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801. The Most Noble Henry Pelham Duke of Newcastle K.G.

The Most Noble Henry Pelham Duke of Newcastle K.G.
Creator:
after Henry William Pickersgill, 1782–1875
Date:
1836
Materials & Techniques:
Stipple engraving and line engraving on moderately thick, smooth, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

802. Henry Pelham Fiennes Pelham-Clinton, fifth Duke of Newcastle-under-Lyne

Henry Pelham Fiennes Pelham-Clinton, fifth Duke of Newcastle-under-Lyne
Creator:
Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:
1841
Materials & Techniques:
Stipple engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

803. Thomas Holles, Duke of Newcastle

Thomas Holles, Duke of Newcastle
Creator:
Print made by Edward Harding, 1755–1840
Date:
1802
Materials & Techniques:
Stipple engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

804. William Cavendish, first Duke of Newcastle-upon-Tyne

William Cavendish, first Duke of Newcastle-upon-Tyne
Creator:
Print made by unknown artist
Date:
1797
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

805. William Cavendish, first Duke of Newcastle-upon-Tyne

William Cavendish, first Duke of Newcastle-upon-Tyne
Creator:
Print made by unknown artist
Date:
1643
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

806. William Cavendish, first Duke of Newcastle-upon-Tyne

William Cavendish, first Duke of Newcastle-upon-Tyne
Creator:
Print made by E. Bocquet, British
Date:
1806
Materials & Techniques:
Stipple engraving and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

807. William Cavendish, first Duke of Newcastle-upon-Tyne

William Cavendish, first Duke of Newcastle-upon-Tyne
Creator:
Print made by Charles Turner, 1774–1857
Date:
1811
Materials & Techniques:
Mezzotint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

808. William Cavendish, first Duke of Newcastle-upon-Tyne

William Cavendish, first Duke of Newcastle-upon-Tyne
Creator:
Print made by unknown artist
Date:
1799
Materials & Techniques:
Stipple engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

809. John the Second Surrendering to Denis de Morbec

John the Second Surrendering to Denis de Morbec
Creator:
Print made by John Jones, ca. 1745–1797
Date:
1792
Materials & Techniques:
Stipple engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

810. Queen Philippa Interceding for the Brave citizens of Calais

Queen Philippa Interceding for the Brave citizens of Calais
Creator:
Print made by John Jones, ca. 1745–1797
Date:
1792
Materials & Techniques:
Stipple engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

811. Monument to Duke and Duchess of Newcastle

Monument to Duke and Duchess of Newcastle
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

812. Defeat of the French Army at Landrecies by the British Light Horse & Dragoon Guards

Defeat of the French Army at Landrecies by the British Light Horse & Dragoon Guards
Creator:
Print made by J. Barlow, active 1791
Date:
1794
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

813. Defeat of the French Carracks, by the Earl of Warwick

Defeat of the French Carracks, by the Earl of Warwick
Creator:
Print made by J. Pass, active 1796–1800
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

814. James Naylor

James Naylor
Creator:
Print made by Robert Grave, 1768–1825
Date:
1823
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

815. An Exact Representation of the Boarding and Taking the Cleopatra French Frigate

An Exact Representation of the Boarding and Taking the Cleopatra French Frigate
Creator:
Print made by J. Pass, active 1796–1800
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

816. Brussels, From the Hotel de Bellevue

Brussels, From the Hotel de Bellevue
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1831
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

817. Zaragoza

Zaragoza
Creator:
Print made by Charles J. Hullmandel, 1789–1850
Date:
1823
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

818. The Elevation of the Alms-Houses Endowed by Sir Andrew Judd Knight, Great St. Helen's Bishopsgate within London

The Elevation of the Alms-Houses Endowed by Sir Andrew Judd Knight, Great St. Helen's Bishopsgate within London
Creator:
Print made by Maddocks, active 1825
Date:
1825
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

819. Room in the King's Arms, Tothill Street, Westminster

Room in the King's Arms, Tothill Street, Westminster
Creator:
Print made by John Wykeham Archer, 1808–1864
Date:
1851
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

820. North Side of the Strand, Between Exeter 'Change and the May Pole, on July 7, 1713

North Side of the Strand, Between Exeter 'Change and the May Pole, on July 7, 1713
Creator:
Print made by unknown artist
Date:
1829
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

821. A Brace of Brimstones

A Brace of Brimstones
Creator:
Print made by Thomas Rowlandson, 1756–1827
Date:
1806
Materials & Techniques:
Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

822. Megg's Almshouses. Repaired, Improved, and further Endowed by Benjamin Goodwin

Megg's Almshouses. Repaired, Improved, and further Endowed by Benjamin Goodwin
Creator:
Print made by Thomas Cook, 1744–1818
Date:
1819
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

823. Intrepid Behavior of Captain Charles Napier

Intrepid Behavior of Captain Charles Napier
Date:
1809
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

824. View of the Temple of Aesculapius

View of the Temple of Aesculapius
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1764
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale University Art Gallery Collection

825. View of the Porta Ferrea

View of the Porta Ferrea
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1764
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale University Art Gallery Collection

826. View of the Inside of the Vestibulum

View of the Inside of the Vestibulum
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1764
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale University Art Gallery Collection

827. Paul de Rapin

Paul de Rapin
Creator:
Print made by George Vertue, 1684–1756
Date:
1734
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

828. Plate VIII, The Bottle Has Done Its Work

Plate VIII, The Bottle Has Done Its Work
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1847
Materials & Techniques:
Glyphograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

829. Another View of the Temple of Aesculapius

Another View of the Temple of Aesculapius
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1764
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale University Art Gallery Collection

830. The Famous Battle of Crecy, in France

The Famous Battle of Crecy, in France
Creator:
Print made by Tukey
Date:
1783
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

831. Plate V, Cold, Misery, and Want Destroy Their Youngest Child

Plate V, Cold, Misery, and Want Destroy Their Youngest Child
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1847
Materials & Techniques:
Glyphograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

832. Plate IV, Unable to Obtain Employment They Are Driven by Poverty into the Streets to Beg

Plate IV, Unable to Obtain Employment They Are Driven by Poverty into the Streets to Beg
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1847
Materials & Techniques:
Glyphograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

833. Plate II, He is Discharged form his Employment for Drunkenness

Plate II, He is Discharged form his Employment for Drunkenness
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1847
Materials & Techniques:
Glyphograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

834. John Egerton, third Earl of Bridgewater

John Egerton, third Earl of Bridgewater
Creator:
Print made by John Smith, the mezzotinter, 1652–1743
Date:
1702
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

835. Plate I, The Bottle is Brought out for the First Time

Plate I, The Bottle is Brought out for the First Time
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1847
Materials & Techniques:
Glyphograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

836. The Castle of Isola, Italy

The Castle of Isola, Italy
Creator:
Published by Rudolf Ackermann, 1764–1834
Date:
1822
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale University Art Gallery Collection

837. Prospectus Oppidi Dumblani, The Prospect of the Town of Dumblane

Prospectus Oppidi Dumblani, The Prospect of the Town of Dumblane
Creator:
Print made by unknown artist
Date:
1748
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

838. Mr. Bumble Degraded in the Eyes of the Paupers

Mr. Bumble Degraded in the Eyes of the Paupers
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1838
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

839. View of Baalbeck

View of Baalbeck
Creator:
Print made by John Heaviside Clark, c.1771–1863
Date:
1829
Materials & Techniques:
Aquatint and etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

840. The Port, Hamburgh

The Port, Hamburgh
Creator:
Print made by Robert Wallis, 1794–1878
Date:
ca. 1840
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

841. Dan John Lydgate of Bury Poet Laureate

Dan John Lydgate of Bury Poet Laureate
Creator:
Print made by George Vertue, 1684–1756
Date:
ca. 1750
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

842. Charles II, King of England, Scotland, France & Ireland

Charles II, King of England, Scotland, France & Ireland
Creator:
Print made by George Vertue, 1684–1756
Date:
1736
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

843. Caerlaverock Castle

Caerlaverock Castle
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1832
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

844. Francis Beaumont, Esquire

Francis Beaumont, Esquire
Creator:
Print made by George Vertue, 1684–1756
Date:
1729
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

845. Title Page to James Howell, Epistolae Ho Elianae: Familiar Letters, Domestic & Forren

Title Page to James Howell, Epistolae Ho Elianae: Familiar Letters, Domestic & Forren
Creator:
Print made by William Marshall, fl. 1617–1649
Date:
1645
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

846. Frontispiece to The Sporting Magazine or Monthly Calendar, Volume 48

Frontispiece to The Sporting Magazine or Monthly Calendar, Volume 48
Creator:
Print made by unknown artist
Date:
1803
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

847. Attacking Stag

Attacking Stag
Creator:
Print made by William Finden, 1787–1852
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

848. Fall of Foyers, Invernesshire

Fall of Foyers, Invernesshire
Creator:
Print made by Edward Radclyffe, 1809–1863
Date:
1836
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

849. Mountain of the Grande Chartreuse, from Grenoble

Mountain of the Grande Chartreuse, from Grenoble
Creator:
Print made by Joseph C. Bentley, 1809–1851
Date:
undated
Materials & Techniques:
Line engraving and etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

850. Lac de Gaube, Pyrenees

Lac de Gaube, Pyrenees
Creator:
Print made by Joseph C. Bentley, 1809–1851
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

851. View of Cape Diamond

View of Cape Diamond
Creator:
Print made by unknown artist
Date:
1798
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

852. View in the Carse of Gowrie

View in the Carse of Gowrie
Creator:
Print made by W. Pickett, active 1792–1820
Date:
1802
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

853. Hill of Binion from the Lake

Hill of Binion from the Lake
Creator:
Print made by W. Pickett, active 1792–1820
Date:
1802
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

854. Loch-Kaitrin, East End

Loch-Kaitrin, East End
Creator:
Print made by Thomas Medland, 1755–1823
Date:
1802
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

855. Loch-Lubnaig, West End

Loch-Lubnaig, West End
Creator:
Published by Longman, active 1804–1914
Date:
1802
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

856. Windings of the Tay, Looking toward the Mountains of Athol

Windings of the Tay, Looking toward the Mountains of Athol
Creator:
Print made by Thomas Medland, 1755–1823
Date:
1802
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

857. Kinloch Rannoch

Kinloch Rannoch
Creator:
Print made by Thomas Medland, 1755–1823
Date:
1802
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

858. Pass of Killicrankie

Pass of Killicrankie
Creator:
Print made by Thomas Medland, 1755–1823
Date:
1802
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

859. Caldron Linn

Caldron Linn
Creator:
Print made by Thomas Medland, 1755–1823
Date:
undated
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

860. Ruins of Castle-Gloom

Ruins of Castle-Gloom
Creator:
Print made by Thomas Medland, 1755–1823
Date:
1802
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

861. Loch Tay Looking toward Killin

Loch Tay Looking toward Killin
Creator:
Print made by Thomas Medland, 1755–1823
Date:
1802
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

862. Loch-Lubnaig, East End

Loch-Lubnaig, East End
Creator:
Print made by Thomas Medland, 1755–1823
Date:
1802
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

863. View from the Heights of Dunkeld

View from the Heights of Dunkeld
Creator:
Print made by Thomas Medland, 1755–1823
Date:
1802
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

864. Taymouth

Taymouth
Creator:
Print made by Samuel Alken, 1756–1815
Date:
1802
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

865. Loch-vana-choir

Loch-vana-choir
Creator:
Print made by Francis Jukes, 1747–1812
Date:
1802
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

866. Down Castle, Craigforth and Stirling in the Distance

Down Castle, Craigforth and Stirling in the Distance
Creator:
Print made by Thomas Medland, 1755–1823
Date:
1802
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

867. Benledi

Benledi
Creator:
Print made by Francis Jukes, 1747–1812
Date:
1802
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

868. Cori-nan-Urischin

Cori-nan-Urischin
Creator:
Print made by Samuel Alken, 1756–1815
Date:
1802
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

869. Loch-erin-head

Loch-erin-head
Creator:
Print made by W. Pickett, active 1792–1820
Date:
1802
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

870. The Circle of Gavarnie, Pyrenees

The Circle of Gavarnie, Pyrenees
Creator:
Print made by Joseph C. Bentley, 1809–1851
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

871. Fall of the Brahan

Fall of the Brahan
Creator:
Print made by Thomas Medland, 1755–1823
Date:
1802
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

872. View of the Rock Bridge

View of the Rock Bridge
Creator:
Print made by unknown artist
Date:
1798
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

873. View of the Port of Havre de Grace

View of the Port of Havre de Grace
Creator:
Print made by unknown artist
Date:
1782
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

874. Clifden, Connemara

Clifden, Connemara
Creator:
Print made by Robert Brandard, 1805–1862
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

875. Mr. Sharp and Mr. Blunt

Mr. Sharp and Mr. Blunt
Creator:
Published by Matthew Darly, active 1754–1778
Date:
1773
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

876. Titus Oates

Titus Oates
Creator:
Print made by unknown artist
Date:
1810
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

877. First Position of the English and French Fleets at Two in the Afternoon, the 20th of May 1756

First Position of the English and French Fleets at Two in the Afternoon, the 20th of May 1756
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

878. G. L. LeClerc, Count de Buffon

G. L. LeClerc, Count de Buffon
Creator:
Print made by unknown artist
Date:
1828
Materials & Techniques:
Stipple engraving and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

879. Position of the English and French Fleets, When the French Fleet Began the Engagement

Position of the English and French Fleets, When the French Fleet Began the Engagement
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

880. A View of the Harbour of Nantes

A View of the Harbour of Nantes
Creator:
Print made by unknown artist
Date:
1790
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

881. The Tower of the Temple, State Prison at Paris, Exterior View

The Tower of the Temple, State Prison at Paris, Exterior View
Creator:
Print made by unknown artist
Date:
1816
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

882. A View of the Harbour of Cherburg

A View of the Harbour of Cherburg
Creator:
Print made by unknown artist
Date:
1790
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

883. Hibernia in Distress

Hibernia in Distress
Creator:
Print made by unknown artist
Date:
1772
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

884. The City Carriers

The City Carriers
Creator:
Printed by unknown artist
Date:
1769
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

885. Five Ships of the Line and a Frigate Engaging off Portipea

Five Ships of the Line and a Frigate Engaging off Portipea
Creator:
Print made by unknown artist
Date:
1748
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

886. The Blessed Effects of Venality

The Blessed Effects of Venality
Creator:
Print made by unknown artist
Date:
1776
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

887. New Bethlem Hospital, St. George's Fields

New Bethlem Hospital, St. George's Fields
Creator:
Print made by unknown artist
Date:
1817
Materials & Techniques:
Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

888. Elevation of the New East India House now Building in Leadenhall Street

Elevation of the New East India House now Building in Leadenhall Street
Creator:
Print made by unknown artist
Date:
1798
Materials & Techniques:
Engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

889. A Perspective View of Ranelagh House and Garden

A Perspective View of Ranelagh House and Garden
Creator:
Print made by unknown artist
Date:
1750
Materials & Techniques:
Line engraving on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

890. Somerset House and the New Church, Strand, Taken from the Morning Post Office

Somerset House and the New Church, Strand, Taken from the Morning Post Office
Creator:
Print made by unknown artist
Date:
1809
Materials & Techniques:
Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

891. Treasure &c Whitehall

Treasure &c Whitehall
Creator:
Print made by unknown artist
Date:
ca. 1856
Materials & Techniques:
Color Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

892. Front View of the New St. Luke's Hospital late Erected in Old Street Road

Front View of the New St. Luke's Hospital late Erected in Old Street Road
Creator:
Published by John Sewell, active 1735–1802
Date:
1785
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

893. Craven House, Drury Lane

Craven House, Drury Lane
Creator:
Print made by unknown artist
Date:
ca. 1810
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

894. View from the Cowgate of the Buildings on the South of the Parliament Close

View from the Cowgate of the Buildings on the South of the Parliament Close
Creator:
Print made by Robert Scott, 1771–1841
Date:
1824
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

895. Havre De Grace

Havre De Grace
Creator:
Print made by William Miller, 1796–1882
Date:
1836
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

896. Saint Paul's Cathedral, London, From the S. West

Saint Paul's Cathedral, London, From the S. West
Creator:
Published by unknown artist
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

897. Side Elevation of St. Paul's, London

Side Elevation of St. Paul's, London
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

898. An Ancient View of St. James's, Westminster Abby, & Hall, &c. from the Village of Charing now Charing Cross

An Ancient View of St. James's, Westminster Abby, & Hall, &c. from the Village of Charing now Charing Cross
Creator:
Print made by unknown artist
Date:
1776
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

899. The Stadt Haus, Bremen

The Stadt Haus, Bremen
Creator:
Print made by unknown artist
Date:
1828
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

900. Imperial Riding School, St. Michael's Platz, Vienna

Imperial Riding School, St. Michael's Platz, Vienna
Creator:
Print made by H. Winkles, Active 1834–1840
Date:
1822
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection