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George Romney Woman Attending Recumbent Man
George Romney, 1734–1802
Woman Attending Recumbent Man
undated
George Romney Town by a River
George Romney, 1734–1802
Town by a River
undated
George Romney Young Man with Two Younger Women
George Romney, 1734–1802
Young Man with Two Younger Women
late 1770s
George Romney Reclining Woman with Attendant
George Romney, 1734–1802
Reclining Woman with Attendant
undated
George Romney The Effects of Envy and Pride
George Romney, 1734–1802
The Effects of Envy and Pride
ca. 1793
George Romney Mother and Children
George Romney, 1734–1802
Mother and Children
early 1770s
George Romney Dancers and Musicians, Probably for "L'Allegro"
George Romney, 1734–1802
Dancers and Musicians, Probably for "L'Allegro"
ca. 1769-1770
George Romney Possibly One Reclining Figure and One Dancing Figure
George Romney, 1734–1802
Possibly One Reclining Figure and One Dancing Figure
1790s
George Romney Possibly "Descent of Odin" or "Bolingbroke and Apparition"
George Romney, 1734–1802
Possibly "Descent of Odin" or "Bolingbroke and Apparition"
1770s
George Romney Standing Male Figure
George Romney, 1734–1802
Standing Male Figure
1780s
George Romney Figure Composition Study 14
George Romney, 1734–1802
Figure Composition Study 14
early 1770s
George Romney Figure Study 16
George Romney, 1734–1802
Figure Study 16
mid-1790s
George Romney Figure Composition Study 18
George Romney, 1734–1802
Figure Composition Study 18
undated
George Romney Two Figure Studies 30
George Romney, 1734–1802
Two Figure Studies 30
1770s
George Romney Figure Composition Study 35
George Romney, 1734–1802
Figure Composition Study 35
mid-1790s
George Romney Figure Composition Study 45
George Romney, 1734–1802
Figure Composition Study 45
mid-1790s
George Romney Figure Study 9
George Romney, 1734–1802
Figure Study 9
1770s
George Romney Landscape
George Romney, 1734–1802
Landscape
undated
George Romney Figure Composition Study 37
George Romney, 1734–1802
Figure Composition Study 37
1770s
George Romney Figure Composition Study 39
George Romney, 1734–1802
Figure Composition Study 39
1770s
William Blake The Book of Thel
Prints made by William Blake, 1757–1827
The Book of Thel
1789
William Blake The Peasants' Nest: Cowper's tame Hares
Print made by William Blake, 1757–1827
The Peasants' Nest: Cowper's tame Hares
1802
William Blake I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
Print made by William Blake, 1757–1827
I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
1789
William Blake A Woody Landscape
William Blake, 1757–1827
A Woody Landscape
ca. 1801
William Blake The Widow Embracing Her Husband's Grave
William Blake, 1757–1827
The Widow Embracing Her Husband's Grave
1805 to 1808
William Blake III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
Print made by William Blake, 1757–1827
III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
1789
William Blake III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
Print made by William Blake, 1757–1827
III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
1789
William Blake The First Book of Urizen, Title Page (Plate 1)
Print made by William Blake, 1757–1827
The First Book of Urizen, Title Page (Plate 1)
1794
On view
William Blake Urizen (Plate 8)
Print made by William Blake, 1757–1827
Urizen (Plate 8)
1794
William Blake Chapter VIII, "Of life on his forsaken mountains..." (Plate 20)
Print made by William Blake, 1757–1827
Chapter VIII, "Of life on his forsaken mountains..." (Plate 20)
1794
William Blake The Book of Thel, Title Page (Plate 2)
Print made by William Blake, 1757–1827
The Book of Thel, Title Page (Plate 2)
1789
William Blake Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)
Print made by William Blake, 1757–1827
Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)
1789
William Blake II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
Print made by William Blake, 1757–1827
II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
1789
William Blake Chapter I, "Lo, a shadow of horror is risen..." (Plate 3)
Print made by William Blake, 1757–1827
Chapter I, "Lo, a shadow of horror is risen..." (Plate 3)
1794
William Blake "In living creations appear'd..." (Plate 6)
Print made by William Blake, 1757–1827
"In living creations appear'd..." (Plate 6)
1794
On view
William Blake Chapter III, "As the stars are apart from the earth..." (Plate 7)
Print made by William Blake, 1757–1827
Chapter III, "As the stars are apart from the earth..." (Plate 7)
1794
William Blake Chapter IV, "From the caverns of his jointed spine..." (Plate 10)
Print made by William Blake, 1757–1827
Chapter IV, "From the caverns of his jointed spine..." (Plate 10)
1794
William Blake Chapter IV, "Ages on ages roll'd over him..." (Plate 9)
Print made by William Blake, 1757–1827
Chapter IV, "Ages on ages roll'd over him..." (Plate 9)
1794
William Blake Chapter V, "Thus the Eternal Prophet was divided..." (Plate 13)
Print made by William Blake, 1757–1827
Chapter V, "Thus the Eternal Prophet was divided..." (Plate 13)
1794
William Blake Chapter V, "The globe of life blood trembled..." (Plate 15)
Print made by William Blake, 1757–1827
Chapter V, "The globe of life blood trembled..." (Plate 15)
1794
William Blake From a Globe of Blood Rises Enitharmon (Plate 16)
Print made by William Blake, 1757–1827
From a Globe of Blood Rises Enitharmon (Plate 16)
1794
William Blake Urizen (Plate 14)
Print made by William Blake, 1757–1827
Urizen (Plate 14)
1794
William Blake Chapter VII, "Stretch'd for a work of eternity..." (Plate 19)
Print made by William Blake, 1757–1827
Chapter VII, "Stretch'd for a work of eternity..." (Plate 19)
1794
William Blake Urizen (Plate 22)
Print made by William Blake, 1757–1827
Urizen (Plate 22)
1794
William Blake Praying Child and Howling Dog (Plate 24)
Print made by William Blake, 1757–1827
Praying Child and Howling Dog (Plate 24)
1794
On view
William Blake Chapter IX, "They lived a period of years..." (Plate 25)
Print made by William Blake, 1757–1827
Chapter IX, "They lived a period of years..." (Plate 25)
1794
William Blake Anacreon Ode LII
Print made by William Blake, 1757–1827
Anacreon Ode LII
1794
William Blake I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
Print made by William Blake, 1757–1827
I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
1789
William Blake II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
Print made by William Blake, 1757–1827
II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
1789
William Blake III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
Print made by William Blake, 1757–1827
III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
1789
William Blake III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
Print made by William Blake, 1757–1827
III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
1789
William Blake "Los howld in a dismal stupor..." (Plate 10)
Print made by William Blake, 1757–1827
"Los howld in a dismal stupor..." (Plate 10)
1794
William Blake Chapter IV, "Ages on ages roll'd over him..." (Plate 13)
Print made by William Blake, 1757–1827
Chapter IV, "Ages on ages roll'd over him..." (Plate 13)
1794
William Blake Chapter IV, "Los smitten with astonishment..." (Plate 12)
Print made by William Blake, 1757–1827
Chapter IV, "Los smitten with astonishment..." (Plate 12)
1794
William Blake Los Falls through Fire (Plate 21)
Print made by William Blake, 1757–1827
Los Falls through Fire (Plate 21)
1794
William Blake Chapter VII, "Stretch'd for a work of eternity..." (Plate 22)
Print made by William Blake, 1757–1827
Chapter VII, "Stretch'd for a work of eternity..." (Plate 22)
1794
William Blake The First Book of Urizen, Plate 23 (Bentley 9)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 23 (Bentley 9)
1794
William Blake Chapter VIII, "Of life on his forsaken mountains..." (Plate 24)
Print made by William Blake, 1757–1827
Chapter VIII, "Of life on his forsaken mountains..." (Plate 24)
1794
William Blake "The Ox in the slaughter house moans..." (Plate 26)
Print made by William Blake, 1757–1827
"The Ox in the slaughter house moans..." (Plate 26)
1794
William Blake Chapter IX, "They lived a period of years..." (Plate 27)
Print made by William Blake, 1757–1827
Chapter IX, "They lived a period of years..." (Plate 27)
1794
William Blake The First Book of Urizen, Plate 28 (Bentley 27)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 28 (Bentley 27)
1794
William Blake The First Book of Urizen, Plate 4 (Bentley 24)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 4 (Bentley 24)
1794
William Blake Chapter I, "Lo, a shadow of horror is risen..." (Plate 5)
Print made by William Blake, 1757–1827
Chapter I, "Lo, a shadow of horror is risen..." (Plate 5)
1794
William Blake "In living creations appear'd..." (Plate 8)
Print made by William Blake, 1757–1827
"In living creations appear'd..." (Plate 8)
1794
William Blake From a Globe of Blood Rises Enitharmon (Plate 11)
Print made by William Blake, 1757–1827
From a Globe of Blood Rises Enitharmon (Plate 11)
1794
William Blake Chapter IV, "From the caverns of his jointed spine..." (Plate 14)
Print made by William Blake, 1757–1827
Chapter IV, "From the caverns of his jointed spine..." (Plate 14)
1794
William Blake Chapter V, "Two Nostrils bent down to the deep..." (Plate 16)
Print made by William Blake, 1757–1827
Chapter V, "Two Nostrils bent down to the deep..." (Plate 16)
1794
William Blake "They call'd her Pity, and fled..." (Plate 19)
Print made by William Blake, 1757–1827
"They call'd her Pity, and fled..." (Plate 19)
1794
William Blake Chapter V, "Thus the Eternal Prophet was divided..." (Plate 20)
Print made by William Blake, 1757–1827
Chapter V, "Thus the Eternal Prophet was divided..." (Plate 20)
1794
William Blake Chapter II, "Muster around the bleak desarts..." (Plate 6)
Print made by William Blake, 1757–1827
Chapter II, "Muster around the bleak desarts..." (Plate 6)
1794
Thomas Higham Orleans
Print made by Thomas Higham, 1796–1844
Orleans
1833
Robert Wallis Tours, Looking Backwards
Print made by Robert Wallis, 1794–1878
Tours, Looking Backwards
1833
James Tibbits Willmore Lillebonne, Château
Print made by James Tibbits Willmore, 1800–1863
Lillebonne, Château
1834
John Cousen Bridge of Meulan
Print made by John Cousen, 1804–1880
Bridge of Meulan
1835
Robert Brandard View on the Seine, between Mantes and Vernon
Print made by Robert Brandard, 1805–1862
View on the Seine, between Mantes and Vernon
1835
John William Burgon Sailboats on the Nile
John William Burgon, 1813 –1888
Sailboats on the Nile
between 1861 and 1862
Sir Edwin Henry Landseer Fisherman by a Boat with a Dog
Sir Edwin Henry Landseer, 1802–1873
Fisherman by a Boat with a Dog
undated
Wyndham Lewis Sketch at the Bottom of a Letter
Wyndham Lewis, 1882–1957
Sketch at the Bottom of a Letter
1921 to 1922
Hercules Brabazon Brabazon A Villa near the Sea
Hercules Brabazon Brabazon, 1821–1906
A Villa near the Sea
undated
Hercules Brabazon Brabazon Venice from the Lagoon
Hercules Brabazon Brabazon, 1821–1906
Venice from the Lagoon
undated
Dr. Thomas Monro Landscape
Dr. Thomas Monro, 1759–1833
Landscape
undated
Robert Spence George Fox Shows His Leather Breeches at Hellett
Print made by Robert Spence, 1871–1964
George Fox Shows His Leather Breeches at Hellett
between 1890 and 1911
Robert Spence George Fox and Captain Keat
Print made by Robert Spence, 1871–1964
George Fox and Captain Keat
between 1890 and 1911
Robert Spence George Fox in the Garden of Dr. Craddock at Coventry
Print made by Robert Spence, 1871–1964
George Fox in the Garden of Dr. Craddock at Coventry
between 1890 and 1911
Robert Spence George Fox at Launceston Gaol
Print made by Robert Spence, 1871–1964
George Fox at Launceston Gaol
between 1890 and 1911
Robert Spence George Fox Is Beaten in the Steeple-House at Ulverston
Print made by Robert Spence, 1871–1964
George Fox Is Beaten in the Steeple-House at Ulverston
between 1890 and 1911
Robert Spence George Fox Is Challenged to Fight at Scarborough Castle
Print made by Robert Spence, 1871–1964
George Fox Is Challenged to Fight at Scarborough Castle
between 1890 and 1911
Thomas Austen Brown Industrial Landscape
Print made by Thomas Austen Brown, 1857–1924
Industrial Landscape
undated
Robert Spence George Fox Talks to the People About Dreams
Print made by Robert Spence, 1871–1964
George Fox Talks to the People About Dreams
between 1890 and 1911
Sir Frank Short A Quiet Evening on the Ferry over the Blyth
Print made by Sir Frank Short, 1857–1945
A Quiet Evening on the Ferry over the Blyth
1890
Sir Frank Short A Quiet Evening on the Ferry over the Blyth
Print made by Sir Frank Short, 1857–1945
A Quiet Evening on the Ferry over the Blyth
1890
George Baxter St Paul Preaching in Athens
George Baxter, 1804–1867
St Paul Preaching in Athens
after 1855
John Ruskin Ponte Pietra, Verona
circle of John Ruskin, 1819–1900
Ponte Pietra, Verona
undated
John Ruskin Studies of a Flower
John Ruskin, 1819–1900
Studies of a Flower
undated
Francis Towne Near Ambleside
Francis Towne, 1740–1816
Near Ambleside
1786
Tom Phillips A Humument Fragment: William Blake
Tom Phillips, born 1937
A Humument Fragment: William Blake
1970
Tom Phillips After Bamforth: Series No.1925
Tom Phillips, born 1937
After Bamforth: Series No.1925
1973
Thomas Chambars Sir Nathaniel Bacon
Print made by Thomas Chambars, ca. 1724–1789
Sir Nathaniel Bacon
1762
Thomas Chambars Mrs. Beale and her Son Charles
Print made by Thomas Chambars, ca. 1724–1789
Mrs. Beale and her Son Charles
1762
Thomas Chambars Sir Balthazar Gerbier
Print made by Thomas Chambars, ca. 1724–1789
Sir Balthazar Gerbier
undated