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201. Cottage amongst Trees

Creator:: Dr. Thomas Monro, 1759–1833
Date:: undated
Materials & Techniques:: Black chalk and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 5/8 x 9 3/4in. (19.4 x 24.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

202. A Forest Landscape near Boldrewood

Creator:: Alfred Parsons, 1847–1920
Date:: 1871
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 15/16 × 9 15/16 inches (17.6 × 25.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

203. Figures by a Ruined Arch

Creator:: William Payne, active 1850s
Date:: undated
Materials & Techniques:: Watercolor on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 6 1/4 × 9 15/16 inches (15.9 × 25.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

204. Strand Gateway, Winchelsea

Creator:: Henry Morton, ca. 1807–1825
Date:: undated
Materials & Techniques:: Watercolor with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/4 × 10 inches (21 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

205. Lambeth from York House

Creator:: Francis Place, 1647–1728
Date:: undated
Materials & Techniques:: Watercolor with pen and brown ink; verso: graphite with pen and black ink and pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 13/16 × 9 11/16 inches (9.7 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

206. View from Ashton Meadows, Bristol

Creator:: Nicholas Pocock, 1740–1821
Date:: 1791
Materials & Techniques:: Watercolor with pen and black ink; verso: graphite and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 5/8 × 9 7/8 inches (16.8 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

207. Valentino, Servitore de Piazza

Creator:: Thomas Patch, 1725–1782
Date:: 1769
Materials & Techniques:: Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/16 x 9 7/8in. (20.4 x 25.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

208. The Diana Fountain, Bushy Park: Original Design

Creator:: Edward Pierce, c.1630–1695
Date:: undated
Materials & Techniques:: Pen and brown ink, gray wash, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 x 19 9/16in. (38.1 x 49.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

209. Thomas Weston as Spy in Bates "The Rival Candidates"

Creator:: Philippe-Jacques de Loutherbourg, 1740–1812
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/4 × 4 3/8 inches (15.9 × 11.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

210. Cottage

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 15/16 × 10 inches (17.6 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

211. Port

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 15/16 x 10in. (17.6 x 25.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

212. Seated Woman

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, black chalk, and white chalk on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 13 11/16 x 9 3/4in. (34.8 x 24.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

213. Church Interior

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, graphite, gouache, and scratching out on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 6 15/16 × 9 13/16 inches (17.6 × 24.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

214. Welsh Hills from Beaumaris

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Gouache on medium, slightly textured, cream wove paper mounted to moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 7 5/8 × 9 7/8 inches (19.4 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

215. Bearded Man

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor and scratching out on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4in. (34.6 x 24.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

216. Mountainous Landscape and Lake

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 × 10 inches (17.8 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

217. Mountainous Landscape

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor and graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 7 × 10 inches (17.8 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

218. Three Men

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor and graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 7 × 10 inches (17.8 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

219. Interior of Lancaster House

Creator:: Sir Richard Westmacott, 1775–1856
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and black ink on moderately thick, slightly texture, cream wove paper
Dimensions:: Sheet: 14 1/2 × 10 inches (36.8 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

220. A View of Several Palaces at Naples at Sun Rise

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Mount: 9 5/8 x 12 1/8 inches (24.5 x 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

221. Design for a Monument to Sir James Reade, Hatfield

Creator:: John Michael Rysbrack, 1694–1770
Date:: undated
Materials & Techniques:: Graphite, pen and black ink and brown wash on slightly textured, medium, brown laid paper
Dimensions:: Sheet: 13 × 9 3/4 inches (33 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

222. Avenue and Entrance to St. James Barracks

Creator:: Michel Jean Cazabon, 1813–1888
Date:: 1857
Materials & Techniques:: Pen and black ink, gray ink, black wash, gray wash, graphite, ang gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/8 × 10 inches (18.1 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

223. View from Laventille Hill

Creator:: Michel Jean Cazabon, 1813–1888
Date:: 1857
Materials & Techniques:: Pen and black ink, gray ink, gray wash, black wash, graphite, and gouache on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 × 10 inches (17.8 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

224. Los Gallos, Icacos Bay

Creator:: Michel Jean Cazabon, 1813–1888
Date:: 1857
Materials & Techniques:: Pen and black ink, gray ink, gray wash, black wash, graphite, gouache and scratching out on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 7 × 10 inches (17.8 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

225. Notre Dame, Paris

Creator:: William Callow, 1812–1908
Date:: 1835
Materials & Techniques:: Watercolor on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 6 5/8 × 9 7/8 inches (16.8 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

226. Landscape with Shepherd and Sheep

Creator:: Thomas Barker, 1769–1847
Date:: undated
Materials & Techniques:: Watercolor and gouache on moderately thick, moderately textured, brown wove paper
Dimensions:: Sheet: 6 3/4 × 10 inches (17.1 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

227. Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray ink, gray wash, brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 13/16 × 9 11/16 inches (32.5 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

228. Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash, gray wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

229. Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

230. Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 3/4 × 9 3/4 inches (32.4 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

231. Hogarth Declaring His Love to Miss Thornhill

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 3/4 inches (32.9 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

232. The Reconcilation

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

233. The Smock Exposed

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

234. Hogarth Painting His Picture of Captain Coram for the Foundling Hospital

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 11/16 inches (32.9 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

235. Hogarth Drawing Sarah Malcolm

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 3/4 inches (32.9 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

236. Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

237. Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 3/4 inches (32.9 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

238. Hogarth Sitting to Roubiliac for His Bust

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

239. Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 11/16 inches (32.7 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

240. Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 11/16 inches (32.7 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

241. Hogarth at Old Slaughter's Hobbing with Highmore the Painter

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 13 × 9 3/4 inches (33 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

242. Landscape with Sheep

Creator:: William Callow, 1812–1908
Date:: undated
Materials & Techniques:: Watercolor over graphite, with gum arabic and goauche on medium, rough, gray wove paper
Dimensions:: Sheet: 5 1/8 × 10 inches (13 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

243. The Ruins of the College of Lincluden

Creator:: Print made by William Byrne, 1743–1805
Date:: 1782
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 10 13/16 x 14 15/16 inches (27.5 x 38 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

244. The New Moon

Creator:: William Bell Scott, 1811–1890
Date:: 1863
Materials & Techniques:: Watercolor, gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 13/16 × 9 13/16 inches (12.3 × 25 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

245. Sketch for "Reading the Will"

Creator:: Sir David Wilkie, 1785–1841
Date:: before 1820
Materials & Techniques:: Pen and brown ink on medium, moderately textured, cream laid paper, mounted in moderately thick, moderately textured, cream laid paper
Dimensions:: Mount: 8 1/4 × 10 inches (21 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

246. Ariadne

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite and gray wash with scratching out on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/8 x 9 3/4 inches (18.1 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

247. Woman on a Horse with Two Standing Women Overlooking a Landscape

Creator:: Sir Augustus Wall Callcott, 1779–1844
Date:: undated
Materials & Techniques:: Pen and black ink and black chalk on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 x 9 7/8 inches (17.8 x 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

248. A Landscape with a Portrait of a Lady, Full Length, Holding a Hat

Creator:: Richard Westall, 1765–1836
Date:: undated
Materials & Techniques:: Watercolor and gouache on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 × 10 inches (30.5 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

249. Design for Wall Paper

Creator:: unknown artist
Date:: ca. 1760
Materials & Techniques:: Pen and brown ink, brown wash, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 x 9 3/4 inches (17.8 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

250. A Scene at Windsor

Creator:: Sir James Thornhill, 1675–1734
Date:: undated
Materials & Techniques:: Graphite and brown wash with pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/8 x 6 1/2 inches (10.5 x 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

251. Beach Scene

Creator:: Samuel Prout, 1783–1852
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, pen and gray ink, pen and black ink, and graphite on moderately thick, rough, cream wove paper
Dimensions:: Sheet: 7 3/4 × 10 inches (19.7 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

252. The Angel appearing to the shepherds, the visitation, and the annunciation: a sheet of notes for a proposed decorative scheme with 3 sketches of paintings for overdoors

The Angel appearing to the shepherds, the visitation, and the annunciation: a sheet of notes for a proposed decorative scheme with 3 sketches of paintings for overdoors

Creator:: Sir James Thornhill, 1675–1734
Date:: undated
Materials & Techniques:: Pen and brown ink, graphite, and gray wash on sheet: moderately thick, moderately textured beige laid paper; mount: moderately thick moderately textured beige laid paper
Dimensions:: Sheet: 9 1/4 x 8in. (23.5 x 20.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

253. Sheet of Classical Figure Studies

Creator:: Sir James Thornhill, 1675–1734
Date:: undated
Materials & Techniques:: Pen and brown ink, and brown wash on moderately thick, moderately textured beige laid paper and moderately thick, slightly textured, beige wove paper mount
Dimensions:: Sheet: 8 3/8 x 6 3/4 inches (21.3 x 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

254. Boat by a Lake

Creator:: Joseph Barber, 1757–1811
Date:: undated
Materials & Techniques:: Watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 × 10 inches (19.1 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

255. Two Prize Fighters

Creator:: Hubert-François Gravelot, 1699–1773
Date:: ca. 1742
Materials & Techniques:: Brown wash, pen and brown ink and red chalk on medium, slightly textured, beige laid paper
Dimensions:: Mount: 9 1/2 × 10 inches (24.1 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

256. Leasehold Farm Boxted

Creator:: Sir George Howland Beaumont seventh Baronet, 1753–1827
Date:: 1791
Materials & Techniques:: Graphite and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 5/8 × 9 3/4 inches (19.4 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

257. The South Barracks, Gibraltar

Creator:: George Lothian Hall, 1825–1888
Date:: 1844
Materials & Techniques:: Watercolor, pen and black ink, graphite, and collage on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 6 1/4 × 10 inches (15.9 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

258. The Rock of Gibraltar from Algeciras (Spain)

Creator:: George Lothian Hall, 1825–1888
Date:: 1843
Materials & Techniques:: Watercolor, gouache, graphite and scraping out on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 6 1/4 × 10 inches (15.9 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

259. The Mountains of Africa, from the Hospital at Gilbraltar

Creator:: George Lothian Hall, 1825–1888
Date:: 1844
Materials & Techniques:: Watercolor over graphite with scraping out on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 6 1/4 × 10 inches (15.9 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

260. Europa Lighthouse, Ceuta, Spain

Creator:: George Lothian Hall, 1825–1888
Date:: 1843
Materials & Techniques:: Watercolor and graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 6 1/4 × 10 inches (15.9 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

261. O'Hara's Tower, Gibraltar

Creator:: George Lothian Hall, 1825–1888
Date:: 1843
Materials & Techniques:: Watercolor and graphite on thick, moderately textured, cream card
Dimensions:: Sheet: 6 1/4 × 10 inches (15.9 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

262. Cabrita Point - Rock of Gibraltar

Creator:: George Lothian Hall, 1825–1888
Date:: 1843
Materials & Techniques:: Watercolor over graphite with scraping out on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 6 1/4 × 10 inches (15.9 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

263. Greenwich

Creator:: James Holland, 1799–1870
Date:: undated
Materials & Techniques:: Graphite and watercolor on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 10 inches (28.9 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

264. Head of a Woman (The Artist's First Wife?)

Creator:: Augustus Edwin John, 1878–1961
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 × 10 inches (35.6 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Philip L. Goodwin, Yale BA 1907, transfer from the Yale University Art Gallery

265. The Rock of Gibraltar from the Alameida at San Roque

Creator:: George Lothian Hall, 1825–1888
Date:: 1844
Materials & Techniques:: Watercolor, pen and black ink over graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 6 1/4 × 10 inches (15.9 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

266. Hackney Grammar School

Creator:: M. A. Gliddon, active 1840
Date:: 1844
Materials & Techniques:: Watercolor over graphite on wove paper
Dimensions:: Sheet: 7 1/2 x 9 13/16in. (19.1 x 24.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

267. Hackney Grammar School

Creator:: M. A. Gliddon, active 1840
Date:: 1834
Materials & Techniques:: Watercolor with pen and brown ink over graphite on wove paper
Dimensions:: Sheet: 7 1/16 x 9 11/16in. (17.9 x 24.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

268. The King's Bastion, the Club House Hotel, Gibraltar

Creator:: George Lothian Hall, 1825–1888
Date:: 1844
Materials & Techniques:: Pen and black ink, watercolor, graphite and scraping out on thick slightly textured, cream card
Dimensions:: Sheet: 6 1/4 × 10 inches (15.9 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

269. The 48th Regiment with Casemate, Gibraltar

Creator:: George Lothian Hall, 1825–1888
Date:: 1844
Materials & Techniques:: Watercolor, pen and black ink, pen and brown ink and graphite with scratching out on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 6 1/4 × 10 inches (15.9 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

270. Part of the Bay of Gibraltar, the Spanish Lines

Creator:: George Lothian Hall, 1825–1888
Date:: 1844
Materials & Techniques:: Watercolor and pen and brown ink over graphite with scraping out on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 6 1/4 × 10 inches (15.9 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

271. Rosia Bay, Gibraltar and Algeciras, Spain

Creator:: George Lothian Hall, 1825–1888
Date:: 1844
Materials & Techniques:: Watercolor over graphite with scraping out on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 6 1/4 × 10 inches (15.9 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

272. Deposition

Creator:: Sir Stanley Spencer, 1891–1959
Date:: 1910
Materials & Techniques:: Watercolor, pen and black ink, and graphite, with scraping out on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 14 5/16 x 9 3/4 inches (36.4 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

273. Drifting

Creator:: Edward John Gregory, 1850–1909
Date:: undated
Materials & Techniques:: Watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/16 × 10 inches (35.7 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, The Edwin Austin Abbey Memorial Collection

274. Landscape with Gorge and Cattle

Creator:: Henry Richard Greville third Earl of Warwick, 1779–1853
Date:: undated
Materials & Techniques:: Gray wash with pen and brown ink over graphite; verso: pen and gray ink over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 3/4 x 9 7/8in. (32.4 x 25.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

275. Design for Love's Labour's Lost

Creator:: Thomas Grieve, 1799–1882
Date:: 1839
Materials & Techniques:: Watercolor, white gouache, graphite, pen and ink, and collage on three layerd sheets of moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/2 × 9 3/4 inches (16.5 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

276. In Richmond Park

Creator:: John William Inchbold, 1830–1888
Date:: 1869
Materials & Techniques:: Watercolor, gouache, and graphite, with scraping on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 6 3/4 × 9 7/8 inches (17.1 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

277. Country Folk with a Child, Beside a River

Creator:: Samuel Howitt, 1756–1822
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, pen and gray ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/8 × 10 inches (21.3 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

278. Flying Squirrel

Creator:: Samuel Howitt, 1756–1822
Date:: ca. 1817
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/8 × 9 3/4 inches (18.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

279. River Landscape with Figures

Creator:: Thomas Hearne, 1744–1817
Date:: undated
Materials & Techniques:: Gray wash, pen and black ink, gouache, and graphite on medium, slightly textured, beige wove paper mounted on moderately thick, slightly textured, beige wove paper
Dimensions:: Contemporary drawn border: 12 × 9 3/4 inches (30.5 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

280. The Welsh Curate

Creator:: Thomas Hearne, 1744–1817
Date:: undated
Materials & Techniques:: Gray wash, pen and gray ink, and graphite on moderately thick, slightly textured, beige laid paper
Dimensions:: Contemporary drawn border: 7 1/4 × 9 7/8 inches (18.4 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

281. The Ruins of Leiston Abbey

Creator:: Thomas Hearne, 1744–1817
Date:: 1781
Materials & Techniques:: Watercolor, pen and black ink, gouache, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 9 3/4 x 12 3/8 inches (24.8 x 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

282. The Gateway of Lancaster Castle

Creator:: Thomas Hearne, 1744–1817
Date:: ca. 1778
Materials & Techniques:: Watercolor, pen and black ink, gouache, and graphite on moderately thick, slightly textured, beige laid paper
Dimensions:: Contemporary drawn border: 7 5/8 x 10 1/2 inches (19.4 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

283. Heveningham Hall, Suffolk

Creator:: unknown artist
Date:: between 1782 and 1790
Materials & Techniques:: Watercolor and black ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/4 x 10 inches (17.1 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

284. Venetian Scene

Creator:: John Henderson, 1764–1843
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/8 × 9 3/4 inches (18.1 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

285. The Chapel of the Foundling Hospital, London

Creator:: Attributed to Theodore Jacobsen, died 1772
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 2 11/16 x 9 15/16 inches (6.8 x 25.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

286. Self Portrait

Creator:: Augustus Edwin John, 1878–1961
Date:: ca. 1897
Materials & Techniques:: Red chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 × 9 7/8 inches (33 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

287. The Toll-house with a Coach Crossing the Bridge

Creator:: Samuel Howitt, 1756–1822
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 × 10 inches (19.1 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

288. St. Goarhausen on the Rhine between Koblenz and Mainz

Creator:: John Frederick Lewis, 1804–1876
Date:: 1827
Materials & Techniques:: Watercolor, white gouache, black chalk, and graphite, with scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/4 x 8 inches (17.1 x 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

289. Tyrolese Hunters

Creator:: John Frederick Lewis, 1804–1876
Date:: between 1827 and 1828
Materials & Techniques:: Watercolor, white gouache, graphite with pen and brown ink on medium, slightly textured, beige wove paper mounted on heavy card
Dimensions:: Sheet: 11 x 8 1/8 inches (27.9 x 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

290. Townsend's Building at Rousham, Oxfordshire: Elevation and Plan

Creator:: William Kent, ca.1686–1748
Date:: ca. 1738
Materials & Techniques:: Graphite, pen and brown wash within single-ruled pencil border on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 13 1/2 x 9 11/16 inches (34.3 x 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

291. Still Life with a Ginger Jar

Creator:: William Henry Hunt, 1790–1864
Date:: ca. 1825
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 10 inches (19.1 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

292. Thatched Cottage near Henley

Creator:: John Baverstock Knight, 1785–1859
Date:: 1821
Materials & Techniques:: Watercolor, pen and brown ink and graphite on medium, rough, cream wove paper
Dimensions:: Sheet: 6 11/16 × 9 3/4 inches (17 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

293. Preparatory drawing for Design 21, Plate 19 of A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Gray wash and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 11/16 × 9 3/4 inches (17 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

294. Etched State with revisions of Design 11, Plate 9 of A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Gray wash, gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/8 x 10in. (18.1 x 25.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

295. The Generosity of Johnny Permain

Creator:: Edward Penny, 1714–1791
Date:: undated
Materials & Techniques:: Gray wash, gouache, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 x 9 7/8in. (30.5 x 25.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

296. Mouth of the Humber

Creator:: Hercules Brabazon Brabazon, 1821–1906
Date:: undated
Materials & Techniques:: Watercolor and gouache with graphite and scratching out on medium, slightly textured, gray wove paper
Dimensions:: Sheet: 6 1/8 × 10 inches (15.6 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

297. On the Cimaronero River

Creator:: Michel Jean Cazabon, 1813–1888
Date:: 1857
Materials & Techniques:: Pen and brown ink, black ink, brown wash, graphite and scratching out on medium, slightly texturer, beige wove paper
Dimensions:: Sheet: 7 1/8 × 9 7/8 inches (18.1 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

298. St. James' Barracks from the Playground of the Model School

Creator:: Michel Jean Cazabon, 1813–1888
Date:: 1857
Materials & Techniques:: Pen and black ink, gray ink, gray wash, black wash, graphite and scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 5/8 × 10 inches (16.8 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

299. The Bocas from the Old Fort, Macqueripe

Creator:: Michel Jean Cazabon, 1813–1888
Date:: 1857
Materials & Techniques:: Pen and black ink, gray ink, gray wash, black wash, gouache, graphite, and scratching out on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 × 10 inches (17.8 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

300. Cedros Bay

Creator:: Michel Jean Cazabon, 1813–1888
Date:: 1857
Materials & Techniques:: Pen and black ink, gray ink, gray wash, black wash, graphite, gouache and scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 × 10 inches (17.8 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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201. Cottage amongst Trees

202. A Forest Landscape near Boldrewood

203. Figures by a Ruined Arch

204. Strand Gateway, Winchelsea

205. Lambeth from York House

206. View from Ashton Meadows, Bristol

207. Valentino, Servitore de Piazza

208. The Diana Fountain, Bushy Park: Original Design

209. Thomas Weston as Spy in Bates "The Rival Candidates"

210. Cottage

211. Port

212. Seated Woman

213. Church Interior

214. Welsh Hills from Beaumaris

215. Bearded Man

216. Mountainous Landscape and Lake

217. Mountainous Landscape

218. Three Men

219. Interior of Lancaster House

220. A View of Several Palaces at Naples at Sun Rise

221. Design for a Monument to Sir James Reade, Hatfield

222. Avenue and Entrance to St. James Barracks

223. View from Laventille Hill

224. Los Gallos, Icacos Bay

225. Notre Dame, Paris

226. Landscape with Shepherd and Sheep

227. Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends

228. Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

229. Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

230. Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances

231. Hogarth Declaring His Love to Miss Thornhill

232. The Reconcilation

233. The Smock Exposed

234. Hogarth Painting His Picture of Captain Coram for the Foundling Hospital

235. Hogarth Drawing Sarah Malcolm

236. Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers

237. Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

238. Hogarth Sitting to Roubiliac for His Bust

239. Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'

240. Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance

241. Hogarth at Old Slaughter's Hobbing with Highmore the Painter

242. Landscape with Sheep

243. The Ruins of the College of Lincluden

244. The New Moon

245. Sketch for "Reading the Will"

246. Ariadne

247. Woman on a Horse with Two Standing Women Overlooking a Landscape

248. A Landscape with a Portrait of a Lady, Full Length, Holding a Hat

249. Design for Wall Paper

250. A Scene at Windsor

251. Beach Scene

252. The Angel appearing to the shepherds, the visitation, and the annunciation: a sheet of notes for a proposed decorative scheme with 3 sketches of paintings for overdoors

253. Sheet of Classical Figure Studies

254. Boat by a Lake

255. Two Prize Fighters

256. Leasehold Farm Boxted

257. The South Barracks, Gibraltar

258. The Rock of Gibraltar from Algeciras (Spain)

259. The Mountains of Africa, from the Hospital at Gilbraltar

260. Europa Lighthouse, Ceuta, Spain

261. O'Hara's Tower, Gibraltar

262. Cabrita Point - Rock of Gibraltar

263. Greenwich

264. Head of a Woman (The Artist's First Wife?)

265. The Rock of Gibraltar from the Alameida at San Roque

266. Hackney Grammar School

267. Hackney Grammar School

268. The King's Bastion, the Club House Hotel, Gibraltar

269. The 48th Regiment with Casemate, Gibraltar

270. Part of the Bay of Gibraltar, the Spanish Lines

271. Rosia Bay, Gibraltar and Algeciras, Spain

272. Deposition

273. Drifting

274. Landscape with Gorge and Cattle