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101
- Wouski
- 1788
102
- The Castle in the Moon
- 1782
103
- Sir Richard Worse-than-sly, Exposing his Wifes Bottom; O Fye!
- 1782
104
- The Balance of Power. - OR - "The Posterity of the Immortal Chatham, Turn'd Posture Master." - Vide Sheridan's Speech -
- 1791
105
- Westminster School. - or - Dr. Busby Settling Accounts with Master-Billy and his Playmates
- 1785
106
- The Royal Joke or Black Jacks Delight
- 1788
107
- The Minister endeavouring to eke out Dr. Pr*ty***n's Bisho-Prick
- 1787
108
- The Fall of Phaeton
- 1788
109
- The Monster going to take his Afternoons Luncheon
- 1790
110
- The Bolgna Sausages or Opposition Flux'd
- 1788
111
- Lubber's Hole - alias - The Crack'd Jordan
- 1791
112
- The Siege of Blenheim - or - The New System of Gunning Discoverd -
- 1791
113
- Swearing to the Cutting Monster or A Scene in Bow Street
- 1790
114
- The Devil to Pay; The Wife Metamorphos'd or Neptune reposing after Fording the Jordan
- 1791
115
- The Coming-on of the Monsoons, or The Retreat from Seringapatam
- 1791
116
- Fashionable Contrasts - or The Duchess's little shoe yielding to the Magnitude of the Duke's Foot
- 1792
117
- Patience on a Monument
- 1791
118
- National Conveniences
- 1796
119
- The Physick; - or - The News of Shooting the King of Sweden
- 1792
120
- Wha Wants Me?
- 1792
121
- Going to London, through "Epping Forest"
- 1802
122
- Brisk Cathartic
- 1804
123
- Ladies Dress, as it soon will be
- 1796
124
- Presentation of the Mahometan Credentials - or - The Final resource of French Atheists
- 1793
125
- The French Invasion; or John Bull, bombarding the Bum Boats
- 1793
126
- Fashionable Jockeyship
- 1796
127
- A View in Perspective. The Zenith of French Glory. The Pinnacle of Liberty
- 1793
![James Gillray The Jersey Smuggler detected; - or - Good Cause for Seperation [scored through and replaced by] Discontent](https://media.collections.yale.edu/thumbnail/ycba/dfca5d7f-ce01-4bb4-8730-52823136ac9e)
128
- The Jersey Smuggler detected; - or - Good Cause for Seperation [scored through and replaced by] Discontent
- 1796
129
- The Grand - Signior retiring
- 1796
130
- The Orangerie; - or - the Dutch Cupid reposing after the fatigues of Planting
- 1796
131
- Nature display'd, shewing the Effect of the change of the Seasons on the Ladies garden
- 1797
132
- "The Feast of Reason & the Flow of the Soul," - I.E. - The Wits of the Age, Setting the Table in a - Roar
- 1797
133
- Playing in Parts
- 1801
134
- Miss, I have a Monstrous Crow to pluck with you!!
- 1794
135
- Duke William's Ghost
- 1799
136
- Palemon and Lavinia
- 1805
137
- The Man of Feeling, in search of Indispensibles
- 1800
138
- - "and would'st thou turn the vile Reproach on me?"
- 1807
139
- King Henry VI, Part I: Act II, Scene V, A Room in the Tower (The Death of Mortimer)
- 1792
140
- Anemone 1
- 1977
141
- Anemone 2
- 1977
142
- Anemone 4
- 1977
143
- Anemone 3
- 1977
144
- Anemone 7
- 1977
145
- Anemone 6
- 1977
146
- The Last Effort and Fall of Tippoo Sultaun
- 1802
147
- Anemone 5
- 1977
148
- A View of Snowdon from the Sands of Traeth Mawr, taken at the Ford Between Pont Aberglaslyn and Tremadoc
- 1834
149
- Prospero and Miranda
- 1781
150
- The Surrender of the Sons of Tippoo Sultaun
- 1802
151
- The Assault and Taking of Seringapatam
- 1801
152
- Figure Study
- undated
153
- Providential Deliverance of John Wesley when a Child from Fire
- 1840
154
- Camouflage II
- 2004
155
- Untitled
- 1969
156
- Kelpra Prints
- 1970
157
- The Wellesley-Pole Sisters
- 1814
158
- Crumpled
- 2001 to 2002
159
- Richard Smith, Biographical Cover
- 1969
160
- Leonardo
- 1974
161
- The Spangled Cock
- 1903
162
- Julius Caesar: Act IV Scene III: Brutus' Tent ..
- 1802
163
- Hommage à Rodin
- 1966
164
- Design for Grosvenor House, London: Plan
- 1829
165
- British, Louis XV style frame
- 2nd quarter of 18th century
166
- British, Artist's frame
- early 20th century
167
- British, Louis XV style frame
- mid-18th century
168
- British frame
- late 19th to early 20th century
169
- British, Louis XIV Revival style frame
- 19th century
170
- British, box frame with mount
- mid-20th century
171
- British, 'Carlo Maratta' frame
- 4th quarter of 18th century
172
- British or Irish (?), Neoclassical frame
- 4th quarter of 18th century