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301. Peregrine Falcon

Peregrine Falcon
Creator:
Print made by Dame Elisabeth Frink, 1930–1993
Date:
1974
Materials & Techniques:
Color-printed etching and aquatint on moderately thick, moderately textured, white wove paper
Dimensions:
Sheet: 36 1/4 × 25 5/8 inches (92.1 × 65.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the Indianapolis Museum of Art at Newfields

302. Osprey

Osprey
Creator:
Print made by Dame Elisabeth Frink, 1930–1993
Date:
1974
Materials & Techniques:
Color-printed etching and aquatint on moderately thick, moderately textured, white wove paper
Dimensions:
Sheet: 36 1/4 × 25 5/8 inches (92.1 × 65.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the Indianapolis Museum of Art at Newfields

303. Kestrel

Kestrel
Creator:
Print made by Dame Elisabeth Frink, 1930–1993
Date:
1974
Materials & Techniques:
Color-printed etching and aquatint on moderately thick, moderately textured, white wove paper
Dimensions:
Sheet: 36 1/4 × 25 5/8 inches (92.1 × 65.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the Indianapolis Museum of Art at Newfields

304. Lammergeier

Lammergeier
Creator:
Print made by Dame Elisabeth Frink, 1930–1993
Date:
1974
Materials & Techniques:
Color-printed etching and aquatint on moderately thick, moderately textured, white wove paper
Dimensions:
Sheet: 36 1/4 × 25 5/8 inches (92.1 × 65.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the Indianapolis Museum of Art at Newfields

305. Clare College from The Backs

Clare College from The Backs
Creator:
Peter DeWint, 1784–1849
Date:
ca. 1840
Materials & Techniques:
Watercolor and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 1/4 × 18 3/8 inches (31.1 × 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Duncan Robinson, Director, Yale Center for British Art (1981–1995)

306. Study of Fishermen and Gear

Study of Fishermen and Gear
Creator:
Edward Duncan, 1803–1882
Date:
undated
Materials & Techniques:
Pen and brown ink, brown wash, graphite, and white gouache on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 15/16 × 18 5/16 inches (30.3 × 46.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

307. Design for Ardgowan House, Scotland: Principal Floor Plan

Design for Ardgowan House, Scotland: Principal Floor Plan
Creator:
Claud Cleghorn, active 1797–1800
Date:
1797
Materials & Techniques:
Watercolor, gray wash, and pen and black and brown ink on smooth, moderately thick, beige wove paper
Dimensions:
Sheet: 11 3/16 × 18 9/16 inches (28.4 × 47.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

308. Design for Ardgowan House, Scotland: Attic Floor Plan

Design for Ardgowan House, Scotland: Attic Floor Plan
Creator:
Claud Cleghorn, active 1797–1800
Date:
1797
Materials & Techniques:
Graphite, gray wash and pen and black and brown ink on smooth, moderately thick, beige wove paper
Dimensions:
Sheet: 11 1/8 × 18 9/16 inches (28.3 × 47.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

309. Design for Ardgowan House, Scotland: Ground Floor Plan

Design for Ardgowan House, Scotland: Ground Floor Plan
Creator:
Claud Cleghorn, active 1797–1800
Date:
1797
Materials & Techniques:
Gray wash, pen and black ink, and brown ink on smooth, moderately thick, beige wove paper
Dimensions:
Sheet: 11 1/4 × 18 9/16 inches (28.6 × 47.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

310. Design for Ardgowan House, Scotland: Chamber Floor Plan

Design for Ardgowan House, Scotland: Chamber Floor Plan
Creator:
Claud Cleghorn, active 1797–1800
Date:
1797
Materials & Techniques:
Watercolor, gray wash and pen and black and brown ink on smooth, moderately thick, beige wove paper
Dimensions:
Sheet: 11 1/4 × 18 5/8 inches (28.6 × 47.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

311. Design for Ardgowan House, Scotland: South South East Elevation

Design for Ardgowan House, Scotland: South South East Elevation
Creator:
Claud Cleghorn, active 1797–1800
Date:
1797
Materials & Techniques:
Graphite, watercolor, gray wash, and pen and black ink on smooth, moderately thick, beige wove paper
Dimensions:
Sheet: 11 1/8 × 18 1/2 inches (28.3 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

312. Design for Ardgowan House, Scotland: North North West Elevation

Design for Ardgowan House, Scotland: North North West Elevation
Creator:
Claud Cleghorn, active 1797–1800
Date:
1797
Materials & Techniques:
Graphite, watercolor, gray wash, and pen and black ink on smooth, moderately thick, beige wove paper
Dimensions:
Sheet: 11 1/4 × 18 9/16 inches (28.6 × 47.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

313. Cupid and Cephisa: "One Day as I was Walking in the Woods..."

Cupid and Cephisa: "One Day as I was Walking in the Woods..."
Creator:
Print made by Thomas Burke, 1749–1815
Date:
1789
Materials & Techniques:
Stipple engraving and etching, hand-colored on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 19 5/8 x 18 5/8 inches (49.8 x 47.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

314. Coaching [a pair]: 2. Arrival of the Stage Coach

Coaching [a pair]: 2. Arrival of the Stage Coach
Creator:
Robert Havell, 1769–1832
Date:
1816
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 13 5/8 x 18 1/2in. (34.6 x 47cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

315. View of the New Country Prison at Abingdon, Berkshire

View of the New Country Prison at Abingdon, Berkshire
Creator:
Henry Hoppner Meyer, ca. 1782–1847
Date:
undated
Materials & Techniques:
Aquatint, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 16 1/4 × 18 9/16 inches (41.3 × 47.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

316. Carlinan Mill, Iverary, Scotland

Carlinan Mill, Iverary, Scotland
Creator:
unknown artist
Date:
1811
Materials & Techniques:
Colored aquatint on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 16 1/2 × 21 1/2 inches (41.9 × 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

317. Porthleven, 1922

Porthleven, 1922
Creator:
Frederick Etchells, 1886–1973
Date:
1922
Materials & Techniques:
Watercolor, pen and black ink, gouache, gum arabic and graphite on very thick, moderately textured, beige card
Dimensions:
Sheet: 13 3/16 × 18 5/8 inches (33.5 × 47.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

318. Glen Crowe, Western Highlands, Scotland

Glen Crowe, Western Highlands, Scotland
Creator:
after unknown artist
Date:
1811
Materials & Techniques:
Aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/8 × 21 9/16 inches (43.5 × 54.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

319. Julius Caesar: Act IV Scene III: Brutus' Tent ...

Julius Caesar: Act IV Scene III: Brutus' Tent ...
Creator:
Edward Scriven, 1775–1841
Date:
1802
Materials & Techniques:
Engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 25 1/2 x 18 1/2in. (64.8 x 47cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

320. South East View of Longleat House, Wiltshire, the Seat of the Marquis of Bath

South East View of Longleat House, Wiltshire, the Seat of the Marquis of Bath
Creator:
John Buckler FSA, 1770–1851
Date:
1805
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

321. South East View of the Ruins of Moreton Corbet Castle, Shropshire; belonging to Sir Andrew Corbet, Bart.

South East View of the Ruins of Moreton Corbet Castle, Shropshire; belonging to Sir Andrew Corbet, Bart.
Creator:
John Buckler FSA, 1770–1851
Date:
1822
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

322. View of the City with the Louvre &c. taken from Pont Marie

View of the City with the Louvre &c. taken from Pont Marie
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

323. View of the City with the Louvre &c., taken from Pont Marie

View of the City with the Louvre &c., taken from Pont Marie
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Soft-ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

324. View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud

View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

325. View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance

View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

326. The Waterworks at Marli; and St. Germain en Laye seen in the distance

The Waterworks at Marli; and St. Germain en Laye seen in the distance
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

327. Lake Windermere

Lake Windermere
Creator:
Francis Towne, 1740–1816
Date:
1786
Materials & Techniques:
Watercolor and brown and gray ink over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/8 x 18 5/8 inches (15.6 x 47.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

328. View of Lake Coniston, Lancashire

View of Lake Coniston, Lancashire
Creator:
Francis Towne, 1740–1816
Date:
1786
Materials & Techniques:
Watercolor and pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Mount: 12 3/4 × 24 7/8 inches (32.4 × 63.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

329. View of the Rhydaer

View of the Rhydaer
Creator:
Francis Towne, 1740–1816
Date:
1777
Materials & Techniques:
Watercolor and black ink over graphite on medium slightly textured cream laid paper
Dimensions:
Sheet: 11 3/4 x 14 3/4 inches (29.8 x 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

330. The Claudian Aquaduct, Rome

The Claudian Aquaduct, Rome
Creator:
Francis Towne, 1740–1816
Date:
1785
Materials & Techniques:
Watercolor with pen and black ink, over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 5/8 x 18 1/2 inches (32.1 x 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

331. Tom Jones: 'The Philosopher Square, Discovered in Molly Seagrim's Garret'

Tom Jones: 'The Philosopher Square, Discovered in Molly Seagrim's Garret'
Creator:
Peter Simon, 1750–1810
Date:
1789
Materials & Techniques:
Colored stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 16 7/8 × 19 7/8 inches (42.9 × 50.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

332. TiT

TiT
Creator:
Print made by Richard Hamilton, 1922–2011
Date:
2002
Materials & Techniques:
Screen print on white 400gsm Somerset Satin paper
Dimensions:
Sheet: 35 × 26 3/8 inches (88.9 × 67 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Friends of British Art Fund and Gift of Mr. and Mrs. James Duncan, Yale BA 1975

333. Lyson's Cottage, Cowes, Isle of Wight

Lyson's Cottage, Cowes, Isle of Wight
Creator:
attributed to Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and black ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 4 3/4 x 18 7/16 inches (12.1 x 46.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

334. Windsor Castle, Berkshire: Elevation of the North Terrace

Windsor Castle, Berkshire: Elevation of the North Terrace
Creator:
Studio of Sir Jeffry Wyatville, 1766–1840
Date:
undated
Materials & Techniques:
Graphite, pen and black and brown ink, and watercolor on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 1/2 × 18 1/2 inches (31.8 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

335. Dr Graham's Bathing Establishment

Dr Graham's Bathing Establishment
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen black and gray ink over graphite on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 10 7/16 x 16 3/8 inches (26.5 x 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

336. Newport High Street, Isle of Wight

Newport High Street, Isle of Wight
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1797 and 1800
Materials & Techniques:
Watercolor with pen and black and gray ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 x 18 7/16 inches (13.3 x 46.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

337. Gefaler Cathedral

Gefaler Cathedral
Creator:
Print made by Axel Herman Haig, 1835–1921
Date:
1901
Materials & Techniques:
Etching on medium, smooth, beige wove paper mounted on linen
Dimensions:
Sheet: 35 7/16 × 25 13/16 inches (90 × 65.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

338. Landscape of Dayboro, Queensland

Landscape of Dayboro, Queensland
Creator:
Herbert Clarke Simpson, 1879–1966
Date:
1947
Materials & Techniques:
Watercolor on thick, smooth, cream wove paper
Dimensions:
Frame: 16 9/16 × 18 1/2 inches (42 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Dr. Lee MacCormick Edwards Collection, Gift of Alison Edwards Curwen

339. Peaks Hole, Derbyshire

Peaks Hole, Derbyshire
Creator:
Print made by W. Pickett, active 1792–1820
Date:
1805
Materials & Techniques:
Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 × 18 1/2 inches (33 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

340. Trees on a Bank

Trees on a Bank
Creator:
Peter DeWint, 1784–1849
Date:
undated
Materials & Techniques:
Watercolor over graphite on medium, rough, cream wove paper
Dimensions:
Sheet: 13 1/2 x 18 5/8 inches (34.3 x 47.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

341. Cookham, near Maidenhead

Cookham, near Maidenhead
Creator:
Peter DeWint, 1784–1849
Date:
undated
Materials & Techniques:
Watercolor over graphite on thick, rough, cream wove paper
Dimensions:
Sheet: 12 1/8 x 18 5/8 inches (30.8 x 47.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

342. A Summer Day

A Summer Day
Creator:
John Sell Cotman, 1782–1842
Date:
1827 to 1837
Materials & Techniques:
Watercolor and graphite on Medium, moderately textured, cream wove paper
Dimensions:
Sheet: 12 1/2 x 18 3/8 inches (31.8 x 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

343. The Hon. George Pryse Cambell (1793-1858), as a Midshipman

The Hon. George Pryse Cambell (1793-1858), as a Midshipman
Creator:
Henry Edridge, 1769–1821
Date:
1805
Materials & Techniques:
Watercolor, pen and black ink, graphite and scratching out on medium, slightly textured, beige wove paper
Dimensions:
Mount: 14 × 19 inches (35.6 × 48.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

344. View of the Royal Hospital, Chelsea

View of the Royal Hospital, Chelsea
Creator:
Francois Gasselin, ca. 1683–1703
Date:
undated
Materials & Techniques:
Pen and brown ink with gray wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 5/8 × 18 7/16 inches (16.8 × 46.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

345. Goree

Goree
Creator:
Samuel Davis, 1760–1819
Date:
undated
Materials & Techniques:
Watercolor, pen, black ink, gray ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 x 18 1/2 inches (29.8 x 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

346. Waterfall in the Lake District

Waterfall in the Lake District
Creator:
Joseph Farington, 1747–1821
Date:
ca. 1782
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 24 1/8 × 18 9/16 inches (61.3 × 47.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

347. Wooded Rocks by a Stream (Derbyshire?)

Wooded Rocks by a Stream (Derbyshire?)
Creator:
William Day, 1764–1807
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Mount: 16 1/4 × 21 5/8 inches (41.3 × 54.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

348. Uneasy Street

Uneasy Street
Creator:
Sir David Low, 1891–1963
Date:
undated
Materials & Techniques:
Pen and black ink, blue chalk, graphite and white gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 × 18 7/16 inches (33 × 46.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Charles and E. Jennifer Monaghan

349. Prospero and Miranda

Prospero and Miranda
Creator:
Mary Hoare, 1744–1820
Date:
1781
Materials & Techniques:
Watercolor with gouache, black ink, and scraping over graphite on thick, slightly textured cream wove paper mounted on moderately thick, slightly textured cream laid paper with contemporary drawn border
Dimensions:
Mount: 25 11/16 x 18 3/4 inches (65.2 x 47.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

350. Imogen in the Cave, 'Cymbeline', Act III, Scene VI

Imogen in the Cave, 'Cymbeline', Act III, Scene VI
Creator:
Mary Hoare, 1744–1820
Date:
1782
Materials & Techniques:
Watercolor and graphite with pen and black ink on thick, slightly textured cream wove paper mounted on moderately thick, slightly textured cream laid paper with contemporary drawn border
Dimensions:
Mount: 23 1/16 x 18 5/16 inches (58.5 x 46.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

351. Antigonus Disposing of Perdita

Antigonus Disposing of Perdita
Creator:
Mary Hoare, 1744–1820
Date:
ca. 1781
Materials & Techniques:
Watercolor with brown and black ink and scraping over graphite on thick, textured, cream laid paper mounted on thick, textured, beige card with additional inscribed sheet mounted lower center
Dimensions:
Mount: 23 1/16 x 18 5/8 inches (58.5 x 47.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

352. Imogen Entering the Cave, 'Cymbeline', Act III, Scene VI

Imogen Entering the Cave, 'Cymbeline', Act III, Scene VI
Creator:
Mary Hoare, 1744–1820
Date:
1781
Materials & Techniques:
Watercolor with brown ink and scraping over graphite on thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured, cream laid paper with contemporary drawn border
Dimensions:
Mount: 27 5/16 x 21 7/16 inches (69.3 x 54.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

353. British or American (?) Neoclassical style frame

British or American (?) Neoclassical style frame
Creator:
unknown framemaker
Date:
20th century
Materials & Techniques:
Wood and compo, water gilt and patinated
Dimensions:
Frame: 14 1/8 × 18 3/8 × 2 1/4 inches (35.9 × 46.7 × 5.7 cm)
Collection:
Frames
Credit Line:
Yale Center for British Art

354. British, Neoclassical frame

British, Neoclassical frame
Creator:
unknown framemaker
Date:
2nd half of 18th century
Materials & Techniques:
Carved wood, partial regilding over original oil and water gilding; original gilding on sanded inlay
Dimensions:
Frame: 15 3/8 × 18 1/2 × 2 1/4 inches (39.1 × 47 × 5.7 cm)
Collection:
Frames
Credit Line:
Yale Center for British Art

355. British, 'Carlo Maratta' frame

British, 'Carlo Maratta' frame
Creator:
unknown framemaker
Date:
4th quarter of 18th century
Materials & Techniques:
Carved wood, later oil and water gilding over original gilding
Dimensions:
Frame: 22 3/8 × 18 1/2 × 2 1/4 inches (56.8 × 47 × 5.7 cm)
Collection:
Frames
Credit Line:
Yale Center for British Art