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Creator Bartolozzi, Francesco, 1727–1815

1. Edward Hawke, 1st Baron Hawke

Edward Hawke, 1st Baron Hawke

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1796
Materials & Techniques:: Stipple engraving and etching in brown ink on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 1/8 x 7 11/16 inches (28.2 x 19.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Dr. John Fothergill

Dr. John Fothergill

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1782
Materials & Techniques:: Stipple engraving in brown ink on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 1/8 x 9 5/8 inches (33.3 x 24.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Ticket to Westminster Abbey

Ticket to Westminster Abbey

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: before 1791
Materials & Techniques:: Etching and line engraving on thick, moderately textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 7 3/8 inches (22.3 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Medallions of F. Hutcheson and L. Natter

Medallions of F. Hutcheson and L. Natter

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1780
Materials & Techniques:: Mezzotint, stipple engraving, and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 1/2 x 10 7/16 inches (36.9 x 26.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Ticket: For the Benefit of Mr. Salomon

Ticket: For the Benefit of Mr. Salomon

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1794
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 11/16 x 4 5/8 inches (9.4 x 11.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. To His Grace The Duke Of Newcastle, This Print Of The Return From Shooting

To His Grace The Duke Of Newcastle, This Print Of The Return From Shooting

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1792
Materials & Techniques:: Color-printed stipple engraving with aquatint and drypoint
Dimensions:: Sheet: 21 x 26 1/4in. (53.3 x 66.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Lovelace in Prison

Lovelace in Prison

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1788
Materials & Techniques:: Stipple engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 3/8 x 17 7/16 inches (39 x 44.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Ticket to Concert of Ancient Vocal and Instrumental Music

Ticket to Concert of Ancient Vocal and Instrumental Music

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1786
Materials & Techniques:: Line engraving with etching on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 3/8 x 9 1/8 inches (18.7 x 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Dr. John Fothergill

Dr. John Fothergill

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1782
Materials & Techniques:: Stipple engraving in brown ink on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 9 5/16 x 6 7/16 inches (23.6 x 16.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Ticket to Westminster Abbey

Ticket to Westminster Abbey

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: before 1791
Materials & Techniques:: Line engraving and stipple engraving on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 5 11/16 inches (22.2 × 14.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection