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1. Hampstead Heath, Sunset

Creator:: Francis Danby, 1793–1861
Date:: ca. 1845
Materials & Techniques:: Oil on canvas
Dimensions:: 11 1/4 × 15 1/4 inches (28.6 × 38.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. Cloud Study

Creator:: John Constable, 1776–1837
Date:: ca. 1821
Materials & Techniques:: Oil on paper laid on card
Dimensions:: 9 3/8 x 11 1/2 inches (23.8 x 29.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. Cloud Study, Early Morning, Looking East from Hampstead

Creator:: John Constable, 1776–1837
Date:: 1821
Materials & Techniques:: Oil on paper on board
Dimensions:: 5 3/4 x 12 3/4 inches (14.6 x 32.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

4. Cloud Study

Creator:: John Constable, 1776–1837
Date:: 1821
Materials & Techniques:: Oil on paper laid on panel
Dimensions:: 8 3/8 x 11 1/2 inches (21.3 x 29.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

5. Girl in a Plumed Hat

Creator:: William Hogarth, 1697–1764
Date:: ca. 1740
Materials & Techniques:: Oil on canvas
Dimensions:: 18 1/2 x 15 1/2 inches (47 x 39.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

6. Turning to Go Down

Creator:: John R. Skeaping, 1901–1980
Date:: 1976
Materials & Techniques:: Bronze
Dimensions:: Overall: 12 1/4 x 15 1/2 x 6 inches (31.1 x 39.4 x 15.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

7. Study of a Head

Creator:: Francis Bacon, 1909–1992
Date:: 1952
Materials & Techniques:: Oil on canvas
Dimensions:: 19 1/2 × 15 1/2 inches (49.5 × 39.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Gift of Beekman C. and Margaret H. Cannon
On View:: Not on view

8. The Kizlar Agha (Chief Black Eunuch, Head Officer of the Palace)

Creator:: Francis Smith, active 1763–1780
Date:: ca. 1765
Materials & Techniques:: Oil on canvas
Dimensions:: 21 1/2 x 15 1/4 inches (54.6 x 38.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

9. Torre Dos Clerigos, Oporto, Portugal

Creator:: James Holland, 1799–1870
Date:: 1837
Materials & Techniques:: Oil on canvas
Dimensions:: 21 1/2 x 15 1/4 inches (54.6 x 38.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

10. Stage Design for Heart of Midlothian; The Tolbooth

Creator:: Alexander Nasmyth, 1758–1840
Date:: ca. 1819
Materials & Techniques:: Oil on canvas
Dimensions:: 11 x 15 3/8 inches (27.9 x 39.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

11. Stonehenge at Sunset

Creator:: unknown artist
Date:: 1836
Materials & Techniques:: Oil on paper on board
Dimensions:: 7 1/2 x 11 3/16 inches (19.1 x 28.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

12. Normandy Coast

Creator:: Attributed to Richard Parkes Bonington, 1802–1828
Date:: ca. 1825
Materials & Techniques:: Oil on panel
Dimensions:: 10 7/8 x 15 1/2 inches (27.6 x 39.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Bequest of Richard L. Purdy
On View:: Not on view

13. Landscape, Possibly the Isle of Wight or Richmond Hill

Creator:: John Martin, 1789–1854
Date:: 1815
Materials & Techniques:: Oil on panel
Dimensions:: 8 7/8 × 12 inches (22.5 × 30.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

14. Street Scene in Chorley, Lancashire, with a view of Chorley Hall

Creator:: John Bird of Liverpool, 1768–1829
Date:: ca. 1795
Materials & Techniques:: Oil on canvas
Dimensions:: 11 1/2 x 15 1/2 inches (29.2 x 39.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

15. Studies of Royal Horse Artillery Uniform, and of an A.D.C. to the Commander-in-Chief: a study for 'The Battle of Waterloo'

Creator:: George Jones, 1786–1869
Date:: 1815
Materials & Techniques:: Oil on paper
Dimensions:: 11 3/4 x 15 1/4 inches (29.8 x 38.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

16. Stage Design for Heart of Midlothian; Deans' Cottage

Creator:: Alexander Nasmyth, 1758–1840
Date:: ca. 1819
Materials & Techniques:: Oil on canvas
Dimensions:: 11 x 15 1/4 inches (27.9 x 38.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

17. Foxhunting in Hilly Country

Creator:: George Morland, 1763–1804
Date:: 1792
Materials & Techniques:: Oil on canvas
Dimensions:: 12 1/4 x 15 1/4 inches (31.1 x 38.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

18. John Hilton, Judge of the Course at Newmarket; John Fuller, Clerk of the Course; and John Stevens, a Trainer

Creator:: Benjamin Marshall, 1768–1835
Date:: ca. 1804
Materials & Techniques:: Oil on canvas
Dimensions:: 19 1/4 x 15 1/4 inches (48.9 x 38.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

19. An Unfinished Study of the Head of James Thomson

Creator:: William Aikman, 1682–1731
Date:: ca. 1725
Materials & Techniques:: Oil on canvas
Dimensions:: 19 7/16 x 15 5/16 inches (49.4 x 38.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

20. A Musician

Creator:: Albert Joseph Moore, 1841–1893
Date:: ca. 1867
Materials & Techniques:: Oil on canvas
Dimensions:: 11 1/4 x 15 1/4 inches (28.6 x 38.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

21. Dieppe: Looking towards Saint Jacques

Creator:: Walter Richard Sickert, 1860–1942
Date:: ca. 1896
Materials & Techniques:: Oil on canvas
Dimensions:: 18 1/8 x 15 3/16 inches (46 x 38.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Gift of Patricia Cornwell and Harvard Art Museum
On View:: Not on view

22. Trooping the Colour

Creator:: Bernard Sickert, 1863–1932
Date:: 1897
Materials & Techniques:: Oil on panel
Dimensions:: 12 1/2 × 15 1/2 inches (31.8 × 39.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Gift of Bruce McCashin
On View:: Not on view

23. Caravanserai at Mylasa in Asia Minor

Creator:: Richard Dadd, 1817–1886
Date:: 1845
Materials & Techniques:: Oil on panel
Dimensions:: 8 3/8 × 12 inches (21.3 × 30.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

24. Old Barn

Creator:: Lionel Constable, 1828–1887
Date:: ca. 1855
Materials & Techniques:: Oil on panel
Dimensions:: 9 5/8 x 15 3/8 inches (24.4 x 39.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

25. Low Tide, Honfleur

Creator:: Edward Brian Seago, 1910–1974
Date:: undated
Materials & Techniques:: Oil on board
Dimensions:: 11 13/16 x 15 5/16 inches (30 x 38.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

26. The Song of the Shirt

Creator:: Anna Elizabeth Blunden, 1829–1915
Date:: 1854
Materials & Techniques:: Oil on canvas
Dimensions:: 18 1/2 × 15 1/2 inches (47 × 39.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

27. Cyclamen

Creator:: Roger Fry, 1866–1934
Date:: 1915
Materials & Techniques:: Oil on canvas
Dimensions:: 19 x 15 1/2 inches (48.3 x 39.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Gift of Nicholas Pritzker
On View:: Not on view

28. Warrior

Creator:: Keith Vaughan, 1912–1977
Date:: 1961
Materials & Techniques:: Oil on canvas
Dimensions:: 24 1/4 x 15 1/2 inches (61.6 x 39.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Gift of the Libra Foundation, from the family of Nicholas and Susan Pritzker
On View:: Not on view

29. A Turkish Woman and an Attendant Going to the Hamam (Public Baths)

Creator:: Francis Smith, active 1763–1780
Date:: ca. 1765
Materials & Techniques:: Oil on canvas
Dimensions:: 21 1/2 x 15 1/4 inches (54.6 x 38.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

30. Whitby

Creator:: John Atkinson Grimshaw, 1836–1893
Date:: 1878
Materials & Techniques:: Oil on board
Dimensions:: 10 1/2 × 15 1/2 inches (26.7 × 39.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Gift of Michael D. Coe, Yale MAH 1968
On View:: Not on view

31. Man

Creator:: Reg Butler, 1913–1981
Date:: early 1960s
Materials & Techniques:: Bronze
Dimensions:: Overall: 18 × 15 1/4 × 21 5/8 inches (45.7 × 38.7 × 54.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Bequest of Solomon A. Smith II, Solomon Byron Smith and Barbara Neff Smith Collection
On View:: Not on view

32. Charlotte, fourth Duchess of Richmond (1768-1842)

Creator:: Joseph Nollekens, 1737–1823
Date:: 1812
Materials & Techniques:: Marble
Dimensions:: Overall: 25 x 15 1/2 x 9 1/2 inches (63.5 x 39.4 x 24.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

33. Girl on Horseback with a Boy and a Dog

Creator:: Joseph Edgar Boehm, 1834–1890
Date:: 1865
Materials & Techniques:: Bronze
Dimensions:: Overall: 16 x 15 1/4 x 8 1/2 inches (40.6 x 38.7 x 21.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

34. A Harrow in the Orchard

Creator:: Robert Polhill Bevan, 1865–1925
Date:: ca. 1896
Materials & Techniques:: Pen and black ink and gray wash; verso: graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/8 × 15 3/8 inches (25.1 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Sunset

Creator:: Samuel Palmer, 1805–1881
Date:: ca. 1861
Materials & Techniques:: Watercolor, gouache, gum, and graphite on thick, smooth, cream wove paper
Dimensions:: Sheet: 10 5/8 x 15 1/4 inches (27 x 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Tiger Body, Lateral View (First of nine drawings of another specimen of tiger)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 13 inches (22.9 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Fowl Body, Lateral View (Study for key figure to Table X)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite, red chalk, and pen with iron gall ink on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 20 7/8 x 15 1/4 inches (53 x 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Fowl Skeleton, Lateral View (Outline drawing of the skeleton)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 20 3/8 x 15 1/2 inches (51.8 x 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Fowl Skeleton, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 20 1/4 x 15 3/8 inches (51.4 x 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Human Figure, Lateral View, after Removal of the Skin and the Underlying Fascial Layers (Finished Study for Table XIII)

Creator:: George Stubbs, 1724–1806
Date:: between 1795 and 1806
Materials & Techniques:: Graphite; verso: graphite with pen and red-brown ink on thin, smooth, cream wove paper
Dimensions:: Sheet: 19 1/4 x 15 1/4 inches (48.9 x 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Human Figure, Lateral View (Prepared for transfer to the plate of the key figure to Table XIII)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite and red chalk on thin, smooth, cream wove paper lined with Japanese paper
Dimensions:: Sheet: 18 1/2 x 15 1/4 inches (47 x 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Leopard Body, Lateral View (Later stage in dissection, superficial connective tissue and ears removed)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Pen with iron gall ink, and red chalk on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/8 x 15 3/8 inches (25.7 x 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Royal Sport, Pit Ticket

Creator:: William Hogarth, 1697–1764
Date:: 1759
Materials & Techniques:: Engraving, hand-colored
Dimensions:: Sheet: 12 5/8 x 15 1/4in. (32.1 x 38.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Melville & Naomi Stone

44. A Rake's Progress, Plate III: He Revels

Creator:: William Hogarth, 1697–1764
Date:: 1735
Materials & Techniques:: Line Engraving
Dimensions:: Sheet: 12 3/8 x 15 1/4in. (31.4 x 38.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. A Rake's Progress, Plate I: He Takes Possession

Creator:: William Hogarth, 1697–1764
Date:: 1735
Materials & Techniques:: Line engraving
Dimensions:: Sheet: 12 1/2 x 15 3/16in. (31.8 x 38.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. The Distrest(ed) Poet

Creator:: William Hogarth, 1697–1764
Date:: 1740
Materials & Techniques:: Engraving
Dimensions:: Sheet: 12 1/4 x 15 3/16in. (31.1 x 38.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. A Rake's Progress, Plate IV: Goes to Court

Creator:: William Hogarth, 1697–1764
Date:: 1735
Materials & Techniques:: Line Engraving
Dimensions:: Sheet: 12 3/8 x 15 1/4in. (31.4 x 38.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. A Rake's Progress, Plate II: His Levee

Creator:: William Hogarth, 1697–1764
Date:: 1735
Materials & Techniques:: Engraving
Dimensions:: Sheet: 12 1/4 x 15 1/4in. (31.1 x 38.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Glaucus and Scylla

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: between 1813 and 1823
Materials & Techniques:: Etching and mezzotint, printed in brown ink; engraver's proof (h) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/4 × 15 1/2 inches (27.3 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Ploughing, Eton

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1813 to 1823
Materials & Techniques:: Etching, printed in brown ink; first plate, 2nd state, printed for Rawlinson on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/4 × 15 1/2 inches (28.6 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Bridge and Cows

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1807
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 15 1/4 inches (27.9 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Rivaux Abbey, Yorkshire

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 15 3/8 inches (29.2 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Calm

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/2 × 15 1/4 inches (26.7 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Original Sketch of a Picture for W. Leader, Esq.

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1809
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 × 10 1/8 inches (17.8 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. The Deluge

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: between 1813 and 1823
Materials & Techniques:: Mezzotint; modern impression on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 15 1/4 inches (28.9 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Interior of a Church

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1819
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 15 1/4 inches (26.7 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Bonneville, Savoy

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/2 × 10 7/8 inches (19.1 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Landscape with Barn

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1795
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper, mounted on thick, smooth, wove paper
Dimensions:: Mount: 9 3/4 x 15 1/4 inches (24.8 x 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Richard L. Purdy

59. Landscape with Waterfall

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1796
Materials & Techniques:: Watercolor, graphite and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 7/8 x 15 3/8 inches (27.6 x 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Ingleborough from Chapel-Le-Dale

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: between 1810 and 1815
Materials & Techniques:: Watercolor, graphite and scratching out on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 x 15 1/2 inches (27.9 x 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. A Great Tree

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1796
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper, mounted on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 x 15 1/4 inches (25.4 x 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. On the Washburn

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1815
Materials & Techniques:: Watercolor, graphite and scratching out on medium, slightly textured, cream wove paper mounted on thick, smooth, cream wove paper
Dimensions:: Sheet: 10 3/4 x 15 3/8 inches (27.3 x 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Upper Fall of the Reichenbach: Rainbow

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: 1810
Materials & Techniques:: Watercolor, graphite, gouache, and scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 x 15 1/2 inches (27.9 x 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Rocky Valley of Mosta, Malta

Creator:: Edward Lear, 1812–1888
Date:: 1866
Materials & Techniques:: Watercolor, graphite, gouache, pen and brown ink on moderately thick, slightly textured, beige wove paper, mounted on medium, slightly textured, brown wove paper
Dimensions:: Sheet: 9 1/4 x 13 7/16 inches (23.5 x 34.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of George E. Dix, B.A. 1934, M.A. 1942

65. Abraham and Isaac

Creator:: William Blake, 1757–1827
Date:: 1799 to 1800
Materials & Techniques:: Tempera and pen and black ink on canvas
Dimensions:: Sheet: 10 1/2 x 15 1/2 inches (26.7 x 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Samson Overpowered

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Brown ink and brown wash over graphite on medium slightly textured beige laid paper
Dimensions:: Sheet: 19 1/2 x 15 3/8 inches (49.5 x 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

67. Horseman of Montecavallo

Creator:: George Romney, 1734–1802
Date:: between 1773 and 1774
Materials & Techniques:: Brown ink and gray wash over graphite on moderately thick moderately textured cream laid paper
Dimensions:: Sheet: 17 3/8 x 15 1/4 inches (44.1 x 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

68. Studies for the Head of a Lady (Studies of a Woman's Head)

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Brown wash on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 10 1/8 x 15 1/4 inches (25.7 x 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Borghese Gladiator

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Brown ink over graphite, verso: graphite, black ink and gray wash on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 16 1/2 x 15 1/4 inches (41.9 x 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

70. Tivoli

Creator:: William Marlow, 1740–1813
Date:: ca. 1768
Materials & Techniques:: Watercolor, pen and gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/4 x 15 1/8in. (27.3 x 38.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Fountain's Boarding School, Marylebone

Creator:: James Miller, active 1773–1814
Date:: 1780
Materials & Techniques:: Watercolor, pen and black ink, and graphite on moderately thick, slightly textured, cream wove paper, laid down on a contemporary mount
Dimensions:: Sheet: 9 3/4 x 14 13/16in. (24.8 x 37.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Shed

Creator:: Sir Walter Thomas Monnington, 1902–1976
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/16 x 15 3/16in. (28.1 x 38.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

73. Barnes Common, June 1836

Creator:: T. E. Jeffers, active 1836
Date:: 1836
Materials & Techniques:: Watercolor, graphite, gouache, pen and brown ink and gray ink on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 5/8 × 13 5/16 inches (24.4 × 33.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. No. 22 sketch of temple at Baalbec and Palmyra

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 16 × 15 1/4 inches (40.6 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Windsor Castle, April 1850

Creator:: E. J. Stanley, active 1850
Date:: 1850
Materials & Techniques:: Watercolor, black chalk, and gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 x 15 3/16in. (27.3 x 38.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. The Traveling Barge

Creator:: William Alexander, 1767–1816
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, moderately textured, beige wove paper
Dimensions:: Mount: 14 1/2 × 18 1/2 inches (36.8 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Colonel Tarleton

Creator:: Print made by John Raphael Smith, 1752–1812
Date:: 1782
Materials & Techniques:: Mezzotint (engraver's proof) on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 24 1/2 × 15 1/2 inches (62.2 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

78. William Henry Cavendish Scott-Bentinck, Duke of Portland, when Marquess of Titchfield

Creator:: Print made by William Walker, 1791–1867
Date:: undated
Materials & Techniques:: Mezzotint (proof, private plate) on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/16 × 16 1/4 inches (53.5 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

79. Lady Catherine Powlet

Creator:: Print made by John Raphael Smith, 1752–1812
Date:: 1778
Materials & Techniques:: Mezzotint (first state) on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 20 15/16 × 15 7/16 inches (53.2 × 39.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

80. Camblain-l’Abbé

Creator:: Print made by Sir George Clausen, 1852–1944
Date:: 1920
Materials & Techniques:: Woodblock print on medium, slightly textured, beige Asian paper
Dimensions:: Sheet: 11 5/16 x 15 3/8 inches (28.8 x 39 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

81. Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 1/2 × 15 1/2 inches (26.7 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Position de la Garde en Quarte, et le Coup de Quarte Basse

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 7/8 × 16 5/16 inches (27.6 × 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Position pour la Garde en Quarte et le Coup de Quarte

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 9/16 × 15 1/2 inches (26.8 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Position pour le Garde en Tierce et le Coup de Tierce

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 1/2 × 16 1/8 inches (26.7 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. View of Plymouth taken from the Seven Trees, Exeter Road

Creator:: William Payne, active 1850s
Date:: undated
Materials & Techniques:: Watercolor and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/2 x 15 3/8in. (26.7 x 39.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Side View of Ayot House, Hertfordshire

Creator:: Samuel Davis, 1760–1819
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/4 x 15 3/8 inches (28.6 x 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Harlech Castle

Creator:: Isaac Weld, 1774–1856
Date:: 1810
Materials & Techniques:: Graphite and brown wash on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 9 7/16 × 15 1/4 inches (24 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Alope

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1787
Materials & Techniques:: Stipple engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 14 x 18 3/16 inches (35.5 x 46.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

89. Mrs. Yates as 'Melancholy' in 'Il Penseroso'

Creator:: Print made by Robert Dunkarton, 1744–1811
Date:: 1771
Materials & Techniques:: Mezzotint on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 24 1/2 × 15 1/2 inches (62.2 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

90. George III

Creator:: Print made by Gainsborough Dupont, 1754–1797
Date:: 1790
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 25 × 15 3/8 inches (63.5 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

91. Rev. Sir Henry Bate Dudley

Creator:: Print made by Gainsborough Dupont, 1754–1797
Date:: undated
Materials & Techniques:: Mezzotint on medium, smooth, beige wove paper
Dimensions:: Sheet: 25 1/8 × 15 5/8 inches (63.8 × 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

92. De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/4 × 16 1/4 inches (27.3 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Moon-Light

Creator:: Print made by John Browne, 1741–1801
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 5/8 x 16 7/16 inches (32 x 41.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Moon-Light

Creator:: Print made by John Browne, 1741–1801
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 1/16 x 17 1/16 inches (33.2 x 43.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Evening

Creator:: Print made by John Browne, 1741–1801
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 5/16 x 17 3/16 inches (33.8 x 43.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. The Damnation of Obadiah

Creator:: Print made by James Bretherton, ca. 1730–1806
Date:: 1773
Materials & Techniques:: Etching on moderately thick, rough, cream laid paper
Dimensions:: Sheet: 12 1/16 x 15 11/16 inches (30.6 x 39.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. After Sun-Set

Creator:: Print made by John Browne, 1741–1801
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 5/8 x 16 5/8 inches (32.1 x 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. An Inside View of the Rotundo in Ranelagh Gardens

Creator:: Nathaniel Parr, active 1742–1751
Materials & Techniques:: Hand colored engraving
Dimensions:: Sheet: 9 1/8 x 15 3/8in. (23.2 x 39.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. A Jersey Vraic Cart

Creator:: Print made by Edmund Blampied, 1886–1966
Date:: 1939
Materials & Techniques:: Etching on laid paper
Dimensions:: Plate: 8 1/2 x 11 inches (21.6 x 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Paul Moore

100. L'Eglise de St. Gervais et St. Protais

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1824
Materials & Techniques:: Lithograph with chine collé on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 11 7/8 x 15 3/16 inches (30.2 x 38.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Anonymous Gift, The Frederick Benjamin Kaye Memorial Collection, transfer from the Yale University Art Gallery

YCBA Collections Search

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1. Hampstead Heath, Sunset

2. Cloud Study

3. Cloud Study, Early Morning, Looking East from Hampstead

4. Cloud Study

5. Girl in a Plumed Hat

6. Turning to Go Down

7. Study of a Head

8. The Kizlar Agha (Chief Black Eunuch, Head Officer of the Palace)

9. Torre Dos Clerigos, Oporto, Portugal

10. Stage Design for Heart of Midlothian; The Tolbooth

11. Stonehenge at Sunset

12. Normandy Coast

13. Landscape, Possibly the Isle of Wight or Richmond Hill

14. Street Scene in Chorley, Lancashire, with a view of Chorley Hall

15. Studies of Royal Horse Artillery Uniform, and of an A.D.C. to the Commander-in-Chief: a study for 'The Battle of Waterloo'

16. Stage Design for Heart of Midlothian; Deans' Cottage

17. Foxhunting in Hilly Country

18. John Hilton, Judge of the Course at Newmarket; John Fuller, Clerk of the Course; and John Stevens, a Trainer

19. An Unfinished Study of the Head of James Thomson

20. A Musician

21. Dieppe: Looking towards Saint Jacques

22. Trooping the Colour

23. Caravanserai at Mylasa in Asia Minor

24. Old Barn

25. Low Tide, Honfleur

26. The Song of the Shirt

27. Cyclamen

28. Warrior

29. A Turkish Woman and an Attendant Going to the Hamam (Public Baths)

30. Whitby

31. Man

32. Charlotte, fourth Duchess of Richmond (1768-1842)

33. Girl on Horseback with a Boy and a Dog

34. A Harrow in the Orchard

35. Sunset

36. Tiger Body, Lateral View (First of nine drawings of another specimen of tiger)

37. Fowl Body, Lateral View (Study for key figure to Table X)

38. Fowl Skeleton, Lateral View (Outline drawing of the skeleton)

39. Fowl Skeleton, Lateral View

40. Human Figure, Lateral View, after Removal of the Skin and the Underlying Fascial Layers (Finished Study for Table XIII)

41. Human Figure, Lateral View (Prepared for transfer to the plate of the key figure to Table XIII)

42. Leopard Body, Lateral View (Later stage in dissection, superficial connective tissue and ears removed)

43. Royal Sport, Pit Ticket

44. A Rake's Progress, Plate III: He Revels

45. A Rake's Progress, Plate I: He Takes Possession

46. The Distrest(ed) Poet

47. A Rake's Progress, Plate IV: Goes to Court

48. A Rake's Progress, Plate II: His Levee

49. Glaucus and Scylla

50. Ploughing, Eton

51. Bridge and Cows

52. Rivaux Abbey, Yorkshire

53. Calm

54. Original Sketch of a Picture for W. Leader, Esq.

55. The Deluge

56. Interior of a Church

57. Bonneville, Savoy

58. Landscape with Barn

59. Landscape with Waterfall

60. Ingleborough from Chapel-Le-Dale

61. A Great Tree

62. On the Washburn

63. Upper Fall of the Reichenbach: Rainbow

64. Rocky Valley of Mosta, Malta

65. Abraham and Isaac

66. Samson Overpowered

67. Horseman of Montecavallo

68. Studies for the Head of a Lady (Studies of a Woman's Head)

69. Borghese Gladiator

70. Tivoli

71. Fountain's Boarding School, Marylebone

72. Shed

73. Barnes Common, June 1836

74. No. 22 sketch of temple at Baalbec and Palmyra