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1
- A Pastoral Scene
- 1835
2
- Thatched Cottage and Church
- undated
3
- The Crescent Moon
- undated
4
- Shoreham, Kent
- between 1831 and 1832
5
- Leatherhead Church, Near Epsom, from the Northeast
- 1806
6
- Wormingford Church
- between 1813 and 1815
7
- Dawn
- between 1831 and 1832
8
- Dedham Vale from Langham
- between 1830 and 1831
9
- Desenzano
- 1867
10
- El Areesh
- 1867
11
- "And none but Bromian can hear my lamentations..." (Plate 6)
- 1793
12
- Preludium. "Of the primeval Priests assum'd power..." (Plate 2b)
- 1794
13
- The First Book of Urizen, Plate 4 (Bentley 24)
- 1794
14
- II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
- 1789
15
- Title Page, The First Book of Urizen (Plate 1)
- 1794
16
- III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
- 1789
17
- Title Page, The Book of Thel (Plate 2)
- 1789
18
- Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)
- 1789
19
- I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
- 1789
20
- IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
- 1789
21
- III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
- 1789
22
- III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
- 1789
23
- Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)
- 1789
24
- IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
- 1789
25
- Title Page, The Book of Thel (Plate 2)
- 1789
26
- II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
- 1789
27
- III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
- 1789
28
- I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
- 1789
29
- An Angel with a Trumpet
- between 1805 and 1808
30
- Study of a Horse's Hooves
- undated
31
- Figure Composition Study 29
- undated
32
- Three Lamenting Women
- undated
33
- Two Standing Figures Wearing Tall Hats
- undated
34
- Figure Supporting a Fainting Figure
- undated
35
- Dancers and Musicians, Probably for "L'Allegro"
- undated
36
- Head in Profile
- undated
37
- Standing Female Figure
- undated
38
- Standing Figure
- undated
39
- Manuscript Notes
- 1773
40
- Manuscript Notes
- 1773
41
- Manuscript Notes
- 1773
42
- Manuscript Notes
- 1773
43
- A Pensive Lady
- undated
44
- Richard Cumberland Frontispiece
- undated
45
- Standing Figure with Arm Upraised and Seated Figure
- undated
46
- Kneeling Woman
- undated
47
- Head
- undated
48
- Manuscript Notes
- 1773
49
- A Man with a Horse, Possibly Ward Thomas
- undated
50
- Two Sketches of Children at Play
- undated
51
- David Playing the Harp
- undated
52
- Seated Woman, Possibly Mrs. Harris
- undated
53
- Manuscript Notes
- 1773
54
- Manuscript Notes
- 1773
55
- Manuscript Notes
- 1773
56
- Manuscript Notes
- 1773
57
- Manuscript Notes
- 1773
58
- Manuscript Notes
- 1773
59
- A Christening
- undated
60
- Mother and Child with Young Boy Leaning on Window Sill
- undated
61
- Lysander Awakening to See Helena
- 1825
62
- Simon Eady of Northhampton, Opener of the Gospel
- undated
63
- Solicitude: A Man Supporting a Fainting Woman
- undated
64
- Sir. Hans Sloane
- 1740
65
- A Young Woman in a Pink Dress
- undated
66
- Woman with Ringlets, Standing
- 1824
67
- A Life on the Ocean Wave
- undated
68
- Portrait of a Lady
- 1842 to 1843
69
- Illustration for The New Doll: Sewing Clothes for the Doll
- 1825
70
- Illustration for The New Doll: How Pretty it Is
- undated
71
- Ilustration for The New Doll: Untitled
- 1825
72
- Study of a Male Nude
- undated
73
- Greek Warrior with the Visor of his Helmet Drawn over his Face
- undated
74
- Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
- undated
75
- Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
- 1877
76
- Mrs. Morland's Portrait
- ca. 1802
77
- Landscape with Trees in Foreground
- between 1762 and 1783
78
- Ferdinand Reunited with his Father
- 1821
79
- Viola and Olivia
- 1822
80
- Feste, as Sir Topas, addressing Malvolio
- 1822
81
- Christopher Sly and the Page, as His Wife
- 1821
82
- Katherina and Grumio
- 1821
83
- Malvolio abusing Maria, Fabian and Sir Toby
- 1822
84
- Falstaff at Herne's Oak
- 1821
85
- Master William Page and Sir Hugh Evans
- 1821
86
- Study of a Woman, being Taken Away by a Winged Being
- undated
87
- Pan, Spying, From Behind a Tree, at Putti, Shooting Arrows
- undated
88
- Study of a Roman Banquet Scene
- undated
89
- Scene of a Bacchanalia
- undated
90
- Six Capitals of Columns in the Court of Lions in the Alambra of Granada
- 1775 to 1776
91
- The Tempietto in San Pietro in Montorio, Italy
- 1777 to 1778
92
- Uschis (Coccinea abyssinica)
- undated
93
- Destined (?) for West Indies: Four Battleships
- undated
94
- Christ Appears to Mary Magdalene (John 20:13-14)
- before 1836
95
- Artist's Son Writing
- undated
96
- The Manse, Cults, Fife: The Artist's Old Home
- undated
97
- Ancient Greek Inscriptions, Found on the Road Between Mystras and Leontari
- 1803
98
- Ancient Inscriptions in Greek Alphabet
- 1802-1804
99
- Arcadia
- 1802-1804
100
- Road to Sarzana
- 1802-1804