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1
- Cloud Study
- 1821
- Not on view
2
- Lion and Lioness
- 1770
- On view
3
- A Limekiln, Possibly at Briton Ferry in South Wales
- ca. 1795-96
- On view
4
- The Straw Yard
- 1810
- Not on view
5
- In Dovedale
- 1814 to 1815
- Not on view
6
- Rustic Contentment
- undated
7
- Landscape Sketch
- undated
8
- Study for "The Shearers"
- between 1833 and 1834
9
- The Wayside Smithy
- undated
10
- Sale at Ward's Repository, No. 2
- ca. 1918
11
- The Bayhorse, Tattersall’s
- 1921
12
- Human Figure, Posterior View (Outline drawing for the key figure of an unpublished plate)
- 1795 to 1806
13
- Human Figure, Lateral View (Preliminary draft for the final study for Table VIII)
- 1795 to 1806
14
- Human Figure, Lateral View (Outline Study in Reverse of Table VIII)
- 1795 to 1806
15
- Human Figure, Lateral View
- 1795 to 1806
16
- Human Figure, Lateral View
- 1795 to 1806
17
- Human Figure, Lateral View
- 1795 to 1806
18
- Human Figure, Anterior View, Skin and Underlying Fascial Layers Removed (Finished Study for Table XI)
- 1795 to 1806
19
- Study of the Human Figure, Anterior View (Probably related to Table XI)
- 1795 to 1806
20
- Human Figure, Lateral View (Related to Table XIII, detailed study of the blood vessels supplying the muscles)
- 1795 to 1806
21
- Human Figure, Anterior View (Largely in outline)
- 1795 to 1806
22
- Human Figure, Anterior View (Outline drawing)
- 1795 to 1806
23
- Human Figure, Anterior View (Finished Study of Final Stage of Dissection)
- 1795 to 1806
24
- Human Figure, Posterior View, Partially Dissected (Finished Study for Table XII)
- 1795 to 1806
25
- Human Skeleton, Lateral View
- 1795 to 1806
26
- Dorking Hen Skeleton, Lateral View (Finished study for an unpublished table)
- 1795 to 1806
27
- The Four Times of Day, Plate I: Morning
- 1738
28
- The Enraged Musician
- 1741
29
- The Invasion, Plate 1: France
- 1756
30
- Industry and Idleness, Plate 12, The Industrious 'Prentice Lord Mayor of London
- 1747
31
- Industry and Idleness, Plate 11, The Idle 'Prentice Executed at Tyburn
- 1747
32
- Operation Scene in a Hospital with Subsidiary Sketches in the Margin at the Lower Right
- undated
33
- The Enraged Musician
- 1741
34
- The Straw Yard
- 1808
35
- From Spenser's Fairy Queen
- 1811
36
- Stonehenge at Daybreak
- 1815 to 1819
37
- Apuleia in Search of Apuleius
- between 1813 and 1823
38
- Solway Moss
- 1816
39
- Lauffenbourgh on the Rhine
- 1811
40
- Mt. St. Gothard
- 1808
41
- Ben Arthur, Scotland
- 1819
42
- Marine Dabblers
- 1811
43
- Windmill and Lock
- 1811
44
- Bridge and Cows
- 1807
45
- Vesuvius in Eruption
- ca. 1818–20
- On view
46
- Ship in a Storm
- between 1820 and 1826
47
- People on the Road Near Kalicut, Malabar
- undated
48
- Mqabba, Qrendi
- 1866
49
- King Lear Awakened by Cordelia
- ca. 1774
50
- The Presentation in the Temple
- 1771
51
- Position de la Garde en Quarte, et le Coup de Flanconnade
- 1763
52
- A Country Church Amongst Hills
- undated
53
- De la Risposte du Cavé de Pied Ferme sur le Coup de Flanconnade a ceux qui n'Opposent pas de la Main Gauche
- 1763
54
- Position Aprés Avoir Desarmé sur le Coup de Quarte
- 1763
55
- L'Epée & Lanterne Combattüe par L'Epée et Manteau
- 1763
56
- Duke of Richmond: Sloops, Schooners, Rowboats
- undated
57
- A View of Edinburgh
- undated
58
- Hotspur / Portsmouth
- undated
59
- London from Blackheath
- undated
60
- Pierre Premier en Hollande: Scene Inside Ship With Peter the Great, Taking Notes, on Shipbuilding
- undated
61
- 1. Going Out / Depart de Chasse
- 1770
62
- 3. The Whipper-In Trown Out / Piqueur qui a Perdu la Piste
- 1770
63
- 4. The Earthing of the Fox / Renard dans son Terrier
- 1770
64
- 6. The Death of the Fox / Mort du Renard
- 1770
65
- Sailing Vessel in Dock, Bow Forward: Squared for Tracing
- undated
66
- 5. Coming at the Death / Halte de Chasse
- 1770
67
- 2. Two Hunters / Deux Chevaux de Chasse
- 1770
68
- 7. Returning from the Chase / Retour de Chasse
- 1770
69
- Village on a Lake
- ca. 1817
70
- Single Brigantine, Sails Furled
- undated
71
- Lord Craven's Yacht, July 23, 1817
- 1817
72
- De la Parade de Quarte au Dedans des Armes sur le Coup de Quarte
- 1763
73
- A Grecian Polacker
- undated
![L. Truchy Set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [A gentleman standing at left with a hound; at right...]](https://media.collections.yale.edu/thumbnail/ycba/86a6ce39-1ee5-49ed-bda7-04b0d0ab6d52)
74
- Set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [A gentleman standing at left with a hound; at right...]
- 1735
![L. Truchy A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Centre, a grey held by a hunt servant, with other horses and hounds....]](https://media.collections.yale.edu/thumbnail/ycba/4eaf5928-0af6-4863-9da0-f657c633c639)
75
- A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Centre, a grey held by a hunt servant, with other horses and hounds....]
- 1735
![L. Truchy A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Two horses standing restlessly outside a stable...]](https://media.collections.yale.edu/thumbnail/ycba/1ffe22d6-5f21-4dde-bd63-af1ca3554133)
76
- A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Two horses standing restlessly outside a stable...]
- 1735
![L. Truchy A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Two riders by a farmhouse asking direction from a peasant; a well at left, with a couple of foxhounds...]](https://media.collections.yale.edu/thumbnail/ycba/672661f0-cfff-4a83-9918-936ab0137f4a)
77
- A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Two riders by a farmhouse asking direction from a peasant; a well at left, with a couple of foxhounds...]
- 1735
![L. Truchy A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Three men digging out a fox's earth, watched eagerly by hounds...]](https://media.collections.yale.edu/thumbnail/ycba/1aa105c3-2a8d-49dd-ba66-47866ceb1d4e)
78
- A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Three men digging out a fox's earth, watched eagerly by hounds...]
- 1735
79
- Evening
- 1828
80
- Castle in a Landscape
- undated
81
- Characters in the Streets of London
- 1799
82
- Rome from the Farnesean Gardens
- 1818-1820
83
- Tomb of Juba II near Algiers
- undated
84
- Studies of a Dhow
- undated
85
- North East View of Dunster Castle, Somersetshire
- 1800
86
- Eton, from the Slough Road
- 1803
87
- Details of Temple at Sheitla
- undated
88
- Centre Composite Temple Suttetula Modern Sheitla
- undated
89
- Measured sketches of arch at Assuras
- undated
90
- Horse and Pony
- undated
91
- The Sailor's Farewell
- 1801
92
- River Scene with Boy and Sheep
- undated
93
- Pale Melancholy
- ca. 1804
94
- Cart Horse Being Led
- undated
95
- Scene with Horse and Rider
- undated
96
- Three Horses and Stable Lad
- undated
97
- Elevation of a Proposed Design for Cambridge Colleges
- ca. 1823
98
- Dandelion Farm, near Margate
- undated
99
- View Near the Mill Looking Toward Licenza: Horace's Villa on the Left
- 1783
100
- Elevation of a Proposed Design for Cambridge Colleges
- ca. 1823