Image Available: Available / Work Type: intaglio print / Width [cm]: 48

Print made by George Stubbs, 1724–1806

A Horse Affrighted by a Lion

1777

William Hogarth, 1697–1764

Analysis of Beauty, Plate I: A Statuary's Yard

1753

Print made by John Landseer, 1769–1852

High Force or Fall of Tees

1818-1823

Print made by James C. Allen, active 1821–1831

Dunbar

1824

Print made by John Finlayson, 1730–1776

The Tinker

1770

William Ward, 1766–1826

Daughters of Sir Thomas Frankland

1797

William Ward, 1766–1826

Daughters of Sir Thomas Frankland

1797

Robert Mitchell Meadows, Died before 1812

Dodbery and Verges, with the Watch; "Much Ado About Nothing", Act III, Scene II

1794

Peltro W. Tomkins, 1760–1840

Sir Andrew Aguecheek, Sir Toby Belch and the Clown - "Twelfth Night", Act II, Scene III

1792

Print made by James Tibbits Willmore, 1800–1863

Mercury and Argus

1841

Print made by John Browne, 1741–1801

The Sportsman

1775

Print made by John Boydell, 1720–1804

The Boscawen and Sheerness Privateers

1753

Print made by Charles William Cain, 1893–1962

The Nautch Dancers

ca. 1925

John William Edy, 1760–1820

View of His Majesty's Ship Boyne of 98 Guns, on Fire by Accident at Spithead, May 1, 1795

1797

Print made by William Strang, 1859–1921

John Masefield No. 3

1909

John Whessell, 1760–ca. 1823

The Woodman's Return

1797

Print made by Caroline Watson, 1760–1814

The Tempest, Act V, Scene I

1795

Print made by William Pether, ca. 1738–1821

Drawing Academy

ca. 1772

Print made by Thomas Malton the Younger, 1748–1804

The Bank

1781

G. T. Payne, active 1837–1850

Admiral Sir E.W.C.R. Owen

1849

Charles Rosenberg, active 1828–1848

Conflagration of the City of Bristol, Taken from the Centre of Somerset Street - (Below) A View of the Gloucester Gaol.

1831

Print made by Sir Frank Short, 1857–1945

Hayfield in Yorkshire

1904

Niccoló Schiavonetti, 1771–1813

Rustic Benevolence

1804

Print made by Thomas Girtin, 1775–1802

View of the Village of Chaillot and etc. taken from Pont de la Concorde

1803

Print made by Thomas Girtin, 1775–1802

View of St. Cloud and Mount Cavalary taken from Pont de Seve

Print made by R. F. Cahusac, active 1830

Athenaeum

1830

Thomas Malton the Younger, 1748–1804

Hall's Library at Margate

1789

Print made by Thomas Jeavons, ca. 1800–1867

Devonport and Dockyard, Devonshire

1827-1838

Print made by James Basire II, 1769–1822

South View of Christ Church, &c. from the Meadows

1799

Print made by Robert Wallis, 1794–1878

Folkstone, Kent

1826

Print made by William Dickinson, 1746–1823

Duchess of York

1795

Print made by William James Ward, ca. 1800–1840

The Infant Hercules

1819

Print made by William Whiston Barney, active 1805–1817

Her Grace the Duchess of Devonshire

1808

Print made by William Ward, 1766–1826

The Daughters of Sir Thomas Frankland

1797

Print made by George Cooke, 1781–1834

Hythe, Kent

1824

Print made by Robert Wallis, 1794–1878

Folkstone, Kent

1814 to 1826

Print made by William Radclyffe, 1780–1855

Hornby Castle from Tatham Church

1822

Print made by Samuel Middiman, ca. 1750–1831

Weathercote Cave when Half Filled with Water

1821

Print made by William Bernard Cooke, 1778–1855

Torbay from Brixham

1814 to 1826

Print made by Robert Wallis, 1794–1878

Ramsgate, Kent

1814 to 1826

Print made by George Cooke, 1781–1834

Florence, from the Chiesa al Monte

1820

Print made by James Basire II, 1769–1822

View of the Cathedral of Christ Church, and Part of Corpus Christi College

1808

Print made by Frederick Christian Lewis the Elder, 1779–1856

View of the Village of Chaillot & C. taken from Pont de la Concorde

1803

Print made by Thomas Girtin, 1775–1802

View of St. Cloud and Mt. Calvary taken from Pont de Seve

1802

Print made by John Raphael Smith, 1752–1812

George, Prince of Wales

1783

Print made by Edward Fisher, 1722–1785

John Viscount Ligonier

after 1761

Print made by Thomas Girtin, 1775–1802

View of the Village of Chaillot Taken from the Pont de la Concorde

1800 to 1802

John Harris, active 1686–1740

The Revolt of the Fleet, 1642

ca. 1710

Print made by James Bretherton, ca. 1730–1806

Englishman at Paris, 1767

1799

William S. Leney, 1769–1831

Taming the Shrew, Act III, Scene II

1793

John Maurer, active 1713–1761

Royal Exchange, London

1741

Print made by unknown artist

Panthei Fidelissime Dimensi Exterior et Interior

1553

Francesco Bartolozzi Edward, Prince of Wales, Presenting the Captive King John of France and His Sons to His Father Edward the Third After the Battle of Poictiers

Print made by Francesco Bartolozzi, 1728–1815

Edward, Prince of Wales, Presenting the Captive King John of France and His Sons to His Father Edward the Third After the Battle of Poictiers

1788

Print made by Leopold Flameng, 1831–1911

Grolier with the Printer Aldus Manutius

1882

Print made by unknown artist

Helene Apollonie Princesse de Ligne

1795

Print made by John Cousen, 1804–1880

Mercury and Herse

1842

Print made by Thomas Macklin, active 1779–1793

Fallstaff Playing the Prince, The Prince Playing the King

1796

William Byrne, 1743–1805

Chinese Pavilion in European Landscape

1792

Richard Earlom, 1743–1822

The West Window of the Chapel, New College Oxford

1785

Newton Limbird Smith Fielding, 1799–1856

Le Crotoy from the Mouth of the Somme

1825

Print made by Charles Turner, 1774–1857

Okehampton Castle on the River Okement

1825

William James Ward, ca. 1800–1840

David Wilkie, R.A

1818

Print made by James Clark, 19th century

Cowdray Ruins

1824

Print made by Paul Angier, active 1749

A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir

1749

Print made by Stanley Anderson, 1884–1966

Somerset House, London

1910

Print made by Charles William Cain, 1893–1962

Burmese Dancers

between 1920 and 1924

William Ward, 1766–1826

Industry and Economy

1794

James Gillray, 1756–1815

A Morning Ride

1804

Sir Francis Seymour Haden, 1818–1910

The Breaking Up of the Agamemnon, no. 1

1870

Sir Francis Seymour Haden, 1818–1910

The Breaking Up of the Agamemnon, no. 2

after 1880

Print made by Sir Francis Seymour Haden, 1818–1910

The Breaking Up of the Agamemnon, no. 2

after 1880

Thomas Girtin, 1775–1802

View of St. Cloud and Mount Calvary taken from Pont de Seve

1802

Guillaume Philippe Benoist Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

1745