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101. The Grand Canal, Venice

Creator:: Print made by William Miller, 1796–1882
Date:: 1838
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 25 3/8 × 37 1/2 inches (64.5 × 95.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

102. Mercury and Argus

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1841
Materials & Techniques:: Etching and engraving with chine collé; second state on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 29 1/2 × 22 3/4 inches (74.9 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

103. Tamworth Castle, Staffordshire

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1832
Materials & Techniques:: Etching with chine-collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/2 × 22 5/8 inches (41.9 × 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

104. Laugharne Castle, Caermarthenshire

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1833
Materials & Techniques:: Etching and engraving with chine-collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 7/8 × 22 3/4 inches (42.9 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

105. Longships Lighthouse, Lands End

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1836
Materials & Techniques:: Etching with chine-collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/8 × 22 3/4 inches (41.6 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

106. Longships Lighthouse, Land's End

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1836
Materials & Techniques:: Etching and engraving with chine-collé; engraver's proof (a) on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 16 1/2 × 22 5/8 inches (41.9 × 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

107. Dudley, Worcestershire

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1835
Materials & Techniques:: Etching with chine-collé; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/8 × 22 3/4 inches (41.6 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

108. Flint Castle, North Wales

Creator:: Print made by James H. Kernot, 1802–1858
Date:: 1836
Materials & Techniques:: Etching with chine-collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 22 1/4 inches (41.3 × 56.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

109. Aldborough, Suffolk

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1827-1838
Materials & Techniques:: Etching and engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 7/8 × 22 5/8 inches (42.9 × 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

110. Orford, Suffolk

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1827-1838
Materials & Techniques:: Etching with chine collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/2 × 22 5/8 inches (41.9 × 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

111. Valle Crucis Abbey, Denbighshire

Creator:: Print made by J. C. Varrall, active 1815–1827
Date:: 1827-1838
Materials & Techniques:: Etching and engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 7/8 × 22 5/8 inches (42.9 × 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

112. Valle Crucis Abbey, Denbighshire

Creator:: Print made by J. C. Varrall, active 1815–1827
Date:: 1827-1838
Materials & Techniques:: Etching with chine collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/8 × 22 5/8 inches (41.6 × 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

113. Stone Henge

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1829
Materials & Techniques:: Etching and engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/4 × 22 3/4 inches (42.5 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

114. Richmond Hill and Bridge, Surrey

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1832
Materials & Techniques:: Etching with chine-collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/8 × 22 3/4 inches (41.6 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

115. Chatham, Kent

Creator:: Print made by William Miller, 1796–1882
Date:: 1832
Materials & Techniques:: Etching with chine-collé; open etched state on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 16 3/8 × 22 3/4 inches (41.6 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

116. Lancaster from the Aqueduct Bridge

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1827-1838
Materials & Techniques:: Etching and engraving with chine collé; later engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/2 × 22 5/8 inches (41.9 × 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

117. A Hunting Piece in the Hunting Hall at Houghton

Creator:: Daniel Lerpiniere, c.1745–1785
Date:: 1778
Materials & Techniques:: Engraving with cartouche in center of publisher's line
Dimensions:: Sheet: 17 x 23in. (43.2 x 58.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

118. Malmsbury Abbey, Wiltshire

Creator:: Print made by J. C. Varrall, active 1815–1827
Date:: 1827-1838
Materials & Techniques:: Etching with chine collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 5/8 × 22 3/4 inches (42.2 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

119. Dunstanborough Castle, Northumberland

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1827-1838
Materials & Techniques:: Etching with chine collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 5/8 × 22 3/4 inches (42.2 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

120. Carisbrook Castle, Isle of Wight

Creator:: Print made by Charles Westwood, active 1819–1838
Date:: 1827-1838
Materials & Techniques:: Etching with chine collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/8 × 22 7/8 inches (41.6 × 58.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

121. Cowes, Isle of Wight

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1827-1838
Materials & Techniques:: Etching with chine collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/2 × 22 3/4 inches (41.9 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

122. Bedford, Bedfordshire

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1831
Materials & Techniques:: Etching and chine-collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 5/8 × 22 5/8 inches (42.2 × 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

123. Richmond Hill and Bridge, Surrey

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1832
Materials & Techniques:: Etching and engraving with chine-collé; engraver's proof (aa) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/2 × 22 5/8 inches (41.9 × 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

124. Richmond Hill and Bridge, Surrey

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1832
Materials & Techniques:: Etching and engraving with chine-collé; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 22 5/8 inches (41.3 × 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

125. Saltash, Cornwall

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1827-1838
Materials & Techniques:: Etching and engraving with chine collé; early engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/2 × 22 3/4 inches (41.9 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

126. Launceston, Cornwall

Creator:: Print made by J. C. Varrall, active 1815–1827
Date:: 1827-1838
Materials & Techniques:: Etching and engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/4 × 22 5/8 inches (42.5 × 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

127. Richmond, Yorkshire

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1827-1838
Materials & Techniques:: Etching with chine collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/8 × 22 3/4 inches (41.6 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

128. Richmond, Yorkshire

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1827-1838
Materials & Techniques:: Etching and engraving with graphite; touched engraver's proof (a) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 × 9 3/4 inches (17.8 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

129. Richmond, Yorkshire

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1827-1838
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 7/8 × 22 3/4 inches (42.9 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

130. Fall of the Tees, Yorkshire

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1827-1838
Materials & Techniques:: Etching with chine collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 5/8 × 22 7/8 inches (42.2 × 58.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

131. Dartmouth Cove

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1827-1838
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/4 × 22 3/4 inches (42.5 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

132. Dartmouth Cove

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1827-1838
Materials & Techniques:: Etching with chine collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/2 × 22 7/8 inches (41.9 × 58.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

133. The Temple of Jupiter in the Island of Aegina

Creator:: Etched by Samuel Middiman, ca. 1750–1831
Date:: 1828
Materials & Techniques:: Etching and engraving; engraver's proof (b) on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 22 1/8 × 31 3/8 inches (56.2 × 79.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

134. Temple of Jupiter Panhellenius

Creator:: Etched by Samuel Middiman, ca. 1750–1831
Date:: 1828
Materials & Techniques:: Etching and engraving; engraver's proof (c) on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 24 1/8 × 31 inches (61.3 × 78.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

135. Prince of Wales Island, Penang

Creator:: Ensign Caldwell, c.1800
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, graphite and gouache on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 3/8 × 22 7/8 inches (36.5 × 58.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

136. Cobham Hall, Kent: Full Size Drawing of Cross

Creator:: James Wyatt, 1746–1813
Date:: 1798
Materials & Techniques:: Graphite, pen and black ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 27 7/8 x 23 inches (70.8 x 58.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

137. Convent at Valmontone. November 1790

Creator:: Sir Richard Colt Hoare, 1758–1838
Date:: 1790
Materials & Techniques:: Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 16 3/8 x 22 5/8 inches (41.6 x 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

138. Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam

Creator:: Christian von Mechel, 1737–1817
Date:: 1792
Materials & Techniques:: Colored engraving on textured, moderately thick, cream laid paper
Dimensions:: Sheet: 19 3/8 × 25 3/4 inches (49.2 × 65.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

139. Worth Matravers, Dorset

Creator:: Paul Nash, 1889–1946
Date:: 1936
Materials & Techniques:: Watercolor, graphite, black chalk and blue chalk on thick, moderately textured, white wove paper
Dimensions:: Sheet: 15 1/2 x 23 inches (39.4 x 58.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

140. Lleweney Bleach Works

Creator:: Thomas Malton, 1726–1801
Date:: 1798
Materials & Techniques:: Hand-colored aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 20 5/8 × 25 7/8 inches (52.4 × 65.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

141. View of the Tuileries and Bridge taken from the Pont de la Concorde

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/8 × 22 3/4 inches (25.7 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

142. Design of a Ruineous Bridge for the Garden at Sion

Creator:: Thomas Vivares, c.1735–c.1790
Date:: 1778
Materials & Techniques:: Line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 18 7/8 × 24 5/16 inches (47.9 × 61.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

143. Fete Champetre, 9 June 1774 (Inside of the Supper-Room)

Creator:: James Caldwall, 1739–1819
Date:: 1780
Materials & Techniques:: Engraving
Dimensions:: Sheet: 17 1/2 x 22 3/4in. (44.5 x 57.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

144. The Bank

Creator:: Print made by Thomas Malton the Younger, 1748–1804
Date:: 1781
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor on slightly textured, moderately thick, cream laid paper
Dimensions:: Sheet: 17 7/16 × 22 15/16 inches (44.3 × 58.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

145. The Orrery

Creator:: Print made by William Pether, ca. 1738–1821
Date:: 1768
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 17 3/4 x 23in. (45.1 x 58.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

146. The Beggar's Oak, Bagot's Park, Aug. 12th, 1820 (A Celebrated Ancient Tree on Lord Bagot's Blithfield Hall Estate in Staffordshire)

Creator:: James Ward, 1769–1859
Date:: 1820
Materials & Techniques:: Graphite and black and white chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 22 3/4 inches (34.6 x 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

147. A View of Pont Neuf, the Mint and etc.

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 25 inches (41.3 × 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

148. View of Pont Neuf, part of the Louvre and the College of Four Nations

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper.
Dimensions:: Sheet: 16 1/4 × 25 inches (41.3 × 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

149. David Garrick as Sir John Brute in Act IV, the Drunken Scene, in Vanburgh's 'The Provok'd Wife'

Creator:: John Finlayson, 1730–1776
Date:: 1768
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 18 5/8 x 22 5/8 inches (47.3 x 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

150. A View of the New Bridge Over the Thames at Walton in Surrey

Creator:: Anthony Walker, 1726–1765
Date:: 1750
Materials & Techniques:: Colored engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 3/4 × 24 3/16 inches (32.4 × 61.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

151. Untitled - Man in bearskin seated holding a shovel, two women in the center and a Roman on the right

Creator:: John Hall, 1739–1797
Date:: 1771
Materials & Techniques:: Engraving
Dimensions:: Sheet: 21 x 23in. (53.3 x 58.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

152. The Pool of Bethesda

Creator:: Print made by Simon François Ravenet, 1706–1774
Date:: 1772
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 19 3/8 × 22 5/8 inches (49.2 × 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

153. Tellicherry

Creator:: Print made by Gerard van der Gucht, 1696–1776
Date:: 1736
Materials & Techniques:: Etching and engraving with hand coloring in watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 3/4 × 23 3/8 inches (45.1 × 59.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

154. The Duchess's First Levee

Creator:: unknown artist
Date:: 1791
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 15 3/4 x 23in. (40 x 58.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

155. Liberty in Utopia - Liberty in France

Creator:: unknown artist
Date:: 1791
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 14 x 22 7/8in. (35.6 x 58.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

156. The Earl of Chesterfield's State-Carriage

Creator:: William Ward, 1766–1826
Date:: 1800
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 17 1/4 x 22 5/8in. (43.8 x 57.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

157. This Celebrated Ewe was Bred and Fed, by Mr. Wilcox.

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Etching and line engraving with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 20 x 24 3/8 inches (50.8 x 61.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

158. Racing: Rosette. The Property of Henry Peirse Esq.

Creator:: William Ward, 1766–1826
Date:: 1811
Materials & Techniques:: Mezzotint, printed in color
Dimensions:: Sheet: 18 1/2 x 22 7/8in. (47 x 58.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

159. `Queen's return from the House of Lords'

Creator:: Benjamin Read, active 1820s–1840s
Date:: 1839
Materials & Techniques:: Engraving with aquatint, hand-colored
Dimensions:: Sheet: 17 x 23in. (43.2 x 58.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of John Russell

160. A View of Pont Neuf, the Mint, & c.

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Soft-ground etching, drypoint and aquatint, published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 1/2 inches (40 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

161. Animals [a pair]: 2. Evening or the Post Boy's Return

Creator:: Daniel Orme, 1766–1837
Date:: 1796
Materials & Techniques:: Color printed stipple engraving
Dimensions:: Sheet: 16 15/16 x 22 13/16in. (43 x 57.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

162. View of the Capture of Amoy on the Coast of China, on the 26th August, 1841... Plate 2

Creator:: Print made by Henry Papprill, 1816–d.after 1883
Date:: 1842
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 12 5/8 × 22 3/4 inches (32.1 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

163. Mount Abu

Creator:: Patrick Procktor, 1936–2003
Date:: 1970
Materials & Techniques:: Color printed aquatint on moderately thick, moderately textured, white wove paper
Dimensions:: Sheet: 22 1/4 × 31 1/8 inches (56.5 × 79.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Jack W. C. Hagstrom, M.D.

164. Plate X: St Stephen's Chapel

Creator:: Print made by James Basire, 1730–1802
Date:: 1795
Materials & Techniques:: Line engraving on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 15 5/8 × 22 5/8 inches (39.7 × 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

165. The Captive

Creator:: Print made by Thomas Ryder, 1746–1810
Date:: 1786
Materials & Techniques:: Etching and stipple engraving on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 18 3/8 × 22 11/16 inches (46.7 × 57.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Dr. and Mrs. John E. Larkin Jr. in honor of Jules D. Prown

166. Familia Regia: Henry VIII, Henry VII, Elizabeth of York, Jane Seymour

Creator:: George Vertue, 1684–1756
Date:: 1742
Materials & Techniques:: Engraving on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 19 7/8 × 23 3/4 inches (50.5 × 60.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

167. Animals [a pair]: 1. Morning or the Higlers preparing for Market

Creator:: Daniel Orme, 1766–1837
Date:: 1796
Materials & Techniques:: Color printed stipple engraving
Dimensions:: Sheet: 16 7/8 x 22 5/8in. (42.9 x 57.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

168. Four Prize Wethers

Creator:: Print made by John West Giles, active 1827–1865
Date:: 1837
Materials & Techniques:: Lithograph with hand coloring on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 x 22 3/4 inches (45.7 x 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

169. The Wellesley Arabian

Creator:: Charles Turner, 1774–1857
Date:: ca. 1810
Materials & Techniques:: Mezzotint, proof before letters
Dimensions:: Plate: 19 1/4 x 22 5/8in. (48.9 x 57.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

170. Brushworks No. 2

Creator:: Print made by Patrick Heron, 1920–1999
Date:: 1999
Materials & Techniques:: Color-printed sugarlift etching, printed à la poupée from one plate on 300gsm Velin Arches Blanc paper
Dimensions:: Sheet: 26 1/2 × 31 1/2 inches (67.3 × 80 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund

171. Brushworks No. 3

Creator:: Print made by Patrick Heron, 1920–1999
Date:: 1999
Materials & Techniques:: Color-printed sugarlift and open-bite etching, printed from four plates on 300gsm Velin Arches Blanc paper
Dimensions:: Sheet: 26 1/2 × 31 1/2 inches (67.3 × 80 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund

172. Brushworks No. 5

Creator:: Print made by Patrick Heron, 1920–1999
Date:: 1999
Materials & Techniques:: Color-printed sugarlift etching, printed from three plates on 300gsm Velin Arches Blanc paper
Dimensions:: Sheet: 26 1/2 × 31 1/2 inches (67.3 × 80 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund

173. Brushworks No. 6

Creator:: Print made by Patrick Heron, 1920–1999
Date:: 1999
Materials & Techniques:: Color-printed sugarlift etching, printed from three plates on 300gsm Velin Arches Blanc paper
Dimensions:: Sheet: 26 1/2 × 31 1/2 inches (67.3 × 80 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund

174. Brushworks No. 4

Creator:: Print made by Patrick Heron, 1920–1999
Date:: 1999
Materials & Techniques:: Color-printed sugarlift etching, printed from three plates on 300gsm Velin Arches Blanc paper
Dimensions:: Sheet: 26 1/2 × 31 1/2 inches (67.3 × 80 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund

175. Brushworks No. 8

Creator:: Print made by Patrick Heron, 1920–1999
Date:: 1999
Materials & Techniques:: Sugarlift etching on 300gsm Velin Arches Blanc paper
Dimensions:: Sheet: 26 1/2 × 31 1/2 inches (67.3 × 80 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund

176. Brushworks No. 9

Creator:: Print made by Patrick Heron, 1920–1999
Date:: 1999
Materials & Techniques:: Color-printed sugarlift etching, printed from three plates on 300gsm Velin Arches Blanc paper
Dimensions:: Sheet: 26 1/2 × 31 1/2 inches (67.3 × 80 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund

177. Brushworks No. 11

Creator:: Print made by Patrick Heron, 1920–1999
Date:: 1999
Materials & Techniques:: Color-printed sugarlift etching, printed from two plates on 300gsm Velin Arches Blanc paper
Dimensions:: Sheet: 26 1/2 × 31 1/2 inches (67.3 × 80 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund

178. Brushworks No. 10

Creator:: Print made by Patrick Heron, 1920–1999
Date:: 1999
Materials & Techniques:: Color-printed sugarlift etching, printed from four plates on 300gsm Velin Arches Blanc paper
Dimensions:: Sheet: 26 1/2 × 31 1/2 inches (67.3 × 80 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund

179. Brushworks No. 7

Creator:: Print made by Patrick Heron, 1920–1999
Date:: 1999
Materials & Techniques:: Color-printed sugarlift etching, printed from two plates on 300gsm Velin Arches Blanc paper
Dimensions:: Sheet: 26 1/2 × 31 1/2 inches (67.3 × 80 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund

180. The Spangled Cock

Creator:: Joseph Crawhall, 1861–1913
Date:: 1903
Materials & Techniques:: Watercolor heightened with gouache on linen mounted on panel
Dimensions:: Sheet: 17 11/16 x 23in. (44.9 x 58.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

181. Anjeer Point on Java

Creator:: Thomas Daniell, 1749–1840
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 12 5/8 x 20 5/8 inches (32.1 x 52.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul F. Walter

182. South East View of Fort George, Madras

Creator:: Thomas Daniell, 1749–1840
Date:: January 1793
Materials & Techniques:: Graphite on thin, slightly textured, beige laid paper
Dimensions:: Mount: 14 7/16 × 22 5/8 inches (36.7 × 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul F. Walter

183. An Unidentified Country House: First Floor Plan

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite, pen and black ink and watercolor on smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 17 1/4 × 22 3/4 inches (43.8 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

184. An Unidentified Country House: Ground Floor Plan

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite, pen and black ink and watercolor on smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 17 5/8 × 23 inches (44.8 × 58.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

185. The North or Great Barn Farm at Earlham

Creator:: Isaac Johnson, 1754–1835
Date:: 1753
Materials & Techniques:: Graphite, pen and brown ink, watercolor and gouache on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 14 1/2 × 22 3/4 inches (36.8 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

186. Survey of Tunstall Marshes

Creator:: Isaac Johnson, 1754–1835
Date:: 1753
Materials & Techniques:: Graphite, pen and black ink, watercolor and gouache on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 15 3/4 × 22 7/8 inches (40 × 58.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

187. Marcus and a Pink

Creator:: Patrick Procktor, 1936–2003
Date:: 1971
Materials & Techniques:: Color printed aquatint on moderately thick, moderately textured, white wove paper
Dimensions:: Frame: 32 x 23 3/4 inches (81.3 x 60.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Jack W. C. Hagstrom, M.D.

188. Dinton House, Wiltshire: Perspective View

Creator:: Studio of Sir Jeffry Wyatville, 1766–1840
Date:: ca. 1812
Materials & Techniques:: Watercolor over graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 15 1/4 × 22 3/4 inches (38.7 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

189. Grasmere from Gray's Journal

Creator:: Print made by Donald Wilkinson, born 1937
Date:: 1982
Materials & Techniques:: Color printed etching and aquatint on thick, moderately textured, white wove paper
Dimensions:: Sheet: 29 1/8 x 22 7/8 inches (74 x 58.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Renée and Geoffrey Hartman, Yale PhD 1953

190. The Valley Behind Me

Creator:: Print made by Donald Wilkinson, born 1937
Date:: 1976
Materials & Techniques:: Color printed etching and aquatint on thick, moderately textured, white wove paper
Dimensions:: Sheet: 29 1/8 x 23 inches (74 x 58.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Renée and Geoffrey Hartman, Yale PhD 1953

191. Blue to Red

Creator:: Michael Rothenstein, 1908–1993
Date:: 1970
Materials & Techniques:: Color woodcut, screen print, half-tone block on wove paper
Dimensions:: Sheet: 28 3/4 x 22 3/4in. (73 x 57.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Mrs. Michael Rothenstein

192. The Victorious Procession to St. Pauls or Billy's Grand Triumphal, Entry a Prelude

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1797
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 7 x 23in. (17.8 x 58.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

193. Brushworks No. 1

Creator:: Print made by Patrick Heron, 1920–1999
Date:: 1999
Materials & Techniques:: Color-printed sugarlift etching, printed from three plates on 300gsm Velin Arches Blanc paper
Dimensions:: Sheet: 26 1/2 × 31 1/2 inches (67.3 × 80 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund

194. The Leicestershire Hunt - Symptoms of a Skurry in a Pewy Country

Creator:: Possibly Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, graphite, gouache, pen and brown ink, and black ink on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 3/16 × 22 11/16 inches (23.3 × 57.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

195. View of London Bloomsbury Square

Creator:: Print made by Robert Pollard, 1755–1838
Date:: 1787
Materials & Techniques:: Etching and aquatint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 3/4 × 25 3/4 inches (50.2 × 65.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

196. Paris, A View of Pont au Changes

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1800 to 1802
Materials & Techniques:: Hand colored soft-ground etching with brown, gray, and blue wash on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 9 1/8 × 19 5/16 inches (23.2 × 49.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

197. Part of Calcutta Taken From the Bungalow a Little Below the Orphan House

Creator:: Thomas Daniell, 1749–1840
Date:: undated
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 12 5/8 × 20 3/4 inches (32.1 × 52.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul F. Walter

198. The New Court House and Chandpam Ghaut

Creator:: Thomas Daniell, 1749–1840
Date:: ca. 1787
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 12 × 20 11/16 inches (30.5 × 52.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul F. Walter

199. Racing Scene: three racehorses with jockeys up

Creator:: Tessa Pullan, born 1953
Date:: 1994
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/2 × 22 3/4 inches (39.4 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

200. Rochester, Kent: from the North

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1790
Materials & Techniques:: Watercolor with pen and black ink over graphite on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 17 5/16 x 23 inches (44 x 58.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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101. The Grand Canal, Venice

102. Mercury and Argus

103. Tamworth Castle, Staffordshire

104. Laugharne Castle, Caermarthenshire

105. Longships Lighthouse, Lands End

106. Longships Lighthouse, Land's End

107. Dudley, Worcestershire

108. Flint Castle, North Wales

109. Aldborough, Suffolk

110. Orford, Suffolk

111. Valle Crucis Abbey, Denbighshire

112. Valle Crucis Abbey, Denbighshire

113. Stone Henge

114. Richmond Hill and Bridge, Surrey

115. Chatham, Kent

116. Lancaster from the Aqueduct Bridge

117. A Hunting Piece in the Hunting Hall at Houghton

118. Malmsbury Abbey, Wiltshire

119. Dunstanborough Castle, Northumberland

120. Carisbrook Castle, Isle of Wight

121. Cowes, Isle of Wight

122. Bedford, Bedfordshire

123. Richmond Hill and Bridge, Surrey

124. Richmond Hill and Bridge, Surrey

125. Saltash, Cornwall

126. Launceston, Cornwall

127. Richmond, Yorkshire

128. Richmond, Yorkshire

129. Richmond, Yorkshire

130. Fall of the Tees, Yorkshire

131. Dartmouth Cove

132. Dartmouth Cove

133. The Temple of Jupiter in the Island of Aegina

134. Temple of Jupiter Panhellenius

135. Prince of Wales Island, Penang

136. Cobham Hall, Kent: Full Size Drawing of Cross

137. Convent at Valmontone. November 1790

138. Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam

139. Worth Matravers, Dorset

140. Lleweney Bleach Works

141. View of the Tuileries and Bridge taken from the Pont de la Concorde

142. Design of a Ruineous Bridge for the Garden at Sion

143. Fete Champetre, 9 June 1774 (Inside of the Supper-Room)

144. The Bank

145. The Orrery

146. The Beggar's Oak, Bagot's Park, Aug. 12th, 1820 (A Celebrated Ancient Tree on Lord Bagot's Blithfield Hall Estate in Staffordshire)

147. A View of Pont Neuf, the Mint and etc.

148. View of Pont Neuf, part of the Louvre and the College of Four Nations

149. David Garrick as Sir John Brute in Act IV, the Drunken Scene, in Vanburgh's 'The Provok'd Wife'

150. A View of the New Bridge Over the Thames at Walton in Surrey

151. Untitled - Man in bearskin seated holding a shovel, two women in the center and a Roman on the right

152. The Pool of Bethesda

153. Tellicherry

154. The Duchess's First Levee

155. Liberty in Utopia - Liberty in France

156. The Earl of Chesterfield's State-Carriage

157. This Celebrated Ewe was Bred and Fed, by Mr. Wilcox.

158. Racing: Rosette. The Property of Henry Peirse Esq.

159. `Queen's return from the House of Lords'

160. A View of Pont Neuf, the Mint, & c.

161. Animals [a pair]: 2. Evening or the Post Boy's Return

162. View of the Capture of Amoy on the Coast of China, on the 26th August, 1841... Plate 2

163. Mount Abu

164. Plate X: St Stephen's Chapel

165. The Captive

166. Familia Regia: Henry VIII, Henry VII, Elizabeth of York, Jane Seymour

167. Animals [a pair]: 1. Morning or the Higlers preparing for Market

168. Four Prize Wethers

169. The Wellesley Arabian

170. Brushworks No. 2

171. Brushworks No. 3

172. Brushworks No. 5

173. Brushworks No. 6

174. Brushworks No. 4