Image Available: Available / Height [cm]: 33 / Classification: Prints

Ben Nicholson, 1894–1982

Two Bottles and Glass

1967 (1973)

Print made by Samuel Palmer, 1805–1881

The Vine

1852

William Hogarth, 1697–1764

The Enraged Musician

1741

Print made by William Hogarth, 1697–1764

Simon Lord Lovat

1746

William Hogarth, 1697–1764

The Bruiser

1763

William Hogarth, 1697–1764

A Silver Mine at Sala, I: Illustration for La Motraye's "Travels"

1723

Print made by William Hogarth, 1697–1764

A Midnight Modern Conversation

1733

William Hogarth, 1697–1764

The Enraged Musician

1741

William Hogarth, 1697–1764

Simon Lord Lovat

1746

William Hogarth, 1697–1764

The Invasion, Plate 2: England

1756

Etched by Joseph Mallord William Turner, 1775–1851

Glaucus and Scylla

1813 to 1823

Print made by Sir Muirhead Bone, 1876–1953

From the West

1901

Print made by Sir Muirhead Bone, 1876–1953

The Garden Front

1901

Print made by Sir Muirhead Bone, 1876–1953

Ireland and Russia

1901

George Hunt, active 1820–1840

Comparative Meltonians, as they Are, and as they Were: A Meltonian as he was

1823

Print made by John Raphael Smith, 1752–1812

Mrs. Payne Galwey and Her son Charles

ca. 1780

Print made by John Raphael Smith, 1752–1812

Proverbs, Chapter VII, verses 7, 10, 13

1780

Print made by John Raphael Smith, 1752–1812

Like Mistress, Like Maid

1781

Print made by Francesco Bartolozzi, 1728–1815

A Lecture on Gadding

1789

Francesco Bartolozzi, 1728–1815

Zeuxis Composing the Picture of Juno

1785

Mandy Payne, born 1964

This is Tomorrow, Today

2017

Print made by Ernest Stephen Lumsden, 1883–1948

Idle Craft

1928

Print made by William Kentridge, born 1955

Study for ‘Atlas Procession'

2000

Print made by Benjamin Smith, 1775–1833

Sigismonda

1795

Print made by Elizabeth Keith, 1887–1956

Hong Kong, Harbor Night

1924

Print made by W. Pickett, active 1792–1820

Peaks Hole, Derbyshire

1805

Print made by John Doyle ('H.B.'), 1797–1868

An Extraordinary Animal, Neither an Opossum nor a Kangaroo but Having Something of Both

1835

unknown artist

Nymphs Bathing

Print made by W. R. Smith, active 1819–1851

Richmond, Yorkshire

1827-1838

Print made by Edward Goodall, 1795–1870

Cologne on the Rhine

1824

Print made by Edward Goodall, 1795–1870

Cologne on the Rhine

1824

Print made by Edward Goodall, 1795–1870

Cologne on the Rhine

1824

Print made by George Cooke, 1781–1834

Brighton

1814 to 1826

Print made by Edward Goodall, 1795–1870

Mount Edgecomb, Devonshire

1814 to 1826

Print made by John Wykeham Archer, 1808–1864

Richmond Castle and Town

1820

Print made by John Landseer, 1769–1852

High Force or Fall of Tees

1818-1823

Print made by John Scott, 1774–1828

Aske Hall

1818-1823

Print made by Edward Goodall, 1795–1870

Land Discovered by Columbus

1834

Print made by Samuel Middiman, ca. 1750–1831

Moss Dale Fall

1822

Print made by Henry Le Keux, 1787–1868

High Street, Edinburgh

1819

Print made by Henry Le Keux, 1787–1868

Borthwick Castle

1819

Print made by James C. Allen, active 1821–1831

Dunbar

1824

Print made by Thomas Higham, 1796–1844

Wilton House

1825

Print made by William Miller, 1796–1882

New Abbey, near Dumfries

1834

Print made by Thomas Patch, 1725–1782

Ferdo. Gregori

1769

Print made by Thomas Patch, 1725–1782

Giusepe. Caramelli

1769

Print made by Thomas Patch, 1725–1782

Dr. Stern alias Tristram Shandy

1769

Print made by Thomas Patch, 1725–1782

Dr. Lambardi

1770

Print made by Thomas Patch, 1725–1782

Dr. Merlini

1769

Print made by Thomas Patch, 1725–1782

Monsr. Clune detto L'Imperatore

1769

Print made by Thomas Patch, 1725–1782

Alessandri il Neofito

1769

Print made by Thomas Patch, 1725–1782

Cav. Alticozzi

1769

Print made by Thomas Patch, 1725–1782

R. Dalton Esqr

1769

Print made by Thomas Patch, 1725–1782

Benbridge

1769

Print made by Thomas Patch, 1725–1782

Cosimo Fioravanti

1768

Print made by Thomas Patch, 1725–1782

Padri, e Madri mandate i vostri Figlioli

1768

Print made by Thomas Patch, 1725–1782

Frano. Harwood

1768

Print made by Thomas Patch, 1725–1782

Raimondo Cocchi

1769

Print made by Thomas Patch, 1725–1782

Cortigiani

1768

Print made by William Miller, 1796–1882

Carew Castle, Pembroke

1834

Print made by W. R. Smith, active 1819–1851

Leicester Abbey, Leicestershire

1834

Print made by Thomas Patch, 1725–1782

Gio. Torello Leoni

1768

Print made by Robert Wallis, 1794–1878

Buckfastleigh Abbey, Devonshire

1827-1838

Print made by Henry Le Keux, 1787–1868

Aosta

1830

George Hunt "Nonpareil" / The Property of Mr. John Dixon of Knightsbridge / This Wonderful Creature, Performed the unprecedented Match, of Trotting 100 Miles in harness on Sunbury Common, on Wednesday the 27th April, 1836. ...

George Hunt, active 1820–1840

"Nonpareil" / The Property of Mr. John Dixon of Knightsbridge / This Wonderful Creature, Performed the unprecedented Match, of Trotting 100 Miles in harness on Sunbury Common, on Wednesday the 27th April, 1836. ..

1836

Print by John Scott, 1774–1828

[Shooting] The Pointer

1831

Print made by John Raphael Smith, 1752–1812

Mrs. Morris

1776

Print made by James Watson, 1740–1790

Rev. Zachariah Mudge, D.D

1766

Print made by John Raphael Smith, 1752–1812

Mrs. Mordaunt

1776

Print made by Samuel Okey, active 1765–1780

Miss Nelly O'Brien

ca. 1774

Print made by Samuel Cousins, 1801–1887

Sir Thomas Lawrence P. R. A

1830

Print made by John Faber the Younger, ca. 1695–1756

Young Male Shearing a Sheep

undated

Print made by John Faber the Younger, ca. 1695–1756

The Housewife's Employment

undated

Print made by John Faber the Younger, ca. 1695–1756

A Girl Spinning Thread

undated

Print made by John Faber the Younger, ca. 1695–1756

The Swain's Amusement

between 1748 and 1756

Samuel William Reynolds, 1773–1835

Dr. Johnson

1835

Print made by Matthew Dubourg, active 1786–1838

The Coronation of His Majesty, George the Fourth: Taken at the Time of the Recognition. July 19, 1821

1822

James Peak One of Six Remarkable Views in the Provinces of New York, New Jersey and Pennsylvania from SCENOGRAPHI AMERICANA: A Design to represent the beginning and completion of an American Settlement or Farm.

James Peak, 1703–1782

One of Six Remarkable Views in the Provinces of New York, New Jersey and Pennsylvania from SCENOGRAPHI AMERICANA: A Design to represent the beginning and completion of an American Settlement or Farm

1761