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1. Hampstead Heath, Sunset

Creator:: Francis Danby, 1793–1861
Date:: ca. 1845
Materials & Techniques:: Oil on canvas
Dimensions:: 11 1/4 × 15 1/4 inches (28.6 × 38.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. Cloud Study, Early Morning, Looking East from Hampstead

Creator:: John Constable, 1776–1837
Date:: 1821
Materials & Techniques:: Oil on paper on board
Dimensions:: 5 3/4 x 12 3/4 inches (14.6 x 32.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. Cloud Study

Creator:: John Constable, 1776–1837
Date:: 1821
Materials & Techniques:: Oil on paper laid on panel
Dimensions:: 8 3/8 x 11 1/2 inches (21.3 x 29.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

4. Cloud Study

Creator:: John Constable, 1776–1837
Date:: ca. 1821
Materials & Techniques:: Oil on paper laid on card
Dimensions:: 9 3/8 x 11 1/2 inches (23.8 x 29.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: On view

5. Girl in a Plumed Hat

Creator:: William Hogarth, 1697–1764
Date:: ca. 1740
Materials & Techniques:: Oil on canvas
Dimensions:: 18 1/2 x 15 1/2 inches (47 x 39.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

6. Turning to Go Down

Creator:: John R. Skeaping, 1901–1980
Date:: 1976
Materials & Techniques:: Bronze
Dimensions:: Overall: 12 1/4 x 15 1/2 x 6 inches (31.1 x 39.4 x 15.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

7. The Kizlar Agha (Chief Black Eunuch, Head Officer of the Palace)

Creator:: Francis Smith, active 1763–1779
Date:: ca. 1765
Materials & Techniques:: Oil on canvas
Dimensions:: 21 1/2 x 15 1/4 inches (54.6 x 38.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: On view

8. Normandy Coast

Creator:: Attributed to Richard Parkes Bonington, 1802–1828
Date:: ca. 1825
Materials & Techniques:: Oil on panel
Dimensions:: 10 7/8 x 15 1/2 inches (27.6 x 39.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Bequest of Richard L. Purdy
On View:: Not on view

9. The Harbour of Pulo Condere

Creator:: John Webber, 1752–1793
Date:: 1786
Materials & Techniques:: Oil on panel
Dimensions:: 7 3/4 × 10 1/2 inches (19.7 × 26.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: On view

10. Torre Dos Clerigos, Oporto, Portugal

Creator:: James Holland, 1799–1870
Date:: 1837
Materials & Techniques:: Oil on canvas
Dimensions:: 21 1/2 x 15 1/4 inches (54.6 x 38.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

11. Landscape, Possibly the Isle of Wight or Richmond Hill

Creator:: John Martin, 1789–1854
Date:: 1815
Materials & Techniques:: Oil on panel
Dimensions:: 8 7/8 × 12 inches (22.5 × 30.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

12. Study of a Head

Creator:: Francis Bacon, 1909–1992
Date:: 1952
Materials & Techniques:: Oil on canvas
Dimensions:: 19 1/2 × 15 1/2 inches (49.5 × 39.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Gift of Beekman C. and Margaret H. Cannon
On View:: On view

13. Street Scene in Chorley, Lancashire, with a view of Chorley Hall

Creator:: John Bird of Liverpool, 1768–1829
Date:: ca. 1795
Materials & Techniques:: Oil on canvas
Dimensions:: 11 1/2 x 15 1/2 inches (29.2 x 39.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

14. An Unfinished Study of the Head of James Thomson

Creator:: William Aikman, 1682–1731
Date:: ca. 1725
Materials & Techniques:: Oil on canvas
Dimensions:: 19 7/16 x 15 5/16 inches (49.4 x 38.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

15. Studies of Royal Horse Artillery Uniform, and of an A.D.C. to the Commander-in-Chief: a study for 'The Battle of Waterloo'

Creator:: George Jones, 1786–1869
Date:: 1815
Materials & Techniques:: Oil on paper
Dimensions:: 11 3/4 x 15 1/4 inches (29.8 x 38.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

16. Guanaco

Creator:: Jacques-Laurent Agasse, 1767–1849
Date:: ca. 1848
Materials & Techniques:: Oil on canvas
Dimensions:: 14 × 12 inches (35.6 × 30.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: On view

17. Dieppe: Looking towards Saint Jacques

Creator:: Walter Richard Sickert, 1860–1942
Date:: ca. 1896
Materials & Techniques:: Oil on canvas
Dimensions:: 18 1/8 x 15 3/16 inches (46 x 38.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Gift of Patricia Cornwell and Harvard Art Museum
On View:: Not on view

18. The Song of the Shirt

Creator:: Anna Elizabeth Blunden, 1829–1915
Date:: 1854
Materials & Techniques:: Oil on canvas
Dimensions:: 18 1/2 × 15 1/2 inches (47 × 39.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: On view

19. Old Barn

Creator:: Lionel Constable, 1828–1887
Date:: ca. 1855
Materials & Techniques:: Oil on panel
Dimensions:: 9 5/8 x 15 3/8 inches (24.4 x 39.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

20. Cyclamen

Creator:: Roger Fry, 1866–1934
Date:: 1915
Materials & Techniques:: Oil on canvas
Dimensions:: 19 x 15 1/2 inches (48.3 x 39.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Gift of Nicholas Pritzker
On View:: Not on view

21. Warrior

Creator:: Keith Vaughan, 1912–1977
Date:: 1961
Materials & Techniques:: Oil on canvas
Dimensions:: 24 1/4 x 15 1/2 inches (61.6 x 39.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Gift of the Libra Foundation, from the family of Nicholas and Susan Pritzker
On View:: Not on view

22. Stage Design for Heart of Midlothian; Deans' Cottage

Creator:: Alexander Nasmyth, 1758–1840
Date:: ca. 1819
Materials & Techniques:: Oil on canvas
Dimensions:: 11 x 15 1/4 inches (27.9 x 38.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

23. Stage Design for Heart of Midlothian; The Tolbooth

Creator:: Alexander Nasmyth, 1758–1840
Date:: ca. 1819
Materials & Techniques:: Oil on canvas
Dimensions:: 11 x 15 3/8 inches (27.9 x 39.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

24. Trooping the Colour

Creator:: Bernard Sickert, 1863–1932
Date:: 1897
Materials & Techniques:: Oil on panel
Dimensions:: 12 1/2 × 15 1/2 inches (31.8 × 39.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Gift of Bruce McCashin
On View:: Not on view

25. A Turkish Woman and an Attendant Going to the Hamam (Public Baths)

Creator:: Francis Smith, active 1763–1779
Date:: ca. 1765
Materials & Techniques:: Oil on canvas
Dimensions:: 21 1/2 x 15 1/4 inches (54.6 x 38.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: On view

26. A Setter at the Edge of a Wood

Creator:: Sawrey Gilpin, 1733–1807
Date:: between 1775 and 1785
Materials & Techniques:: Oil on canvas
Dimensions:: 10 1/2 × 12 3/8 inches (26.7 × 31.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: On view

27. Low Tide, Honfleur

Creator:: Edward Brian Seago, 1910–1974
Date:: undated
Materials & Techniques:: Oil on board
Dimensions:: 11 13/16 x 15 5/16 inches (30 x 38.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

28. Foxhunting in Hilly Country

Creator:: George Morland, 1763–1804
Date:: 1792
Materials & Techniques:: Oil on canvas
Dimensions:: 12 1/4 x 15 1/4 inches (31.1 x 38.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

29. Vicunas

Creator:: Jacques-Laurent Agasse, 1767–1849
Date:: 1831
Materials & Techniques:: Oil on canvas
Dimensions:: 14 × 12 inches (35.6 × 30.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: On view

30. Caravanserai at Mylasa in Asia Minor

Creator:: Richard Dadd, 1817–1886
Date:: 1845
Materials & Techniques:: Oil on panel
Dimensions:: 8 3/8 × 12 inches (21.3 × 30.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

31. Whitby

Creator:: John Atkinson Grimshaw, 1836–1893
Date:: 1878
Materials & Techniques:: Oil on board
Dimensions:: 10 1/2 × 15 1/2 inches (26.7 × 39.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Gift of Michael D. Coe, Yale MAH 1968
On View:: Not on view

32. John Hilton, Judge of the Course at Newmarket; John Fuller, Clerk of the Course; and John Stevens, a Trainer

Creator:: Benjamin Marshall, 1768–1835
Date:: ca. 1804
Materials & Techniques:: Oil on canvas
Dimensions:: 19 1/4 x 15 1/4 inches (48.9 x 38.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

33. Stonehenge at Sunset

Creator:: unknown artist
Date:: 1836
Materials & Techniques:: Oil on paper on board
Dimensions:: 7 1/2 x 11 3/16 inches (19.1 x 28.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

34. A Musician

Creator:: Albert Joseph Moore, 1841–1893
Date:: ca. 1867
Materials & Techniques:: Oil on canvas
Dimensions:: 11 1/4 x 15 1/4 inches (28.6 x 38.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

35. Charlotte, fourth Duchess of Richmond (1768-1842)

Creator:: Joseph Nollekens, 1737–1823
Date:: 1812
Materials & Techniques:: Marble
Dimensions:: Overall: 25 x 15 1/2 x 9 1/2 inches (63.5 x 39.4 x 24.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

36. Man

Creator:: Reg Butler, 1913–1981
Date:: early 1960s
Materials & Techniques:: Bronze
Dimensions:: Overall: 18 × 15 1/4 × 21 5/8 inches (45.7 × 38.7 × 54.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Bequest of Solomon A. Smith II, Solomon Byron Smith and Barbara Neff Smith Collection
On View:: Not on view

37. Girl on Horseback with a Boy and a Dog

Creator:: Joseph Edgar Boehm, 1834–1890
Date:: 1865
Materials & Techniques:: Bronze
Dimensions:: Overall: 16 x 15 1/4 x 8 1/2 inches (40.6 x 38.7 x 21.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

38. A Harrow in the Orchard

Creator:: Robert Polhill Bevan, 1865–1925
Date:: ca. 1896
Materials & Techniques:: Pen and black ink and gray wash; verso: graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/8 × 15 3/8 inches (25.1 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Sunset

Creator:: Samuel Palmer, 1805–1881
Date:: ca. 1861
Materials & Techniques:: Watercolor, gouache, gum, and graphite on thick, smooth, cream wove paper
Dimensions:: Sheet: 10 5/8 x 15 1/4 inches (27 x 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Fowl Skeleton, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 20 1/4 x 15 3/8 inches (51.4 x 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Fowl Skeleton, Lateral View (Outline drawing of the skeleton)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 20 3/8 x 15 1/2 inches (51.8 x 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Fowl Body, Lateral View (Study for key figure to Table X)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite, red chalk, and pen with iron gall ink on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 20 7/8 x 15 1/4 inches (53 x 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Human Figure, Lateral View, after Removal of the Skin and the Underlying Fascial Layers (Finished Study for Table XIII)

Creator:: George Stubbs, 1724–1806
Date:: between 1795 and 1806
Materials & Techniques:: Graphite; verso: graphite with pen and red-brown ink on thin, smooth, cream wove paper
Dimensions:: Sheet: 19 1/4 x 15 1/4 inches (48.9 x 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Human Figure, Lateral View (Prepared for transfer to the plate of the key figure to Table XIII)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite and red chalk on thin, smooth, cream wove paper lined with Japanese paper
Dimensions:: Sheet: 18 1/2 x 15 1/4 inches (47 x 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Tiger Body, Lateral View (First of nine drawings of another specimen of tiger)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 13 inches (22.9 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Leopard Body, Lateral View (Later stage in dissection, superficial connective tissue and ears removed)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Pen with iron gall ink, and red chalk on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/8 x 15 3/8 inches (25.7 x 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. The Cockpit

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1759
Materials & Techniques:: Etching and engraving with hand coloring on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/8 × 17 1/8 inches (36.5 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Melville & Naomi Stone

48. The Distrest Poet

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1740
Materials & Techniques:: Engraving and etching with chine collé; third state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/8 × 24 3/4 inches (46 × 62.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mrs. Lyall Dean, Mrs. Borden Helmer, and the Estate of Bliss Reed Crocker in memory of Mr and Mrs. Edward Bliss Reed, transfer from the Yale University Art Gallery

49. The Invasion, Plate 2: England

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1756
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 7/8 × 15 1/2 inches (32.7 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. A Rake's Progress, Plate 1: He Takes Possession

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1735
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/8 × 16 1/8 inches (35.9 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. A Rake's Progress, Plate 4: Goes to Court

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1735
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/8 × 16 1/4 inches (35.9 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. A Rake's Progress, Plate 2: His Levee

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1735
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 14 × 16 1/8 inches (35.6 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. A Rake's Progress, Plate 3: He Revels

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1735
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 14 × 16 inches (35.6 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. A Rake's Progress, Plate 7: In Fleet Street Prison

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1735
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 13 7/8 × 16 1/8 inches (35.2 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. A Rake's Progress, Plate 5: He Marries

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1735
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 14 × 16 inches (35.6 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. A Rake's Progress, Plate 6: He Gambles

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1735
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 14 × 16 1/8 inches (35.6 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. A Rake's Progress, Plate 8: In Bedlam

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1735
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/8 × 16 inches (35.9 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. The Distrest Poet

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1740
Materials & Techniques:: Engraving and etching; third state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 1/4 x 15 3/16in. (31.1 x 38.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Ploughing, Eton

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1813 to 1823
Materials & Techniques:: Etching, printed in brown ink; first plate, 2nd state, printed for Rawlinson on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/4 × 15 1/2 inches (28.6 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Glaucus and Scylla

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: between 1813 and 1823
Materials & Techniques:: Etching and mezzotint, printed in brown ink; engraver's proof (h) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/4 × 15 1/2 inches (27.3 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Bridge and Cows

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1807
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 15 1/4 inches (27.9 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. The Deluge

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: between 1813 and 1823
Materials & Techniques:: Mezzotint; modern impression on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 15 1/4 inches (28.9 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Bonneville, Savoy

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/2 × 10 7/8 inches (19.1 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Rivaux Abbey, Yorkshire

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 15 3/8 inches (29.2 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Calm

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/2 × 15 1/4 inches (26.7 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Original Sketch of a Picture for W. Leader, Esq.

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1809
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 × 10 1/8 inches (17.8 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Interior of a Church

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1819
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 15 1/4 inches (26.7 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Landscape with Barn

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1795
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Mount: 9 3/4 x 15 1/4 inches (24.8 x 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Richard L. Purdy

69. On the Washburn

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1809–15
Materials & Techniques:: Watercolor, graphite, and scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 x 15 3/8 inches (27.3 x 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Upper Fall of the Reichenbach: Rainbow

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: 1810
Materials & Techniques:: Watercolor, gouache, graphite, and scraping out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 x 15 1/2 inches (27.9 x 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Ingleborough from Chapel-Le-Dale

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: between 1810 and 1815
Materials & Techniques:: Watercolor, graphite, and scratching out on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 x 15 1/2 inches (27.9 x 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. A Great Tree

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1794
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 x 15 1/4 inches (25.4 x 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Landscape with Waterfall

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1796
Materials & Techniques:: Watercolor, graphite, and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 7/8 x 15 3/8 inches (27.6 x 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Rocky Valley of Mosta, Malta

Creator:: Edward Lear, 1812–1888
Date:: 1866
Materials & Techniques:: Watercolor, graphite, gouache, pen and brown ink on moderately thick, slightly textured, beige wove paper, mounted on medium, slightly textured, brown wove paper
Dimensions:: Sheet: 9 1/4 x 13 7/16 inches (23.5 x 34.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of George E. Dix, B.A. 1934, M.A. 1942

75. Abraham and Isaac

Creator:: William Blake, 1757–1827
Date:: 1799 to 1800
Materials & Techniques:: Tempera and pen and black ink on canvas
Dimensions:: Sheet: 10 1/2 x 15 1/2 inches (26.7 x 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Horseman of Montecavallo

Creator:: George Romney, 1734–1802
Date:: 1773-74
Materials & Techniques:: Brown ink and gray wash over graphite on moderately thick moderately textured cream laid paper
Dimensions:: Sheet: 17 3/8 x 15 1/4 inches (44.1 x 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

77. Samson Overpowered

Creator:: George Romney, 1734–1802
Date:: 1760s
Materials & Techniques:: Brown ink and brown wash over graphite on medium slightly textured beige laid paper
Dimensions:: Sheet: 19 1/2 x 15 3/8 inches (49.5 x 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

78. Study of the Borghese Gladiator

Creator:: George Romney, 1734–1802
Date:: 1773-1774
Materials & Techniques:: Brown ink and graphite; verso: graphite, black ink and gray wash on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 16 1/2 x 15 1/4 inches (41.9 x 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

79. Romantic Composition

Creator:: John Varley, 1778–1842
Date:: undated
Materials & Techniques:: Watercolor on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 8 x 15 1/2 inches (20.3 x 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. A Mother and Two Children

Creator:: Benjamin West, 1738–1820
Date:: 1786
Materials & Techniques:: Pen and brown ink, brown wash, and graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 11 5/8 × 10 5/8 inches (29.5 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Near Ambleside

Creator:: unknown artist
Date:: ca. 1830
Materials & Techniques:: Watercolor and black chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 7/8 × 12 1/8 inches (20 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. A Distant View of Ampthill Park

Creator:: George Shepherd, active 1782–1830
Date:: 1825
Materials & Techniques:: Watercolor on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 15 1/2 inches (26.7 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. No. 6 Drawing of Ornamental detail of the entablature and capital of temple remains at Baalbec or Palmyra

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 21 1/2 × 15 1/2 inches (54.6 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. No. 22 sketch of temple at Baalbec and Palmyra

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 16 × 15 1/4 inches (40.6 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Slight graphite sketch of ruins of Hieron of Temples at Shietla

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite, pen and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 21 1/2 × 15 1/2 inches (54.6 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Classical Composition

Creator:: Gavin Hamilton, 1723–1798
Date:: undated
Materials & Techniques:: Pen and brown ink, brown wash and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 12 1/4 × 15 1/2 inches (31.1 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

87. Henry Cranmer March Phillipps

Creator:: John Hollins, 1798–1855
Date:: 1829
Materials & Techniques:: Watercolor and gouache over graphite on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 22 3/16 × 15 1/4 inches (56.4 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Working Drawing for the Plasterwork of a Frieze for Clifton Castle

Creator:: Attributed to Thomas Harrison, 1744–1829
Date:: ca. 1780-1790
Materials & Techniques:: Pen and brown ink, gray wash on textured, moderately thick, beige laid paper
Dimensions:: Sheet: 21 5/16 × 15 1/4 inches (54.1 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Rye House

Creator:: John Linnell, 1792–1882
Date:: 1814
Materials & Techniques:: Graphite on moderately thick, slightly textured, blue-gray wove paper
Dimensions:: Sheet: 11 1/8 x 15 1/2 inches (28.3 x 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Lake Albano

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1828
Materials & Techniques:: Etching and engraving with chine collé; first published state on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 15 3/16 inches (29.8 × 38.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Saltash, Cornwall

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1827-1838
Materials & Techniques:: Etching and engraving, with graphite and scratching out; touched engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/8 × 12 1/4 inches (25.1 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Fall of the Tees, Yorkshire

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1827-1838
Materials & Techniques:: Etching and engraving with chine collé; first published state on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 12 1/4 × 15 1/4 inches (31.1 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Colchester, Essex

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1827-1838
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof (unfinished) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 15 3/8 inches (29.8 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. A Coat of Arms for a Stamp on Income

Creator:: unknown artist
Materials & Techniques:: Etching, hand-colored
Dimensions:: Plate: 10 x 14in. (25.4 x 35.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Love in Her Eyes Sits Playing

Creator:: Print made by John Raphael Smith, 1752–1812
Date:: 1778
Materials & Techniques:: Mezzotint on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 17 5/16 × 19 3/8 inches (44 × 49.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

96. Miss Harriet Powell

Creator:: Print made by Richard Houston, ca. 1721–1775
Date:: 1769
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 21 1/2 × 15 1/2 inches (54.6 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

97. Elizabeth, Duchess of Hamilton

Creator:: Print made by John Faber the Younger, ca. 1695–1756
Date:: 1753
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 21 × 15 1/4 inches (53.3 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

98. A Flower Piece

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1778
Materials & Techniques:: Etching and stipple engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 23 × 17 5/8 inches (58.4 × 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

99. The Balloon

Creator:: Henry William Bunbury, 1750–1811
Date:: undated
Materials & Techniques:: Graphite and watercolor on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 10 7/8 × 15 3/8 inches (27.6 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Scenery, Haymarket Theatre

Creator:: attributed to Michael "Angelo" Rooker, 1746–1801
Date:: undated
Materials & Techniques:: Gray ink and gray wash over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 6 3/4 x 15 1/2 inches (17.1 x 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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1. Hampstead Heath, Sunset

2. Cloud Study, Early Morning, Looking East from Hampstead

3. Cloud Study

4. Cloud Study

5. Girl in a Plumed Hat

6. Turning to Go Down

7. The Kizlar Agha (Chief Black Eunuch, Head Officer of the Palace)

8. Normandy Coast

9. The Harbour of Pulo Condere

10. Torre Dos Clerigos, Oporto, Portugal

11. Landscape, Possibly the Isle of Wight or Richmond Hill

12. Study of a Head

13. Street Scene in Chorley, Lancashire, with a view of Chorley Hall

14. An Unfinished Study of the Head of James Thomson

15. Studies of Royal Horse Artillery Uniform, and of an A.D.C. to the Commander-in-Chief: a study for 'The Battle of Waterloo'

16. Guanaco

17. Dieppe: Looking towards Saint Jacques

18. The Song of the Shirt

19. Old Barn

20. Cyclamen

21. Warrior

22. Stage Design for Heart of Midlothian; Deans' Cottage

23. Stage Design for Heart of Midlothian; The Tolbooth

24. Trooping the Colour

25. A Turkish Woman and an Attendant Going to the Hamam (Public Baths)

26. A Setter at the Edge of a Wood

27. Low Tide, Honfleur

28. Foxhunting in Hilly Country

29. Vicunas

30. Caravanserai at Mylasa in Asia Minor

31. Whitby

32. John Hilton, Judge of the Course at Newmarket; John Fuller, Clerk of the Course; and John Stevens, a Trainer

33. Stonehenge at Sunset

34. A Musician

35. Charlotte, fourth Duchess of Richmond (1768-1842)

36. Man

37. Girl on Horseback with a Boy and a Dog

38. A Harrow in the Orchard

39. Sunset

40. Fowl Skeleton, Lateral View

41. Fowl Skeleton, Lateral View (Outline drawing of the skeleton)

42. Fowl Body, Lateral View (Study for key figure to Table X)

43. Human Figure, Lateral View, after Removal of the Skin and the Underlying Fascial Layers (Finished Study for Table XIII)

44. Human Figure, Lateral View (Prepared for transfer to the plate of the key figure to Table XIII)

45. Tiger Body, Lateral View (First of nine drawings of another specimen of tiger)

46. Leopard Body, Lateral View (Later stage in dissection, superficial connective tissue and ears removed)

47. The Cockpit

48. The Distrest Poet

49. The Invasion, Plate 2: England

50. A Rake's Progress, Plate 1: He Takes Possession

51. A Rake's Progress, Plate 4: Goes to Court

52. A Rake's Progress, Plate 2: His Levee

53. A Rake's Progress, Plate 3: He Revels

54. A Rake's Progress, Plate 7: In Fleet Street Prison

55. A Rake's Progress, Plate 5: He Marries

56. A Rake's Progress, Plate 6: He Gambles

57. A Rake's Progress, Plate 8: In Bedlam

58. The Distrest Poet

59. Ploughing, Eton

60. Glaucus and Scylla

61. Bridge and Cows

62. The Deluge

63. Bonneville, Savoy

64. Rivaux Abbey, Yorkshire

65. Calm

66. Original Sketch of a Picture for W. Leader, Esq.

67. Interior of a Church

68. Landscape with Barn

69. On the Washburn

70. Upper Fall of the Reichenbach: Rainbow

71. Ingleborough from Chapel-Le-Dale

72. A Great Tree

73. Landscape with Waterfall

74. Rocky Valley of Mosta, Malta