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Associated Places United Kingdom

Subject Terms singing

1. Rehearsal of an opera

Rehearsal of an opera

Creator:: Marco Ricci, 1676–1729
Date:: ca. 1709
Materials & Techniques:: Oil on canvas
Dimensions:: 19 x 22 inches (48.3 x 55.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. Rehearsal of an opera

Rehearsal of an opera

Creator:: Marco Ricci, 1676–1729
Date:: ca. 1709
Materials & Techniques:: Oil on canvas
Dimensions:: 18 1/4 × 22 3/4 inches (46.4 × 57.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. Little Dot Hetherington at the Old Bedford, Camden Town, Singing "The Boy I Love Is Up in the Gallery"

Little Dot Hetherington at the Old Bedford, Camden Town, Singing "The Boy I Love Is Up in the Gallery"

Creator:: Walter Richard Sickert, 1860–1942
Date:: ca. 1888
Materials & Techniques:: Pen and black ink and graphite on thick, smooth, beige card
Dimensions:: Sheet: 12 3/4 x 10 1/2 inches (32.4 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Mary Gertrude Abbey Fund

4. George Fox in Carlisle Dungeon

George Fox in Carlisle Dungeon

Creator:: Print made by Robert Spence, 1871–1964
Date:: between 1890 and 1911
Materials & Techniques:: Etching and drypoint on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 3/4 x 12 5/16 inches (24.7 x 31.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

5. Highland Dancers

No cover image available

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Stipple engraving, etching and colored woodcut on moderately thick, smooth, cream wove paper cut into five scenes and mounted on medium, smooth, beige wove paper
Dimensions:: Image: 1 7/8 x 1 inches (4.8 x 2.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection