"Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'
between 1831 and 1832
7
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'
between 1831 and 1832
8
Paul Sandby, 1731–1809
The Duke of Cumberland With a Gentleman and a Groom, All Mounted, and Dogs
undated
9
Sawrey Gilpin, 1733–1807
Studies of Two Riders, and of Rider's Heads
undated
10
Peter DeWint, 1784–1849
Building a Hayrick
undated
11
Michael Angelo Hayes, 1811–1880
The Band of the 23rd Fusiliers
1838
12
Henry Thomas Alken, 1785–1851
"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'
between 1831 and 1832
13
Hubert-François Gravelot, 1699–1773
The Sporting Lady
undated
14
Henry Thomas Alken, 1785–1851
Symptoms: of Being Bang Up, of a Fine Woman, of Being Bang Down, Of a Quiet One
between 1818 and 1822
15
Henry Thomas Alken, 1785–1851
Knight Falling From His Horse at a Squire's Tilt
undated
16
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'
between 1831 and 1832
17
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Had No Notion of the Comforts of Hunting by Water'
between 1831 and 1832
18
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" '
between 1831 and 1832
19
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'It's My Notion That This is the Only Way to Get Her Along'
between 1831 and 1832
20
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'
between 1831 and 1832
21
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'
between 1831 and 1832
22
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '
between 1831 and 1832
23
Possibly Samuel Howitt, 1756–1822
The Departure of a Post-Chaise From the (?) Red Lion Inn, Bagshot
undated
24
Thomas Rowlandson, 1756–1827
How to Vault in the Saddle
1813
25
Thomas Rowlandson, 1756–1827
Picking Mulberries
undated
26
James McNeill Whistler, 1834–1903
The Long Gallery, Louvre
1894
27
Print made by Johann Jacobus Haid, 1704–1767
Men Playing Cards
undated
28
Print made by Johann Jacobus Haid, 1704–1767
La male consequence du celibat
undated
29
Print made by Francesco Bartolozzi, 1728–1815
Gualtherus and Griselda
1784
30
Print made by Frederick Landseer Maur Griggs, 1876–1938
The Quay
1916
31
Print made by Frederick Landseer Maur Griggs, 1876–1938
The Quay
1916
32
Thomas Shotter Boys, 1803–1874
Notre Dame, Paris
between 1831 and 1845
33
unknown artist
Illustration to Tonson's Ovid Metamorphis (four of four)
ca. 1710
34
Paul Sandby, 1731–1809
Two Wheeled Cart and Figures
undated
35
Samuel Howitt, 1756–1822
The Village Inn
1798
36
Edmund Thomas Parris, 1793–1873
Studies of Figures: Women, Tradespeople, etc
undated
37
Peter Casteels, 1684–1749
Feeding Ducks
undated
38
Walter Geikie, 1795–1837
Edinburgh Castle and Horse Fair
1830
39
George Morland, 1763–1804
A Hop Kiln
1795
40
George Morland, 1763–1804
A Man Lifting a Trunk, Two studies on one sheet
1792
41
Thomas Rowlandson, 1756–1827
Dr. Syntax Made Free of the Cellar
undated
42
Sir Joshua Reynolds, 1723–1792
Two Sketches of Man
undated
43
Paul Sandby, 1731–1809
Bayswater - London
undated
44
Edward Francis Burney, 1760–1848
Boarding the Ferry
undated
45
Cornelius Varley, 1781–1873
Ship Study
1823
46
Michael "Angelo" Rooker, 1746–1801
Clare Castle, Suffolk
between 1797 and 1800
47
Print made by Richard Parkes Bonington, 1802–1828
Les Pendus
ca. 1826
48
Print made by Bradshaw & Blacklock, active ca.1850
Hampton Court
after 1850
49
Print made by George Cruikshank, 1792–1878
London. The Boar's-head Tavern in Eastcheap: 'Henry IV Part II,' Act II, Scene IV
after 1857
50
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Musicians and Animals
1912
51
Print made by Andrew Fairbairn Affleck, 1874/7–1936
The Rialto
undated
52
Print made by Jacob Gole, 1660–1737
The Quakers' Meeting
undated
53
Print made by George Cruikshank, 1792–1878
London. A Street: 'Henry IV Part II,' Act II, Scene I
after 1857
54
Georg Goldberg, 1830–1894
"Antony and Cleopatra," Act III, Scene XI
undated
55
Print made by Thomas Shotter Boys, 1803–1874
Verona, Hay Barge on the Medway, and a Calvary (three prints)
after 1833
56
Print made by James Caldwall, 1739–1819
The Macarony Brothers
1772
57
Robert Dixon, 1780–1815
The Late Entrance to Ber Street, Norwich
1810
58
Print made by Richard Parkes Bonington, 1802–1828
Tour du Gros Horloge, Batie Souis la Domination des Anglais en 1417
1824
59
Print made by Austin, Robert, 1895-1973, 1895–1973
Cadore
1927
60
Print made by Sir Muirhead Bone, 1876–1953
Salvage Men, World War I
1919
61
Print made by Charles William Cain, 1893–1962
Shortened Canvas
undated
62
Print made by Charles William Cain, 1893–1962
120 Degrees, Tigris
ca. 1926
63
Print made by Charles William Cain, 1893–1962
Before the Breeze
undated
64
Print made by Charles William Cain, 1893–1962
The Canoe Builders
undated
65
Print made by Charles William Cain, 1893–1962
Aka-Kuf
undated
66
Sir Francis Seymour Haden, 1818–1910
Dusty Millers
1877
67
Sir Francis Seymour Haden, 1818–1910
Dusty Millers
1877
68
Print made by David Allan, 1744–1796
Patie Rebukes Roger
1808
69
Print made by unknown artist
Harvest
undated
70
Print made by John Corner, 1788–1825
Sir Godfrey Kneller
1821
71
Print made by M. Coote, ca. 1758/62–1801
Edgar's Tower at Worcester
before 1786
72
Print made by Robert Spence, 1871–1964
The Next Day Wee Passed on..
between 1890 and 1911
73
Thomas Rowlandson, 1756–1827
'The Doctor is so Severely Bruised that Cupping is Judged Necessary'
between 1809 and 1811
74
Thomas Rowlandson, 1756–1827
Soldiers in St. James Park
undated
75
Thomas Rowlandson, 1756–1827
Labourers at Rest
between 1790 and 1795
76
Thomas Rowlandson, 1756–1827
An Artist's Studio
1814
77
Thomas Rowlandson, 1756–1827
Dr. Syntax Copying the Wit of the Window
between 1809 and 1812
78
Thomas Rowlandson, 1756–1827
Crowd by a Gibbet
undated
79
James McNeill Whistler, 1834–1903
Battersea Reach
1863
80
Thomas Rowlandson, 1756–1827
Comforts of Bath: The Pump Room
1798
81
Thomas Rowlandson, 1756–1827
Comforts of Bath: The Concert
1798
82
Thomas Rowlandson, 1756–1827
Comforts of Bath: Coaches Arriving
1798
83
Thomas Rowlandson, 1756–1827
Comforts of Bath: The Ball
1798
84
Richard Dadd, 1817–1886
Eastern Letter Writer
1863
85
Bruce Davidson, born 1933
Coal Miners Next to Work Horse
1965
86
Thomas Girtin, 1775–1802
Boat Building
ca. 1799
87
Richard Cosway, 1742–1821
Supper at Emmaus
undated
88
Benjamin West, 1738–1820
The Indians Delivering up the English Captives to Colonel Bouquet near his camp at the folks of Muskingum in North America in November 1764, 1765
between 1765 and 1766
89
Alfred Diston, active 1818–1829
View of part of Realesco de abasco from the road to la Cruz Santa
1818
90
John Warwick Smith, 1749–1831
The Slate Quarries at Bron Llwyd
undated
91
Bruce Davidson, born 1933
Man Washing in Bucket of Water
1965
92
Thomas Girtin, 1775–1802
Cottage near Newcastle, Northumberland
ca. 1797
93
Thomas Rowlandson, 1756–1827
Dr. Syntax with Kitty Cowslip
1821
94
Thomas Rowlandson, 1756–1827
Time and Death and Goody Barton
undated
95
Thomas Rowlandson, 1756–1827
Comforts of Bath: Gouty Persons Fall on Steep HIll