A Limekiln, Possibly at Briton Ferry in South Wales
ca. 1795-96
On view
6
John R. Skeaping, 1901–1980
The Racehorse Zanzibar with Pug Dog of the same
1962
Not on view
7
James Ward, 1769–1859
The Straw Yard
1810
Not on view
8
Norman Black, 1920–1999
Brick Wall
undated
Not on view
9
John Linnell, 1792–1882
In Dovedale
1814 to 1815
Not on view
10
Samuel Palmer, 1805–1881
Rustic Contentment
undated
11
attributed to Samuel Palmer, 1805–1881
Landscape Sketch
undated
12
Samuel Palmer, 1805–1881
Study for "The Shearers"
between 1833 and 1834
13
Samuel Palmer, 1805–1881
The Wayside Smithy
undated
14
Robert Polhill Bevan, 1865–1925
Sale at Ward's Repository, No. 2
ca. 1918
15
Robert Polhill Bevan, 1865–1925
The Bayhorse, Tattersall’s
1921
16
George Stubbs, 1724–1806
Human Figure, Posterior View (Outline drawing for the key figure of an unpublished plate)
1795 to 1806
17
George Stubbs, 1724–1806
Human Figure, Lateral View (Preliminary draft for the final study for Table VIII)
1795 to 1806
18
George Stubbs, 1724–1806
Human Figure, Lateral View (Outline Study in Reverse of Table VIII)
1795 to 1806
19
George Stubbs, 1724–1806
Human Figure, Lateral View
1795 to 1806
20
George Stubbs, 1724–1806
Human Figure, Lateral View
1795 to 1806
21
George Stubbs, 1724–1806
Human Figure, Lateral View
1795 to 1806
22
George Stubbs, 1724–1806
Human Figure, Anterior View, Skin and Underlying Fascial Layers Removed (Finished Study for Table XI)
1795 to 1806
23
George Stubbs, 1724–1806
Study of the Human Figure, Anterior View (Probably related to Table XI)
1795 to 1806
24
George Stubbs, 1724–1806
Human Figure, Lateral View (Related to Table XIII, detailed study of the blood vessels supplying the muscles)
1795 to 1806
25
George Stubbs, 1724–1806
Human Figure, Anterior View (Largely in outline)
1795 to 1806
26
George Stubbs, 1724–1806
Human Figure, Anterior View (Outline drawing)
1795 to 1806
27
George Stubbs, 1724–1806
Human Figure, Anterior View (Finished Study of Final Stage of Dissection)
1795 to 1806
28
George Stubbs, 1724–1806
Human Figure, Posterior View, Partially Dissected (Finished Study for Table XII)
1795 to 1806
29
George Stubbs, 1724–1806
Human Skeleton, Lateral View
1795 to 1806
30
George Stubbs, 1724–1806
Dorking Hen Skeleton, Lateral View (Finished study for an unpublished table)
1795 to 1806
31
Print made by William Hogarth, 1697–1764
The Four Times of Day, Plate I: Morning
1738
32
William Hogarth, 1697–1764
The Enraged Musician
1741
33
William Hogarth, 1697–1764
The Invasion, Plate 1: France
1756
34
Print made by William Hogarth, 1697–1764
Industry and Idleness, Plate 12, The Industrious 'Prentice Lord Mayor of London
1747
35
Print made by William Hogarth, 1697–1764
Industry and Idleness, Plate 11, The Idle 'Prentice Executed at Tyburn
1747
36
William Hogarth, 1697–1764
Operation Scene in a Hospital with Subsidiary Sketches in the Margin at the Lower Right
undated
37
William Hogarth, 1697–1764
The Enraged Musician
1741
38
Etched by Joseph Mallord William Turner, 1775–1851
The Straw Yard
1808
39
Etched by Joseph Mallord William Turner, 1775–1851
From Spenser's Fairy Queen
1811
40
Print made by Joseph Mallord William Turner, 1775–1851
Stonehenge at Daybreak
1815 to 1819
41
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
42
Etched by Joseph Mallord William Turner, 1775–1851
Solway Moss
1816
43
Etched by Joseph Mallord William Turner, 1775–1851
Lauffenbourgh on the Rhine
1811
44
Etched by Joseph Mallord William Turner, 1775–1851
Mt. St. Gothard
1808
45
Etched by Joseph Mallord William Turner, 1775–1851
Ben Arthur, Scotland
1819
46
Etched by Joseph Mallord William Turner, 1775–1851
Marine Dabblers
1811
47
Etched by Joseph Mallord William Turner, 1775–1851
Windmill and Lock
1811
48
Etched by Joseph Mallord William Turner, 1775–1851
Bridge and Cows
1807
49
Joseph Mallord William Turner, 1775–1851
Vesuvius in Eruption
ca. 1818–20
On view
50
Print made by Joseph Mallord William Turner, 1775–1851
Ship in a Storm
between 1820 and 1826
51
Edward Lear, 1812–1888
People on the Road Near Kalicut, Malabar
undated
52
Edward Lear, 1812–1888
Mqabba, Qrendi
1866
53
George Romney, 1734–1802
King Lear Awakened by Cordelia
ca. 1774
54
Richard Earlom, 1743–1822
The Presentation in the Temple
1771
55
James Gwin, 1700–1769
Position de la Garde en Quarte, et le Coup de Flanconnade
1763
56
John Laporte, 1761–1839
A Country Church Amongst Hills
undated
57
James Gwin, 1700–1769
De la Risposte du Cavé de Pied Ferme sur le Coup de Flanconnade a ceux qui n'Opposent pas de la Main Gauche
1763
58
James Gwin, 1700–1769
Position Aprés Avoir Desarmé sur le Coup de Quarte
1763
59
James Gwin, 1700–1769
L'Epée & Lanterne Combattüe par L'Epée et Manteau
1763
60
Joseph Cartwright, c.1789–1829
Duke of Richmond: Sloops, Schooners, Rowboats
undated
61
Alexander Nasmyth, 1758–1840
A View of Edinburgh
undated
62
Joseph Cartwright, c.1789–1829
Hotspur / Portsmouth
undated
63
Francis Nicholson, 1753–1844
London from Blackheath
undated
64
Joseph Cartwright, c.1789–1829
Pierre Premier en Hollande: Scene Inside Ship With Peter the Great, Taking Notes, on Shipbuilding
undated
65
Pierre Charles Canot, ca. 1710–1777
1. Going Out / Depart de Chasse
1770
66
Pierre Charles Canot, ca. 1710–1777
3. The Whipper-In Trown Out / Piqueur qui a Perdu la Piste
1770
67
Pierre Charles Canot, ca. 1710–1777
4. The Earthing of the Fox / Renard dans son Terrier
1770
68
Pierre Charles Canot, ca. 1710–1777
6. The Death of the Fox / Mort du Renard
1770
69
Joseph Cartwright, c.1789–1829
Sailing Vessel in Dock, Bow Forward: Squared for Tracing
undated
70
Pierre Charles Canot, ca. 1710–1777
5. Coming at the Death / Halte de Chasse
1770
71
Pierre Charles Canot, ca. 1710–1777
2. Two Hunters / Deux Chevaux de Chasse
1770
72
Pierre Charles Canot, ca. 1710–1777
7. Returning from the Chase / Retour de Chasse
1770
73
Isaac Weld, 1774–1856
Village on a Lake
ca. 1817
74
Joseph Cartwright, c.1789–1829
Single Brigantine, Sails Furled
undated
75
Joseph Cartwright, c.1789–1829
Lord Craven's Yacht, July 23, 1817
1817
76
James Gwin, 1700–1769
De la Parade de Quarte au Dedans des Armes sur le Coup de Quarte
1763
77
Joseph Cartwright, c.1789–1829
A Grecian Polacker
undated
78
L. Truchy, 1721–1764
Set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [A gentleman standing at left with a hound; at right...]
1735
79
L. Truchy, 1721–1764
A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Centre, a grey held by a hunt servant, with other horses and hounds....]
1735
80
L. Truchy, 1721–1764
A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Two horses standing restlessly outside a stable...]
1735
81
L. Truchy, 1721–1764
A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Two riders by a farmhouse asking direction from a peasant; a well at left, with a couple of foxhounds...]
1735
82
L. Truchy, 1721–1764
A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Three men digging out a fox's earth, watched eagerly by hounds...]