print made by Duncan Grant, 1885–1978
Date:
1939
Materials & Techniques:
Chromolithograph on canvas
Dimensions:
Sheet: 20 x 24 9/16 inches (50.8 x 62.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965
The Riot in Broad Street on the Seventh of June 1780
Creator:
James Heath, 1757–1834
Date:
1790
Materials & Techniques:
Colored engraving
Dimensions:
Sheet: 18 1/2 x 24 1/4in. (47 x 61.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Water Mill above the Bridge at Charenton
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 1/4 × 24 1/2 inches (41.3 × 62.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Early Repast
Creator:
Print made by unknown artist
Date:
1851
Materials & Techniques:
Lithograph with hand coloring
Dimensions:
Sheet: 17 3/4 x 24 1/4in. (45.1 x 61.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of David Doret, Yale BA 1968
Portraits Painted from Life, Representing Capt. Englefield with Eleven of his Crew Saving Themselves in the Pinnace, from the Wreck of the Centaur, of 74 Guns, Lost Sept. 1782
Creator:
Print made by Thomas Gaugain, 1748–1812
Date:
1796
Materials & Techniques:
Mezzotint and stipple engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 20 3/4 × 25 1/2 inches (52.7 × 64.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Sportsman's Return
Creator:
William Ward, 1766–1826
Date:
1792 (re-issue of 1791)
Materials & Techniques:
Mezzotint, printed in color and hand colored
Dimensions:
Sheet: 19 1/2 x 24 1/2in. (49.5 x 62.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
[Animals: an eagle with a dead pheasant, watched by a fox]
Creator:
Print made by John Murphy, ca. 1748–1820
Date:
1799
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 19 3/8 × 24 1/4 inches (49.2 × 61.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Easter Monday. 1. Turning out the Stag at Buckits Hill, Epping Forest
Creator:
James Pollard, 1792–1867
Date:
1820
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 12 3/8 x 24 1/2in. (31.4 x 62.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Distribution of His Majesty's Maundy...Chapel Royal at Whitehall
Creator:
James Basire, 1730–1802
Date:
1777
Materials & Techniques:
engraving
Dimensions:
Sheet: 16 1/2 x 24 1/2in. (41.9 x 62.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Death of Abercrombie
Creator:
Print made by Edward Mitchell, active 1805–1816
Date:
1805
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 22 5/8 × 24 1/4 inches (57.5 × 61.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Murder of James I, King of Scotland
Creator:
Thomas Ryder, 1746–1810
Date:
1792
Materials & Techniques:
Etching and stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 19 7/8 × 24 3/8 inches (50.5 × 61.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of Old Aberdeen, Including King's College and the Cathedral
Creator:
Frederick Christian Lewis the Elder, 1779–1856
Date:
1808
Materials & Techniques:
Colored aquatint on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 21 1/4 × 28 3/8 inches (54 × 72.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A South Down Ram; Aged 3 Years, bred by Mr. Thomas Crisp, Gedgrave Hall, Suffolk, for which a Prize of 30 Severeigns was awarded at the Annual Meeting of the R.A.S. at Cambridge, July 15th 1840
Creator:
William Henry Davis, active 1803–1849
Date:
1840
Materials & Techniques:
Hand colored lithograph
Dimensions:
Sheet: 18 1/2 x 24 1/4in. (47 x 61.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
This Celebrated Ewe was Bred and Fed, by Mr. Wilcox.
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Etching and line engraving with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 20 x 24 3/8 inches (50.8 x 61.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Watch or Catch
Creator:
Tom Eckersley, 1914–1997
Date:
1954
Materials & Techniques:
Chromolithograph
Dimensions:
Sheet: 40 x 24 9/16 inches (101.6 x 62.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965
Fox Hunting: Away!
Creator:
John Harris, 1811–1865
Date:
1844
Materials & Techniques:
Aquatint, printed in color and by hand
Dimensions:
Sheet: 16 5/8 x 24 1/4in. (42.2 x 61.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Fox-hunting: Who-hoop!
Creator:
John Harris, 1811–1865
Date:
1844
Materials & Techniques:
Aquatint, printed in color and by hand
Dimensions:
Sheet: 16 5/8 x 24 1/4in. (42.2 x 61.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Marlow Ferry
Creator:
Print made by Robert Walker Macbeth, 1848–1910
Date:
1880
Materials & Techniques:
Etching on thin, slightly textured, cream wove paper
Dimensions:
Image: 11 3/4 × 17 7/8 inches (29.8 × 45.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Dr. Lee MacCormick Edwards Collection, Gift of Alison Edwards Curwen
Galleria di Sopra, Albano
Creator:
John Robert Cozens, 1752–1797
Date:
ca. 1778
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper, mounted on moderately thick, slightly textured, cream laid paper
Dimensions:
Mount: 18 3/8 x 24 1/2 inches (46.7 x 62.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Chukha Castle in Bhutan
Creator:
Samuel Davis, 1760–1819
Date:
1783
Materials & Techniques:
Watercolor, graphite, and black chalk on medium, slightly textured, cream wove paper
Dimensions:
Mount: 18 7/16 × 24 3/8 inches (46.8 × 61.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Boree Timranze Durgum Taken from the Pehher River Near Cavenpatan-Barramah'l (South India)
Creator:
Samuel Davis, 1760–1819
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Mount: 18 7/16 × 24 1/2 inches (46.8 × 62.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mountainous Landscape with River
Creator:
Samuel Davis, 1760–1819
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Mount: 19 1/8 × 24 1/2 inches (48.6 × 62.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Three Witches from Macbeth: Double, Double, Toil and Trouble
Creator:
Mary Hoare, 1744–1820
Date:
1781
Materials & Techniques:
Watercolor with black ink and scraping over graphite on thick, slightly textured cream wove paper mounted on moderately thick, slightly textured cream laid paper with contemporary drawn border
Dimensions:
Mount: 20 3/4 x 24 3/16 inches (52.7 x 61.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Old British Camp in Bulstrode Park
Creator:
George Arthur Fripp, 1813–1896
Date:
1860
Materials & Techniques:
Watercolor, gouache, graphite, and gum with scraping out on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 7/8 × 24 1/4 inches (35.2 × 61.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Study - The River Taw (Sycamore) June 13, 1998
Creator:
Susan Derges, born 1955
Date:
1998
Materials & Techniques:
Dye destruction print on photographic paper
Dimensions:
Sheet: 66 1/2 × 24 1/4 inches (168.9 × 61.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Joy of Giving Something, Inc.
Headfort House: Chamber Floor Plan
Creator:
Sir William Chambers, 1723–1796
Date:
1765
Materials & Techniques:
Gray wash with pen and brown and black ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 15/16 x 24 3/8 inches (40.5 x 61.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Headfort House: Plan of the Cellar Story
Creator:
Sir William Chambers, 1723–1796
Date:
1765
Materials & Techniques:
Gray wash with pen and brown and black ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 16 x 24 7/16 inches (40.6 x 62 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Headfort House: East Elevation of House, East Elevation of Offices, and Attic Story Plan
Creator:
Sir William Chambers, 1723–1796
Date:
1765
Materials & Techniques:
Gray and brown wash with pen and brown and black ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 15/16 x 24 5/16 inches (40.5 x 61.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Headfort House, Ireland: Sections of the House and Offices
Creator:
Sir William Chambers, 1723–1796
Date:
1765
Materials & Techniques:
Graphite, watercolor and pen and brown ink on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 15 7/8 x 24 5/16 inches (40.3 x 61.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Headfort House, Ireland: Plan of Principal Floor
Creator:
Sir William Chambers, 1723–1796
Date:
ca. 1765
Materials & Techniques:
Graphite, gray wash, watercolor and pen and black and brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 15/16 x 24 3/8 inches (40.5 x 61.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Headfort House, Ireland: Elevations of the North and South Fronts
Creator:
Sir William Chambers, 1723–1796
Date:
1765
Materials & Techniques:
Graphite, pen and black and brown ink, and gray and brown wash on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 7/8 x 24 3/16 inches (40.4 x 61.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

143. Palindrome

Palindrome
Creator:
Richard Hamilton, 1922–2011
Date:
1974
Materials & Techniques:
Lenticular acrylic laminated on color collotype
Dimensions:
Frame: 34 1/2 × 24 1/2 × 2 1/4 inches (87.6 × 62.2 × 5.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Barbara Sunderman Hoerner
Study for Gassed Soldiers
Creator:
John Singer Sargent, 1856–1925
Date:
1918
Materials & Techniques:
Charcoal and graphite on medium, moderately textured, cream wove paper mounted on card
Dimensions:
Sheet: 18 1/2 x 24 1/4 inches (47 x 61.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948
See India: Travancore State
Creator:
D. Newsome, active 1935
Date:
ca. 1935
Materials & Techniques:
Chromolithograph
Dimensions:
Sheet: 39 7/16 x 24 7/16 inches (100.2 x 62.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965
Come In To Play | Use A Season Ticket
Creator:
Print made by Paul Nash, 1889–1946
Date:
1936
Materials & Techniques:
Lithograph
Dimensions:
Sheet: 39 1/2 x 24 1/2 inches (100.3 x 62.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965
Come Out To Live | Buy A Season Ticket
Creator:
Paul Nash, 1889–1946
Date:
1936
Materials & Techniques:
Lithograph
Dimensions:
Sheet: 39 1/2 x 24 1/2 inches (100.3 x 62.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965
View of the Port of Liverpool
Creator:
Richard Gilson Reeve, 1803–1889
Date:
1836
Materials & Techniques:
Color printed etching and aquatint with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 21 1/4 × 27 1/8 inches (54 × 68.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Representation of the Festival for the Return of Peace
Creator:
William Johnstone White, active 1804–died c.1870
Date:
1815
Materials & Techniques:
Colored aquatint on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 19 3/4 × 24 7/16 inches (50.2 × 62.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Fighting Téméraire
Creator:
Print made by Henry Robert Robertson, 1839–1921
Date:
ca. 1887
Materials & Techniques:
Etching printed in brown ink on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 22 × 29 1/4 inches (55.9 × 74.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of David Doret, Yale BA 1968
Hyde Park Corner
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Pen and black ink and gray wash over graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 8 15/16 x 24 7/16 inches (22.7 x 62.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Morning of the Gale, November 23 1824 in Catwater at Plymouth
Creator:
Thomas Sutherland, ca. 1785–1838
Date:
ca. 1825
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 19 x 24 1/2in. (48.3 x 62.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A View of Pont Neuf, the Mint, & c.
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Soft-ground etching, drypoint and aquatint, published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/4 × 24 1/2 inches (40 × 62.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tremal Naig's Choultry, Madura
Creator:
Thomas Daniell, 1749–1840
Date:
1792
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Mount: 19 3/8 × 25 15/16 inches (49.2 × 65.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul F. Walter
A Fancy Ball, Winding up with Sir Roger de Coverley, in Appropriate Costume.
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1846
Materials & Techniques:
Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 17 9/16 x 24 5/16 inches (44.6 x 61.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of Queen Square
Creator:
Engraved by Robert Pollard, 1755–1838
Date:
1789
Materials & Techniques:
Etching, line engraving, and aquatint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 19 1/2 × 24 7/16 inches (49.5 × 62.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Square of Twelve Cottages, for the Co-partnership Tenants Ltd, Erskine Hill, Hampstead
Creator:
William Henry Ward M.A., A.R.I.B.A., 1865–1924
Date:
ca. 1909
Materials & Techniques:
Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 × 24 3/8 inches (27.9 × 61.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse
Design for Grosvenor House, London: South Elevation
Creator:
Thomas Cundy, 1790–1867
Date:
1845
Materials & Techniques:
Graphite and wash on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 18 3/4 × 24 3/8 inches (47.6 × 61.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Design for Grosvenor House, London: North Elevation
Creator:
Thomas Cundy, 1790–1867
Date:
1845
Materials & Techniques:
Graphite and wash on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 17 1/4 × 24 3/8 inches (43.8 × 61.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Lake of Albano and Castel Gandolfo
Creator:
John Robert Cozens, 1752–1797
Date:
between 1783 and 1785
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 x 24 3/8 inches (43.2 x 61.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Near Chiavenna in the Grisons
Creator:
John Robert Cozens, 1752–1797
Date:
ca. 1779
Materials & Techniques:
Watercolor, black ink, graphite and gray wash on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 16 3/4 x 24 1/2 inches (42.5 x 62.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Bay of Naples from Capodimonte
Creator:
John Robert Cozens, 1752–1797
Date:
1790
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper, mounted on thick, slightly textured wove paper
Dimensions:
Mount: 17 7/8 x 24 1/4 inches (45.4 x 61.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of St. Nicholas Church at Valenciennes after the Siege
Creator:
Joseph Farington, 1747–1821
Date:
1793
Materials & Techniques:
Pen and black ink, gray ink, gray wash, black wash and graphite on medium, slightly textured, beige wove paper
Dimensions:
Mount: 19 × 26 13/16 inches (48.3 × 68.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
British, Neoclassical Revival frame
Creator:
unknown framemaker
Date:
mid-19th century
Materials & Techniques:
Wood and compo, canvas, later gilding over original gilding
Dimensions:
Frame: 17 × 24 1/2 × 2 inches (43.2 × 62.2 × 5.1 cm)
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical Revival frame
Creator:
unknown framemaker
Date:
19th century
Materials & Techniques:
Wood and compo, original oil and water gilding, partially regilded
Dimensions:
Frame: 17 × 24 1/2 × 2 inches (43.2 × 62.2 × 5.1 cm)
Collection:
Frames
Credit Line:
Yale Center for British Art